New Age Music World

Archive for August, 2010

Much like the seasonal changes we encounter daily at various locations around the world, many musicians I encounter have their own change in atmosphere in relation to the music they produce.  Their adaptations in style and structure can sometimes be expected to a degree, but most times it is tempered just like the weather and cannot be easily predicted.

Matt Millecchia is a great example of a guitar player making a more profound change in his performance style by releasing of all things, a new age album.  Currently residing in New York, Matt is most acclimated to performances with various metal rock, punk and folk bands over the past 20 years and really not a matter of being a hot to cold disparity by this, but this departure certainly is polarizing.  Interestingly, he is also a senior engineer who takes precision measurements on one of the most powerful lasers ever produced so is uniquely familiar with the technical aspects of extremes.

Silhouette of a Season is his more equalizing new age contemporary instrumental debut with 12 original compositions featuring Matt on 4 solo guitar songs.  Employing another key change in style, he specializes in the flat-pick method of acoustic guitar verses a more common finger style and has also enlisted notable artists most will recognize.

Taking the legendary journey to Imaginary Road Studios in Vermont, GRAMMY® Winner and founder of Windham Hill Records Will Ackerman has produced and performs guitar with Matt on two songs.  Another GRAMMY® Award-winner Corin Nelsen engineered, mixed and mastered this album so the quality shines by their expertise, plus the all inclusive list of top musicians on various songs which includes Michael Manring on bass, Eugene Friesen on cello, the late T-Bone Wolk on bass and accordion, Derrik Jordan on electric violin and percussion, Jeff Oster on flugelhorn, Steve Schuch on acoustic violin, and Samite on flute.

Silhouette of a Season shows a natural beauty in composition and performance while dramatizing a glowing atmosphere during each of the 12 songs placed mainly in a moderate tempo.   All have a pleasing feel of radiance and song Arrivials is the first prelude into the many qualities you will experience on the entire album.  Orchestra and electric violins provide a swaying motion while guitars evenly enhance this refined image by counter rhythms and then again in a more pronounced Summer Tears.

Antietam Spring is a light introspective song where accordion and guitar inscribe a peaceful feeling while achieving a pleasing sense of intrigue and perhaps only natural given the interesting choice in instrumental harmonies.

The guitar pairing of flugelhorn in Mist and cello in Acid Lake are like the percussion, guitar and flute instrumentals in Sphynx where each artist imparts their proficient expressions while revealing the fine naturalistic atmosphere envisioned for each song.

Matt Millecchia takes a graceful departure apart from more familiar genres by the 4 solo guitar improvisations of Georgia Springs, Expectations, August Eclipse & Moonset and while adapting this gentle change of seasons with over 20 years of experience and by using the flat-pick method without sub-rhythm overdubbing.  The transition is made solid by a fine performance, along with his artistic stance on the evenly represented concepts of harmony.

Silhouette of a Season is an album anyone can become acclimated with every single day of the year and since the glorious presentation given by every musician transposes a fine exploration in atmosphere, their precise harmonies bring to light an integral shine for success which to me, turns out to be an even more predictable quality.

Visit mattmillecchia.com to sample / purchase or at his CDBaby.com page.  Learn more about Matt on his biography page.

Photo copyright Matt Millecchia and Cover courtesy of Marcia Birken.

Acoustic Ocean has just released a fine new follow up to their debut release Light Returning and like many of the relaxing destinations of Hawaii where the musicians reside and the song titles suggest, becomes a restful retreat into music that tells of the natural beauty one would experience on the islands for themselves.

Since the founding team members of Acoustic Ocean are skilled therapists and all 4 performers on the album live in Hawaii, their unique perspective with daily experiences of island living have helped recreate the relaxing atmosphere for you.

Reflections on Still Water is a New Age, Contemporary Instrumental album retaining a great sense of calm by 9 original compositions and 1 spiritual melody of instrumental beauty that is clearly prominent from the very beginning.

Peggy Morgan and Bette Phelan, as the former folk singer-songwriting duo Morgan & Phelan, toured together for 20 years performing in the US and abroad at a wide variety of venues which numbers in the thousands. 

Over the past two decades together their music has been featured on television along with aquiring widespread radio airplay, receiving awards and notoriety over the years before founding the New Age artist title we recognize today.

The year 2008 first marked the beginning of Acoustic Ocean and while the genre may have changed, their style in creating original works of relaxing music has fortunately remained constant.   Peggy and Bette are both certified Kripalu Yoga teachers, therapists and have specialized skills in many areas related to stress management so their better living skills enabled a well suited entrance into the New Age genre.

On this album the team has enlisted Kay Aldrich playing cello on 3 songs and Anne Berliner on flute in 1 song which turns their wonderful instrumentation into another perspective of beauty.

The album cover shown in Reflections on Still Water gives you a visual hint of the elemental beauty you will hear, plus with the primary instrumentals of Celtic harp, Dulcimer, mandolin, acoustic guitar and fretless bass, the mental images of this restful destination reflect an even clearer picture, translating into a relaxing sound experience all within easy reach of the imagination.

Visit acousticoceanmusic.com to sample / purchase or their CDBaby.com page.  Learn more about this team at their morganandphelan.com website.  Cover photo copyright Bette Phelan.

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria identified as a New Age, Contemporary Instrumental and World music artist. During the past 30 years of his career, his progressive music and global persona has helped neutralize the customary social borders in multicultural music for years.

Gandalf is currently planning a future orchestration to celebrate his 30 year Anniversary in 2011 and this composition will become the centerpiece to mark the celebrations.

There is a live performance in Vienna scheduled to accent the occasion of his milestone achievement. The Vienna concert and new release is the first topic of their interview conversation during this comprehensive 2010 interview published just prior to his 30 year anniversary.

The website hosts for NewAgeMusicWorld.Com & NewAgeMusic.nu are excited to bring our visitors the present day interview John Olsen has conducted with this global musician and invite all visitors and fans to learn even more on our respective website pages dedicated to Gandalf.

Interview with Gandalf

John : I wanted to first thank you myself Gandalf, and on behalf of our visitors for taking time away from your more creative endeavors. I feel certain our visitors and your fans do appreciate this present day opportunity to learn more about you and the outstanding music you produce.

Many are already anticipating your 30 year anniversary you have slated for 2011 which will be here before long, and currently you are planning a new orchestration project with live performance in Vienna to accent your milestone achievement. Is everything being kept a secret for now or can you provide some details about your next orchestration and the live concert event scheduled for 2011?

Gandalf : At this stage I don´t want to tell much in detail about the new project, this will all be presented due to the launch of the album and the concert in 2011.

The composition is meant to be the essence of my musical excerience and development in the past three decades. The leading instruments are guitars, piano and percussion, a small symphonic orchestra (woodwinds and strings) and a male choir.

The work is in good progress, a lot has already happened, but there is still much to do. Currently I am finishing the orchestral score, the recordings are planned in October. The album producton shall be finished until the end of this year.

John : Thank you for the insight you have provided. Your 20 year anniversary was quite extraordinary which included your first live performance in Vienna and the CD / DVD collection on the BSC Music label titled Live In Vienna. Would you describe what your first live concert had felt like on a personal level and was your first stage performance the positive experience you had imagined?

Gandalf : Actually, this DVD/CD is the first official release of recordings from a performance in Vienna, of course there have taken place a lot of performances prior to this one. My really first big performance in Vienna was in 1982, when the album Visions was released. I had just started my career a year before and the reponse from the audience was a real sensation, the concert was completely sold out (more than thousand people) and the album climbed up to #2 in the album charts over night. This was far beyond my imagination! It was just great and lifted my motivation to continue with my work.

John : In addition to your studio recordings you began venues of live solo concerts on acoustic guitar and piano in the United States, along with live concerts in Austria, the Netherlands, and during Woodroot Festival in Germany. With the increasing number of venues, are live performances more rewarding for you as a musician than studio recording, and if so why?

Gandalf : A live performance can not be compared to anything else, this is where the music happens in the very moment. Today performing live is more important for me than ever. If you record an album in the studio you spend much time to get your performance recorded as perfect as possible, on stage you only have this one chance and that is the fascination about it, no song sounds exactly the same twice, you never know what is going to happen every other night. And sometimes there is real magic and you can feel it from the first note you play and the audience can feel it. I would not want to miss this.

John : What was the early turning point where you decided to pursue music as a career and could you tell us about your music history throughout the years?

Gandalf : After having played in various Progressive-Rock lineups during the Seventies I found out that I had a musical vision which I could not realize with a conventional band so I started experimenting in a very simply equipped studio at home just on my own, playing and recording all instruments by myself. And this was the first time I really felt satisfied about my work so I recorded my first album Journes To An Imaginary Land and my friends were so enthusistic about the result, that I played the material to someone from a record-company and I got a contract.

That´s how it happened, I just followed my intuition and after some time I realized that I was able to make my living from making exactly the music I played out of my heart.

John : The Gates to Secret Realities was the transitional album during your move to World music influences. What was the defining moments or reasons for your decision to begin composing World influenced music?

Gandalf : My travels to India and other countries opened up my horizon and I found out more and more, that music is a universal language. It has the ability to dissolve borders between different cultures. There were so many elements in music from other parts of the world that inspired me and I wanted to integrate such influences and expand my personal style, trying to create some kind of a Global Music.

John : During your continental travels, what experiences and ethnic cultures have led you to discover and then recognize music as the unifying source that indeed helps abolish the boundaries in various musical styles and categories?

Gandalf : The first special encounters I had in India when I jammed with musicians there. We were not able to communicate much by words because of our different languages, but we had so much fun communicating through music.

Also on my Brazilian tour in 1995, I could not speak Portugese at all, but the music opened up the hearts of people and the feedback was amazing.

This was where I met Emily Burridge from England. She had lived with a Tribe of Indians for a while and was very inspired by there way af looking at the world and their rituals. So when we played together in Brazil, we decided to record an album together, and this was Gates …

John : You are referred to as The Painter of Musical Landscapes plus your music has a story to tell. What thoughts, images or message do you hope your listeners will acquire from your music and what are the ideal circumstances where you are most productive in composing music?

Gandalf : Nature is the most imortant source of inspiration for me, this is where I find my balance and open the channels of my creativity.

Over the years I found out, that the music already tells its story, whether I am aware of this or not. It reflects my inner landscapes and feelings. If you for example play it to children and let them paint, the pictures that come out show symbols of love, peace and hapiness, so there is not much else I need to tell people besides the music itself. Sometimes a story that accompanies the music is nice but not really necessary.

John : Your music has been featured in television and video media productions. I wondered if you find visual scores more challenging to produce than your more traditional album compositions, and how do they differ when you begin composing?

Gandalf : It is just, that your inspiration is initialized by a different source. If there is a certain story you want to express by your music, you first must get fully into the story and then, the pictures or the words will evoke musical ideas.

Sometimes books can be inspiring, I did project with lyrics from The Prophet by the Libanese writer Khalil Gibran, and also wrote a soundtrack to the book The Stones Of Wisdom by a friend of mine, Ronald P. Vaughan.

John : In the early years you were highly regarded mainly in Europe and other countries prior to your current widespread recognition and status in U.S. markets. Did acquiring a presence in broader international markets influence your music style to fit European or American tastes or was your transition to each country non apparent in your music identity?

Gandalf : I never really cared much about such matters, it happened more the other way round. When my musical style changed throughout the years it became more or less interesting for different markets. For example, back in the Eighties when I had some Spanish guitar on the opening track of the album The Universal Play it suddenly was released in Spain and South America.

Over all the years I tried to follow my musical vision as honest as possible and did not try to adjust to any market or trend-situation and I think this is one of the reasons, why I am still here. If you try to bend your personal way due to fast changing marketing situations, you may soon get lost.

John : Again, Thank You Gandalf. B.T. Fasmer and I do appreciate this present day opportunity to present our visitors this interview. We wish you well, and we will continue writing more about you in the future. Is there anything you would like to tell your fans or bring up before we close?

Gandalf : I just want to thank you and everyone who helps promoting my works and all my fans for purchasing my records and thus helping me to carry on with the music.

We now invite everyone to visit the gandalf.at homepage then read his biography page. Visit the BSCMusic.com website to purchase / sample his music, then read our pages dedicated to Gandalf.

Photos are courtesy Klaus Rautenberg and gandalf.at.

Some young adults begin their early working careers by taking whatever job is at hand and find the road to success. Some hope to achieve the road to success when handed the family business. Either decision requires talent and determination of course, but the universal message often heard about either choice is to always have your individual hopes and dreams.

Gunnar Madsen from Berkley California has achieved an impressive level of success most would hope for at this stage of his bright career. You can visit his website to learn all about his career choices through the years and I feel his grand success as a Grammy Nominated pianist and award winning composer, singer, writer, sound designer, filmmaker and actor are career decisions that might have even impressed his family.

Two Hands is the New Age, Cinematic Piano, Instrumental 2010 release from Gunnar Madsen and eighteenth CD he has produced. This album is a more especial and innermost portrayal of his musical works in relation to his earlier compositions with the a capella group he founded called The Bobs.

His first solo album Spinning World is a closer likeness with Two Hands, in a uniquely diverse discography that includes award winning family CDs along with an Epic Orchestral recording and even a lively pop art Rock album titled The Power of a Hat.

The recipient of countless music and theatre awards, his Grammy Nomination was for a song arrangement by The Beatles and has received ASCAP Awards for 15 consecutive years, plus his music is featured in some episodes of the widely popular HBO series Sex and the City and films Breaking the Rules, A Special Providence, The Break Up & Just a Kiss. Gunnar Madsen also does voice-overs, providing the film voice for Don Cheatle when he portrayed Sammy David Jr. in the Emmy Award winning HBO film The Rat Pack and this is just a partial listing of many credits during his career so far.

Two Hands was recorded at the industry regarded Skywalker Sound Studio and includes 16 songs total. Three songs have contrasting instrumentals where notable guest violinist Irene Sazer, a member of the improvisational Jazz and Classical group Turtle Island String Quartet lends her elegant expressions.

The first violin portrayal by Irene Sazer on Kerenyl is more subtle while gently tracing the melodic depth on strings as Gunnar leads on piano. Ordinary Day & Red Bird make a beautiful piano and string duet from the pair, extending the symmetrical harmony on each song while interblending into a narrative full of melodic drama.

Solo Piano ballads of Cinematic proportions are the sequential songs where Gunnar begins to reveal the innermost reflections of his work in a manner of classic distinction.  Outlined with a conceptual feeling of depth, some of the more melodramatic and intriguing phrasing performed on songs like Nino and Me, Down Moon & South Trail are offered with a personalized touch.

Frank Grows Flowers is a song responding with an upbeat tempo and imaginative runs while dancing along the piano keys in every measure.  The light reflective moments yet none the less expressive songs The Blackbird Whistling, Brandon & Oak Sky are more introspective in their structuring.

Break into Blossom begins with a lighter metrical sway and soon unfolds into bolder imagery by exploring a more robust presentation of greater intensity before returning into restful state of contentment and has a resemblance in style with In These Lonely Regions & Down Moon, given the more pronounced dynamics of diminuendo and crescendo variances.

Much like the memoir notes on the inside album cover detailing each composition, Gunnar Madsen traces every song on Two Hands with a gifted accounting of his diverse imagination while delivering a beautiful finger to key statement and like the valuable reward of success that is never just handed to anyone, it came from the talent and determination of an individual who started with and continues to have, hopes and dreams.

Visit gunnarmadsen.com to sample / purchase or visit his CDBaby.com page. You can also purchase at Amazon, iTunes and most music outlets. Read more about Gunnar Madsen on his biography page.

Picture copyright Big Stock Photo – jocelynbaker.

David Mauk from Las Vegas Nevada is a composing performer with plenty of experience in the entertainment business and since he lives in the city billed as The Entertainment Capital of the World, you might have guessed he is also a performing Las Vegas musician at the popular destination when not composing his original New Age Electronic music.

David Mauk made an impressive debut with his first release 12 Months which received nomination at ZMR for Best Electronic Album, earning David the title distinction of Best New Artist nomination for 2009, so a fine entry for an artist who also happens to be writing a Broadway-type musical.

Ground Swell is his 2010 release and quite unique not only by the great mood effect of his classic yet easygoing electronic compositions but his second album is a CD / DVD collector’s edition.

The 5 bonus video clips are nicely correlated with his unique brand of classic electronic music and become a beautiful addition to the audio CD since the extra sensory effect of video makes it easy for anyone to visualize his ambient music becoming a modern times movie score.

The National Geographic Society has already realized the true dynamic effect of David Mauk’s work and have recognized many compositions by designating as their official background scores and integrating into many of their museum exhibits.  In addition his music has been heard by over 10 million people at prestigious venues in many countries and currently the international King Tutankhamun, Golden Age of the Pharaohs, Cleopatra & Real Pirates are the exhibit destinations where his music enhances and brings to life the full experience for all museum visitors.

Ground Swell is in effect an Ambient, Electronica, New Age album and another fine classic that makes another great listening experience.  The song Summertime is like an ode of joyous celebration the summer season always represents, marching right along in attitude by a majestic piano movement while lower piano octaves maintain the rhythm while upper ranges move up and down the scales in half steps while bell tones ring in the seasonal event.

The bonus DVD is really fun to watch and David had compiled the music videos after drawing inspiration from early American realist painter Edward Hopper and he nicely captures the early American century with Cinematic drama himself by the rollercoaster ride of featured attractions on every one of the song videos he produced.

Visit the davidmauk.com homepage and then sample / purchase on his music page.  Learn more about David at his MySpace.com page and then our pages dedicated to David Mauk.  Below is my review quote I wrote about his current CD / DVD release titled Ground Swell and the song video of Summertime.

* In a footnote to this article, Ground Swell placed Number 1 on ZMR’s July 2010 Top 100 chart.  Congradulations David!

David Mauk has given everyone 2 excellent reasons to appreciate his music in 2010. The Ground Swell CD alone is a free flowing natural display of bright ambience offered with a harmonious and casual impression, plus the DVD greatly points out the Cinematic enchantment that makes his music special.

Lisa Hilton is a name well recognized in the Jazz Music circuit as a continuous producer of great music having all the vibrancy and positive direction one would expect from a top artist in the genre. What some may not know is her music carries a subtle reference of New Age ambiance in many of the 12 recordings she has produced during her lifetime.

Nuance is Lisa Hilton’s 2010 release that returns to her earlier solo piano style that began her dazzling career from the very beginning in addition to fulfilling a well kept promise for her fans who have been requesting another solo album for years, with Lisa as the singular attraction.

Lisa Hilton from Southern California taught herself to compose music at a young age before more formal education in classical and twentieth century piano became the foundation prior to her transition to popular Jazz, recording and producing an album every year since 1997.

Many of her songs are played in the U.S. and around the world, realizing more recognition over the years by acquiring airtime on NPR Morning Edition, XM Radio, and charting on major Jazz oriented programs while earning numerous awards and nominations in her long enduring career.

In her earlier band inclusion release Twilight & Blues she received nomination at ZMR for the 2009 Album of the Year for the 10 original compositions and renditions of top songs from equally talented artists you are sure to recognize.

Nuance / Twilight & Blues are more subtle in their references as New Age albums and her success as a Jazz musician does reflects this, but her renowned piano performances of improvisation either as a soloist or with the band under her direction is worth a listen knowing Lisa Hilton is a great talent who personifies this ambiance with creativity and imagination, just like you would expect from more mainstream New Age artists within the genre.

Visit lisahiltonmusic.com here then sample / purchase at her music page or CDBaby.com page.

When one takes a moment to consider what daily life would be like without The Arts, everyone can quickly realize that more traditional teachings of math, science and biology are vital to every one of us individually, but the expressions of music, painting and poetry are an equally consequential part of our culture and personal identity.

Jeffrey Fisher from Southern California has chosen to make The Arts his principal focus during his diverse life as a composing musician.  While some might pursue more fundamental scholastic studies, the more conceptual and creative aspects of art, poetry and teaching have nicely become a mainstay to his more individual endeavors and this reflection is transferred to his music.  Natural surroundings and his unique inner imagination are on display again by his current nature inspired release.

Satyagraha – Songs of the Earth is his New Age, Ambient, Meditative, Instrumental 2010 release drawn from the imagination and past experience of this multifaceted artist who has improvised well while composing and performing music in nearly every genre.

The album title Jeffrey Fisher has chosen for Satyagraha translates to read The Power of Truth and references the non violent and principal ideals of Gandhi.  In addition Satyagraha became the name for his nature retreat in the San Jacinto Mountains where this album was first brought to the surface and then recorded.

Satyagraha – Songs of the Earth is a nature inspired album that represents the serene and dramatic virtues of nature as realistic and one of natural beauty, much like the artistic rendition displayed on the accompanying cover art Jeffrey Fisher himself has painted using watercolors.

In a similar representation of the portrait shown, his music is serene and even though a performing artist on numerous instruments, his melodic improvisations on a 160 year old bass violin is the primary instrument for instilling color and the harmonious points of view in his music.

In accompaniment with the natural warm tones of bass violin, most of the 8 songs on the album are blended with the woodwind tones of Navaho flutes, keyboards and percussion which intermingle with the essential brush strokes to paint the final picture of nature using a very personal touch and with the artful imagination one would expect from both a musician and individual.

Visit HealingMusicoftheSouthwest.com or sample and purchase at his CDBaby.com artist page.

Satyagraha cover art copyright Jeffrey Fisher.

Eric Chapelle is a composing pianist from Austin Texas whose original music scores conceivably calm the waters by the gentle ambient music he produces.  Born in France, Eric is also an avid photographer who has lived in several countries around the world and his piano music retains the essential element of relaxing music by the calm buoyancy in sound that finds neutral ground with the pounding waves heard in some music today.

Across The Water is his Contemporary Instrumental 2010 release that impart 16 songs of ambient expression and creative imagination.  Eric has performed his original compositions in concerts across the U.S. for over a decade, plus movie soundtracks in television, film, and commercials have been the scores that yielded wider recognition in addition to the 2 albums to his credit.  Our Time was his 1998 album admired by many and had justifiably earned Eric a place alongside more esteemed pianists after his opening debut.

Eric Chapelle’s contributions in The Heart Aid Project has inspired me to tell you more about his dedicated efforts on a tribute CD in memorandum of the fateful World Trade Center events on 9 / 11.  Eric conceived and produced the tribute CD and compiled with 16 additional pianists who donate all royalties to the families and to me, greatly represents the caliber of people comprising the New Age genre today.

Across The Water is another fine illustration of the resourcefulness put into every composition while retaining another harmonious notation since some of the 16 songs were recorded at the Norton Island Retreat residency program in Maine.  Tide Pool is one song where the comparatively timed piano solo is casual in ambient recollection to convey an impression of calm by the fluid detailing in chord phrasing in a lighter melody that offers subtle reflections.  Below is my review quote for Across The Water and song video of Tide Pool.

Visit the hamsamusic.com website and then purchase on his music page or at CDBaby.com to sample / purchase.  Read more at our page dedicated to Eric Chapelle and at his biography page.  The Heart Aid Project CD is currently offered through the Spring Hill Music website.

Across the Water by Eric Chapelle is an inspired by nature collection of calming ambience with a wealth of restful harmony for many of the challenging moments in life, smoothing out the rough edges of today while residing in a state of readiness for the next enduring wave of life challenges that are sure to arise.