New Age Music World

Archive for May, 2010

Julian Ray is a Toronto Canada based musician I have had the pleasure of meeting right when Canada was hosting the XXI Olympic Winter Games.  His freestyle New Age Ambient and Meditative discography meets and exceeds our gold standard for providing our readers defining music and I will soon be writing more about him.

Julian Ray’s presence in the music industry is lengthy in duration and he is a current member with the Society of Composers, Authors, and Music Publishers of Canada ( SOCAN ) and an independent solo artist who produces all of his music in his project studio suite.

His current releases are Seashell Stories, Saga, Wonderful Life  & In Flow of Light release that I had published a review about recently on our main pages.  Always looking ahead, 2 ready for release are Argonauts of Kosmos & Garden of Mysterious Souls.  Starry Tale, Evolution & Path To The Moon are future projects with song samples available at his julianraymusic.com website.

Julian’s educational background and interests are well centered in music, psychology, theater, philosophy, and art, plus he is a design artist along with wife Katrin Ray, who plays an important role by album art design and her assistance with helping advance Julian’s musical career to the next level.  Their design work together as a couple has been greatly recognized by many prestigious awards in Europe and North America during numerous design exhibitions around the world.

In Flow of Light is his current release with a lighter form of easy listening ambient music affable for at home or on the go relaxation with keyboard and percussion effects that nicely reinforce the trademark easy to recognize discography of Julian Ray.

Silence is one song from In Flow of Light that gives a measurable indication of Julian’s characteristic approach since this particular song has more of an atmospheric casual feel that makes traveling or relaxing at home even more enjoyable.

Visit julianraymusic.com and read his biography page.  Be sure to take a look at his current albums page, his future projects page then our page dedicated to Julian.  The album quote from my review titled New Age Music Canadian Style, and the atmospheric song video Silence are shown below to give you an example of Julian Ray’s individual freestyle approach to music that indeed makes the winner’s circle.

Julian’s current album In Flow Of Light has a casual ambiance while hosting the 10 uplifting song melodies in a relaxing format, great for travel or winding down right at home.  His prior releases Saga, Wonderful Life & Seashell Stories maintain this relaxing and uplifting concept, with all having a noticeable individualistic feel that indirectly tells you it was produced by Julian Ray.

David Nevue is a composing Solo Pianist where some comparisons have been made to other pianists in the solo category for years. Those truly familiar with David accept the fact his personalized Neo Classical melodies shed new light on Spiritual piano music while instilling a deeper meaning apart from many by their innermost reverence.

It is true that in addition to his individual concert appearances David who resides with his family in Oregon, has often shared the stage with comparable great talents like David Lanz, Wayne Gratz, Suzanne Ciani, Peter Kater, and a multitude of solo performers, so perhaps a reason some comparisons of his work are made.

Another reason could be the way up in the clouds airplay since his music is heard on over 220 radio, satellite and internet programs worldwide. Overcome is a prior album named Best Instrumental Piano Album of 2005 in the Lifestyle Music Awards and Adoration, which also features traditional hymn arrangements reached # 1 on ZMR charts in May 2008, highlighting the integral popularity of his music.

In relation to his music career David also authored the book How to Promote Your Music Successfully on the Internet and founded the educational Music Biz Academy website that helps independent musicians market then advance their individual music careers. David Nevue also founded the free internet based Whisperings : Solo Piano Radio program having nearly a million listeners each month.

Coinciding like an open ministry of personal faith, Revelation : Solo Piano for Prayer & Worship is an offertory album of 19 intimate peaceful songs of beauty within, given the honored hymns of worship that persons with or without their own personal inner beliefs will enjoy.

Revelation : Solo Piano for Prayer & Worship contains 5 new hymn arrangements, 4 original songs and improvisations on 10 modern worship classics and is David’s eleventh release with a rededicated focus on melodic piano music offering a deep spiritual structure.

Revelation is much like past albums by original content and inclusion of new compositions on age old song hymns from centuries past where church attendees from many religious faiths will recognize in the first few measures.

David Nevue has a limited degree of formal music studies so recites much of his songs from memory, but believe me this is not apparent when you witness the beautiful music granted to this devout Christian man also identified by a skillful aptitude in his composing abilities and creative spirit while performing his personalized music.

You will discover that David offers his hymns like an open book with a nice variety of thought and feel on each song he performs. Softly and Tenderly is shown in a like reverence by an emotion filled call during the gentle yet moving piano melody that is more than worthy of this ages old hymn.  Blessed Assurance is an onward moving testament by the lively melody set in a moderately faster tempo that reveals the resolute nature of his work.

Holy, Holy, Holy is a lighter piano improvisation validating the positive hallmarks of the holy trinity and Amazing Love ( You Are My King ) is a more introspective song and positive affirmation for the melodies of honor he steadfastly produces.  David’s version of this Contemporary Christian music hymn is serene by an inner reflection that stands apart from most modern versions that celebrates his faithful commitment to Solo Piano music exalting a beautiful reverence overfilled with joyful praise.

Visit davidnevue.com to sample / purchase and learn more about his inspirational music. Then visit David’s CDBaby.com page and listen to Whisperings Radio solopianoradio.com right here.

David & Steve Gordon are internationally acclaimed 30 year music legends pushing the musical boundaries yet again by 2 releases in 2010.  The time consuming search for finding great music just got a little easier and I plan to bring you more about the band of brothers who founded the Sequoia Records Label.

The Gordon Brothers are easily recognized by many since these Award Winning producers, composers, and classically trained instrumentalists also founded the acclaimed Sequoia Records 26 years ago and will find they are a reliable and trusted source for great music.

Knowing their defining contributions to our genre and after my recent introduction to David and Steve, I look forward to telling you about their new releases since they consistently shape the landscape of New Age, World, Ambient, Nature, Chill Out and Electronic music in many respects.

New Age explorers of music by their early conception of nature sound creations and early dawn of their Sequoia Records Label, these 2 music innovators have attained world class recognition, grossed over 1.6 million units in sales worldwide and in the process, and even helped write the definitions for our primary genre and subgenres.

 David and Steve Gordon have been recognized too since their original music was commissioned for many film and television scores over the years, charted several times on Billboard and a recent New Age Music Retail survey has listed the team as the fifth overall favorite in our beloved genre which tells you about their fine achievements, recognition and life work.

Gratitude is their latest contribution in the Relaxation and Meditation series highlighting Native American flute with enhancing keyboard imagery that when integrated as a whole creates a natural feel with the pairing and becomes conducive to a revitalizing atmosphere.

Gratitude has a calming sensation which briefly takes you back to their innovative days of nature sound ambience first heard in primordial album Misty Forest Morning if you listen close enough.

On their current however a more prominent Native American Flute interchange becomes extended when partnered with drawn out electronic enhancements, nurturing depth while maximizing the level of richness in tonal balance.

The electronics blended with woodwind passages impart moments of peace and solitude in a relaxing sanctuary of refined ambiance.  While sharing equal time and thought on this album, the Native American flute passages at times, becomes the calming voice from the past that shares a respective dialogue with modern day electronic ambiance.

Buddha – Lounge 7 is the second release and a compilation of Chill Out Electronica tracks from around the world, and a great choice for those pursuing exceptional Chill Out music that also happens to be widely popular these days.  This Sequoia Records album enlists an array of 9 hand selected global talents sporting their interpretations of Electronic Chill Out, Groove and Lounge, with David and Steve taking a role on 3 originals of the 12 songs which presents over an hour of first class music.

Buddha Nova, Secret Lotus & Cobalt Transport are the 3 songs from David and Steve, and it is always a challenge to pick just one favorite, but lively percussion enhanced Buddha Nova with a light tonal keyboard melody did make an impression on me.

The progressive feel of Secret Lotus and mesmerizing percussion enhanced Cobalt Transport are first class too and you will find my favorite pick is simply a matter of personal taste.  This compilation album in entirety features Achillea, Tya, Jens Gad Presents, Artemisia, Paul Heinerman, Helene Horlyck, Jaya Lakshmi, Lodestone Resonator, and Opera to Relax.

Buddha – Lounge 7 is just one in the edition series in an even more expansive 16 Chill Out / Groove compilation albums from the production and mixing team of DJ brothers who showcase an abundance of global music talents you will recognize. In addition to their individual album arrangements it will make your search for fine music easy.

Visit the sequoiarecords.com homepage and then visit David & Steve Gordon’s biography page.  Here is their Meditation, Relaxation and World collection page and where you can Here is their Chill Out Electronica collection page and where you can sample the latest Buddha – Lounge 7.   Photo Copyright Sequoia Records.      

Clifford White is a legendary musician living in the United Kingdom defining our aew age music genre in many respects.  I find his personal biography and true life success story which sets him apart from so many other musicians incredibly powerful and real.  His insightful inception into the New Age genre emerged as a teen back in 1985 when he released a phenomenal hit entitled Ascension, establishing Clifford as a leading composer and producer that greatly influenced our primal new age music genre in the process.

If you knew Clifford White and the significance of his story through the past 25 years you would agree too and knowing his past servitude to our genre, everyone can expect even more contributions in the future since his dedication remains steadfast and paramount.

Clifford currently presides over his multi faceted 21st Century New Media Ltd business specializing in media consultation of Internet, film, software, television, media related training courses and even designed the MG Music website for Medwyn Goodall.

In addition Clifford created the New Age Music Network social forum and operates his New Age Music News website where his business and technical knowledge is eclipsed only by his abilities to compose and produce classic music that greatly defines our beloved genre.

Ascension 2 – The Healing Touch on the MG Music label bestows another great testimonial to the aesthetic values of Clifford White and his principal leadership towards a music genre that promises peace, beauty, and calming tranquility with every defining moment.  The reverent interludes of 9 classic songs heard in Ascention 2 offer fine concertos with wonderful orchestration in each passing moment of time.

Ascension 2 – The Healing Touch is his 2010 sequel that revisits the very essence of Clifford White, in a younger creative spirit, yet now with today’s newly enlightened perceptions as an acclaimed new age artist.  His music incorporates ethereal sensations in ambience that nicely reinforce the melodic persona of harmonic purity that are identifiable to the achievements of Clifford White and a lifetime of dedication to the progression of New Age music.

Visit CliffordWhite.co.uk to sample or purchase Ascension 2. Photo Copyright Clifford White.

Clifford White first composing the historic international best-seller Ascension back in 1985 now celebrates his 25th year commemoration by the powerful and inspiring Ascension 2 – The Healing Touch. The biography of Clifford White reaches another chapter in his life and music, telling much about the man and his insightful dedication to the new age music persona.

In an exclusive interview, review publicists and interview hosts John P. Olsen and B.T. Fasmer each take a turn in asking Clifford White a variety of questions on his role in New Age music, and what the future holds for this great artist from the UK.

NewAgeMusicWorld.Com & NewAgeMusic.nu are proud to present this exclusive interview with New Age music legend Clifford White. During this 2010 interview Clifford talks about everything from Ascension (1985) to the upcoming album Atlantis, and he tells everyone a few secrets too!

Interview with Clifford White;

John P. Olsen: Take us back to 1985 when you were 17 years old Clifford. Ascension began your journey as a leading composer and producer of the primordial UK New Age genre, with Ascension selling tens of thousands of copies worldwide to become the strong foundation to your music career.

What is the reason you are so committed to the New Age genre, and have you ever considered producing music in more popular genres?

Clifford White: Although it was by no means traumatic, I did not have a particularly easy childhood, and by the age of 14 I had developed insecurities and fears which I found I could escape from by creating simple music on the piano, or by using various home keyboards and other musical instruments. Many years later, upon reading Mike Oldfield’s biography ‘Changeling’ I was very moved to hear that he had suffered from similar problems in his youth, and had in fact written Tubular Bells for much the same reason i.e. to escape from a world of fear into a space where the healing power of music could help him in releasing and resolving his feelings – in effect a form of musical catharsis.

My first album Ascension was written in a comparable frame of mind, and it is quite telling that it went on to have such an impact upon people’s emotional well-being. I am quite positive now that music influences the mind, body and soul in the most profound ways, and that for this reason my commitment to it abides. With Ascension boosting my musical confidence, I went on to produce a further 7 albums over a period of 10 years (1985 to 1995) in a variety of styles and I will continue to be committed to developing and promoting this type of music in the future, within whichever genre it appears.

John Olsen: I read in your biography at NewWorldMusic.Com, where your solo albums began receiving much press in the UK and were described as “Britain’s foremost exponent of New Age Rock“ and you, (Clifford White) were even listed next to the iconic Rock band, The Who in Collin’s book The Best of Rock. What is the story behind this statement and the early events during the time period?

Clifford White: Well, the ‘Best of Rock’ review was actually a bit of a joke. I mean, who actually creates ‘New Age Rock’ – isn’t that a bit of a misnomer?

In actual fact, it was a well known pop journalist called Alan Clayson that coined the term when he was asked to compile the ‘Best of Rock’ book. I knew Alan at the time, although I was very flattered that he wanted to include me. Imagine my surprise when I found myself next to The Who. Nice.

John Olsen: You were the presiding founder of the UK New Age Music Association (NAMA) with 40 top artists including James Asher, Kevin Kendle, Asha Quinn, and Tim Wheater. What was the mission of NAMA as a whole, and were there some ideas formulated that have evolved into what we find in today’s New Age genre?

Clifford White: Yes there is, and in many ways, my original desires and intentions for NAMA have been spectacularly resurrected with the resounding success of the New Age Music Network: Newagemusicnetwork.ning.com – an online social network with over 500 members. Both then and now, I continue to believe that artists and companies can work together to nurture and support the new age music genre and that, in perhaps our more technologically refined era, social networks such as these provide excellent environments from within which many useful discussions develop and contacts are made.

It is however unfortunate that, just as in the early days of NAMA, there is still a certain degree of exploitation going on (not mentioning any names) but I suppose this is to be expected in any industry, perhaps especially within music. I just wish people would see the logic in working together in teams to a greater extent. I believe our culture suffers greatly from excessive individualism and self interest, and what seems to have become an instinctive cynicism towards collaboration and group support – almost paranoia in some instances. It is therefore refreshing to meet individuals such as yourselves who, quite obviously, have nothing but positive intentions and goodwill as an agenda.

B. T. Fasmer: Please tell us a little about Sanctuary Studio at St Albans. From the pictures on your page, it looks impressive. Do you use mostly DAWs, or hardware synths – or both?

Clifford White: Sanctuary is the current name of my recording studio in St Albans. I set the studio up in 2008 and it is my most ambitious studio to date, certainly in terms of space and creative freedom. Detached from my home and occupying approximately 17ft W by 36ft L, my studio outbuilding has a dedicated sound booth for musicians and singers to perform, a control room and kitchen plus an office area. It was the realization of a 20 year dream to setup this studio and I am truly grateful and thankful to have achieved it. The only trick is finding enough time to spend in it!

On the music technology side I, like so many other producers in our current electronic era, use computers almost exclusively in the process of creating music. I have, over the past 10 years or so, built up a huge sample library of instruments, sounds and effects, which, combined with the software DAW I use – which is called Muzys – accounts for about 99% of my current music output. I do have a traditional ‘vintage’ analogue synthesizer – the Novation Supernova II Pro X, which is truly a beast of a machine – probably the greatest synthesizer ever made in terms of power and flexibility. Unfortunately however, it does not often see the light of day, as it is so much quicker and simpler to layer all of my music directly on the computer.

However, when a special timbre or effect is called for, the Novation is there. I also have a small selection of ‘virtual’ synthesizers (VST’s) which I enjoy using, including Arturia’s FM7, the excellent Yamaha DX7 emulation, which I used extensively on Ascension II. The original Ascension album featured the DX7 quite heavily and so it was truly great to revisit those old sounds in the new album. The freeware Synth1 plugin is also great, with a lovely silky sound, and I have a selection of other freeware VST’s that I use for other purposes, although like I said, raw instrument samples and effects are my usual elements of choice as they offer more control of the overall sound and dynamic than the virtual instruments.

I have little else that I directly use for my own album productions, although I do have a Behringer MX9000 48 channel mixer and a Mackie HDR24/96 hard disk recorder, which tends to be used mostly by visiting musicians and during improvised and ‘live’ studio sessions. I can directly transfer recordings made on the hard disk recorder to my music PC, importing them into my Muzys DAW as samples which I can then layer into my music, but I have hardly done much of that yet to be honest. I have so much of my own material built up in Muzys now that I suspect I will have enough to keep me going for another 5 or 6 albums at least!

John Olsen: During the past 25 years of your New Age music career you have used genre influences in Ambient, Epic, Latin, Jazz, Tropical, and even Classical. What determines the varying influence in each album you produce Clifford?

Clifford White: I love all those genres of music and I am always looking for an excuse to create albums that contain elements of those styles mixed together into the general album concept. Also, I like to try and avoid repeating myself and so the aim of making each new album different from the one that has proceeded it really appeals to me. The way I see it, the whole concept of an album seems to be an entity in it’s own right, with it’s own style, mood and flavor, and once it is finished, it should appear to be a completed work, like a book or a film, and one really doesn’t want to mess with it, add to it, or detract from it with further musings which might simply repeat ideas present in the original work.

I tend to approach the production of an album with this in mind, and I try to pour as many relevant ideas into the same pot as possible, never to be used again. As the album gets further underway, the various track ideas tend to link together, much like chapters in a story, and after a while it becomes self-evident what is working and what is not, in context of the whole. Of course, it is usually nowhere near as easy as it sounds and believe me, I have certainly labored long and hard on tracks which are (unfortunately) later thrown out for not meeting the general concept, style or criteria for the album as a whole. In the end, I try to make the final result as complete and as cohesive a work as I possibly can.

John Olsen: Do you feel the success of your projects are primarily the result of simple hard work or more from your creative imagination? Or what is the primary reason you have been so successful the past 25 years?

Clifford White: You know the old saying that goes ‘one percent inspiration and 99 percent perspiration’? Well, for me it’s more like 15% inspiration, 85% perspiration, but that is still a lot of work! I find that the initial ideas for a track or a collection of tracks tend to occur quite quickly – in the heat of the moment – and this usually results in a collection of strong core ideas. After repeated listening, these ideas seem to become further refined in my own mind – almost as if the process of hearing a piece of music days or weeks later from it’s creation somehow changes it, making it more ‘real’ and familiar. It’s very strange. In any event these ideas, usually in the form of short instrumental loops or arrangements, start to shine through in their own ways, suggesting further developments that could be possible. I tend to wait this process out until I am really ‘chomping at the bit’ to get into the studio to work on a piece. When the urge gets too great, that’s when I unleash myself into the studio and get working. Thus begins the 85% perspiration! A huge amount of effort goes into the process as I am very fussy and critical about my music tracks. They have to stand the test of time, yet sound fresh and new. That’s not an easy thing to sustain when you have already heard them 100 times!

John Olsen: You have your 2010 Ascension II – The Healing Touch, and plan to release another project later this year. Is this next album going to resemble an Ambient influence like Ascension II or more resemblance to your Epic Gods of Olympus?

Clifford White: I’ll tell you a little secret: I have a 5 year plan to release two albums a year until 2015! Believe it or not, I already have more than enough material to achieve this – it really depends on how much time I will actually get to spend in the studio. With the first in this series – Ascension II – already released, the next album due out later this year will either be Atlantis – which will be another epic production similar to the The Gods Of Olympus – or an album currently entitled The Beach, which will sound a little similar to my past albums The Lifespring or Twilight Paradise with that slightly jazzy, ‘sun-drenched’ tropical vibe. For 2011 I want to tackle two ‘Oxygene/Equinoxe’ type albums that I already have a great deal of material for. I have always loved the textures and moods Jean-Michel Jarre discovered whilst creating his early albums and have for a long-time wished he would revisit that sound. Unfortunately he did not, not even (to my ears) on his Oxygene sequel. I certainly would like to have a go! Following that I have a 2012 themed album planned (no big surprise there perhaps), and a sequel to The Beach, again for which I already have many track ideas. A couple more albums will follow and then as 2015 opens I will round the whole lot off with Ascension III, which will be the 30th anniversary of the original Ascension and make 20 albums in total. It will be very interesting to read this interview in a few years time to see if anything worked out according to my plan. After that – who knows…?

B. T. Fasmer: You have already told us a little about the Atlantis project. Is there anything more you would like to add?

Clifford White: Atlantis will hopefully be completed by around August/September 2010 and released shortly thereafter. The title is a little misleading as, although the album has watery overtones, it is rather more upbeat and rhythmic than you might expect. Its closest comparison would probably be my 2009 album The Gods Of Olympus, at least in terms of its cinematic style and mood. I am quite pleased with what I have completed so far and like GODS, the album will have plenty of tracks to enjoy – at present around 12 – in a variety of styles and moods.

I am thinking of it as a kind of sequel to GODS, and there are certain similarities, perhaps not unsurprising as – from a mythological point of view – The Atlanteans and the Olympians are not-too-distantly related to each other.

B. T. Fasmer: You are also an expert in web design, multimedia and video. As everyone knows, the internet has been a massive challenge for the music business – but don’t you agree that it has been mostly positive for a niche genre like new age music? Or?

Clifford White: Overall I would say yes, considering that the Internet is such a fantastic medium for communication between musicians, producers and composers and a superb tool for music promotion and publicity that it has served ‘New Age Music’ extremely well in this regard. The flip-side is that there is now so much music out there that it is impossible to find the good stuff!

I myself spend hours and hours listening to new artists, or past artists I had never heard of before, and much of it is not wildly original, not very satisfying. Don’t get me wrong, I do occasionally find some great music, such as Australis or David Wahler, but these are often exceptions from the norm. Blogs such as your own at NewAgeMusic.nu are fantastic ways to discover new music, although I must admit really that I find a great deal of New Age/Electronic/Ambient/Chillout music a little dull, although I always live in hope of discovering better works in progress. I certainly feel that the Internet provides for great potential in the promotion of this musical genre, and in fact I had myself setup a website to attempt this last year called the New Age Music News which is going from strength to strength. So the future looks positive !

Visit CliffordWhite.co.uk and my pages dedicated to Clifford White. Photograph copyrights Jon Warren & Clifford White.

Craig Urquhart is an accomplished pianist having a renewed focus on quintessential travels into piano music that literally speaks to the heart by virtue of his current seventh Solo Piano composition. Craig also aims to share reflective memories on this album with hopes of achieving mutual recollections which appear reminiscent to our own memories.

Within Memory is Craig’s classic memoir that takes a transcending tour into piano music that quickly becomes a meeting place to share moments of harmonious reflection, focusing on moments that everyone can relate to themselves. Residing in New York City, his regional and United States concerts have also earned worldwide audiences on the airwaves and during performances in Germany, France, and Japan.

Telling of music influences like Classical greats Chopin, Debussy, Satie and Copland, an intriguing aspect about Craig is that he also tells of contemporary influences like Pop and Rock too, so a classic contemporary structure converges with an overall expansive identity in respect to his original compositions.

Craig Urquhart holds a Masters Degree in Composition from the University of Michigan, and is a member of ASCAP, serves on the Board of Directors with the Lotte Lehmann Foundation, is a Whisperings Artist and voting member of the National Academy of Recording Arts and Sciences (The Grammys) which speaks volumes about his comprehensive musical career.

Within Memory is an album well suited for telling much about Craig Urquhart’s harmonious directive for parallel unity and poetically becomes the equivalent memoir he openly shares with worldwide concert audiences, presented by a memorable and sincere narrative from the heart.

In The Afternoon is the preamble song of 10 for Within Memory, having a bright tonal cheerfulness recited by a frame of mind you will find engaging. Before The Canvas exhibits a deeper tone and image by proficient piano chords modulation while stair stepping upward during ascending treble scales, changing perceptions with each layer.

Rapture is the benchmark showing a hopeful image to the conceptual pondering and lighter melody. Laid Back has a nice feel by a treble melody concurrent with deeper bass octaves consistent rhythm while October Bright Blue recaptures a crisp and bright piano overture while making a distinction midst the two songs. Low Tide is the deep flowing melody with pause and intonation nicely enriched with hopeful optimism and song I favored most. Prairie Flowers flourishes into a gently moving melody while traveling to and from, given the preceding treble notes lead the closely timed counter bass notes while held in a subsequent role.

Within Memory ( Title Song ) concludes the album recital for the listener, but for Craig Urquhart it begins an arranged lineup for abundant visits to many countries during his role as an esteemed concert pianist. Later this year Craig is scheduled for concert recitals in the United States, Berlin Germany, Positano and Rome, Italy.

I am certain the concert events slated for this year will be another wonderful social meeting place for notable entertainment along with an exchange of lasting memories for everyone, especially for Craig Urquhart.

Visit CraigUrquhart.com to sample and purchase his solo piano album titled Within Memory. Big Stock Photo – aysarts.

Cadence Spalding is a multi talented singer, songwriter, and performer I have interviewed and published a review on recently.  Many know about her Save The World release and solo performances with husband Mars Lasar on his albums by our interview, but there are so many more aspects to Cadence Spalding I wanted to tell you more about her.

Cadence Spalding is preparing for her role as a television network host for a Children’s program in California having already performed in a teaching role for years by her Miss Jenny television personality designed to educate and entertain children in the California community where she lives.

Along with her active role at many special events in the state of California, Cadence Spalding has scored, recorded and performed original music for children’s musicals that benefit renowned charities, including donations of original scores for documentaries, independent films and commercial CD/DVD’s. In 2008 Cadence composed the scores for both the original and the remake of For The Children, a documentary originally narrated by James Coburn for Share Incorporated based in Beverly Hills, California.

Save The World is Classic New Age where her radiant vocals host a lovely mix of ballads finely tuned to perfection in the purest sense, and where Cadence instills her personal message of peace, harmony, and dedication to the family unit and for all who share the same logic, devotion and perspective. The enhancements by Mars Lasar add to the aesthetic value of her first solo album that represents a new age music release that best answers the “what is New Age Music question.”

Save The World began her debut solo album as a solo artist, although Cadence has many years of experience as an instrumentalist and soloist on many releases from Mars Lasar, who provided his expertise on the mixing, vocal layering, and technical production.

This release is available as a CD only or in a suggested and widely preferred CD/DVD collector’s edition featuring top quality visual photography by Mars Lasar that is a beautiful work of art. Together the team have produced a stunning, one of a kind audio video collection.

Visit MarsLasar.com to sample or purchase Save The World by Cadence Spalding. While you are there, read Cadence Spalding’s biography pages that tell about her diverse life work and Miss Jenny character when leading her children programs. You can read our interview together, and my album review for Save The World on the New Age Music World pages dedicated to Cadence Spalding and Mars Lasar.

Below is a short summery of my review titled Music to the Power of One and a music video of title song Save The World.

Cadence Spalding is one person doing their part as role model for bringing about a greater awareness by her Save The World album. The 11 tracks pertain to the noblest of desires in conveying her message of what one person alone can accomplish by caring for mother earth, caring for those who cannot help themselves, and by caring for one another as a family unit.