New Age Music World

Posts Tagged ‘Gandalf’

        NewAgeMusic.nu Best Album Award of 2010.   By B.T. Fasmer on January 1, 2011. 

2010 has been an amazing year for New Age Music! Critics have in the past, at best, called it a niche genre – but it is our claim that in 2010 it became far more mainstream. The reason for this is a long process. New Age Music has moved from being in the special selection in physical record stores, to easy access in the digital world – among jazz and pop.

Today New Age Music shows up as a top 5 genre on major web radio services like Live365. com (see below picture). It is also is easily available on digital music outlets like iTunes. Other genres (I will not mention names) have not been this fortunate. It all began before 2010 of course, but this year it became far more obvious.

The success of new age music is all about the quality of the titles available. It is a statement of the dedicated and talented artists that are currently active in the genre. In 2010 we have had the pleasure of reviewing and playing on our radio stations New Age Music Stars and Sky.fm/newage a high number of newly released songs that simply take our breath away. The quality artisanship is amazing. So please sit back and read our NewAgeMusic.nu and NewAgeMusicWorld.Com top 10 album list for the year 2010.

Clifford White – Atlantis

In his review of Clifford White’s 2010 release Atlantis, John P. Olsen wrote: “Creative talent and New Age music are identical terms in reference to the multitudes of creative and influential musicians producing music today. This can be said of all genres of course and just like all genres, New Age had a group of select artists in the primordial years whose earlier influences formed the inception and foundation of our genre. Clifford White is a musician living in the United Kingdom defining our New Age genre then and this is true today. ” And WOW, what an album Atlantis is.

BT Fasmer wrote: “Atlantis is like a box of surprises! Here Clifford White gives the listener a fresh perspective on the old myth. Indeed, after 65 minutes of music you feel that Atlantis has risen from the ocean and become a place in your mind you can visit and revisit again and again.” Atlantis is all in all a fantastic album!

Sample the album here.

Peter Kater – Call of Love

Peter Kater is without a doubt among the finest artists our genre has – and his 2010 album Call of Love is one of this year’s best releases. It is created by love for music, nature and creation itself. It is a true Call of Love. Peter has invited three very gifted musicians to create the album. These artists are Legendary reedman, Paul McCandless; celebrated cellist, Jaques Morelenbaum; and Sting guitarist, Dominic Miller. It is obvious to the listener that they have had great fun while creating the album. There is a refreshing playfulness to many segments. This gives the album a more live feeling.

We simply cannot praise the album enough. Six time Grammy nominee Peter Kater is always delivering, and this is also the case with the album at hand. No artist out there is better when it comes to creating a song that starts with a hint of melancholy and grows into a melodic, passionate and almost divine artwork; the finished musical canvas is filled with nothing but the brightest colors.

Sample the album here.

Michael Brant DeMaria – Gaia

Gaia has every hallmark for success since nearly every album produced by Michael Brant DeMaria has earned awards and respect from those in the music industry, and rightly so. Michael’s music, books, art, and poetry have acquired recognition in the U.S. along with international acceptance in Australia, Europe, and Russia, having touched many lives with his universal message. Gaia is essentially the achievement of over 25 years in personal and professional research by Michael into the fundamental principles of auditory healing techniques.

Gentle imprints of Japan are represented by bamboo flute ( Shakuhachi ) and the gentle breeziness of wind chimes leave fine impressions in Zazen & Tarani, likewise revealing Michael’s fine transition in World music personified on Gaia, along with the notion that our enduring heritage of dependency we share with planet Earth will always be just a simple fact of life. So yes, Gaia is one of this year’s finest albums!!

Sample the album here.

David Clavijo - The Landing (Special Edition)

About David Clavijo John P. Olsen wrote: ” When listening to New Age music, the multiple genres and subgenres of World, Ambient, Contemporary, Instrumental, Chill Out, and Groove in most cases are heard from one album to another.

Now I have a chance to tell you about a novel new release that explores the multitude of influences I have listed throughout the entire album.

David Clavijo from Seville Spain seems to have a natural inclination of what multi influential New Age music is all about and I felt his performance on acoustic & electric guitars along with piano & keyboards are a fine line balance that blends together quite nicely by having these diverse instrumental strengths.”

Do yourself a favor and check out this album here.

Tangerine Dream – Chandra: The Phantom Ferry, Pt. 1

Isn’t it fun that the first and most influential band in our genre still is the most active too? Well, I know for a fact that many TD fans are not so happy that they keep on releasing albums at such a speed that even the most dedicated fan can’t keep track. But one must always try to give the new albums a chance (and not just listen to TD albums from the 1960s and 70s) – and I think that this year’s release Chandra: The Phantom Ferry, Pt. 1 is an excellent album!

Especially the first and second songs - Approaching Greenland At 7pm and The Moondog Connection – are excellent songs that you will want to listen to again and again. This is music for dreaming and working – and with TD’s unique sound that is as modern today as it was in 1967.

Sample the album here.

Gandalf – Gates to Secret Realities

In this review of Gandalf’s 2010 album Gates to Secret Realities John P. Olsen wrote: “Many musicians are content to remain within a specific genre and are a complete success in their artistic focus. Then there are other notable musicians where a natural progression is realized, developing into a unique artesian style and by their inner convictions, become a virtuoso by what they offer the music world.

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria first identified as a New Age, Contemporary Instrumental and World artist. While transitioning the past 30 years of his long career, his progressive directive and persona helped neutralize the customary social borders in multicultural music for years. Gates To A Secret Reality on the Prudence label is an open manifest of Gandalf’s ambitious return to classic World music. Gates To A Secret Reality featuring 11 songs with over an hour of world class music is an expedition not to be missed. ”

Sample the album here.

David Wahler – A Star Danced

Just like an orchestra conductor standing on a podium, one New Age artist first held his raised baton in hand, and began to cue the first downbeat gesture for his debut album. What emerged after the final cutoff gesture was made, led to an upbeat direction for his first album’s achievements, and proclaimed admiration for this relatively new artist. David Wahler is the musician orchestrating Antiquus in a like manner, where his time signature expertly directed a unique phrasing in tempo, dynamics, and articulation, leading to welcoming salutations of praise during the final reception at the end of his first orchestration.

Composed, performed, and arranged solely by David Wahler, this album represents a heartfelt narration surrounding his family circle past and present, where resolution of personal life challenges are reflected as a unique source of inspiration for his music’s identity, lovingly embraced by his close family heritage. So please check out David Wahler’s new album – which is one of the finest released in 2010!

Sample the album here. 

Steve Orchard – Sundancer

Paul Avgerinos – Law of Attraction  

Another excellent release this year is Paul Avgerinos’ Law of Attraction. He has based the Law of Attraction theme in regards to authors Esther and Jerry Hicks and their bestselling self-help books, but after listening to his thirteenth album I discovered that Law of Attraction has such a pleasingly rich sensation of expressive delights, I just had to respond myself by concentrating more precisely on the fine melodic wonderment and charismatic appeal of this sensational new release, which if it was a library book, Law of Attraction would certainly be shelved in the romantic therapy section.

It is pretty easy to fall in love with Paul Avgerinos music whether you have been officially introduced or not. But now you are, so sample the album here. 

Lisa Downing – Christmas for Two

The Christmas is not yet over! Lisa Downing’s Solo Piano album titled Christmas for Two may be of interest to you and while there are many exceptional Christmas albums in the New Age genre along with every musical taste from popular artists, Lisa Downing truly does have a special gift herself as a top solo pianist in every sense of the word and this is precisely articulated on her Holiday music release. Plus, knowing Lisa was a youth pastor at her church in Littleton earlier in life and performed in the Christian, Folk, Pop-Rock band named Wings of Faith, you know that Lisa’s heart is in the right place.  

Christmas for Two varies from soft and contemplative at moments to spirited phrasing with majestic crescendos like her amazing version of God Rest Ye Merry Gentlemen / Carol of the Bells which give new meaning to the term Holiday music. So now we have a new title to add to our “best of Christmas” list too! Sample the album here.

Yes, 2010 was an amazing year for new age music!  NewAgeMusic.nu and NewAgeMusicWorld.Com have high hopes for 2011 too so stay tuned for more excellent music from old & new artists – and we are ready to tell you all about them !

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria identified as a New Age, Contemporary Instrumental and World music artist. During the past 30 years of his career, his progressive music and global persona has helped neutralize the customary social borders in multicultural music for years.

Gandalf is currently planning a future orchestration to celebrate his 30 year Anniversary in 2011 and this composition will become the centerpiece to mark the celebrations.

There is a live performance in Vienna scheduled to accent the occasion of his milestone achievement. The Vienna concert and new release is the first topic of their interview conversation during this comprehensive 2010 interview published just prior to his 30 year anniversary.

The website hosts for NewAgeMusicWorld.Com & NewAgeMusic.nu are excited to bring our visitors the present day interview John Olsen has conducted with this global musician and invite all visitors and fans to learn even more on our respective website pages dedicated to Gandalf.

Interview with Gandalf

John : I wanted to first thank you myself Gandalf, and on behalf of our visitors for taking time away from your more creative endeavors. I feel certain our visitors and your fans do appreciate this present day opportunity to learn more about you and the outstanding music you produce.

Many are already anticipating your 30 year anniversary you have slated for 2011 which will be here before long, and currently you are planning a new orchestration project with live performance in Vienna to accent your milestone achievement. Is everything being kept a secret for now or can you provide some details about your next orchestration and the live concert event scheduled for 2011?

Gandalf : At this stage I don´t want to tell much in detail about the new project, this will all be presented due to the launch of the album and the concert in 2011.

The composition is meant to be the essence of my musical excerience and development in the past three decades. The leading instruments are guitars, piano and percussion, a small symphonic orchestra (woodwinds and strings) and a male choir.

The work is in good progress, a lot has already happened, but there is still much to do. Currently I am finishing the orchestral score, the recordings are planned in October. The album producton shall be finished until the end of this year.

John : Thank you for the insight you have provided. Your 20 year anniversary was quite extraordinary which included your first live performance in Vienna and the CD / DVD collection on the BSC Music label titled Live In Vienna. Would you describe what your first live concert had felt like on a personal level and was your first stage performance the positive experience you had imagined?

Gandalf : Actually, this DVD/CD is the first official release of recordings from a performance in Vienna, of course there have taken place a lot of performances prior to this one. My really first big performance in Vienna was in 1982, when the album Visions was released. I had just started my career a year before and the reponse from the audience was a real sensation, the concert was completely sold out (more than thousand people) and the album climbed up to #2 in the album charts over night. This was far beyond my imagination! It was just great and lifted my motivation to continue with my work.

John : In addition to your studio recordings you began venues of live solo concerts on acoustic guitar and piano in the United States, along with live concerts in Austria, the Netherlands, and during Woodroot Festival in Germany. With the increasing number of venues, are live performances more rewarding for you as a musician than studio recording, and if so why?

Gandalf : A live performance can not be compared to anything else, this is where the music happens in the very moment. Today performing live is more important for me than ever. If you record an album in the studio you spend much time to get your performance recorded as perfect as possible, on stage you only have this one chance and that is the fascination about it, no song sounds exactly the same twice, you never know what is going to happen every other night. And sometimes there is real magic and you can feel it from the first note you play and the audience can feel it. I would not want to miss this.

John : What was the early turning point where you decided to pursue music as a career and could you tell us about your music history throughout the years?

Gandalf : After having played in various Progressive-Rock lineups during the Seventies I found out that I had a musical vision which I could not realize with a conventional band so I started experimenting in a very simply equipped studio at home just on my own, playing and recording all instruments by myself. And this was the first time I really felt satisfied about my work so I recorded my first album Journes To An Imaginary Land and my friends were so enthusistic about the result, that I played the material to someone from a record-company and I got a contract.

That´s how it happened, I just followed my intuition and after some time I realized that I was able to make my living from making exactly the music I played out of my heart.

John : The Gates to Secret Realities was the transitional album during your move to World music influences. What was the defining moments or reasons for your decision to begin composing World influenced music?

Gandalf : My travels to India and other countries opened up my horizon and I found out more and more, that music is a universal language. It has the ability to dissolve borders between different cultures. There were so many elements in music from other parts of the world that inspired me and I wanted to integrate such influences and expand my personal style, trying to create some kind of a Global Music.

John : During your continental travels, what experiences and ethnic cultures have led you to discover and then recognize music as the unifying source that indeed helps abolish the boundaries in various musical styles and categories?

Gandalf : The first special encounters I had in India when I jammed with musicians there. We were not able to communicate much by words because of our different languages, but we had so much fun communicating through music.

Also on my Brazilian tour in 1995, I could not speak Portugese at all, but the music opened up the hearts of people and the feedback was amazing.

This was where I met Emily Burridge from England. She had lived with a Tribe of Indians for a while and was very inspired by there way af looking at the world and their rituals. So when we played together in Brazil, we decided to record an album together, and this was Gates …

John : You are referred to as The Painter of Musical Landscapes plus your music has a story to tell. What thoughts, images or message do you hope your listeners will acquire from your music and what are the ideal circumstances where you are most productive in composing music?

Gandalf : Nature is the most imortant source of inspiration for me, this is where I find my balance and open the channels of my creativity.

Over the years I found out, that the music already tells its story, whether I am aware of this or not. It reflects my inner landscapes and feelings. If you for example play it to children and let them paint, the pictures that come out show symbols of love, peace and hapiness, so there is not much else I need to tell people besides the music itself. Sometimes a story that accompanies the music is nice but not really necessary.

John : Your music has been featured in television and video media productions. I wondered if you find visual scores more challenging to produce than your more traditional album compositions, and how do they differ when you begin composing?

Gandalf : It is just, that your inspiration is initialized by a different source. If there is a certain story you want to express by your music, you first must get fully into the story and then, the pictures or the words will evoke musical ideas.

Sometimes books can be inspiring, I did project with lyrics from The Prophet by the Libanese writer Khalil Gibran, and also wrote a soundtrack to the book The Stones Of Wisdom by a friend of mine, Ronald P. Vaughan.

John : In the early years you were highly regarded mainly in Europe and other countries prior to your current widespread recognition and status in U.S. markets. Did acquiring a presence in broader international markets influence your music style to fit European or American tastes or was your transition to each country non apparent in your music identity?

Gandalf : I never really cared much about such matters, it happened more the other way round. When my musical style changed throughout the years it became more or less interesting for different markets. For example, back in the Eighties when I had some Spanish guitar on the opening track of the album The Universal Play it suddenly was released in Spain and South America.

Over all the years I tried to follow my musical vision as honest as possible and did not try to adjust to any market or trend-situation and I think this is one of the reasons, why I am still here. If you try to bend your personal way due to fast changing marketing situations, you may soon get lost.

John : Again, Thank You Gandalf. B.T. Fasmer and I do appreciate this present day opportunity to present our visitors this interview. We wish you well, and we will continue writing more about you in the future. Is there anything you would like to tell your fans or bring up before we close?

Gandalf : I just want to thank you and everyone who helps promoting my works and all my fans for purchasing my records and thus helping me to carry on with the music.

We now invite everyone to visit the gandalf.at homepage then read his biography page. Visit the BSCMusic.com website to purchase / sample his music, then read our pages dedicated to Gandalf.

Photos are courtesy Klaus Rautenberg and gandalf.at.

Many musicians are content to remain within a specific genre and are a complete success in their artistic focus. Then there are other notable musicians where a natural progression is realized, developing into a unique artesian style and by their inner convictions, become a virtuoso by what they offer the music world.

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria first identified as a New Age, Contemporary Instrumental and World artist. While transitioning over the past 30 years of his career, his progressive directive and persona has helped neutralize the customary social borders in multicultural music for years.

Gates To A Secret Reality on the Prudence label is an open manifest of his ambitious return to classic World music. This 1996 album is one of fascination and perhaps a secret gaze into what Gandalf is planning for a future orchestration slated to celebrate his 30 year Anniversary in 2011. This future CD currently being composed is the centerpiece for the occasion, plus a live performance in Vienna will accent his milestone achievement.

It was during continental travels to Europe, North & South America and Asia where Gandalf began to realize the prevailing attitudes and many similarities of every continent greatly unites each of us, verses creates a divisional line between countries. This open border view is much a part of his global World Music ambitions, and perhaps why his style encompasses a unique image while making a valid statement in relation to his cultivated talents and international status.

Gates To A Secret Reality featuring 11 songs with over an hour of world class music is an earlier expedition not to be missed. Gandalf is a multi instrumentalist performing acoustic and electric guitar, charango, piano, keyboards, mellotron, balaphon and many indigenous percussions. Enlisting Emily Burridge from England and Peter Aschenbrenner from Vienna, Emily performs vocals & cello and composed 3 songs while Peter is another fine talent on flutes, soprano saxophone and some backing vocals.

This ensemble in unison has made the album a unique listening experience and beginning with 3 songs Dreamcatcher ( Part 1 ) vocals and flute instill a celestial atmosphere while Gandalf steps up to give an astounding Rock styled electric guitar anthem. This is much in relation to The Power Of Nature & Man’s Promise To Mother Earth performed by the united trio where vocals, flute, keyboard and electric guitar proclaims a powerful majestic atmosphere and is most memorable.

Many songs journey along more moderate terrains regarding style and tempo yet the fascination remains deep and on a grandiose scale. Footprints In Red Sand is relaxing by the flute and keyboard interludes before building momentum with electric guitar that greatly increases depth of the impression.

Majestic Mountain View is an apt title shown by cello, keyboard and flute setting their sights on a light background depth and then again in following windswept song Voice In The Wind, then bells signal the tonal imagery in piano and guitar melody on Along The Milky Way.  Some songs like Ascending On The Eagle’s wings, Dreamcatcher ( Part 2 ) & Floating Down The Silent Stream are ballads elevated by cello flute, keyboards and saxophone that give a cinematic feel by lighter orchestrations portrayed in a lavish way.

The Wheel Of Life is a moving concerto lightly revolving in time, thought and deliberation, swaying in a gentle way by an enchanting flute melody backed by wondrous piano rhythms. Cello is fluently engaged to intensify the atmospheric warmth and progressive movement this song and the album in entirety envisions, perhaps giving us secret insight into the celebratory atmosphere Gandalf has in mind for us in the year 2011.

Visit Gandalf.at to sample his music and find out more on his biography page. Visit the Munsing Germany based bscmusic.com homepage and then his BSA Music profile page to sample / purchase his music.

Picture copyright Big Stock Photo – EcoShot.