Many artist from all music genres can sometimes resemble a particular tone or feel that sounds like another artist, which can be evident from the very beginning while listening to their music.
With composing artist David Wahler this is not the case. The New Age Antiquus album, officially released June 1 2009, has some personal trademark qualities not heard in projects from musicians established before him. David points out that this album explores our common heritage through classical compositions, and that each of the 10 songs makes reference to an ancient myth, sacred love, or eternal truth that everyone shares.
Beginning music as a young adult, David Wahler moved to formal music studies in college, and then to the theater, directing several productions while performing with the Rockford Symphony Orchestra, and New American Theater.
The Antiquus album has attracted attention in the Netherlands in particular and is featured on New Age Soundscapes with Music Choice premium services. David also has a sense of giving, devoting himself and his time teaching music to handicap and disadvantaged children, in a worthwhile cause he found personally rewarding, and this is something I would like to recognize about him publicly.
The Antiquus album debut has been described as New Age Ambient, Neo Classical, and Electronic, but let’s also add Orchestra and Chill Out, since they can also be used as reference adjectives to describe his material. Provoking many emotions, the mood is thoughtful and ever changing by the insertion of a light and airy feel at times, that then shift towards deep and mysterious surroundings as the measure bar in the sheet music moves into the next measure of the page.
With this goal in mind, David Wahler has managed to produce a debut album that appears to stand alone in personal style and form, creating a model as an artisan would create a grand sculpture adorned with touches of gold, and crafted entirely out of sound.
The Antiquus album does explore our ancient past to unveil our present in an unfamiliar way by incorporating a layering and mixing of piano, strings, flute, violin, and percussion in a mysterious, yet classical way.
Choral vocals reinforce his approach in style, echoing a graceful and poetic feel, while also shining bright by a deep, thought provoking mannerism that seems to stand out from the very beginning.
With this goal in mind, David Wahler has managed to produce a debut album that appears to stand alone in personal style and form, creating a model as an artisan would create a grand sculpture adorned with touches of gold, and crafted entirely out of sound.
The mood is indeed very dreamlike and relaxing by a modern tempo rhythm that uniquely offers a positive connection by retaining interest and imagination throughout the entire album.
Shifting tempo and key changes are what I believe give this album an effective transition in thought and feeling, linking the valuable bond between our very distant past and our ever changing future.
Visit davidwahler.com to sample this music collectable.
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