Shambhu is the proficient guitarist clearly asserting in his website news pages that his first album has truly been a “ labor of love “ while composing, performing and co-producing with Will Ackerman, along with his time spent working beside other top music professionals.  This I can believe since at the end of the day, Shambhu and his insightful selection of collaborating musicians has paid off rather handsomely, and by their collective time spent together, have helped convert this debut release into a commodity of premium value.

Sacred Love – Feel The Journey is New Age Fusion, Contemporary Instrumental, and Jazz, having East, West, and World elements which help facilitate the conversion of artful melodies into solid gold entertainment that requires only simple involvement for the rest of us to acquire the appreciable benefits of this grand endeavor.  Sacred Love has already achieved a quantifiable amount of success, where at present Sacred Love – Feel The Journey is # 1 for the month of October 2010 in ZMR’s Top 100 Chart, but I also have a feeling this album will appreciate in value even more over time.

Shambhu is an esteemed musician in his own right performing concerts or on albums with top music entertainers like Bob Hope, Carlos Santana, John Anderson and on Whitney Houston’s multi-platinum album titled simply Whitney.  The list goes on since Shambhu has also been involved in projects with many of the respected musicians I continually write about like Will Ackerman, Jeff Oster, Eugene Friesen, Ann Licater plus many more.

Sacred Love – Feel The Journey on the Acoustic Shine label has an impressive cast and crew since many have toured or recorded with top musical groups themselves.  Some of these artists on Shambhu’s album include Tony Levin of Peter Gabriel on bass, Jeff Haynes of Pat Metheny on percussion, George Brooks of John McLaughlin on saxophone, Celso Alberti of Steve Winwood on drums, and then Premik Tubbs of Santana and John McLaughlin on flute.

Together is the first of 12 songs total and what a memorable impression it creates.  The center stage guitar and violin pairing established securely alongside flute and reflective instrumentation is magnificent, plus it is easy to visualize this song and others in a Cinematic role since the warm, sincere, and dynamic atmosphere echo the characteristic essentials for a multitude of made for the big screen movie settings.

Natural Moment is a warm and casual song that positively takes off and ascends to new heights.  First expressed during the initial sequences, xylophone and numerous percussion enhancements become the lively components that merge into a free spirited narrative complete with smooth and graceful electric guitar rhythms which intensify and progress neatly into a picturesque arrangement.

Maiu Breeze is refreshing by exhibiting a jazzy tropical presence.  First conveyed by acoustic guitar highlights, the integral xylophone rhythms and harmonious vocals filled with energy and vitality are a natural accompaniment to the guitar arrangement.  Together they merge perfectly to bring out the compositional fascination of this album and its entirety, creating a dynamic atmosphere that leaves one with an impression of total harmonic refinement.

This first release by Shambhu will always be termed a debut as one might expect, but when you consider his proficiency as a guitarist, the impressive number of outstanding talents on this extraordinary album, and their combined lifework totaling a significant number of decades as esteemed music professionals, then this masterful first album by Shambhu truly does amount to a rewarding and appreciable “ labor of love. “

Full musician credits are Eugene Friesen – cello, Charlie Bisharat – violin, Ravichandra Kulur – flute, Michael Manring – bass, Jill Haley – English horn, Claytoven Richardson – lead vocal, Jeff Oster – flugelhorn, Noah Wilding – vocals Todd Boston – sarod, mixed and engineered by Grammy Award winning Corin Nelsen.

Visist shambhumusic.com to sample / purchase or go to his CDBaby.com page and Amazon.com page.

Big Stock Photo – rkasprzak.

Grammy Nominated Paul Avgerinos from Redding Connecticut happens to have a new release called Law of Attraction that his prodigious fan base is certain to fully embrace with open arms, and do so without hesitation. I would imagine this great ambient album will also succeed at winning over many new fans for Paul Avgerinos, new fans who will go directly to the heart of his widely popular Round Sky Music website to hear for themselves, so for some of you, let me be the first to introduce you to this award winning musician.

Paul Avgerinos has in all honestly based the Law of Attraction theme in regards to authors Esther and Jerry Hicks and their bestselling self-help books, but after listening to his thirteenth album I discovered Paul Avgerinos Law of Attraction has such a pleasingly rich sensation of expressive delights, I just had to respond myself by concentrating more precisely on the melodic wonderment and charismatic appeal of this sensational new release, which if it was a library book, Law of Attraction would be classified and shelved in the romantic therapy section.

Law of Attraction is after all quite compatible or along the same wavelength with his prior Love album, which is another positively feel good release with a passionate and dreamy intonation paired to the divine word we call love. The Love album did after all achieve a desirable level in 2009 by 2 nominations at ZMR which included Best Relaxation / Meditation Album.

Law of Attraction is an exciting fusion of New Age Ambient and World Music styles from the Middle East and India, and of the many earlier releases that garnered success, Law of Attraction has the same instrumental music essentials to his earlier award winning Garden of Delight.

Paul Avgerinos further album awards do include Garden Of Delight which won Best World Album in 2007 and notable Gnosis had 5 Best of nominations total, while winning the Best Relaxation / Meditation Album award category in 2006. Muse of the Round Sky which made the airwaves on over 2000 radio stations worldwide was the album that had first introduced Paul Avgerinos as a top artist and Grammy Nominated musician.

Paul Avgerinos has composed the 10 songs, performing on bass violin, Fretless bass, 12 string & nylon guitars keyboards, vocals, percussion and sound design. Kevin Braheny Fortune is featured on Electronic & Classical flutes, and Steve Gorn on Bansuri flute join Paul, as do the seven essential talented musicians I have credited below.

This group blends vibrant instrumental fusion into an intricate musical project fascinating for the senses to behold like heard in Gentle My Love & Ask and It Is Given which are deep, exotic, and mesmerizing. You will find every song holds a diverse kaleidoscope of elevated ambience, but these two songs in particular are quite unique from anything I had ever heard before since multiple guitars and ethnic vocals infuse a sensual calm and steadiness to where they seem spellbinding or even hypnotic at times.

The Vortex is another picturesque song that intermingle keyboards, guitars and lyric less vocals into wonderful patterns that are like a magnet by attracting you into a beautiful sound adventure made for the senses. Follow Your Passion & Art of Allowing are two songs showing ingenious geometrical patterns of his Ambient music like Law of Attraction ( Title Song ) they have gentle curved surfaces free of any abrupt edges or distant note to note sound plateaus leading to nowhere. If one was to compare the textural sensations of touch to this release, it would be as smooth as silk when you ran your hand across it, and you will see what I mean when you sample this perceptive new release.

It is pretty easy to fall in love with Paul Avgerinos music whether you have been officially introduced or not, and you may be interested to know that in addition to his eloquent skills as a composing New Age musician he has worked on over 100 television and film projects. Paul was also the primary bass player for The Hong Kong Philharmonic Orchestra and toured with many Popular, Contemporary, and Jazz groups over the years, having been involved with numerous Platinum album productions while collaborating with popular music acts Aerosmith, Jewel, Run DMC, Willie Nelson and Deana Carter.

Your introduction and credits for the additional musicians are Trina Basu on Violin, Brahim Fribgane on Oud, Rafiq Khan on Indian Sarangi, Rohin Khemani on Tabla & other percussion. Steve Waite on 12 string & electric guitars, Christine Yandell on vocals and Malika Zarra on French & Arabic vocals.

Visit roundskymusic.com to sample / purchase or go to his CDBaby.com page & Amazon.com page. You can find out more on our pages dedicated to Paul Avgerinos.

Big Stock Photo – SSilver.

Lisa Downing from Littleton Colorado is a musician with a promising answer on what makes not only a suitable gift, but a personalized one most people would enjoy receiving and a gift most likely to renew their true reason for the season Christmas spirit like her CD album did for me.  Actually, when you take into consideration every aspect of purchasing the relatively inexpensive and long lasting gift of music for nearly every gift occasion, this easy to make decision translates into a logical choice.

Lisa Downing has a Solo Piano album titled Christmas for Two that may be of interest to you and while there are many exceptional Christmas albums in the New Age genre along with every musical taste, Lisa Downing has a special gift herself as a top solo pianist in every sense of the word and this is precisely articulated on her Holiday music release.  Plus, knowing Lisa was a youth pastor at her church in Littleton earlier in life and performed in the Christian, Folk, Pop-Rock band named Wings of Faith, you know that Lisa’s heart is in the right place.

Her lifelong commitment as a professional musician are praiseworthy too since Lisa Downing earned a university degree in music, attending both the University of Colorado at Denver and Metropolitan State College, receiving a joint specialized BA degree in Traditional and Non-Traditional Music with keyboard emphasis.  Lisa is also an esteemed concert pianist having toured or performed with other renowned artists like David Lanz, Suzanne Ciani, Liz Story, and Peter Kater.

Christmas for Two on her Vision Quest Entertainment label is a Solo Piano Christmas album cordially personifying Lisa Downing’s expressive talents in several ways, plus the 12 holiday tracks are perfect in the sense they reveal traditional holiday music in her skillful expressive touch like you would hear while attending one of her highly personalized concerts.

While Christmas for Two is considered New Age / Neo Classical, I trust any label is of less regard here since every piece chosen for the album will be identifiable and appreciated by everyone like The First Noel / Joy to the World.

You will notice her Holiday release is composed with a delicate balance by the companion format where two songs are united into one like heard on All through the Night / Away in a Manger so there are actually 22 titles in all with the single song exceptions of Silent Night, Canon in D Christmas Medley, and Angels We Have Heard On High.

The traditional holiday pieces What Child Is This / We Three Kings and then O Holy Night / It Came Upon a Midnight Clear were my 2 favorites, plus I found the richness in depth and quality intonation regarding her performance on a Yamaha C7 Acoustic Piano was proficient in entirety like I had expected.

Every song on Christmas for Two is delivered with precision and Lisa’s personal creativity shines by the unique manner in which the songs were impeccably composed into one, with treble and bass notes reaching many proficient runs and chords in all ranges along the piano keyboard.

Christmas for Two varies from soft and contemplative at moments to spirited phrasing with majestic crescendos like her amazing version of God Rest Ye Merry Gentlemen / Carol of the Bells which give new meaning to the term Holiday music.

Now that you know I believe simply listening to Holiday music will help renew the Christmas spirit for anyone like it did for me, and where to search for Christmas Piano Solo music that brilliantly succeeds in establishing the seasonal tone, I hope to have been of some assistance today.  I trust everyone will have an especially joyful Christmas this year while recognizing the greatest gift of all and true reason we celebrate the season.

Visit lisadowning.com to sample / purchase.  You can also visit her CDBaby.com page or Amazon.com page and read my review of A Delicate Balance on our pages dedicated to Lisa Downing.  Lisa and her husband Pete Foster own a combined talent agency and record label representing over 1200 Colorado musicians so find out more at visionquestmusic.com.

Album art courtesy NW Media.  Photo courtesy Russell Smoak – The Inner Image.

Tomas Michaud from Alameda California has accurately termed the phrase New World Flamenco Jazz and this precise terminology tells a lot, but more importantly it is about the sensations you feel and the affirmative imagery acquired from his world blend of contemporary instrumentals and Latin acoustic guitar designs in new World Fusion music. These elements are also the fine attributes that create a new category of music from his various contemporaries like Ottmar Liebert, Govi, or Johannes Linstead.

Tomas Michaud defines his unique singular style in World Fusion having the fundamentals of Nouveau Flamenco, New Age and Smooth Jazz, but with Latin and South American rhythms that embrace Middle Eastern and Spanish music, along with Caribbean and Mediterranean harmonies. This may sound way too complex, and I am sure it is for the guitarist, but for any music aficionado it translates into charismatic melodies that turn an empty white canvass into a masterful portrait complete with colorful designs that are pleasing to the heart and mind of a broad audience.

Drawing his harmonious inspiration from Central and South American travels, the lengthy list of beautiful travel destinations recited on this album include Spain, Portugal, Mexico, Colombia, Peru, France, Costa Rica, Guatemala, and Singapore. Knowing his lengthy list of travel destinations across many continents and categorical guitar inspirations, then New World Flamenco Jazz is definitely an accurate description.

Beauty and Fire has 12 original compositions by Tomas Michaud and it quickly becomes clear his precision Flamenco styled performance on nylon – string guitar is a leading component of professional beauty, but the numerous distinguished musicians in accompaniment is another attractive element that makes this album flourish.

Beauty and Fire ( Title Song ) is an adventurous retreat into paradise by a peaceful East meets West cultural blend and this first song truly does make a meticulous statement about his singular New World Flamenco style with marvelous certainty. Two Hearts Into One & Night Into Day are pleasingly balanced by their relaxing melodies, along with another elaborate reflection carried into the moderate timed but equally rhythmic Embrace In The Mist & Morning Grace.

Deep melodic strides and tantalizing refrains are heard in Tango In Paradise while Gipsy Heart is quite breezy by the casual atmosphere an of accentuated guitar strides shared with violin. Living On The Wind retains a wonderful fascination by the amicable melody that can also be identified by an air of lively sophistication set in motion by magnificent guitar and piano rhythms backed by light instrumentals with plenty of quality percussion accents.

Thomas Michaud has a singular music style is a point I wanted to make today, so when selecting your album purchase at music outlets and you don’t find a New World Flamenco Jazz category try searching under New Age, World, Flamenco, Jazz, or Contemporary Instrumental sections. That is until the day retail outlets introduce a fun in the sun music category.

The musicians joining Tomas Michaud on Beauty and Fire are Don Turney on Grand Piano and keyboards, David Margen on Bass and Kai Eckhardt on Fretless Bass. Strings include Lila Sklar on violin and Michael Knapp on cello with Aharon Wheels Bolsta on Tabla and Thomas Perry, Celso Alberti, and Brian Rice on percussion.

Visit the worldmelodies.com website to sample / purchase or visit his CDBaby.com page and Amazon.com page.

Album art courtesy Elena Ray. Big Stock Photo copyright ersler.

Northern Seas is the fourth narrative from Al Conti that made a grand impression on me after hearing this new release for the first time.  On Northern Seas the ancestral homeland and Nordic heritage of Scandinavia is the theme presented in a manner you will find intensely glorious regardless of your own family coat of arms since the perceptions in imagery and rich instrumental landscape valiantly hold the high ground on this resolute masterpiece.

Al Conti has a long family legacy himself arising from a extensive linage of expressive artisans, and in addition to his popularity as a top musician, Al Conti is an performing actor, having made television appearances during shows of the acclaimed CBS daytime drama As The World Turns, commercials, and films, in addition to on stage theatre productions in the United States and overseas.

Al Conti’s first albums were Shadows & Poeta and third release Scheherazade from 2008 was a landmark award winning release that resided at the top of ZMR charts for 3 consecutive months, and then received 4 ZMR Lifestyle Music Awards nominations including Album of the Year.  Scheherazade then sailed among the clouds to secure Best World Album of 2008 and is played on many satellite and cable channels including Sirius / XM and Music Choice in addition to high watermarks in global radio charts.  Northern Seas at time of review publication has reached # 2 in ZMR’s Top 100 chart for October 2010.

Northern Seas is a fascinating mixture of New Age & World Fusion with a Celtic inscription on several of the 11 tales of intrigue recounted from the long ago days of antiquity.  The indigenous past folklore of Norse mythology brought to light by Al Conti is a melodious one indeed, telling of Norsemen during a time of Viking sovereignty in the Scandinavian nation.  Treading a deep imprint on each tale, every single song is crisp, clear, and refreshing as if detailing the pristine landscape and panoramic mountain vistas by deeply spacious tonal qualities.

Northern Seas ( Title Song ) has a thunderous opening with an aura of mystery by the piano melody but the free spirited rhythms by flute and violin illuminate the first waterscape images and swiftly place you into the forged from fire and ice Nordic landscape.  The light lyricless vocals portray an invigorating atmosphere which greatly changes what could have been pictured as a cold dreary day into one filled with deep but breathtaking rays of shrouded sunbeams.  Long drawn out colorful vocals are another positive element that dominates an ambient grounded Veil of Mist.

Song of Rig & Valkyrja are adventurous melodies featuring the ancient and exotic instruments used in this albums production.  Al Conti is proficient on a wide range of instruments and on Northern Seas he and contributing global talents create the unique feel of ambience using ancient and exotic instruments like kantele, harp, hurdy gurdy, pump organ, accordion and tribal drums that are melded with modern time instruments of piano, violin, cello, acoustic and electric guitar.

Odin The Wanderer is notably mysterious but also carries a palate full of vibrant hues much in part to the charismatic melody and choir that is lightly comingled with alluring violin and accordion tracings.  Two flute melodies with a Celtic essence are the vigorously paced Dans for Loki and then free flowing The Rainbow Bridge.  Piano and accordion merge in the light song Baldur and the time honored instrument when united with piano turn the tides of time to create an aesthetically pleasing old world essence.

Ragnarok has a penetrating melody with a light percussion rhythm of true enchantment.  This graceful new dimension in elaborate instrumentals of piano, harp, flute, and accordion constitute smooth verses in unison with a light choir while transitioning into a breezy reflection well in harmony with the chosen Nordic folklore theme.

Al Conti has crossed yet another threshold with this exciting new release having every telltale sign of award winning success given his intriguing music portraiture of Scandinavian countries centered by Norway, Denmark, and Sweden.  The majestic highlands, islets and fjords bordering the Barents, Baltic and Norwegian Seas have become the phenomenal harbor setting for this striking new album christened Northern Seas.

Visit alconti.net to sample / purchase.  You can also visit his CDBaby.com page or Amazon.com page.

Album art courtesy Elena Ray.  Picture copyright Big Stock Photo – galdzer.

Kelly Andrew ( Kaveny ) from Denver Colorado may have begun his early career performing orchestra music like a lot of us but this is where the similarities end, and after you listen to the classic symphony music he has created the comparison will become even more noticeable.

Kelly Andrew has made a successful impression by release of Olympus, an exciting debut complete with full orchestrations that boldly recreate a music symphony the majority of us had only dreamed of producing.

Olympus is his New Age, Contemporary Instrumental, Symphonic release expertly joined with electronic and technological digital effects well suited for the Cinematic & Soundtrack fields of music.

This Epic release is so perfectly aligned for movie scores by the full symphony sound it may inspire those with prior orchestra experience to snap open their instrument cases, prepare by tuning and begin practicing warm-up scales!

Kelly Andrew is a classically trained composing pianist and may have released Olympus as his official first album but in fact Kelly Andrew is known for creating a much wider array of music with over 15 years of experience as a musician producing his original signature series of music, having composed, arranged, and produced over 35 original singles of which some songs were performed by the University of Colorado choir and more is planned for release in the near future.

Olympus has some of the finest orchestrations I have heard recently and since the 12 tracks of classic symphonic music has contemporary instrumentals from every section backed by full percussion, I believe Olympus is a symphony that will stand the test of time. Those who have in the past or presently sing in a choir will admire the light chorales in Aphrodite that build momentum and crescendo with a full arrangement of brass and strings.

Percussionist will recognize the full symphony complexity of Apollo, and like many songs the resounding rhythms by timpani drum with cymbal crashes on cue are the outline for a full brass section of French horns, trumpets and trombones evoking a majestic theme. Hera is comparable by this vibrant transfer of stateliness except woodwinds take center stage by a warm melodic theme among brass refrains, and likewise with song Athena.

Demeter has a comprehensive orchestra setting with woodblock claves and many enhancements that inscribe bold accents to the entire symphonic atmosphere, so again those who have played percussion in the past should notice the chimes, triangles, and drums like timbales and congas create the excitement in this piece.

Artemis is a great instrumental arrangement with a complete strings section of violins and cellos harmony before woodwinds join in a nicely united counter-melody. Soprano and tenor vocals impart a large amount of theatrics by chorus refrains which fashion an interesting contrast, especially when a full brass section of Flugelhorns, trumpets and trombones enter with rich solid tones. Hephaestus begins with a light strings segment before flutes, clarinet and additional woodwinds of oboe and piccolo supplement the song structure with breeziness while an elaborate choir enters during later measures.

Poseidon is dramatic by the intensity and depth beginning with a choir during the early measures. Electric guitar runs are a clear distinction apart from the rest and although it may appear less customary in a symphonic atmosphere, the electric guitar lead create a grand opus with every well placed instrumental note blending together decisively.

Olympus is a symphony of exceptional quality and true excitement. It really won’t matter whether you have prior experience for you to fully appreciate this release from Kelly Andrew, but for those who have played a musical instrument in an orchestra or sang in a choir expect to be reminded of an earlier time in life when playing music was your one true passion.

Visit the kelly-andrew.com website to sample / purchase Olympus or visit his CDBaby.com page or Amazon.com page.  You can also find a YouTube video of Olympus on our pages dedicated to Kelly Andrew.

Picture Copyright BigStockPhoto – yuyang.

Provence is the name of this admirable new release by Luna Blanca, along with the region of Southeastern France highly prized by a warmer climate, gourmet cuisine and regional quality vineyards, creating the picture-perfect setting for Luna Blanca’s new release that greatly succeeds at intertwining these luxurious qualities of refinement into their own creation of beauty.

Luna Blanca selected the nearby locality of Provence for a good reason since many famous authors, poets, and painters like Vincent van Gogh & Pablo Picasso had acquired inspiration for their artistic masterpieces. After reading more about this region of Europe it became clear to me why Luna Blanca members regularly travel to Provence for their creative inspiration, and it appears everything was well designed during their masterful adaptation.

Luna Blanca is prevalent on an international level and where founding lead acoustic guitarist Richard Hecks, first trained in classical music initiated his crossover to New Flamenco and began writing the vibrant original compositions we hear today. Artist Helmut Graebe is a principal member with spirited piano and organ rhythms and on Provence, Hecks and Graebe had an equal hand while composing their parts along with the instrumental compositions of talents Bino Dola on rhythm guitar, Clemens Paskert on bass, percussion, and added keyboards. Juan & Carolina provided some vocals and guest musician Uwe Gronau is featured on two songs playing organ and accordion.

First song Driving sets the contemporary surroundings in motion for this pretty as a postcard destination in Nouveau Flamenco music and where everyone will be able to perceive their picturesque connection to the region of Provence in the first few measures. Colorful in every way, Driving like each of the 12 songs are unique by their united but singular identity.

Gipsy & Francoise nicely exemplify this ever changing diversity since each have passionate melodies and charismatic rhythms which vary noticeably but interblend conclusively from song to song, representing one of many progressive attributes of this album in entirety. Mistral has a fascinating groove based melody with accented organ and keyboards parts exhibiting many fine upbeat runs in parallel time with exciting acoustic guitar rhythms.

Café has a tantalizing setting by trumpet and accordion refrains among progressive guitar and piano melodies which introduce an alluring arrangement to the surroundings.

Sunset & La Maison Bleue likewise display some great instrumentals plus the dynamic percussion rhythms heard on every song do more than merely lay the timing foundation for band members to build their melodies upon, so it is noticeable the percussion parts are a lively component in the total note by note Nouveau Flamenco atmosphere.

Crème Brulee is an inviting song given the calm serene impression and one that resembles Siesta, where moderately timed guitar melodies with piano accompaniment establish a comfortable mood of relaxation while also conveying at the very same time, a fine impression akin to white tablecloth elegance while the boldly accented accordion composition in Camargue introduces an elevated amount of European ambience by the intriguing sentiment.

Rosé is a song named after the house wine regularly served with the cuisine at local cafés and proportionate to the regional vineyards and fields of lavender, Rosé is an aromatic song for the senses too and while presented in more moderate time, the guitar and piano melodies fluently bring a fragrant bouquet of light ambience to the table.

Cote d’Azur is a majestic song finely poised by graceful half step guitar chords and piano counter melody which paint a romanticized picture of the French Riviera, concluding this song with the sound of coastal waters moving across the Mediterranean seashore, and with everything considered I wonder if anyone could ask for anything more.

Provence by Luna Blanca is an exciting new release, where admirable guitar and keyboard melodies express an anytime occasion for celebration. Together in unison, every member gives a brilliant performance and the spirited festive theme this new release portrays has the perfect entertainment setting. Casual and inviting by an open air sensibility, the members of Luna Blanca deserve every glass to be raised high in a toast of salutation. Cheers Luna Blanca!

Visit lunablancamusic.com to sample / purchase. You can also visit their CDBaby.com page or Amazon.com page.

Cover art copyright Anke Baugatz – Picture Copyright Big Stock Photo – klenova.

Michael Brant DeMaria, PH.D, is a clinical psychologist, lecturer, and award winning musician from Florida with a revitalizing new concept album honoring our shared heritage with the Earth by the World influences in Gaia, an innovative and exceptional brand new release in his widely acclaimed Ontos Healing Sound Project.

Gaia is essentially the achievement of over 25 years in personal and professional research by Michael into the fundamental principles of auditory healing techniques. His New Age Ambient release The River began the first origins of the Ontos Healing Sound Project while leading to the Healing & Meditation release Ocean, which remained at number 1 for 3 months on the monthly charts then having ended the year 2009 with ZMR’s Best Ambient & Best Relaxation Album Awards.

Ocean and was first conceived to help hurricane survivors begin anew and return to a more peaceful existence, but then after the 2010 Gulf Oil Disaster, Ocean became a second symbol of recovery since Michael donated his time performing concerts around the Gulf Coast Region, along with donating a portion of sales proceeds for the still ongoing wildlife recovery. I was pleased to learn Ocean is under consideration for a 2010 New Age Grammy Nomination.

Gaia is a serene excursion into the Ontos Healing Sound Project by directive of Michael Brant DeMaria. Therapeutic by a graceful vibrancy that effectively renews the inner spirit akin to The River & Ocean; the innovative World inspirations found in Gaia heighten these emotive sensations of calm and well-being while ascertaining our undeniable relationship with planet earth.

Siyotanka is the story based narrative and soundtrack score that secured a Native American Music Award ( NAMA ) in the Native Heart category, and then lead to his Grammy Nomination for Best Native American Music Album, along with winning the Best Native American Album at year ending ZMR Music Awards for 2009.

Gaia has every hallmark for success since nearly every album produced by Michael Brant DeMaria has earned awards and respect from those in the music industry, and rightly so. Michael’s music, books, art, and poetry have acquired recognition in the United States along with widespread international acceptance in Australia, Europe, and Russia, having touched many lives with his universal message.

Third in the Ontos Healing Sound Project Gaia is based in part on the Greek Goddess Gaia, along with esteemed Earth Scientist Dr. James Lovelock’s Gaia Hypothesis, whose research studies involving planetary exploration while at NASA led to his famous Gaia Hypothesis which interprets the Earth we share as one cohesive single living organism.

Gaia ( Title Song ) is the musical genesis of 14 tonal poetries and sound prayers traversing many nations and cultures, opening with a lighter piano melody, where World and Native American wood flutes in amended resonance on every song begin their ethnic exploration and develops into a wonderful first prelude to the ever changing stages in this moving expedition.

Anima Mundi tells of an emergent period and where Michael uses his voice as a human instrument to speak for the ancestors of our past. The surreal Alchera features Australian ( didgeridoo ) ever present wood flute instrumentals and vocal exhalations to denote the Earth as a single living entity of magnificent beauty.

Asase Yaa, with fine qualities of African rhythms and Amazonia, with South America textures are together moderate in rhythm, having unifying world flute instruments and percussions in each melody, even during the deep and mystical atmosphere of Ja’neba. The silk road to China is traversed by highly symbolic gong strikes in Xiaolin, along with Chinese flute ( Xiao ) in akin song Kuan Yin with traditional (Yueqin ) strings instrument dramatizing the orient with vibrancy.

Gentle imprints of Japan are represented by bamboo flute ( Shakuhachi ) and the gentle breeziness of wind chimes leave fine impressions in Zazen & Tarani, likewise revealing Michael’s fine transition in World music personified on Gaia, along with the notion that our enduring heritage of dependency we share with planet Earth will always be just a simple fact of life.

Visit ontos.org to sample / purchase or visit his CDBaby.com page or major music outlets. You can visit his michaeldemaria.com blog and read a recent in-depth interview with Michael and I along with my reviews of his award winning albums on our pages dedicated to Michael Brant DeMaria.

Picture copyright Big Stock Photo – Shutter.

While Bill Leslie is easily recognized as a composing musician and leader of his traditional and Celtic fusion music group Lorica, he is also a 5 time Emmy Award winning journalist and newscaster for WRAL television network and a multiple Journalist of the Year awards recipient in North Carolina.  In addition he composes traditional and Celtic fusion music as a soloist and during concert appearances with his band Lorica.

In fact Bill Leslie was an early roommate and helpful mentor to popular musician, radio, television, and Entertainment Tonight Show host John Tesh.  These good friends have recently had the opportunity to perform together again during a September 2010 concert at Meymandi Hall in the Progress Energy Center for the Performing Arts located in Raleigh, North Carolina.

Simple Beauty is the 2010 all instrumental album now charting in the number 1 position for the month of September at ZMR and reflects the inspirational countryside of The Carolinas, along with a personal improvised structuring Bill had conceived after his studies with renowned Irish musician Michael O’Domhnaill and his Celtic influences.

On the Simple Beauty release Bill composed 10 original songs patterned in accordance with 4 traditional ancient Irish melodies so the composition in entirety results in a highly melodic blend of Instrumental New Age with a Celtic alliance that is harmoniously arranged with a done just right perfection.

Like his early debut Peaceful Journey, which received a number 1 ranking on ZMR World Music charts, Bill’s current has all the hallmarks of reaching equal success.  Christmas in Carolina was named Best Holiday Album and I am a River charted number 2 and also contain some wonderful instrumentals.

Blue Ridge Reunion was another album that secured a number 1 position with Zone Music Reporter charts, along with the year ending honors of being named Best Acoustic Instrumental Album of the Year in 2008.

An instrumentalist at heart, Bill Leslie performs acoustic guitar, piano, bass, whistles and keyboards.  The artists on this album are Bill Covington on Grand Piano, Brent Cotton on Acoustic Guitar, Jennifer Curtis on Violin, Nancy Green on cello, Will Leslie on percussion and Linda Metz on flute.

Simple Beauty is an appropriately titled work of harmony whose scenic wonder and peaceful surroundings emerge by the truly great instrumentals, making this current natural and wholesome new release a sensational find for everyone.

Visit billleslie.com to sample / purchase or visit his CDBaby.com page.  Find out more at Bill Leslie’s What’s New page.

Cover photo by Bill Leslie.

Steve Orchard is the musician traveling that long and winding road to 54 St. James Street, London to Apple Records and this story is just one of many he shared during our interview together. Everything has come together for Steve Orchard since today he is an MG Music Label artist and representative member of the Medwyn Goodall circle of friends highly revered for their outstanding music and integral voice every label artist is known for producing.

Steve Orchard is a multi instrumentalist composing and performing original music for many years on guitar, mandolin, harmonica, keyboards, piano and various skin drums. His prior albums Voyages Beyond Midnight, Salt Water Café & The Consequences of Kisses are great albums too and some earlier songs reveal the fact that Steve is also a fine vocalist.

Sundancer is an emblematic second album in his Trilogy Series and just like first in series Raindancer, nicely reflects the rare qualities of relaxing yet energetic melodies that I felt achieve universal appeal. Moondancer is the third album in the Trilogy Series, which makes this trio edition a well timed release during the 25 year anniversary events taking place with Medwyn Goodall and every fine artist comprising the United Kingdom based MG Music Label.

Sundancer is a glowing accent to the Trilogy Series and where first in series Raindancer, with deeper tones and synthesized rhythms set the mood, Sundancer has a fun energetic symmetry and feel of Island music by a well placed illuminating atmosphere. One element greatly uniting the two is their overall relaxing yet energetic tonal qualities and their multiphase array of percussion rhythms.

The first bold impression of beaming radiance appears in energy driven song Soar. Percussion inscribes an upper tempo outline while keyboards and acoustic guitar imprint pleasing colors by a light but nicely melodic tempering while becoming your first indication the lively sun dancing theme is going to be fun and exciting.

While Sundancer is centered by a primarily upper tempo and is full of energy set in motion by an array of percussion and instrumentals, there are plenty of laid back relaxing moments too and none more apparent in than what you will hear in Lagoon & Tethered. This coequal ambiance with deeper rhythms during refrains are likewise found in the sultry oasis song Heat!

Many songs are evenly layered midst more moderately timed tempos like Rainman, Unrepentant & Deadly Arrow, where an ensemble of percussion and steel drum accents prepare the harmonic profile for acoustic guitar, flute and keyboard contrasting melodies, with brighter phrasing infiltrating the deeper passages with full solid clarity.

Playing in the Sun & Borboletas are upper tempo songs with wood flute becoming the essential melody producer, and where single or long drawn out notes are often heard from others playing either the woodwind instrument or by effect, here a free flowing multiple note melody backed by accordion, keyboards and percussion nicely balance the full of energy attribute.

Pacifica is the positive upbeat song rounding out the 11 total on Sundancer.

Steve Orchard is a bright and serious composer today just as he was in yesteryear and I’ve got a feeling he had composed Sundancer with a fun and energetic theme in mind all along which is like some of our other all time fun favorites, so for me this is what makes Steve Orchard’s releases memorable eight days a week.

Visit the steveorchardmusic.co.uk homepage and sample or purchase Sundancer on his music page. Read my recent interview with Steve Orchard on our pages dedicated to Steve Orchard.

Sundancer cover design copyright David Orchard. Picture copyright BigStockPhoto – Albo.