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Archive for the ‘Cinematic Piano’ Category

 

Today’s computer enhanced technology is amazing, and when skillful composing is combined with live performers and instrumentals, the resulting musical outcome can become a creation of natural beauty.

Timothy Crane is an artist title using a creative touch with the music technology of today by composing piano music, then adding key instrumentals along with orchestra effects that become full structured works of music he and his close friends enjoy creating.

Dragonfly is the second release where Timothy plays a leading role as pianist and co-producer of his second album, along with Jason Rowsell who also played bass and mixing. Friends Rick Henly performs on guitar and percussion effects, while Ryan Day engineered and mixed the album. Having one last credit I don’t want to miss, Jason Rowsell’s young daughter has a cameo role by quietly laughing on cue during the beginning of song, A Child’s Goodnight.

The Other Life I Dream is the first album I enjoyed equally from this talented group. When asking Timothy what was the primary objective on this current release, and what set Dragonfly apart from the first album. Here is his reply :

With Dragonfly, my focus was more on composition. Each piece reflects an attempt to craft an instrumental tune that is memorable, unique to the overall album, and noticeably piano-driven, produced by independent musicians who want nothing more than to continue to create and play music.   Timothy Crane

Dragonfly is where I discovered more natural forms of instrumentation become closely acquainted with an animated entity in 11 song classics. A few songs carry the rhythmic tones that might remind some of a highly recognized female artist at first glance, but I soon found each song is composed with a singular structuring in each melody belonging in a modern New Age, Piano, Instrumental, Cinematic theme.

Dragonfly indeed takes flight with first song 2×2. In a graceful piano based dance of the keys, a real beauty of a melody greatly captures your attention by the upper tempo modern rhythms. Well placed staccato notes from strings carry this steady motion while wonderful orchestration carries the appropriate rhythms that lead to a natural form of musical attraction.

Sylvan Grove holds much of the same beauty by piano leading in an upbeat theme while horns and strings inscribe a smooth blend into another most positive melody. Higher octave piano notes in Star Cross Moon are the first gentle indications of a nice correlation in melodic shades, and when numerous major to minor key changes make a full emotional presence felt during refrains, the result is gratifying.

A Child’s Goodnight is a playful theme that soon matures in a full chord and heartfelt movement, while Salish Sunset in again, a more moderate tempo, along with light recollections in piano phrasing, join with oboe to impart warm tones to the overall picture.

Theft in Eb Major is more of a classic thought in composition with major and minor chords extending vibrant hues while building momentum. Woodwinds warm breezy notes blend with background choral vocals to instill a more celestial feel with this song.

Theme of Rachel Scott is another focal point where medium range keystrokes give way to lower chords feel of depth and richness, blending nicely with orchestration to become one beautiful entity. Vasilissa the Beautiful entertains a most peaceful beginning only to be suddenly interrupted by an enthralling performance from piano, choir, and deep thunderous percussion, quickly taking flight as if suddenly startled from a comfortable resting place.

Title song Dragonfly is an impassioned piano solo signaling the finale of this lightly animated album, in a conclusion where I felt every colorful detail was closely examined while producing this incorporated album, becoming the right choice for many people desiring popular music creations having a natural attraction.

Visit timothycrane.com website to sample / purchase, or at his CDBaby.com page.

Picture Copyright Bigstockphoto – FOTOCROMO

 

Starting from early childhood, this New Age artist from Southern California has always had the ambition to pursue music as a career. Beginning piano at age 14 she first began composing music on her own after discovering music greats like the Beatles, Herb Alpert, and John Williams. By having these three great artist influences with such a varied range in sound, you are probably starting to wonder just who this person is and what her music sounds like when integrating these three great music influences into one hybrid entity.

 

Let me introduce Kori Linae Carothers to everyone. Those familiar with Kori know her early compositions began without formal music lessons. After doing quite well, she continued on with Classical music at the Associated Board of the Royal Schools of Music where her future as a concert pianist looked promising and the rest of her story is history as they say.

Taking time off to first raise a family, her desire to produce music returned while attending a Yanni concert, and after helpful encouragement from her husband, her first album The Road Less Traveled and second album The Journey became a reality.

 

Trillium is the third and latest release in this music trilogy. The entire album holds a wide array of New Age, Contemporary piano, Acoustic Instrumental, and Ambient touches in a well thought out arrangement, giving a multiple angle approach that fits together remarkably well.

Trillium is a collection of music, inspired by the power of three. The music on this album is a continuation of expressions of my thought, about experiences in my life inspired by friendships, hopes, and dreams.

Kori Linae Carothers

Kori Linae Carothers performs much of the melody by playing classic piano, Native American flute, light vocals and synthesizer on this project, along with some beautiful orchestration throughout, giving the complete project a classical embrace. There is also a number of gifted musicians playing guitar, cello, violin, dulcimer, and flugel horn, along with the percussion enhancements, creating a great amount of depth and beauty by the talented professionals playing beside her.

The album production was also placed in the skillful hands of Grammy Award winning Will Ackerman at his Imaginary Road Studios, giving the final product that extra touch for which he is famous.

Trillium is also one genus of around 50 species of flowering plant in the Lily family. This flowering plant is another example of the great gifts that come in threes since this species has a wide variety of shapes, sizes, and colors, all with a 3 leaf distinction.

Crystal Fields is just one of the eleven colorful song varieties among the full bouquet from the Trillium album. Once you discover the many beautiful choices available, I really wouldn’t be surprised if you pick the whole bouquet as your personal favorites.

Crystal Fields is one particular song that starts out in a well defined melancholy tone, beginning the mid tempo piece with a deep flowing piano movement that boldly takes the initiative by planting the first seeds of hope, setting a full range of emotion from each carefully considered note. The soft and delicate melody of lighter piano notes are a result from pressing the instrument’s three foot pedals based at ground level, dampening both the piano tone and your eyes at the same time.

The distant flugal horn melody soon grows and is then generously dispersed by applying extended brass notes having a light vibrato, enhancing the tonal warmth and harmony purely by implementing the three valves of this brass instrument known for warm tonal sounds.

The bass cello is the third instrument to tug at your heart strings by rising to the surface in a characteristic movement of feeling. This final considerate thought for depth, richness, and ambiance connects the trio of orchestra instruments together in a classic moment of splendor and clarity, arriving at our fruitful conclusion of one picturesque song variety from the many in full bloom.

From the 11 colorful songs on the Trillium album, I picked only the white one. Pick the full bouquet of flowers at koritunes.com here, then sample at CD Baby.com here.

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Album Reviews in 2010

Click for Album Reviews in 2010

Julian Ray
Argonauts of Kosmos

David Mauk / Ground Swell

Eric Chapelle / Across the Water

Steve Orchard / Raindancer

Bruce Kaphan / Hybrid

Gandalf
Gates to Secret Realties

Ben Woolman / Many Moods

Davol / Good Sign

David Nevue / Revelation

David & Steve Gordon
Buddha-Lounge 7 & Gratitude

Craig Urquhart / Within Memory

Devin Rice & Erin Aas / Arrival

Balligomingo
Under an Endless Sky

Johannes Linstead / Mistico

Christopher Boscole
Inner Voyages

Clifford White / Ascension ll
The Healing Touch

Bryan El / Spiritual Evolution

Lisa Downing
A Delicate Balance

David Wahler / A Star Danced

Timothy Crane / Dragonfly

Michael Brant DeMaria
The River

Julian Ray / In Flow of Light

Bill Wren / One day in a Life

Lizary Rodriguez Rios
Harp Voyage

Ann Sweeten
Just This Side Of Spring

Isaac Shepard / The Renewing

Mars Lasar / Tahoe Spirit

Salva Moreno / AzhDark Passion

Album Reviews in 2009
Future Album Reviews

Jeffrey Fisher / Satyagraha
Songs of the Earth
Steve Orchard / Sundancer
Gunnar Madsen / Two Hands
Matt Millecchia
Silhouette of a Season
Acoustic Ocean
Reflections on Still Water
Paul Sills / Devas / Nature's Spirits
Julian Ray
Garden of Mysterous Souls
Stewart St. John
Global Symphony

New Music Releases

Zamora / Tropical Oasis
Aural Night / Voyage
David Isaac / Dreaming
Seay / All Around The World
Ken Elkinson / Link
Matheus Poli
Antimatter World
Catya Mare / Destination Love
David & Steve Gordon
Gratitude & Buddha Lounge 7
Mark Pinkus / My Love To You
David Belmont
Wind Water Journal Entries
Galya / If Only
Niall / Native American Nights
Paul Adams / Heavens
John Adorney / River of Breath
David Clavijo / The Landing
Sky / Love in Grace
Valerie Janlois / No Drop of Love
Biophile
Music for the Great Awakening
Stephen Peppos
Stephen's Dreams