New Age Music World

When searching by computer for talented artists in your favorite genre, a couple of simple search terms might quickly get you good results. If not, you can try searching the many recording labels to help you find talented artists, or at least point you in the right direction.

Lisa Downing is one name to search for, and Vision Quest Entertainment is another search term you can try. With either result, Lisa Downing’s name will appear since this business was originally her own record label and now a combined talent agency doing business as Vision Quest Entertainment, representing over 1200 musicians in Colorado.

Now that we know Lisa Downing as a businesswoman, let me tell you about her busy career as composer, recording artists, and concert pianist. Lisa performs in many concert venues including corporate and private events, along with conducting workshops and concerts with Liz Story and Joseph Akins, among many additional reputable artists.

Teaching piano along with her academic studies, Lisa attended the University of Colorado at Denver and Metropolitan State College to study music and piano performance. Graduating with a degree in Traditional and Nontraditional Music with Keyboard Emphasis in 1982, her educational pursuits appear to be nicely balanced too.

A Delicate Balance is her 2010 Solo Piano, New Age, Neo Classical release, in an album title that is pretty well equal to her business and creative endeavors as a Solo Pianist. What’s interesting about the inside cover of this CD is the special written diary about the thoughts behind each song’s composition which uniquely portrays Lisa’s intimate expressions during some rather personal moments in her life.

I did enjoy reading her diary of songs while listening and preparing for this review of A Delicate Balance since it meticulously brought her personal recounting for each composition into the picture, giving her piano melodies a conclusively heartfelt and well spoken reflection.

Without giving away all of the diary secrets, many songs like The Gift, reflect a wonderful positive expression by the classical phrasing leading to the uplifting feel given by full register piano runs. This song aligned in a moderate tempo made me think of the intrinsic treasures a gift giver feels and the unexpected joyful surprises a recipient receives.

The song Lost nicely portrays the first quiet moments in piano composition before well placed notes makes one realize that someone dear has lost their way, leading to deeper moments of pause and curiosity by her intonation. After bolder dynamic chords suggest a winding road of lost hope, an upbeat conclusive ending happily points to a more familiar direction, ending with a more moderate calming tone of security.

Indecision is a faster moving piece where treble runs are shown like racing thoughts of indecisiveness, and lower register chords lean towards equal balance in an affirmative way, reflecting the decisive moments in life that are pretty much universal to everyone.

No Matter What I Do involves a special dedication and meaning to Lisa and does reflect this by quieter phrases giving way to pause, leading to a wider path, where positive chords suggest a new resolve in this scenario, ending in a more relaxed contemplation.

Lisa’s prior albums Think On These Things is much like her current personal melodies with well timed moments of reflection, and her Holiday CD Christmas for Two are traditional holiday arrangements you will easily recognize and are easy to find CDs.

A Delicate Balance is a fine Solo Piano album with the personal Lisa Downing expressive touch. Reading her song diary while listening to her latest musical gift about finding many delicate lines during the search for perfect balance is sure to please everyone, provided they take the time to search and then find this talented artist for themselves.

Visit this Vision Quest Entertainment artist at LisaDowning.com to sample / purchase or visit her CDBaby.com page here.

Picture copyright Bigstockphoto – og-vision

Michael Stribling is a licensed family therapist who knows much about life’s transitions.  The Promise is his current album under consideration at ZMR, and this video of At the End of the Day from Another Day in Paradise shows an ocean sunset while giving another example of Michael’s appreciable ambient music.

Visit leela-music.com to read about Michael, then read my review of The Promise titled Promising Transitions in Music. 

Recently B.T. Fasmer and I have written articles about the 25 year anniversary milestone and upcoming events with M.G. Music.  Both of us are looking forward to these latest releases and writing reviews with our individual impressions about these albums on the MG Music label based in the United Kingdom.

Clifford White is one MG label artist in particular where his ASCENSION II – The Healing Touch, will be arriving soon, and where both reviews will be featured at this website and at NewAgeMusic.nu.
 

Before ASCENSION II  arrives, read B.T. Fasmer’s review of  The Gods Of Olympus, a recent release from Clifford White that placed 2nd in our Best Album of 2009 Awards.
 

If you are wondering what all the excitement is about at the MG Music label, you are one click away to sample / purchase ASCENSION II right here, and then read about the 25 year anniversary and every talented artist at medwyngoodall.com here.  

Greek mythology continues to amaze new generations. The tales of gods and heroes, and the battle between good and evil, have had an extensive influence on culture. From the epic poems The Iliad and Odyssey, to modern interpretations of the Age of Gods, Greek mythology will forever be a part of civilization.

The Gods Of Olympus is the title of Clifford White’s first solo album in over 14 years. After a very successful new age music career in the 80s and 90s, I think his return just had to be powerful. But that it would be a journey of epic proportions was beyond my imagination. Believe me; what Clifford White has in store for us is incredible. It is a climb to the top of Mount Olympus that you don’t want to miss.

Clifford White released a total of eight solo albums between 1985 and 1995. His debut album Ascension, recorded before he was 20 years old, is one of the definitive new age classic of the ’80s. I hold the compilation An Island Called Paradise from 2003 to be among the finest new age music ever created – and songs like Rain Trek and Amazonia are among the highest rated on New Age Stars radio.

So when Clifford White now is back with a brand new album, with the principal gods of the Greek pantheon as a theme, expectations are high; that goes without saying. But in my opinion he has given us something that was well worth the wait.

As mentioned above, references to Greek mythology is everywhere to be found in modern civilization. From literature and poetry, via paintings and sculpture, to classical music. Either you listen to Holst, Wagner, Gluck, R. Strauss or Offenbach, the tales of strength and courage from the Greek mythology are all there, adding power to the musical narrative. Just by thinking of Zeus you can almost hear the sound of a 200-man-orchestra, playing at full force. But this is not the case in new age music, not at all. Such references are not frequently used. To add some perspective; there are only a few Egyptian themed albums released (by Goodall, Thornton and Ramzy, Diane Arkenstone). So this may very well be the first Greek mythology album – but please do correct me if I am wrong!

The Gods Of Olympus album has 14 tracks, and is over 70 minutes long. The overall style is clearly inspired of Vangelis, both in synth use (esp. the layers of strings), melody and atmosphere, and the opening track is not unlike 1492: Conquest of Paradise theme. But that said, Vangelis got his inspiration from chord progression in classical music – so White is welcome to reuse it, and there is no better occasion than this. It is after all a larger-than-life theme.

Track no. 1 is the introduction track, Gods of Olympus. It has a nice build up, and the synths sound fantastic. This is movie music for sure! The next one out, Aphrodite, is the longest track on the album with its 7min20sec. It is like the Goddess of Love and Beauty herself; she is rising from the sea, with a beauty that is as mesmerizing as it is dangerous.

After this mighty impressive but also somewhat heavy opening , Apollo, the god of light and the sun, greats us. This is more the style new age music fans think of when they hear the name Clifford White. It is as shining as the day’s first sun rays on the top of Mount Olympus. Then, out of the mists, Ares - the god of war, emerges with his helmet and shield. The track masterfully describes the duality of war; the struggle, suffering and death – but also its central meaning in human civilization, even necessity. The cycle of life defined by the sword.

On the following tracks Clifford White gives an interesting musical presentation of all the gods of the Olympian deities; the god of the hunt, the god of heroic endeavor, the god of flight and so on. It is really a massive selection of songs. It is really like a double CD. Here you’ll also find a song with a wonderful Greek sound to it; Dionysus (the god of wine and merriment). Not to have some Greek sounding song here would have been considered blasphemy I guess… And it is the dramatic Hermes, the god of flight.

The Gods Of Olympus without a doubt a new masterpiece from White, just like Ascension was in 1985

The Gods Of Olympus is really a new age music treasure chest. If this was a novel, it would have had more than 1000 pages for sure. In the world of literature it is not uncommon that a successful author returns after 10 to 15 years of silence with a brick of a book. This is the new age music equivalent of that phenomenon.

I must mention that the CD booklet contains a very nice photomontage of the artist at work in the studio. You can see that Clifford is playing on synths, carefully adjusting, listening, reading, searching for that perfect sound. It is a picture of a new age music artist in total control; this is his domain. Very inspiring indeed!

If this was a novel, it would have had more than 1000 pages for sure.

The Gods Of Olympus without a doubt a new masterpiece from White, just like Ascension was in 1985. It is not easy listening, even though some parts are quite chill out in style. It requires something from the listener. But don’t worry; the gods will reward you.

To quote Sophocles: The dice of Zeus always fall luckily. I am tempted to change Zeus with White in that quote…

Sample the album on MG Music.

Picture copyright rgbdave – Bigstockphoto.com

Just like an orchestra conductor standing on a podium, one New Age artist first held his raised baton in hand, and began to cue the first downbeat gesture for his debut album.  What emerged after the final cutoff gesture was made, led to an upbeat direction for his first album’s achievements, and proclaimed admiration for this relatively new artist.

David Wahler is the musician orchestrating Antiquus in a like manner, where his time signature expertly directed a unique phrasing in tempo, dynamics, and articulation, leading to welcoming salutations of praise during the final reception at the end of his first orchestration.

Antiquus  is a greatly applauded 2009 album surprising many by the paramount success granted to such a relative newcomer in the New Age music industry.  The consistent airplay and high ranking in Zone Music Reporters charts is widely recognized, along with pending nominations for 2009 in 4 categories, yet to be decided.  Likewise you will find Antiquus is held in high regard with our own NewAgeMusic.nu Best Albums of 2009 Awards, so these merits do speak quite clearly.

Music itself is not new to David since he began playing piano by ear at age 7, then formal music studies in college academics before directing several theater directing productions, performing with the Rockford Symphony Orchestra & New American Theatre, while also teaching music appreciation to disadvantaged and handicapped children.

David again steps onto the conductor’s podium for a second time.  With all eyes watching, and with several decisive taps of the hand baton, he confidently cues in his current 2010 release  A Star Dances, in an encore performance notably holding great expectations. 

Composed, performed, and arranged solely by David Wahler, this album represents a heartfelt narration surrounding his family circle past and present, where resolution of personal life challenges are reflected as a unique source of inspiration for his music’s identity, lovingly embraced by his close family heritage. 

A Star Danced is New Age, Contemporary, Electronic, Ambient, Neo Classical, and Orchestration, nicely displayed by his directing hands, where it becomes apparent this second release sharply manifests a sweeping one and two and timing, in relation to the precision delivery of his already admired discography.

The song Quest is the Epic alpha and omega heralding in 14 classics of A Star Danced, and perhaps a fine talking point of those like myself giving their own conclusions about his second release.  To me, this sensational wonder is a revelation to behold, given the heavenly virtuoso trumpet intonation with pronounced percussion taps unveiling moderate rhythms while keyboard and tenor vocals gently mesmerize.  Having these bold dynamics and a contrasting sheer ambience of lightly drawn out vibrato notes, it could be telling of a more calming and peaceful resolution made during some of our most challenging moments.

The atmosphere in the Title Song by soft soprano and tenor vocals echo nicely behind droplet-like keystrokes and percussion rhythms blending into one relaxing starlit entity.  The Seeds of Time are generously sown by guitar soloist Brent Gunter, where his evolving impressions are backed by moderate keyboards and celestial choir.

Come Gentle Night has a light sway led by beautiful keyboard bell tones similar to Peaseblossom & Reverie.  Sigh Away Sunday & Vespera are new images holding a conforming poise from the well conducted Antiquus album, giving fresh ambient patterns to the ensemble of songs.

Yvonne is a heartfelt rendition where harp and piano melody embrace to portray a most positive affirmation, and where keys changes bravely touch on an optimistic melodic tone.  It is in this song where piano, strings, and harp join in a tribute to a special person, and where the significance of someone very dear to David is personified.

Missing You is first composed in singular piano notes where a solemn melody gives a peaceful and serene placement of solitude in the earliest moments while nicely responding with a graceful tribute.  Piano notes resolve in a most dignified phasing, giving rise by a reverent conclusion, where ordained notes of respect and solidarity become intertwined in the loving arms of melancholy. 

Quest ( Reprise ) makes a return odyssey to the dynamic opening impressions, becoming the concluding exodus to again reveal the bold aesthetic testimonial of David’s second album.  Devoted to his unique signature which retains your interest and imagination from the first cue to the final cutoff note, I do expect honorable recognition will be given to David Wahler & A Star Danced, pending this album’s overall final reception.

Visit davidwahler.com to sample and purchase or at his CDBaby.com page.  You may read our own NewAgeMusic.nu Best Albums of 2009 Awards and my review of Antiquus on our pages dedicated to David Wahler.

Picture copyright Bigstockphoto – pressmaster

Today’s computer enhanced technology is amazing, and when skillful composing is combined with live performers and instrumentals, the resulting musical outcome can become a creation of natural beauty.

Timothy Crane is an artist title using a creative touch with the music technology of today by composing piano music, then adding key instrumentals along with orchestra effects that become full structured works of music he and his close friends enjoy creating.

Dragonfly is the second release where Timothy plays a leading role as pianist and co-producer of his second album, along with Jason Rowsell who also played bass and mixing. Friends Rick Henly performs on guitar and percussion effects, while Ryan Day engineered and mixed the album. Having one last credit I don’t want to miss, Jason Rowsell’s young daughter has a cameo role by quietly laughing on cue during the beginning of song, A Child’s Goodnight.

The Other Life I Dream is the first album I enjoyed equally from this talented group. When asking Timothy what was the primary objective on this current release, and what set Dragonfly apart from the first album. Here is his reply :

With Dragonfly, my focus was more on composition. Each piece reflects an attempt to craft an instrumental tune that is memorable, unique to the overall album, and noticeably piano-driven, produced by independent musicians who want nothing more than to continue to create and play music.   Timothy Crane

Dragonfly is where I discovered more natural forms of instrumentation become closely acquainted with an animated entity in 11 song classics. A few songs carry the rhythmic tones that might remind some of a highly recognized female artist at first glance, but I soon found each song is composed with a singular structuring in each melody belonging in a modern New Age, Piano, Instrumental, Cinematic theme.

Dragonfly indeed takes flight with first song 2×2. In a graceful piano based dance of the keys, a real beauty of a melody greatly captures your attention by the upper tempo modern rhythms. Well placed staccato notes from strings carry this steady motion while wonderful orchestration carries the appropriate rhythms that lead to a natural form of musical attraction.

Sylvan Grove holds much of the same beauty by piano leading in an upbeat theme while horns and strings inscribe a smooth blend into another most positive melody. Higher octave piano notes in Star Cross Moon are the first gentle indications of a nice correlation in melodic shades, and when numerous major to minor key changes make a full emotional presence felt during refrains, the result is gratifying.

A Child’s Goodnight is a playful theme that soon matures in a full chord and heartfelt movement, while Salish Sunset in again, a more moderate tempo, along with light recollections in piano phrasing, join with oboe to impart warm tones to the overall picture.

Theft in Eb Major is more of a classic thought in composition with major and minor chords extending vibrant hues while building momentum. Woodwinds warm breezy notes blend with background choral vocals to instill a more celestial feel with this song.

Theme of Rachel Scott is another focal point where medium range keystrokes give way to lower chords feel of depth and richness, blending nicely with orchestration to become one beautiful entity. Vasilissa the Beautiful entertains a most peaceful beginning only to be suddenly interrupted by an enthralling performance from piano, choir, and deep thunderous percussion, quickly taking flight as if suddenly startled from a comfortable resting place.

Title song Dragonfly is an impassioned piano solo signaling the finale of this lightly animated album, in a conclusion where I felt every colorful detail was closely examined while producing this incorporated album, becoming the right choice for many people desiring popular music creations having a natural attraction.

Visit timothycrane.com website to sample / purchase, or at his CDBaby.com page.

Picture Copyright Bigstockphoto – FOTOCROMO

The Healing Sound Series by Michael Brant DeMaria is getting much attention these days.  After our interview together and having reviewed his music, I can easily understand why.  The Ocean album, along with his Grammy Nominated Siyotanka, which won a 2009 Native American Music Award, is now placed in 4 of ZMR’s Award Category Nominations currently under consideration.

Here is one compilation video release of the story based narrative Siyotanka, in an equally beautiful visual journey that visits the sky, rivers, and oceans, given from the perspective of Michael Brant DeMaria.  Visit ontos.org here.

Recently I reviewed the album One Day in a Life by Bill Wren.  There was one song among many that I wrote about and in my review I had this to say about En Mai :

” Much like En Mai, lavish cello entries appear to drift and sway in time to gentle winds and deep sentimental overtones, with an emphasis on instrumental soloists as the chosen method to hallmark every occasion in this album of versatility. ”

As it turns out there is a great video of Bill Wren’s song En Mai, taken from a concert in Jacksonville Florida last October.  Bill’s good friend Frank Ralls produced and directed, edited the video, along with playing Keyboards and percussion.  Brittany Maroney is the cellist also giving a wonderful performance in front of a live audience.

It’s difficult to accurately describe music in written text at times, so here is your chance to hear En Mai for yourself. 

Visit billwrenmusic.com here. 

NewAgeMusic.nu from the very beginning has brought its readers top articles, news, interviews, and reviews, about many defining artists in the New Age music industry, and you can expect us to continue the tradition at this website. 

NewAgeMusicWorld.Com had just begun online posting when, on Jan 1, 2010, NewAgeMusic.nu had announced our Best New Age Album of 2009 decision to our readers.  Since I was just beginning as a webhost here, the following article was not posted at my website.  I am proud to be a contributing member writing content for NewAgeMusic.nu and would now like to display the Best Album of 2009 article by B.T. Fasmer for my website visitors.

                                           NewAgeMusic.nu article on The Best Album Award of 2009.

                                                           By B.T. Fasmer on January 1, 2010.

2009 is history – and before we move on, lets take a look at the many new age music titles that have given us so much joy this past year.

New age music is not different from other genres; the myriads of home studios and the power of internet are transforming the music scene in a profound way. While the fan before had to rely on mainstream radio and the selection in the local music store, she now can choose from millions of tracks and just as many niche stations like New Age Stars. Music has never been this accessible, and we here at .nu enjoy every minute of it!

In 2009 we have been able to sample every album released under the “new age music” umbrella on Amazon and iTunes, without even leaving our living room. The quality of the titles is generally very high – and we continue to be amazed of the creativity and love the artists (and the labels) put into their work. We, the fans, can only say thank you, thank you, dear artists, for an amazing year of music!

The titles below are our favorites of 2009. We have without a doubt missed some titles here, but to our defense all titles mentioned below are for sure in the “best of the best” category.

1. Cadence Spalding – Save the World

It wasn’t hard for NewAgeMusic.nu editors to choose the top title for 2009. Rarely have we been presented for a title that answers the “what is new age music” question better. Cadence Spalding’s Save the world illustrates everything that is great about new age music. To quote John P. Olsen’s review: “Save The World is classical New Age pop, hosting a pleasant mix of ballads finely tuned to perfection in the purest sense. Classical touches of soft angelic vocals appears as lullabies at times, gently rocking you into a contented state, while anthem stanzas increase in momentum, rising above to greet the occasion. “

Save The World is, as the title implies, an album with a message. We all have to do our part to save mother Earth – it is a message that has to be repeated again and again. How to save the world? Trust in love. Cadence Spalding’s album is not to be missed.

Sample the album on CDBaby

2. Clifford White – The Gods Of Olympus

Clifford White is a true new age music legend. His album Ascension from 1985 is one of the finest albums from the 80s, and a “must have” for any NA music fan. After 14 years of silence, Clifford White this year returned with a massive release. The album The Gods Of Olympus is a journey of epic proportions.

BT Fasmer wrote in his review: “The Gods Of Olympus is really a new age music treasure chest. If this was a novel, it would have had more than 1000 pages for sure. In the world of literature it is not uncommon that a successful author returns after 10 to 15 years of silence with a brick of a book. This is the new age music equivalent of that phenomenon.”

The Gods Of Olympus has 14 extremely well made tracks, and is over 70 minutes long.

Sample the album here.

3. Kitaro – Impression Of The West Lake

I cannot think of a more magical and mystical album than Kitaro’s Impression Of The West Lake. On this Grammy nominated release Kitaro does what Kitaro does best; he creates an unforgettable world of music, that is both East and West, beautiful and magical, all at the same time.

There are two 12 minute long tracks on the album. They are like two separate albums, with a massive and interesting build-up. Hopefully Kitaro will get a Grammy this time – he sure deserves it!

Sample the album here.

4. Medwyn Goodall – Medicine Woman 4 – Prophecy 2012

It has become a tradition in the world of new age music. Every fifth year or so Medwyn Goodall’s many fans get a new installment in the Medicine Woman series. Since the release of the first album in the series in 1991, it has become one of the most popular in the genre. This year we saw the release of Medicine Woman 4 – Prophecy 2012.

BT Fasmer wrote in his review: “Prophecy 2012 has the good old Medicine Woman atmosphere, pure and simple. This sound should have been patented, put on a bottle and sold to a big pharmaceutical company, since it is truly a healing experience. But I guess that the Medicine Woman is more about herbs and spells, than pills and bills.

Medicine Woman 4 – Prophecy 2012 offers, like the previous albums in the series, almost endless replay possibilities.

Sample the album here.

5. David Wahler – Antiquus

One of this year’s most surprising and welcome releases was Antiquus by David Wahler. This debut can been described as New Age Ambient, Neo Classical, and Electronic – yes, even Orchestra and Chill Out.

John P. Olsen wrote in his review: “The mood is indeed very dreamlike and relaxing by a mod tempo rhythm that offers a positive connection by retaining your interest and imagination throughout the entire album. Shifting tempo and key changes are what I believe give this album an effective transition in thought and feeling, linking the valuable bond between our very distant past and our ever changing future.”

David Wahler is one of the new stars of new age music – and we feel confident that he will be on our best of list next year too! Antiquus is simply a marvelous album that any NA music fan must check out.

Sample the album here.

6. Paul Heinerman – Oases

The phrase Music can take you places might sound like cliché, but you will see the truth in it after listening to Paul Heinerman’s album Oases. This album will take you on an unforgettable musical journey to Ireland, Greece, North America, India, China and Native America.

Oases is hands down ethnic fusion at its very best, played with integrity and force – and, in the process, perfectly blending modernity in all its shades, illustrating the melting pot of East and West.

All in all, Oasis is an interesting and quite different new age music release – and one of the finest albums released in 2009!

Sample the album here.

7. Joel Kanning - Ubiquitous Frequency Oscillation

Another debut album that made 2009 into something special was Joel Kanning’s Ubiquitous Frequency Oscillation (UFO). BT Fasmer wrote in his review: “Albums are often released labeled as “sounding like Enigma and Deep Forest”, but this reviewer finds that these albums rarely are on par with masters such as Michael Cretu and Eric Mouquet (the men behind Enigma/Deep Forest) . Some of these albums are quite good, but hardly more than that.

But sometimes it happens that a new star is born, and one artist that deserves to be mentioned in the same breath as Cretu and Mouquet is Joel Kanning. His brand new album UFO, or Ubiquitous Frequency Oscillation, is a true feast for fans of the above mentioned artists.”

While Enigma and Deep Forest are big names of the past, Joel Kanning is a man for the future. This was the UFO-landing we all were waiting for!

Sample the album here.

8. Transcend with Time – A Haunting Presence.

Everyone always says that they are looking for something new, something different and exciting. Well, new age music fans – we urge you to check out the album A Haunting Presence by Transcend with Time/Mark Mendieta. This album truly is different and exciting in a whole new way; A Haunting Presence has the atmosphere of progressive rock and the sound of new age. Mark Mendieta takes everything that is great about new age and adds, what he calls, “a twist of Dark Progressive”. It creates a totally different atmosphere, unlike anything else you are likely to find in this part of the forest.

TwT is not easy listening, and that is also the case with the new release. But if you give is some time, you will for sure be amazed of the richness in sound.

Sample the album here.

9. John Adorney – The Fountain

One of the new stars in new age music is John Adorney. His albums The Other Shore, Waiting For The Moon and Trees of Gold are considered modern classics. This year John Adorney gave us the album The Fountain. John P. Olsen wrote in his review of the album: “The itinerary moves into Middle Eastern style keyboard navigation before boarding acoustic guitar verses reminiscent of India. Circling the globe by Southern route, Brazilian tempo celebrates the festivities before a final touchdown into John Adorney’s home country of America, arriving well relaxed by one of his more adventurous musical arrangements, in the luxurious comfort we have come to expect.”

If we were given the chance to create a trademark defining term for a new music genre that everyone could easily recognize for a new description reference, we would confidently term the compositions of John Adorney as Comfort Music.

Sample the album here.

10. Nexion Project – The Isle of Freedom

We are fond of island music here at .nu. This year we added a title to our “best of island music”- list. The title of the album is The Isle of freedom by The Nexion Project.

It is not entirely a new release (some of the songs have been featured on previous Nexion Project albums – but some new songs were composed to this compilation). BT Fasmer wrote in his review: “Is it possible to make something that already is perfect, like the dream of a tropical island, even better? Yes, the Nexion Project’s The Isle of Freedom is a proof of this. It takes the island theme to the next level, creating a dream sphere that is both relaxing and energizing at the same time. It is everything and more, just like paradise itself.”

So if you need some well deserved time off, why not take a trip to the Isle of Freedom?

Sample the album here.

AND NOW: 2010 here we go, with new age music in our ears and hearts!

Your friends in New Age Music,

B. T. Fasmer and J. P. Olsen, Norway and USA

See our Top New Age Music album of 2008 list here.

Recently  B.T. Fasmer and I have made the decision to revise our Music Submission Policies due to the increasing amount of e mail requests we both receive for album reviews from artists.

While we both enjoy writing comprehensive reviews about many musicians and their latest release for our individual websites, we have both been spending too much time just responding to e mails requesting reviews.  Some e mails we receive have also gone unanswered and we do want to emphasize that this is not a reflection on your music.

We regret not being able to reply to every e mail request and want nothing more than to be able to write about everyone, but unfortunately this simply is not possible and we ask for your understanding.

Our individual Music Submission Policies vary slightly now, and artists may read the revised NewAgeMusic.nu / Stars Radio submission policy right here. 

Read the revised policy for NewAgeMusicWorld.Com right here, or at the bottom on my About Page.

Again, we Thank You for your understanding.  John & B.T. Fasmer

There is plenty of great music out there these days to relax with, along with plenty of demand for natural music with relaxing benefits.  Biophile Music invites you to listen to their deep in form ambient experiences.

The word Biophile is defined as Love of Life or Living Systems, and now becomes shown in a reflective expression of musical journeys with note filled signposts along the way.

Eric Geoffrey is the sole musician that utilizes a curious mixture of instruments where old, new, organic, synthetic, acoustic and electric, write the musical invitation in which Eric delivers his natural form of relaxing music on CD and regional live performances.

The Biophile CD titled Music For The Great Awakening is a 2 Disk set containing 17 tracks of his relaxing music.  This collection of songs is 2 hours long, so there will be plenty of time to utilize this 2 Disk collection for meditation, yoga, reiki, and revitalization.

Eric Geoffrey invites you to visit biophilemusic.com to sample and learn more.  

Michael Brant DeMaria, PH.D, is a recent Grammy Nominee making the news lately. Likewise, our recent interview together gave many people an in-depth look into the life of a clinical psychologist, composing musician, poet, author, and dedicator of his Healing Sound Series.

Knowing Michael better now, it’s clear to me his music is an instrumental model in itself, much like his art, books, and poetry, all of which have acquired U.S. recognition, along with international acceptance in Australia, Europe, Russia, and other parts of the world.

In his psychotherapy practice, Dr. DeMaria created ONTOS ( Greek for Being ) to help people live more meaningful and effective lives by ambient music interwoven as relaxation therapy. I feel The Series can be perceived much like a form of cognitive conditioning, becoming an audible portion of his personal inner message by design, helping one acquire a new perspective and begin a refreshing journey on a path to wellness through calming music.

The River first began the Healing Sound Series, with Ocean his second project based on over 25 years of personal and professional research in the fundamental principals of sonic healing techniques. Ocean was conceived to help hurricane survivors much like himself, begin anew and return to a more peaceful existence.

Where our rivers are a beginning source during their natural paths across the landscape, The River by Michael Brant DeMaria is like a template to discover a new direction, if even for a single day. In addition, while help customarily arrives in the form of understanding words from this highly educated man during his medical practice, Michael’s healing music has a similar philosophy. It is where gentle curves in The River now become the stimulus equivalent for discovering a natural direction in which to travel.    John P. Olsen

Siyotanka is the third story based narrative that won a Native American Music Award in the Native Heart category, and placed him on the Grammy ballot for Best Native American Music Album, also retaining the # 1 position on ZMR Top 100 charts in December 2009.

“The River is an album dedicated to all who listen from the heart” are words Michael used to analyze this first in series. More than familiar with his music, I find this a realistic concept.

Descriptive song titles likewise assist in what you will hear on The River, which relies on Native American Flutes, keyboards, piano, and indigenous percussion to form the reservoir, rising momentum, and infiltrating sunbeams heard in beginning ambient songs First Light, The River & Sunlight.

Journeying is one of the more intriguing songs to me, having a rhythmic percussion and keyboard enhanced xylophone effect, when left to the imagination, places one in a forest habitat, residing right beside gently lapping water’s edge in a restful moment of singular, peaceful solitude.

The Rain features an indigenous flute solo while a thunderstorm’s echoing claps can be heard in the distance as if releasing every negative thought from afar, along with dispersing light water droplets that transform to create a colorful sunset at dusk, leading into piano and woodwinds calming sounds in a quiet Night Fall.

Moderate keyboard sequences, along with single touches on the piano keys treble octaves make positive reflections in Moonlight & Stillness lightly glow by their conforming ambient phrasing, while indigenous woodwinds direct a more solemn indication to denote the threshold hour of Midnight.

The River’s 10 song origins instinctively find a natural pathway to The Sea where most rivers lead. In comparison to seas partially confined and bound by land, Michael’s directive of these rivers hope to point towards a new concept releasing everyone’s unlimited potential, in relation to the vast open horizons observed in our five greater oceans.

Visit ontos.org here and then sample / purchase on his music page, or CDBaby.com page. Read our interview on our page dedicated to Michael.

Picture copyright Bigstockphoto.com – WizData

Canada is a country currently making the news daily by hosting the XXl Olympic Winter Games and Like B.T. Fasmer said in his recent article, New Age Music for Driving, listening to calming music to relax with while driving in Vancouver or surrounding areas, is a great idea.

Julian Ray is understandably a proud Canadian citizen and member of SOCAN, Society of Composers, Authors and Music Publishers of Canada, active in theatre, psychology, and philosophy and award recipient as a design artist.

In addition to keeping up with current events in his country, Julian is independently promoting his current 2010 release In Flow of Light, placing well in a winners circle of New Age / Ambient / Meditative, categories.

This ambient music with a more casual tone of 10 uplifting melodies makes one relaxing album, great for travel or winding down right at home.  His prior releases Saga, Wonderful Life, & Seashell Stories give you much to choose from too, with all having an individualistic tone that indirectly tells you it was produced by Julian Ray.

In Flow of Light is a lighter form of easy listening ambient music, with the title song In Flow of Light and second track The Call, a mid tempo blend of synthesized ambient music, with abundant keyboard effects affable for relaxation while also exhibiting a more pronounced upbeat rhythm I would classify as distinctive.

Silence & Mountain Air are toned down in tempo to a more atmospheric level, in a more casual presence, keeping up a measurable level of his individual style, likewise felt in the abundant runs on keyboard based Soaring. 

Between Earth and Sky has a windswept beginning before keyboards entertain a lighter melody, and the synthesizer background gives an enticing angle in tone by the voice box impressionism. 

Towards the Sun reaches a higher peak of performance on percussion, along with upbeat rhythms, where New Morning takes off with a slower start, only to increase in speed, gaining momentum by the smooth flowing keyboard melody.  Percussion rhythms happily dance along with a more mid tempo theme as the song progresses, making a fine finish at the end.

New Age Music and Canada seem to have a natural presence, and music from Canadian teams has always made the grade with me.  Julian who resides in Toronto, likewise goes the distance with current In Flow of Light by providing a measurable amount of relaxation with his individual freestyle of ambient music.  Since several new projects are on the way, and I am now more familiar with his music, it should be easy to recognize his freestyle compositions at any event.    

Visit julianraymusic.com to learn more.  Sample / purchase on his website album page, or at Amazon & iTunes. 

Valentines Day is a super time to make one’s heart beat a little faster, and since February 14, 2010 was also the first phase in the annual Zone Music Reporter ( ZMR ) Award Category Nominees announcement, I can almost hear the rhythmic pace increase for the candidates we have been writing about at NewAgeMusicWorld.Com & NewAgeMusic.nu. 

Click here to see our NewAgeMusic.nu Best of the Best Album Awards for 2009.

ZMR has decisively placed many of the artists we write about as Category Nominees, so naturally we are happy to see many of the artists we have met and consider friends being placed on the ballot.  The next date to watch for is March 14, 2010, when ZMR makes their final decision.

My previous article about just some of the candidates can be seen by scrolling down our pages below or by clicking here.  Complete details and the entire list of candidates can be found at zonemusicreporter.com here.

Picture copyright Bigstockphoto.com – yoga heart

It’s pretty easy to get sidetracked from doing what we really want to do everyday, and a 25 year departure from songwriting was longer than what this musician had in mind, but his migration back to composing have many people moving to new heights.

Bill Wren is often referred to as the Rare Texas Songbird, in a declaration I thought appropriate having the surname Wren, yet it uniquely describes his musical aspirations and return flight to perfection. First playing bass in a Rock band, Bill realized after one stellar show in front of a crowd gone wild audience, music was his final destination.

One day in a Life is his release already gathering attention, having many songs winding up #1 or in the Top 10 at SoundClick.com & Broadjam.com, with songwriting awards in Indie & International Song Writing Contests. Reading everything I could on Bill Wren, I also learned that lifelong friends played a major role leading to an early formation of his musical biography that endures even to this day.

One day in a Life is like a beautiful bird of paradise and where Bill Wren excels the most, in heartfelt compositions that exhibit the very essence for each characteristic style given by every performing musician on the album he calls a friend.

Wren states the album’s success is due in part to the arrangement and production work of Frank Ralls, along with musical assistance of Terry Winch & Ike Strum, with a host of vocalists and instrumentalists who together, have assembled a refined album with a right at home presence.

One day in a Life answers the call to 11 songs in New Age, Orchestration, Neo Classical, along with structured blends of Jazz, Blues, and Rock, building a comfortable resting place to display his versatile compositions. The calm acoustic guitar strides heard in the title song characterize the overall attraction given to the entire album, giving a hint of the harmonious novelty waiting within each well rounded song.

Daybreak shows the smooth artistry of this album sporting a fragrant touch and vibrant flare, where rich orchestration plays the intermingled leading role while supporting soloist and softer vocals. Much like En Mai, lavish cello entries appear to drift and sway in time to gentle winds and deep sentimental overtones, with an emphasis on instrumental soloists as the chosen method to hallmark every occasion in this album of versatility.

Ocean Breeze features acoustic guitar giving the arrangement a moderate tempo and under closer examination, exhibits a form of poetry in motion while gently transitioning to a more complex guitar rendition, making the move during nice orchestral balance and light percussion effects.

I Will Waltz For You, with it’s descriptive title, glides right into motion filled pirouettes in time to dance rhythms, while Lovers Rendezvous has a moderate tempo with saxophone and piano adding an impassioned rendition, contributing to a pleasing sense of atmosphere.

Setting the ambiance again is Heart to Heart, in singular key piano melody and Night Fall, where piano, saxophone, and soft vocals maintain the beautiful colors perceived in this albums theme.

The song Old Friend provides the forethought in this lighter flute melody backed by a full symphony of warmth and sincerity, and since everyone is great as an individual soloist on the album, it does help me summarize with certainty.

The qualities I discovered in One Day in a Life, do facilitate a level of relaxation one person can easily enjoy alone, morning, noon or night, but with such an engaging album like this one, is always best experienced in the company of good friends.

The musicians and credits on this album are, Frank Ralls, Terry Winch, Ike Strum, Sandy Williams, Nick Curry, Janet Planet, John Gibson, Jim Farrelly, Kyle Wehner, Michael Houston, Kelly Willard, Tom Washatka, Patrick Harshbarger, and Chris Lieber.

Visit the Rare Texas Songbird at billwrenmusic.com to sample or CDBaby.com to purchase.

Picture copyright Bigstockphoto.com – Ardith

Classical Orchestral Harps can be thought of as divine or celestial instruments, having an origin dating to around 2500 BC, often reminding one of angels and religious cherubs poised in a statue.

Lizary Rodriguez Rios is the harpist I had in mind while writing this first sentence taken from an earlier review of her Harp Therapy album inviting listeners to relax by the soothing music this stringed instrument can provide.

Valentines Day is approaching and a great time to tell you about this music professional and bring up the celestial instrument, since the harps early origins are ironically thought to be modeled after an archery weapon.  Given this fact, even the romantic Cupid would like to own this instrument since it strongly resembles a bow and arrow.

Lizary Rodriguez Rios credits are quite impressive, securing a Doctorate in Musical Arts and 4 time awards winner of international harp competitions around the world, touring with the Grammy Award Nominated Harp Fusion Ensemble.

The recipient of a Centennial Achievement Award is a respected one of many, in an overall long list of awards and recognition she has achieved, drawing attention around the world as a harp soloist and composer, so expect a right on target delivery. 

The many concerts and festivals people have attended, like the prestigious Casals Festival in Puerto Rico, venues in the United States, Czech Republic, Switzerland, Spain, Russia, and other countries have certainly enjoyed the experience, so chances are good you will too.

Harp Voyage was her first album, and much like her Harp Therapy are specifically composed for relaxation, massage, and yoga, while also finding a comforting niche since the songs serve as the perfect auditory background music during church services, memorials, hospitals, and even weddings.  Lizary has informed me she is presently working on a Christmas album, so another fine project of her specialized music is expected in the future.

While Lizary’s harp CD’s are not exact centerline New Age music, her high level of expertise as a harpist is decidedly front and center by delivering a highly regarded level of comfort, from a natural talent who is devoting much of their life achieving the very highest in musical standards.

For your next special occasion or great classic music to relax by visit lizary.net here.  Sample at CDBaby.com here, and read our pages dedicated to Lizary. 

B.T. Fasmer’s recent Jan Hammer article at NewAgeMusic.nu gave me the idea that showing the Miami Vice Theme song video from the 80’s hit TV show would be a great follow up.  Jan Hammer’s Theme song was popular years ago, and apparently much in demand today since high song ratings on our Stars Radio remain pretty consistent even decades later.  Even if sportscoats worn with tennis shoes are out of fashion now, I am sure you will enjoy this MTV Classic version, then read the article here.

New Age Music is already an exciting genre to be involved with for many reasons and now the excitement is going to the next level since Zone Music Reporter ( ZMR ) has taken the first step in announcing their Annual Music Award Qualifiers.

Every musician in our genre has produced some outstanding music this year, and we have enjoyed writing reviews for some of the current Award Qualifiers at NewAgeMusic.nu & NewAgeMusicWorld.Com this past year, so we too  feel the excitement of hearing the final outcome of this years ZMR awards decision.

B.T. Fasmer and I know making a final determination is a challenge, and there is never an easy way to go about the task of deciding who will receive the highest recognition, having recently made our Top New Age Album Award of 2009 at NewAgeMusic.nu shown here.

There is no denying that every musician has made a significant contribution to our beloved genre and in our minds, has already become a winner simply by qualifying.  We wish everyone the very best in ZMR’s annual awards, and again thank every artist for producing music everyone can be proud to call New Age. 

Below is our select listing of 20 qualifiers we have been writing about this past year by our reviews or interviews, and is a nice sample of the many outstanding musicians now under consideration.  On a personal note, I deeply respect everyone I have met and have enjoyed getting to know some artists even more by our recent interview together, and only wish I had time to request an interview with everyone.  With that said, you may click on the links to visit the artist’s official website, and then our dedicated pages to 20 of the qualifying artists and my review of their current album or interview. 

ZMR will announce the Category Nominees on February 14, 2010 & the Award Winners on March 14, 2010.  You can see the complete listing of the categories & 2009 qualifiers at zonemusicreporter.com when you click here.

Picture Copyright BigStockPhoto – pkruger

    NewAgeMusicWorld.Com  &  NewAgeMusic.nu  ZMR Qualifying artists.  Albums shown in alphabetical order.

                               The click on Word Links are [ Website ]  & [ Review ] for each artist listed below.

                David Mauk / davidmauk.com [ website ]  12 Months Album [ review ]

                David Wahler / davidwahler.com [ website ]  Antiquus Album [ review ]

      Fiona Joy Hawkins / fionajoyhawkins.com [ website ]  Blue Dream Album [ review ]

           Arturo Mayorga / arturomayorga.com [ website ]  Cascades Album [ review ]

           9  Muses /  Sample at cdbaby.com [ here ]  Feel to Heal Album [ review ]

             Ciro Hurtado / cirohurtado.com [ website ]  Guitarrista Album [ review ]

             Paul Avgerinos / roundskymusic.com [ website ]  Love Album [ review ]

         Bruce Mitchell & Ron Korb. newearthgoddess.net [ website ] Album [ review ]

 Christopher Boscole / christopherboscole.com [ website ]  Presents of Angels [ review ]

       Christopher Boscole / christopherboscole.com [ website ]  O Christmas Tree.

                Michael Brant DeMaria / ontos.org [ website ]  Ocean Album [ review ]

            Michael Brant DeMaria / ontos.org [ website ]  Siyotanka Album [ pages ]

         Matthew Labarge / matthewlabarge.com [ website ]  October Album [ review ]

         Terri Liles Mason / omgaiamusic.com [ website ]  Om Gaia Album [ review ]

  Cadence Spalding / cadencespalding.com [ website ]  Save The World Album [ review ]

            Anewday / anewday.ca [ website ]  Summer Reflections Album [ review ]

   Lawrence Blatt / lawrenceblatt.com [ website ]  The Color of Sunshine Album [ review ]

          Nick Farr / nickfarr.com [ website ]  The Ever Present Now Album [ review ]

          John Adorney / johnadorney.com [ website ]  The Fountain Album [ review ]

   Paul Jensen / juancarlosproductions.com [ website ]  The Other Side Album [ review ]

        Michael Stribling / leela-music.com [ website ]  The Promise Album [ review ]

           Kori Linae Carothers / koritunes.com [ website ]  Trillium Album [ review ]