New Age Music World

Author Archive

John P. Olsen, New Age Music World host and contributing author for newagemusic.nu has conducted an interview with Australis, composer and producer Oscar Aguayo. Drawing imagination from experience in his homeland and earliest life changing events, Australis is a mixture of New Age, Electronic, Ambient, Neo-Classic and Ethnic, in contrasting genres. Together there is a fine emotional depth in all of his releases that portray a wonderful contrast in individual expression.

Oscar Aguayo’s first album entitled Lifegiving was compiled from his earlier recollections as a young adult and portrays ethnic pathways leading towards a deep emotional expression, where each of the 10 songs blend into an intricate canopy filled with rich colorful instrumentation.

The second Australis release entitled The Gates of Reality is a beautiful mixture of contrasting genres in a fine balance of emotional depth in all 14 compositions.  This release is based on individual concepts, and how perceptions affect our personal understanding of the world around us. The gates of Reality took 3 years to complete. We are pleased to present this interview to fan of Australis, and our site visitors.

Interview with Australis;

John Olsen : Would you tell us about yourself and your musical background?

Oscar Aguayo : I was born in Peru a few decades ago, the oldest son in a family where music-playing was part of everyday life. My earliest memories are crowded with images of my mother at home playing the guitar while singing, and the alien mixture of emotions I experienced from those songs. You see, my mother’s songs weren’t children songs designed to expose children to a reduced, predigested set of emotions. Instead, she used to sing “adult” songs that dealt with all feelings, most of them completely unknown to me at three years of age.

I think about this frequently. Judging by how deep those memories are anchored in my mind and by the unique taste they still have to me to this day, I have to assume that although my conscious mind was confused by the unknown feelings conveyed by my mother’s singing, my subconscious must have been breathlessly making associations, creating patterns; interpreting the meaning of those melodies from what I perceived in my mother’s voice and facial expressions, experiencing brand new emotions not from life but from her music. Whatever the explanation may be, since as far as I can remember I experience music as a language born from emotions with the purpose of transmitting those emotions to others.

John : You currently have 2 New Age/Neo-Classical albums available for purchase. Lifegiving from 2005 and your most recent, The Gates of Reality from 2008. What awards and recognition have you received from these 2 projects at present?

Oscar Aguayo : Lifegiving earned me the “Morpheus Music 2004 Best Independent Artist” early in 2005. Several tracks from it have been selected to be included in several compilations from the US and Europe; and additionally, the entire disc was licensed for re-release and distribution in Asia by an international label. The Gates of Reality is still too new to have earned any awards to this date, although it is already reaching the same level of popularity of its predecessor. I have to admit, however, that no award or recognition can compare to the fulfillment experienced when you learn that your music has touched somebody. No public award can match that kind of personal satisfaction.

John : How would you describe your music to someone not familiar with your very unique style of music?

Oscar Aguayo : That’s a very good question because every person understands music in their own terms. Everybody tries to come up with names and words to define music, everybody tries to define its genres and to delimit styles within those genres despite the fact that music is unique to each person. So, how to describe my music when my description represents only my personal perceptions ?

Even when in the most broad level my music falls within what we currently know as New Age/Ambient, I still want to avoid sub-categorizing it. Instead, I would try describing it by its intentions: to challenge the mind and captivate the heart, to seduce the listener to explore their own emotional universe, to provoke their imagination and awaken their memory. With that as a foundation, I would add a brief description of its acoustic elements: an amalgam of spacious evolving pads, seductive exotic rhythms, evocative atmospheres and aromatic melodies. Then I would finish adding that my music is composed as a reaction to whatever emotional stimuli I am experiencing at that moment. In other words, each track originates as a response to a real feeling or set of feelings I am going through.

John : Could you explain the circumstances or reasons for becoming a musician, and why you choose New Age music over all other genres?

Oscar Aguayo : In all truth, I am a latecomer. You see, although I was exposed to music since birth and developed an intimate relationship with it since very early in my life; mine was a conservative family. The world of professional music was perceived – and with good reason – as a morally risky environment and therefore my parents never encouraged me on that direction. It wasn’t a stern prohibition, of course, and I was still able to compose music and create a few bands during my teenage years, gaining stage experience and musical proficiency along the way. However, the idea of pursuing a professional career as a musician was never serious at home, and even years after I moved out to live by myself, I never saw myself as one. That was until my father passed away eleven years ago.

Without going into details, all my perspectives changed after that event. The meanings of every aspect of life shifted under my feet and I started to discover that many of the things I thought were important, actually weren’t; and that many areas I took from granted and regarded as trivial were actually the ones that give substance to life. In the middle of this process, as things were falling into their new places it became clear to me that music was much more than just a fun hobby. I found there was so much to say through it, but so far I had never taken it seriously enough. That’s when I started considering composing and producing music professionally.

To answer the second part of the question, I don’t think music genre is as important as the messages and the emotions you as a composer want to convey. And since the range of human emotions is so wide, choosing New Age was more of an evolutionary process than an intentional one for me. I’ve composed in many different genres since age 12. It’s my personal opinion that New Age is the only musical genre that doesn’t impose creative parameters on the composer. In that sense, I think New Age is the less defined genre of all, providing the composer with an unmatched freedom of musical expression.

John : Since genre is not as important to you, than the emotions you want to inspire for your listeners, What emotions can one expect to feel from your music?

Oscar Aguayo : This is an interesting question. At the beginning I assumed my listeners would experience the same emotions I experienced when composing a particular piece. If I felt specially moved by something, I would translate those feelings into a musical piece and was sure that whoever listened to it would be moved in similar ways. I’ve learned soon that is not the case, though. The truth is that every person has their own unique emotional structure, and although we all coincide on the generic emotional levels, our interpretation of more specific emotional stimulus is very personal. So, even when I can speak about the emotions I convey through my music, I am simply unable to speak about the emotions listeners will experience from it. Of course, there’s nothing extraordinary in my emotions.

They are the same we all experience: the many contrasts of love; our enduring hopes; the deep fears of our times; the numberless little joys of everyday life. The passion in our hearts; our endless curiosity; our desire to explore and to find things bigger than ourselves. The darker angles of our souls can’t be excluded: our shortcomings and selfishness; the secrets we keep only to ourselves. My music originates from all of these emotions. On the listeners’ side, I will always defend their freedom to experience my – and all – music in their own unique ways, to extract from it the emotions their hearts need and enjoy.

John : Can you describe what your albums are about, or can you share what thoughts and experiences from your homeland come to mind for each of your 2 albums: Lifegiving & The Gates of Reality?

Oscar Aguayo : Lifegiving is a free compilation of the varied tracks I composed when I redefined my own musical intentions. It felt so incredibly good to musically express myself in complete honesty that I let myself go. In fact, the album’s title came from the concept of a birth, an act of giving and receiving life. The result is an album where each track is its own little world.

In contrast, The Gates of Reality is a more intentional work. In 2005 I finished Lifegiving very aware of the role imagination plays in our daily lives, very interested in how our unique perceptions affect our personal understanding of the world around us. Love, hate, hope, desolation, peace, war, faith, disbelief; all of our emotions are the result of our perceptions, and our perceptions are the result of the interaction between intellect and imagination. It quickly became a set of concepts worth of exploration. It took me three years to finish.

John : Oscar, you have said in the past that music has the ability to break political and social barriers. I understand your comment somewhat, but what exactly did you mean by that?

Oscar Aguayo : I mean that beneath our external labels we all need the same things. We may not speak the same language, we may live within countries in conflict with each other, we may have inherited the external characteristics of a particular race, we may belong to particular social groups and sympathize with particular political points of view. But no matter how different or incompatible we could seem to be towards each other, we all have a heart that feels and loves, that fears and hopes.

That’s where music plays a unique role. We may be unable to speak to each other, we may find ourselves unable to overcome our external labels – of race, of patriotism, of ideology – in order to communicate with each other in good faith; but we are all susceptible to music. We may come from centuries of injustice, or from ephemeral conditions of privilege; but we are all vulnerable to music because music ignores the superficial areas of the human condition and goes straight to the deep ones, the ones that are common to everybody. In this sense I’ve had the honor of having personal communication with listeners from both sides of armed conflicts and with listeners from religious groups incompatible with each other; and share their thoughts and dreams and hopes, all as a consequence of music.

I think as a sentient species, we are still very primitive. Our technology may be very advanced and our knowledge very vast; but we still have to learn the basics. We are able to take a humans beings to the moon, but we are unable to feed the poor in our own cities. We have harnessed the power to destroy our own home planet, but we are still ignorant on how to live in peace among ourselves. Yes, we are very primitive. And it will be a very long time until we learn the basics. Fortunately, we have music to help us blur the many imaginary lines that separate us from us.

John : Recently a fan of yours posted a comment on my review of The Gates of Reality, and said; “Let me comment that this (Australis) is one of the best musicians I’ve ever heard.” Since this person will likely be reading this interview too, how would you respond to the person who posted this comment?

Oscar Aguayo : I would start expressing how deeply honored those warm words make me feel. I would want that person to know how grateful I am that my music appeals to their soul and that they took the time to express that on your review.

Nothing motivates the independent musician better and deeper than knowing his/her music has moved somebody. It is a concept hard to explain unless one understands what “independent” means in the music industry.

If you compare the world of professional music to an ocean, an independent – in other words, “unsigned” – artist is someone who sets to cross the Atlantic on board of a minute canoe. While “signed” artists make the same trip on board of a cruise with a crew of people paid to drive the boat, the independent musician is usually alone and depends absolutely on his/her own devices. Most likely, he/she won’t make it; but he/she tries nonetheless. His progress, if any, will be discouragingly slow. The independent musician must absolutely love what he/she is doing, otherwise who would voluntarily decide to embark into such an unfavorable endeavor?

That is why comments like the one you mentioned are so meaningful to the independent musician. They make you realize you are not alone in the middle of a dark ocean on a reduced piece of wood keeping you afloat, but that you in the company of countless other human being sailing their own dark oceans by themselves. Suddenly everything takes deeper meanings and you know you are in the right path; all because of comments like those.

John : Is there anything you would like to tell our readers that I have not asked or brought up during our interview?

Oscar Aguayo : Only that I appreciate very much this opportunity to share with you and all your many readers my personal impressions about so many subjects. As I tried to say earlier, the listener is what makes all the difference for the composer. Believe me, I’ve composed private music for decades. It is only when the composer interacts – musically or verbally, like through your interview today – with the listener that everything starts to make sense.

On that subject, let me invite all of your readers to visit Australis official website for the newest material and latest news, at: AustralisMusic.com. Also, I’ve finally opened accounts on Facebook and on Twitter where behind scenes details are posted several times a day. Please feel free to drop by and say hello. John, again, thank you very much for inviting me. You can also read my New Age Music World pages dedicated to Australis. Photos are courtesy australismusic.com.

Oscar Aguayo, having the artist title Australis, is a fine musician I have written about and interviewed in the past.  His 2 albums Lifegiving & The Gates of Reality are both excellent choices for New Age fans who enjoy top quality music.

Lifegiving was compiled from his earlier recollections as a young adult and portrays ethnic pathways leading towards a deep emotional expression, where each of the 10 songs blend into an intricate canopy filled with rich colorful instrumentation.

The Gates of Reality is a mixture in contrasting genres in a fine balance of emotional depth in all 14 compositions.  Based on individual concepts and how perceptions affect our personal understanding of the world around us, this album took 3 years to complete.

The in-depth interview with Oscar Aguayo and my album reviews for Lifegiving & The Gates of Reality can be read at our page dedicated to Australis.  Oscar is working on his third album and songs can be heard when subscribing to his newsletter, plus behind the scenes details about Australis projects can be found daily at his Facebook & Twitter pages.

Visit AustralisMusic.com to sample or purchase  and find at his CDBaby.com page.  Below is my Australis review quote giving you a hint of Oscar Aguayo’s fascinating orchestrations, along with the song video Essentia.

Australis is a New Age artist title that treks into the mysterious sub-genre lands of Ambient, World, Electronic, and Neo Classical, having ethnic pathways with deep emotional expression, where each song blends into an intricate canopy filled with rich colorful instrumentation.

In the very beginning, 6 million square miles of rain forests exist worldwide but because of relatively recent deforestation, only 2.6 million square miles remain. What is really alarming is that this major deforestation took place within the past 50 years. It is estimated that over  85 % of the species of animals, plants, and microorganisms now remaining in these vital ecosystems will be destroyed by the year 2020, with increasing timber losses of 56,000 square miles each year.

Oscar Aguayo is the musician with the artist title of Australis. Oscar is one among many persons who has first hand knowledge and shares this environmental concern about the rain forests, having been born and raised in a tropical rain forest region of the Amazonian Basin in Peru, South America. While Oscar presently resides in America, his 2005 electronic album Lifegiving makes reference to this complex political and social question involving our rain forests around the world.

Australis first album Lifegiving is a New Age music endeavor that steps into a lush undergrowth in the mysterious sub-genre land of Ambient, World, Electronica, and Classical, with Ethnic music pathways.

The electronic music of Australis finds deep emotional expression, where each discovery blends into an intricate canopy filled with rich colorful instrumentation. The 10 songs on Lifegiving which represent his personal insight, are portrayed on this album using careful craftsmanship that in turn introduces a strong emotive content that exists beyond any cultural, political, or geographical limitations.

This unique excursion begins with the title song Lifegiving, where faint chirping of jungle soundscapes ascend slowly into the lush surroundings. The single key piano notes then sketch an image of dew drops from the jungle canopy, falling onto dense tropical vegetation below. The deep recesses of secluded terrain are soon lit by violin and string interlude that together emerge to install thoughts of dusk like visibility. While glancing upward, small fragments of sun beams penetrate the full tree tops above, changing your perspective on the time of day. Slowly as the song starts to fade, total darkness begins to descend around you, bringing with it soft audible animal chants while they return to their nightly song ritual.

The Enchantment is a song rich in orchestral diversity with lively strings and woodwinds engaging in a native dance full of tempo and key changes that both excite and captivate those who have entered this mysterious land of musical enchantment.

Sacred Earth is an upbeat Ethnic song that explores the inner boundaries of this earthly sanctuary largely responsible for our life giving resources of medicine, water and air that we breath. While woodwind, flute, and piano play a colorful fragrant harmony, exotic instruments lend their perspective sovereignty, giving this song a unique essence. The bongo drums, woodblock, and abundant percussion claves enhance this song by an indirect border, giving it a deep tribal influence without overriding the primary melody.

Oscar Aguayo’s brother Alvaro lends his talent by playing an exotic 10 string Charango in this song, adding refinement and warmth to the experience. The song ends by fading into a soft forest rainfall, leaving you with a collective memory of your musical excursion filled with creativity and interest on this album, and our life giving rain forests worth saving.

In a conservative estimate, over 6000 life giving trees in our rain forests around the world were lost during the short amount of time it took you to read my Lifegiving album review.

An interview with Oscar Aguayo of Australis will be published soon, so that you may get the facts behind this amazing artist. You may read about the latest Australis album – The Gates of Reality review and visit AustralisMusic.com. Sample the album at  CDBaby. Picture copyright Bigstockphoto.com – gtrmtt84.

The acclaimed Jazz producer, composer, and performer Royce Campbell has released a New Age music project on the Moon Cycle Records label titled, Ear of the Beholder. While over 30 Jazz albums can be found titled under his name as lead or co-lead, the artist title Eucalyptus Dream is what you should look for when shopping in the New Age music section.

This is a first for Royce Campbell who honored a request from his friends in the medical and healing profession to provide some music for people to relax with during their patient therapy sessions.

This is quite a change of pace for Royce considering that during his 35 year career as a musician he has toured with the likes of Marvin Gaye, while also touring 19 years with award winning film composer and musician Henry Mancini.

The large number of legendary Jazz musicians he has performed with is just too numerous to list. Knowing his professional profile and having performed with this vast amount of talent from another genres, we gladly welcome Royce with open arms and can now proudly claim him as an honorary New Age artist.

Royce Campbell’s credits as a Jazz musician list 11 albums on U.S. Nationwide charts, with 4 in the top 10. With so much experience and success in Jazz, this leap into New Age music might be difficult for some people.

For Royce Campbell this apparently is not the case here since those 35 years of experience and a broad music career have obviously eased that transition.  Royce explains a focus on the composing aspects, rather than just performing as a guitar soloist was the right approach with this change in genre album.

The Ear of the Beholder by Eucalyptus Dream is a debut where it is pretty clear Royce Campbell takes New Age music just as seriously as when performing in his familiar Jazz style.

Multiple influences abound while a landscape of picturesque thoughts rise to the surface, allowing the listener to relax and take in Royce Campbell’s style at their own pace sometimes with, but mostly without his usual guitar. The result of this daring transition is a successful leap into New Age.

This first album by Eucalyptus Dream is great in the fact that the music is truly New Age, having synthesized ambient rhythms, guitar, flute, choral vocals and some great percussion effects that are composed without the repetitiveness found in some music of all genres. Much of the album blends Western, Eastern and modern influences in a nicely composed ambient blend, easily surpassing the request of relaxing music his friends in the medical profession were looking for, and so much more.

It is unknown to me whether the artist title Eucalyptus Dream was chosen because of the abundant medical uses scientist’s have discovered in the more than 700 Eucalyptus tree and plant species. Perhaps that is the reason since the therapeutic dose of relaxation qualities found on this album are safe, reliable and effective, which does support that possibility.

His music website is roycecampbell.com – Sample the album on CDBaby

Picture copyright Bigstockphoto.com – ozflash.

Terri Liles Mason is the creative spirit behind the peaceful music that involves a pronounced focus on honoring and celebrating the universal principals of positive feminine living and mother earth.

In her first release entitled Om Gaia, Terri Liles Mason puts a reflective focus in expressing oneself in a positive manner to increase self image through music. Teaching in workshops devoted to inner peace and harmony from her home in Connecticut, her expertise and knowledge in this subject is only reinforced from her educational background, which she in turn, instills into Om Gaia. Everything now becomes one, when devoting her expertise and knowledge as a teacher, into positive influential music as composer and performer on her debut album.

Terri’s music is creating quite a sensation internationally, having performed before a large audience in the recent Earth Day opening in New York City’s Grand Central Station, where she introduced herself and the Om Gaia album.

Another reason for her to celebrate is the over 120 online radio stations playing her music around the world, a #4 spot on the World Radio Top 100 chart, and 3 songs retaining the #1 Top New Age songs with Indie Music charts for 12 weeks. The 3 songs holding that position are title song Om Gaia, Begin Again, and Eleyakeha’s Lullaby.

Terri Liles Mason’s music is creating quite a sensation internationally, having performed before a large audience in the recent Earth Day opening in New York City’s Grand Central Station, where she introduced herself and the Om Gaia album to the world. Terri Liles Mason’s first album reflects her focus of expressing oneself in a positive manner to increase self image through music.

The title song Om Gaia is a positive blend of mid tempo instrumental rhythms that are surrounded by Terri’s beautiful vocals, sung with an apparent soft and sensual touch.

Mother earth is celebrated by inspiring thought filled lyrics, announced to all by her beautifully deep and rich blending of vocals, instilling thoughts of an ancient realm in our distant past that transforms into the present.

Begin Again is an upbeat song with a pleasant mix of vocals, while Eleyakeha’s Lullaby is a slower paced celestial song featuring Terri’s soft vocals that seem to lull you into a contented frame of mind sure to please anyone.

Looking toward the future, this New Age artist has achieved much in transforming her teaching skills and positive vibes into a vibrant musical journey that she has just offered the world. I expect we will hear more from Terri.

Visit omgaiamusic.com and find Om Gaia at CDBaby, Amazon or iTunes.  Picture Copyright Big Stock Photo – nsilcock.

Note: Terri Liles Mason was nominated Best New Artist by the worldwide broadcasters of Zone Music Reporter, and Terri’s Om Gaia album received nomination for Best Relaxation/Meditation CD and Best Vocal CD at ZMR in 2009.

Australian composer and pianist Fiona Joy Hawkins has 4 award winning projects at present. Her most recent Blue Dream album is successful in placing an exclamation mark after her name when recognizing Fiona’s outstanding abilities and claim to fame in international status.

Fiona Joy Hawkin’s many achievements include charting at #1 on World New Age radio charts spanning 9 countries, Best Piano album in the NAR Lifestyle Music Awards in 2006, and as finalist in 2 genres in the Los Angeles Music Awards in 2007. Fiona also won an award in the Classical/Jazz category in the Music OZ Awards in 2008, and after being a finalist 5 times, she ranked finalist in 4 categories including Album of the Year in the NAR Awards in 2009.

Ice: Serve Slightly Chilled is innovative, dynamic and bold, confidently stated by yours truly. With an inventor’s approach, Fiona Joy Hawkin’s Ice composition is patently administered on her Steinway Concert piano as a new musical prototype. What impressed me the most was a momentary departure from her exceptional, yet more Contemporary albums that won her claim to fame. Portions of the Rock overtones present in this album challenge some of our basic assumptions of the term Piano music. Another concept is a transition in the way Rock music has been perceived in the past, creating a new approach in the way we view the term Rock music.

It is on the Ice: Serve Slightly Chilled release where Fiona’s patent innovation in New Age, Contemporary piano begins, charting an adventurous course in the way a musician blends Classical New Age, Popular, Chill Out, Jazz, World and Rock. With an inventor’s approach, Fiona patently administers a new music prototype on her Steinway Concert piano.

The Ice album discloses more than an improvement made to a existing musical product. Fiona takes an inventor’s approach in redefining the fundamental basics of the way we perceive Piano and Rock music.

The 10 songs on Ice are issued titles with an icy thermodynamic theme, setting the spine chilling mood in motion by providing a mid tempo application of classic New Age Chill. The song Iced Rain discloses a trademark Fiona Joy Hawkins piano arrangement, yet grants an exclusive design concept by applying a mixture of genres and unique instrumentation.

While Aboriginal Didgeridoo echoes an indigenous woodwind call to the wild, ebony and ivory piano keys appear to reach an entire range of octaves to establish a new dimension in piano music that is spine tingling. Thunderous percussion unites with electrified guitar to diagram the upbeat momentum for this ground breaking discovery by commingling Classic piano and Rock music into a single entity.

Cloud Chill is a song innovation that starts out as a meteorological weather advisory on the horizon when native Didgeridoo once again reverbs an ancient voice into the past, present, and future. Fiona’s epic design in piano rhythms then integrate with electric guitar, blending into musical matter cool enough to penetrate what we term Rock music.

Fiona Joy Hawkin’s novel piano composition first finds a crack and expands, breaking the solid barrier of Rock music from a familiar genre, shattering what was once a large form of music into tiny little pieces into a new music entity. The Ice project discloses more than just an improvement made to a prior existing musical product. Fiona takes an inventor’s approach in redefining the fundamental basics of the way we perceive Piano and Rock music.

The 2 songs I just described titled Iced Rain and Cloud Chill are playing on our Stars Radio so that you may hear this invention in music for yourself. You may also read my review of her latest album titled Blue Dream, and then discover the online art gallery and music website of fionajoyhawkins.com.au. Picture copyright Bigstockphoto.com.

Classical Orchestral Harps can be thought of as divine or celestial instruments, having an origin dating to around 2500 BC, often reminding one of angels and religious cherubs posed in a holy statue. The harps early origins are ironically thought to be modeled after an archery weapon since the bowed arch with strings strongly resemble a bow and arrow.

Lizary Rodriguez Rios, residing in Tucson Arizona performs and teaches the classical harp professionally, in a career where there is no doubt her masterful quest for perfection is musical in nature.

She has 2 albums designed with therapy and healing in mind, promoting a relaxing mood by the soothing gentle breeze of sound this string instrument with an ancient origin can provide.

Lizary Rodriguez Rios achievements are very impressive, securing a Doctorate in Musical Arts and  4  time prize winner of international harp competitions around the world, also touring with the Grammy Award nominated Harp Fusion Ensemble.

Her first album Harp Voyage has received critical acclaim from prestigious classical magazines, while also drawing attention around the world as a harp soloist and composer for the ensemble.

Lizary Rodriguez Rios achievements are very impressive, securing a Doctorate in Musical Arts and  4  time prize winner of international harp competitions around the world, also touring with the Grammy Award nominated Harp Fusion Ensemble. Lizary Rodriguez Rios is a dedicated harp professional.

Harp Therapy is her second CD release in 2009, designed for those peaceful periods of musical serenity. Her music is purposefully composed for relaxation, massage, and yoga, while also finding a useful niche since the songs serve as the perfect auditory background music during church services, memorials, hospitals, and even wedding events.

Lizary Rodriguez Rios solo performances have other professional musicians playing cello, violin, guitar, with nature sounds and background Atlantic Ocean side tides of Puerto Rico. The 15 songs have many recognizable favorites including Scarborough Fair, Jesu Joy of Man’s Desiring, and Pachelbel’s Canon. Some original works are also present as the first song Purple Bamboo starts with a healing crystal bowl during the opening portion of the album. Both albums are truly relaxing, offered by a dedicated person who has pretty much devoted their life to music.

For professional harp music for relaxation or special occasions visit lizary.net. Copyright Bigstockphoto.com – ReplayAll.

If you are not color blind, the colors that we see in everyday life are interpreted as wavelengths in a portion of the visible spectrum. Specific frequencies of those wavelengths determine exactly which color our eyes translate the brain to perceive.

Contemporary New Age composing artist Lawrence Blatt, who emerged number 1 in the NAR Best New Artist and Independent Music Award finalist, paints a beautiful guitarists interpretation through a color spectrum metaphor. His album is inspired from a description of color relating to physicist Isaac Newton’s color circle titled Opticks.

Isaac Newton had compared colors of the visible spectrum to musical notes centuries ago. Almost as if holding a brush and an artist’s palette of paint, Lawrence defines his own present day theory in a representation of the audible color spectrum in an adaptation of Newton’s principals through his own beautiful guitar compositions.

Lawrence Blatt has his most recent album titled The Color of Sunshine, on the Blue Pie label 2009, displaying 14 songs as artistic strokes in a colorful exhibit of his music, visualized from his home in San Francisco California. Many music influences are represented including New Age Classical, Latin, Folk, and World, blending many beautiful guitar influences in this masterful rendition.

Grammy Award winner Will Ackerman, founder of Windham Hill Records, lends his talented hand as producer of this vibrant album, also taking part during song recording sessions in guitar, vocal, and percussion roles.

Lawrence Blatt paints a beautiful artist’s interpretation through a color spectrum metaphor. Holding a brush and artist’s palette of paint, he paints a colorful present day theory of the audible color spectrum.

The Color of Sunshine can be defined as intricate acoustic guitar melodies fusing with orchestral instruments and numerous percussion roles, in a unique companionship, portraying a warm and pleasant atmosphere. Lawrence plays the guitars like a pro, having over 30 years of playing guitar.

The song Mar Azul begins with a serene moderate paced beginning and quickly advances to a faster tempo where Latin and World music influences emerge near the outer edges of the color spectrum. Inspiration for this song was drawn from the Pacific Ocean, where the shade of deep cobalt blue waters contrast beautifully with the lighter pastel blue sky. The rays of lighter tones shine brightly by guitar strumming full of runs and bounding rhythms. The warm sounds of Charango guitar and accordion are a fine mix, with violin overlapping in perfect harmony to capture the dramatic ending.

Violet Blue is a song that caught my attention from the very start, having a simple yet well defined ukulele tone melody full of emotion. The multiple classic instruments of South American Charango, acoustic, and nylon guitars, mix with piano and cello, lending to a heart felt melancholy touch to the piece. The rich sound of the exotic Charango captures the primary melody as each note lends itself to a memorable upbeat rhythm that includes light, perfectly times hand clapping that I found interesting and added the ideal touch to the overall effect of the theme. As it turned out, I did a little hand clapping of my own.

The Color of Sunshine is a beautiful album put to an audible canvas. Full of interest and creativity by the many talents put on display in this exhibit it shows, and it shows well.

You can find this musical exhibit at lawrenceblatt.com. Picture Copyright Bigstockphoto.com – HelleM.

I find it very inspiring that so many popular musicians have discovered the New Age genre as a medium to express their musical diversity. New Age music is fast becoming ever more popular every day, compelling by offering musicians a unique category to display their music wares in a sub-genre expression.

Paul Jensen an acoustic guitarist who regularly performs in the Contemporary Folk style of Easy Listening guitar music. His lyrical verses are pleasing to the ear and are perfect for times of contemplation, placing oneself in a relaxing carefree mood, or for pure enjoyment.

Paul Jensen finds his inspiration from the natural wonders of the earth, and it greatly influences his personal style of singing and songwriting, in an expression of natural beauty everyone can discover for themselves.

The Other Side album from 2008 on the Juan Carlos Production label that debuted at #4 on NAR’s music charts is a great choice indeed. It is just right for those times set aside to self indulge in relaxing time spent alone, with a loved one, or with close friends and family who also appreciate the lighter side of easy listening pleasures.

The contributing artists furnish their own professional skills, including Grammy Award winning Will Ackerman, who lends a hand playing guitar, and his accomplished touch in producing this back to nature inspired album.

The 12 songs on The Other Side do emphasize much of what there is to explore in the vast wilderness full of wildlife and natural beauty, validating a more comtemplative approach to music that I found apparent in his pioneer style.

The contributing artists on Paul’s The Other Side release furnish their own professional skills, including Grammy Award winning Will Ackerman, who lends a hand playing guitar, and his accomplished touch in producing this back to nature inspired album.

Paul Jensen discovered an inspiration from the natural wonders of the earth, and is apparent that it greatly influences his personal style of singing and songwriting. Much of the creativity behind his work is drawn from adventurous time spent in the Colorado National Monument in the U.S.

This scenic National Park in Colorado has vast acres of wilderness land set aside for everyone to discover the natural wonders through hiking, horseback, and by adventure filled wilderness trails. This opportunity to discover America’s natural wonders gives people like Paul a chance to explore and grasp the sought after inspiration required for delivering his compelling Contemporary Instrumental Folk music.

In addition to Paul’s performance on acoustic guitar, beautiful vocals provide much of the richness, plus additional distinction is added by the warm characteristics of orchestra instruments. The wonderful instrumentation on The Other Side is enhanced by the cultured sounds of horn, cello, violin, piano and mandolin.

Paul Jensen’s diversity as a guitarist turns The Other Side into a release with a classic touch strengthening the harmonious beauty of his music in relation to our earth’s natural wonders, both of which are waiting for you to discover.

Visit Paul’s easygoing website juancarlosproductions.com. Photos are courtesy Paul Jensen.

It might be surprising to some that literary poetry is thought to predate language in the context of reading, writing, and speaking as a form of communication.  Some important elements of poetry consist of the meter or rhythmic structure of the poem in a measurement involving flow and movement. Proper structure is also an important component when composing and performing as a musician.

American Contemporary New Age artist Nick Farr, apparently has the proper abilities involving rhythm and structure in both music and poetry since his many accomplishments as a composer include being a published author of literary poetry, prose, short stories, fiction and children’s books. His literary career was perhaps second nature to him considering he began classical music studies at age 5 and then pursued music while in college.

Nick Farr has 6 albums total with The Ever Present Now from 2009, on the Riverboy Records label as his latest release. This latest album held the number 1 and 2 positions in NAR’s Top 100 air wave chart in January and February 2009, with additional nation wide online airplay.

Generous mixtures of mid tempo Contemporary Instrumental and nice Jazz influences do give it an aesthetic just right feel by employing the free style he is accustomed to in piano arrangements. Flute, saxophone, horns and strings provide the back drop in some songs, enhancing the classic description and giving it a distinguished tone.

Produced by Grammy Award winning Randy Kling, this release is more classical piano than some of Nick’s earlier albums making a nice medium to show a finer sophisticated mindset without being overly classical.

The 12 songs on The Ever Present Now represent a well versed language of music and poetry by this dedicated artist who reaches into genres of Contemporary Instrumental, New Age, Classical Piano, and Jazz.

The song Solace is a poetic hopeful song, comforting by the graceful flute and piano duet that seems to incorporate well during melodic phrases, lending a hand by consoling stanzas of support.

It is during these passages that uplifting and inspiring verses with note filled piano runs and flute, reveal patterns of consciously timed pauses between instrumental passages.

The song Traveler is a deep moving piece, set to a faster paced melody that is structured by each key change, transforming each refrain into a sonnet set to musical time, never resting during each chord step along the way.

Winter Prayer is a powerful melodic psalm, paying homage by offering a distinctly elegant classical composition.

Masterfully delivered musical prayer requests are often emphasized in this piece, carefully turning each note into a hymn of reverence.

Nick Farr’s piano composition shines from the invocation of this song which is heart felt and moving. Momentary pauses then take place as the final chapter of the song slows, bowing out gracefully upon reaching the closing benediction.

The Ever Present Now by Nick Farr is praiseworthy New Age Classical, embracing all of the structural principals of written prose, leaving one with the impression that his music is thoughtfully displayed in a manner that from the very beginning, deserves the expression of poetry in motion.

Visit nickfarr.com for a classic approach to music. Picture copyright Big Stock Photo – zootog.

Depending on who you talk to, Vampires Do Exist in modern society.  It is a known fact that there is a very small segment of people living today, who either believe in vampires or practice vampirism using the typical rituals, and everyone is aware of what those rituals embody. Most people find this extremely unnerving and even more frightening by having this knowledge, than from their viewing any fictional vampire movie at the theatre.

I find it fortunate that our friend Salva Moreno from Valencia Spain, having the artist title Psicodreamics does not believe in real life vampires, but only conjures up fantasy and mythological inspired music for our entertainment purposes only.

Theatre des Vampires from 2006, on his Witches on the Radiowaves label, provides the creative blueprint to project intriguing images into the darker realms of the supernatural.

Theatre des Vampires is laid out as a psycological thriller, portraying these images in classic form by a fine mixture of New Age, Ambient, Chill Out, Neo Classic and Gothic formats. This is not a rare occurrence for this composing musician who has 9 projects specializing in fantasy and mythology tales, all of which are well done.

This album portrays a mystic cloak and dagger sound design with all of the thrill and chill musical effects to keep you in suspense, along with some of the sharp pointed edges you would expect from an album having a mysterious theme about vampires.

Theatre des Vampires is laid out as a psychological thriller. Psicodreamics portrays these images in classic form by a fine mixture of New Age, Ambient, Chill Out, Neo Classic and Gothic formats.

The album title song Theatre des Vampires goes directly to the throat by injecting a heart throbbing tempo with a hypnotic feel using a duel guitar and piano arrangement. This song is laced with theatrical drama by the eerie piano strokes that appear to compete in a battle of wills with the rival guitar melody, parlayed as if reaching out for every strained note within reach. The synthetic percussion effects of woodblock, tenor and bass drums, share character roles on the stage with the tympani drum’s surprise entrances that occur when you least expect it, but in perfect timing given the songs unsettling subject matter.

The song Daylight Belonging is Classical Goth, transporting you back to a period in antiquity when the world was believed to be flat, and physicians prescribed bloodletting as standard medical practice. This piano and guitar piece conjures images in this fictional fantasy world.

When veiled choral vocals echo through out their nightly refrains, an apparent struggle of give and take between piano runs, strings, and pipe organ instrumentals occur at the least expected moment. Bold percussion with cymbal entrances give off a dark hissing sound behind pauses in the primary piano melody, as tympani drums lightly pulsate in a cardiac like rhythm during this eventful episode. Each of the 11 songs in this project embrace musical elements full of surprise and drama as described by their individual cryptic titles.

Salva Moreno of Psicodreamics has a unique approach for producing designer mood music using a macabre blueprint, all with an abundance of theatrical effects shown in a dramatic way that will leave you breathless.

Discover the fantasy by reading our recent interview, a recent review of Fantasynth and Ambiethernum, which by the way, is a compilation of Psicodreamics best Ambient and Space music from previous albums. Visit are Psicodreamics.com and cdbaby.com/all/psicodreamics. Picture copyright Big Stock Photo – DanTe.

John P. Olsen, New Age Music World host and contributing author for newagemusic.nu, has conducted an interview with Salva Moreno of Psicodreamics about his New Age music projects. Salva Moreno is the composing musician behind the notably mysterious and out of this world music of Psicodreamics. Salva’s electronic New Age music projects are best described as Ambient, Chill Out, Neo Classic and Gothic to name a few.

Salva Moreno of Psicodreamics is the predominate musician widely recognized in Continental Europe, the U.K. and overseas markets, where his unique form of fantasy and mythology inspired discography easily creates a magical divide apart from many New Age artists.

Valencia Spain is where Salva takes the stage to portray his principal role as master of ceremonies for Psicodreamics, and into the hypnotic realm of the mysterious and unknown, crafting his select style of fantasy inspired music cloaked in an intriguing shroud of mystery every time. Salva Moreno of Psicodreamics creates this unique divide by producing designer mood music using a macabre blueprint with theatrical effects shown in a dramatic way that will leave you breathless. Today we are pleased to present this interview to Psicodreamics fans and our site visitors.

Interview with Psicodreamics;

John Olsen: I am glad to have this chance for our visitors to learn more about the man behind the music of Psicodreamics. After doing my recent reviews of your Fantasynth and Ambiethernum albums, it is great to talk with you again Salva. You are recognized as the emerging New Age artist in Spain. How and why did you begin your career in New Age music?

Salva Moreno: In the 1980’s I was excited about Fantasy tales, Legends and Mythology and I enjoyed the excitement involved with these themes. In addition I discovered musicians like Constance Demby, Enya and Vangelis, and I realized this kind of music was like a soundtrack that made myself imagine adventures in a world of fantasy. Then I decided to create my personal fantasy music world taking New Age music like a seed in my music career. New Age was an interesting starting point, but during the last years, I have been developing my own style closest to Ambient and Chill Out with a little bit of Goth flavor.

John: You have projects with artists around the globe. Who are the artists, and what are the projects you did together?

Salva Moreno: I have collaborated with many musicians all over the world. I remember my first one with the USA artist Frances Lyons, a.k.a. Godot, in the track The Gift, included in my album Eternal Angel. She composed a beautiful piano melody in her studio for me. I was mysteriously charmed by this incredible track when I listened to it for the first time. Then I requested a midi file of the song to develop with ethereal choirs and effects. We both enjoyed the final result after airing in the radioshow Blue Water Drift Dive, hosted by Darrell Burgan. I will never forget that experience.

One year after, I collaborated with Gothic songwriter Priscilla Hernandez in the track Morning Light, and electronic artist Alidan with the track The Garden of Strange Beings, both songs are included in my album Azhdark Passion. Finally, in my 2006 release Theatre des Vampires, it was an honor to include Ramon Mendigorri, playing the electric guitar on the track Theatre des Vampires and Nestor Mora, a.k.a. Rosten Jim, collaborating in Daylight Belonging.

John: The Theatre Des Vampires and Ambiethernum albums have both received considerable air time with online radio stations, even before their actual release. Are they your most successful albums to date?

Salva Moreno: Yes they are. Theatre des Vampires and Ambiethernum are what I consider the best ambient space music of Psicodreamics, and have been a great success in radio air time, magazines, and sales. For instance Ambiethernum was included in the charts of New Age Reporter during six consecutive months and the long running New Age radioshow Hearts of Space, hosted by Stephen Hill aired one track of each album last year. Recently my brand new album from 2009 Fantasynth, has debuted in many radioshows like John Diliberto’s Echoes, and many more. Now I am waiting anxiously for my first debut on your station New Age Stars, for feedback and opinions from your listeners.

John: Many other people have tried to describe your music, including myself, so what would be your own description of your music when describing to another person?

Salva Moreno: This is the million dollar question John. I have always had a problem defining my own music. I use one or two brief sentences to define my music very quickly: Discover mythology through the music, and emotional melodies for dreaming. I could make an even more accurate definition: An Ambient music soundtrack inspired by Fantasy tales and Mythology, with a light Gothic touch.

John: What imagery are you trying to get across in your music compositions?

Salva Moreno: I usually compose music inspired by fantasy themes. Each album has a title or a main theme that makes people know an initial idea or a first approach to the album. Nevertheless, music is a mysterious language that a listener can experiment in different ways. I think the music is a vehicle to set the imagination free, and I want the listener tho have all the freedom there is to imagine.

John: When you compose an album, do you have your mind set on the material first, or do you compose the album during production?

Salva Moreno: Sometimes I have a general idea before starting a music project, then I develop it during the production process. With others, I can find inspiration when I play the keyboards and then listen for some ideas to develop. There is not a systematic way to create an album. The creative process is a mysterious thing and you know how I enjoy mysteries.

John: You said that you create Fantasy and Myth inspired projects like Theatre des Vampires, that I will review soon, so what first influenced you to compose Fantasy and Myth theme oriented music?

Salva Moreno: Like you and I have discussed, I am a great fan of fantasy and mythology themes, and years ago I decided to create my own music world to feel fantasy in a personal way. For example: I have composed albums inspired by mythological beings like angels, as in Eternal Angel 2003, and vampires as in Theatre des Vampires 2006, all inspired by fantasy books like Tanith’s Lee’s Night’s Master, evident in my 2004 Azhdark Passion album.

John: You currently have 9 great albums, and have told me about using video material soon, and plans for changes on your already beautiful website. Could you give us some details about your future projects you have planned?

Salva Moreno: I have many projects in mind but not much time to start them. Recently I have released a new album titled Fantasynth and now I want to take a brief parenthesis in composing music until the end of 2009. During the rest of the year, I have scheduled development of my visual art, creating some music videos. I have also planned some projects for 2010 or 2011, of J.R.R. Tolkien, Silmarilion, and other books inspired by fairies.

John: Fantasynth is your current release. You have said it is designed for persons who are non-conformists to commercial music. What does Fantasynth have to offer, and what thoughts or emotions do you want to allow a listener to feel?

Salva Moreno: Yes, that is right. Fantasynth is an album that fuses genres and styles as different as Ambient, New Age, Down Tempo, and Chill Out, mixing not only Ethnic and Symphonic instrumentation and orchestration, but synthesized sounds and effects on a more actual and innovatory musical outlook. This album is specifically indicated for non conformists that refuse commercial tendencies and look for something more in their music.

This album is an invitation to dive into a new world of fantasy and imagination, where contemporary instrumental music blends with rhythm and percussion in a feast of sensations and emotions. I try to surprise fans on the musical adventures of Psicodreamics, and hook those people listening for the very first time. It is not just a musical adventure for dreaming while you are awake, but a festival of emotions and fantasy where sound and rhythm will seduce your inner soul in a frenetic dance with a unique purpose: Recovering the innocence lost since our childhood.

John: Thanks you Salva for finding time to give everyone insight into your music. I have enjoyed our past conversations, and look forward to writing about your music in the future.

Salva Moreno: Thank you for this interesting interview and your great website devoted to New Age music, and your visiting fans.

John: Is there anything you would like to comment on that I didn’t ask in the interview Salva?

Salva Moreno: I would like to invite your readers to visit my website psicodreamics.com and myspace.com/psicodreamics and discover more about the musical projects of Psicodreamics. They are also welcomed to listen to all of my albums on the website. Purchases can be made through CD Baby, and the best digital download sites like iTunes, Amazon mp3, Napster, eMusic, and Rhapsody, among others. Photos are courtesy psicodreamics.com.

Salva Moreno is the composing musician behind the notably mysterious and out of this world music of Psicodreamics. Salva’s electronic New Age music projects are best described as Ambient, Chill Out, Neo Classic and Gothic to name a few. I reviewed his Fantasynth album so I have given you an idea of what this artist from the beautiful city of Valencia Spain is capable of creating.

Psicodreamics has achieved a dramatic ambient theme on the 12 tracks of Ambiethernum. Intended to arouse the imagination, Salva Moreno’s synthesizer music gives the listener a chance to sit back, close their eyes, then drift along with the music to any imaginary realm they choose to fathom.

The Ambiethernum album, on his Witches on the Radiowaves label, is a thought provoking score strategically designed to place the listener in a picturesque state of mind. One could even imagine a celestial theme encounter by picturing a NASA Space Shuttle Voyage to the $ 1.5 Billion Hubble Space Telescope 360 miles / 575 kilometers away, presently undergoing enhancement.

During your imaginary journy please use caution upon your arrival to Hubble, since one complete orbit circling the globe every 97 minutes, equals a speed of 17,000 mph/28,000 kph. Those brave enough for an expedition may venture an astounding 93 Billion Light Years towards the outer edge of our universe.

The Ambiethemum album gives you this opportunity in imagination by the surreal spatial sound effects, exploring with a point of calm and composure in your virtual musical travel through the galaxy without ever losing your equilibrium.

Salva Moreno of Psicodreamics has achieved a dramatic ambient theme on the 12 tracks of Ambiethernum. Intended to arouse the imagination, Salva Moreno’s synthesizer music gives the listener a chance to sit back and drift along with the music to any imaginary realm they choose to fathom.

The ambient aspects of his earlier electronic projects are also present by abundant chill out that permit an emotion to be felt. Guided mostly by the deep, dark extended note overtones, keyboard compositions, and synthesized presence of woodwind, string, and abundance of unique percussion effects which are strongly emphasized.  The timely appearance of a Symphonic and Orchestra music only adds to the depth and dimension that is light and airy at one moment, only to reappear as a dark and heavier tones in the next phase, increasing the overall intensity.

Synthesizer animal effects make their voices known, adding to character involvement during this make believe encounter.  Another thought in utilizing this mysterious music could be as a documentary or soundtrack background score for science fiction, mystery, or even horror themed movies, since the atmospheric content would enhance nearly every movie in those genres. Ambiethernum Track 10 in particular makes a theatrical eerie presence known quite dramatically, and could easily be pictured as an excellent horror movie score, if used in that context.

Salva Moreno has agreed to an artist interview, and judging by our recent discussions together, this interview promises to give everyone a chance to better understand his point of view, and why he has chosen electronic multi-dimensional ambient music as a means to express himself. I am certain Salva is well prepared to answer your questions related to those close encounters involving relative time and space.

Visit:  Psicodreamics.com and cdbaby.com/all/psicodreamics. Photo is courtesy of Salva Moreno.

Never in the history of our world has there been a time for greater concern and action needed over energy, environmental, and social issues, that lie before us at present. The hope for a better world is foremost on millions of peoples minds.

The recent 40th anniversary of Earth Day held on April 22, 2009 had an estimated 1 billion participants worldwide which is truly an astounding number when compared to the 20,000 million people first participating in the first event held in 1969.

Earth Day events are held each year to demonstrate what multitudes of people around the world can accomplish together in unity, but retains the core existence of relying on each of us as individuals, and the power of one.

Cadence Spalding is one person doing their part as role model for bringing about a greater awareness of these concerns by her Save The World 2009 album release on the Sound Manipulations label.

The 11 songs on Save The World pertain to the noblest of desires in conveying a message of what one person alone can accomplish by caring for mother earth, caring for those who cannot help themselves, and by caring for one another as a family unit.

There is also a top new age music artist doing their part by co-producing Cadence Spalding’s solo release. His technological production talents and artistic skill in layering and mixing hold the key elements that enable Cadence to excel in the music she has primarily written and presented by her own hand. While Cadence has regularly performed on many of his albums, this first solo release exemplifies her individual talents as a soloist, and overall illustrates the individual talents of these well known new age artists.

Save The World is a classical New Age and Popular music release that hosts a pleasant mix of ballads finely tuned to perfection in the purest sense. The classical touches of Cadence Spalding’s soft angelic vocals sound like lullabies at times, gently rocking you into a contented state while anthem stanzas increase in momentum and passionately rise above to greet the occasion.

Trust In Love is one musical anthem given as a heartfelt lyrical message pointing to the glorious possibilities for peace and love that await every boy and girl if only we would just let it be a reality. This soulful song is rich in vocal tone combined with personal statement through meaningful lyrics. The piano phrased beat is surrounded by a deep percussion rhythm like persons marching lock step in tandem, proposing that we trust in love and give peace a chance.

The harmony of choral effects were arranged by layering her beautiful vocals to share the message of love, peace, and harmony to all who possess the same logic, devotion, and mindful perspective.

Save The World (title song) offers an upbeat instrumental expression of the bountiful rewards we receive when we let our conscience be our guide and do our part.  The repeated message is framed by a pounding drum beat, while piano and guitar instrumentals ring out a clear tone during moments of pause between vocals.

This CD album has a bonus DVD which is really a treasure in itself. This professionally captured DVD photo gallery is extraordinary and stunning in visual effect while highlighting the serene music of Candace Spalding. The magnificent photos show landscapes, wildlife subjects, and touching scenes capturing people in everyday life.

Cadence Spalding’s Save The World CD/DVD collector’s edition is a beautiful performance and powerful statement, shared with the world after this initial spark of talented inspiration was ignited solely from the power of one.

Visit Amazon to sample and purchase Save The World by Cadence Spalding. Bigstockphoto.com – Adrian Grosu.

The 12 Months in a calendar year can easily be described as having twelve lunar cycles annually, but complex mathematical problems arise when translating into precise calendar months since each month is technically 29.53 days long. When calculating a yearly calendar an astronomer’s calendar legend has 365 days, 5 hours, 48 minutes and 46 seconds, or 365.242199 days in twelve lunar cycles.

David Mauk from Las Vegas Nevada has provided everyone with a more desirable solution to resolving this complex calendar problem by introducing his 12 Months album on Thera Records label.

The twelve songs on the 12 Months album describe the time period and seasonal change for each month as musical recollections David experienced during his personal childhood growing up on his grandparents farm in rural Ohio, in a location where the yearly seasons are well defined and pronounced when it comes to changes in weather.

The 12 Months album is David’s first New Age, Ambient, Electronic release which translates into a relaxing and tranquil repertoire where each of the musical months and seasons are likewise distinct.

Everything balances together nicely by a well defined mood and a serene transition of atmospheric changes in his musical adaptation also featuring individual song notations for monthly related weather events.

David Mauk has composed the official music for the National Geographic King Tutankhamun, Golden Age of the Pharaohs, and Real Pirates museum exhibits. His music has been heard by over an estimated 7 million people in several international museums, art galleries, and other televised venues around the world. Currently David Mauk lives in Las Vegas Nevada composing music, writing a Broadway styled musical, and performing as a musician at the Paris Hotel and Casino.

David Mauk has made an impressive introduction into the New Age market with his classic ambient descriptions of the yearly seasons.  The 12 months album supports a fine balance of well defined movements in ambient phrasing that is composed with a beautiful recollection for each month.

April subtitled as Rain is a lively synthesized tune where an opportunity for rain seems present by the string instrument background. The rhythmic flute tone melody portrays a positive upbeat feeling from this perspective since the temperature is pleasant, a cool breeze can be felt, and the aroma of rain in the air delivers a promise of renewal and growth which naturally occurs in that month.

October subtitled as Change is a slower paced celestial song with piano strokes echoing like bell tones, with time adjustments given as major and minor key changes. This cinematic song is reminiscent of what you might hear in a Vangelis soundtrack.

This piece also gives an acceptable answer for the 23.45 degree tilt of our planets rotational axis, since that is what causes our seasonal changes, only his description is shown as ambient moments in musical time with an equally natural and steady transition.

December subtitled as Snow is a great time of year having an anthem like quality by a classic beginning of single key piano strokes, then build into a full cord melody with far reaching synthesized overtones, and light percussion presence.

The nine remaining months also support a fine balance of seasonally defined movements, mirroring a beautifully composed mixture of ambient instrumentation that is generously light, reflective, and relaxing to the listener throughout the year.

David Mauk has given his first project an impressive introduction into the New Age music market by personal ambient descriptions of the months and seasons nicely composed with a classic touch.

If you find your yearly schedule is becoming too complex, discover this more desireable solution to great yearly planning and visit davidmauk.com to sample / purchase. Big Stock Photo – mpemberton.

Once again we shine the spotlight on the time tested music of Vicki Logan, who has recently revealed her thought and artistic perceptions by my recent interview. You will find that The Ride is one of my all time favorite albums. I hope this will encourage you to listen what this gifted artist is offering the music world.

Vicki Logan has 4 impressive albums to date, with The Ride as the third successful release on her Carvic Publishing label from 2004, winning a place in the New Age Reporter, now called Zone Music Reporter, Top 100 albums chart.

Personally drawn from her self conclusions about the ride everyone must travel during our day to day life experiences, this album has also held positions in some additional top 100 charts and granted impressive online radio airplay attention worldwide.

The Ride is considered inspirational and emotional by recalling the exhilarating roller coaster like moments in life, to times of eminent cross road decisions where one must faithfully reach out for everything life has to offer, or risk losing an opportunity if we choose to remain in the much safer realm of not ever taking a chance at all. There is also a calming and relaxed atmosphere to her music as if acknowledging contentment in knowing that we have tried and are justly rewarded for having done our personal best. This is the easiest way to describe how her upbeat music makes me feel.

Vicki Logan’s own description is related to the passage of time and how she has experienced progress while composing and producing music, so everyone if free to draw their own self conclusions about how this album makes them feel on a personal level, but believe me, you will feel something positive from her music. Incorporating elements of New Age pop, jazz, and R & B music influences, Vicki Logan provides the listener a fresh perspective beginning with a classic piano piece.

This album is an excellent example of what can be achieved when a talented artist shares a part of themselves by putting their heart and spirit into the creation of their music, offering music lovers a chance to also feel something truly special along the way. You will soon find yourself recalling the melody over and over in your mind daily.

The Ride is primarily mid tempo instrumental throughout, enhanced by individual solo performances of saxophone, piano, guitar, and the wondrous flute, which Vicki plays so passionately.  Incorporating elements of New Age pop, jazz, and R & B influences provides the listener a fresh perspective beginning with a classic piano piece. Track 1 The Dance of the Sun has a heartfelt piano melody with background synthesizer starting a new beginning of an adventure into your earliest observations of what to anticipate further down this musical journey.

Track 5 Just to be With You offers a harmonious rhythmic ballad that intertwines electronic and saxophone solo into a singular peaceful existence upon adding the engaging percussion beat for blending everything together dramatically. Track 6 The Ride is one of many favorites being New Age pop in theme. This memorable up tempo song with heart pounding rhythms, unbounded keyboard rides, and perfectly timed percussion is truly something to behold on it’s own. Then upon adding the flowing flute melody, everything fits together so perfectly in the instrumental arrangement, you will soon find yourself recalling the melody over and over in your mind daily.

Track 8 Finding Freedom is a thought provoking song from this spirited American artist, having deep rhythms, driving percussion, and building flute repertoire which inspire and restore your faith in the very notion of individual freedoms in life, liberty, and the pursuit of happiness as if saying, yes we can! with that said, Vicki Logan’s upbeat music is a true winner!

Visit the VickiLogan.com website. Sample the album at CDBaby and read my interview with Vicki Logan.

Vicki Logan has a history of composing and producing outstanding New Age music from the very beginning of her music career. By incorporating elements of New Age, Classical, Pop, Jazz, Contemporary Instrumental, plus a divine gift of creativity, her earlier releases set a high standard for her future projects.

It seems Vicki Logan charts a new direction with every album. Vicki Logan’s music is related to the passage of time, and how she experienced progress while composing and producing her albums along the way. Her upbeat music is an excellent example of what can be achieved when a talented artist shares a part of themselves by putting their heart and spirit into the creation of their music. This inspiration gives music lovers a chance to also feel special along the way too.

Discovering the positive and inspiring music of Vicki Logan, and then writing about this friendly and outgoing New Age artist who is so passionate about their music has been personally rewarding. Her music is drawn from self conclusions about the ride everyone must travel during our day to day life experiences, and many of her songs were in the top 100 charts, and granted impressive online radio airplay attention worldwide. New Age Music World blog host John P. Olsen has interviewed Vicki Logan. We are pleased to present this interview for Vicki Logan’s fans and our website visitors.

Interview with Vicki Logan;

John P. Olsen: You said you have not had formal piano lessons, do not read sheet music, and play practically everything by ear, which will be surprising to many people. How are able to compose such beautiful and creative music Vicki?

Vicki Logan: I honestly wish I knew. I’ve been asked that question for years and I still don’t know what to say. I can sort of explain the process though. (And yes, I do everything by ear, so to speak. Anyone I work with can attest…I “push the buttons and just do my thing!”)

I’ll sit at the piano and start messing around with the keys. Something will hit me just right and all of a sudden, I know what I want to play and how the whole song should be. I’ll record the base piece (usually some type of chord progression) and start layering a melody and other sounds to “paint a picture”.

I never really know how it’s going to sound until the end. I’ll “dial-a-sound” on my synthesizer and then something new hits me. Even after a song is supposedly finished, I could do more to it. I don’t start with an idea and a song doesn’t have a title until it’s completed and I listen to it. Whatever it makes me think about, that’s where the title will come from. Yes, I know. I’m backwards.

When I record the actual album, I’ll play the parts in a demo and bring that demo into the studio. I’ll record what I can and then hire other musicians to play the parts that don’t sound right on the synthesizer. These musicians get free reign to add their ideas to the material since I don’t know what the real instruments are capable of doing, although I do have final say. For example; guitars can bend a note when a string is slid up or down on the neck. I can’t do that with my keyboard. The song, I find, is only enhanced by their performances…as it should be. This is where it’s true “life” comes from. That’s why I’ve reverted back to playing with other musicians rather than letting people record things digitally; making the song “perfect”. Computers are wonderful tools, but, in the end, there just isn’t enough that can be said about the performers. The feelings/emotions and oopses are priceless!

John: Many of your songs and albums have been on New Age music Chartss, plus you have helped many musicians just starting out as artists. What song and album awards and personal recognition have you received as artist?

Vicki Logan: This is going to seem really disrespectful, I know, but I really don’t intend for it to be that way. I have received a lot of honors and awards from various organizations. I’ve won some song contests. I’ve been truly honored to receive these awards, and, for the most part, they were given to me in good faith, but, the more involved I’ve gotten within the music industry, the more I’ve found how political they are. For example – The Grammys. First off, you have to be a NARAS member. If you are not, you can’t even submit your material for consideration of any award. Next, if you do get in, you have to compete against the larger corporations who belong and have several of their staff as members as all members vote on the Grammy Awards. You can guess where those votes are going to. And then, there is a lot of “vote for me -s” e-mails that percalate to members. In the end, the memberships to these groups are expensive and I don’t have that type of money to waste. Like all of you out there, I have to figure out what gives me the most bang for my buck. An attempt at stroking my ego or doing more of what I love to do?

Again, don’t get me wrong, honors and awards are wonderful things, but only if done for the right reasons. The best award I could ever receive? If I could make the world a better place for even just one person so that that person could do the same for the next, then creating and sharing what I do was worth it all.

John: We are currently playing Enchanted Winds, The Ride, and other songs of yours on 365 Stars Radio. You told me The Journey To The Places In My Soul is your most creative and best album yet. Why is that Vicki?

Vicki Logan: I would say that The Journey is the most creative as I’ve learned so much since my first CD and I’ve attempted more than I have to date. For example, I’ve played more flute on this one; more than on any other album. I’ve recorded more of the album at home and just brought in the hard drive to the studio. I used some new ideas (for me) and made some of my ideas more pronounced. There is an actual story interwoven into the music for the first time.

Anyway, I believe that each album has a special place for me since each album helped me get to the next. If I didn’t do the first the way I did, the second one wouldn’t have come to pass. Same for the third and fourth. Each one builds on the last…each represents that time in my life in which it was created. Even the photos chosen represent what was happening; many were from my backyard.

In album number one, I was chasing a dream – trying something I never thought I’d be able to do, thus CHASING DREAMS only to end up FINDING MY WAY in the music industry. This CD I even arranged a couple of cover tunes, only to find that most people preferred my originals. I was on THE RIDE of my life realizing that I could do this and ended up with THE JOURNEY TO THE PLACES IN MY SOUL when everyone wanted to find out more about me…about how I came to this place…about my weird life! (And yes, it’s been strange…lol) So that’s why I believe it is the best so far…but even better is yet to come… By constantly moving forward, attempting new things and keeping an open mind, a person can only progress…even when they think they aren’t. It doesn’t matter what someone else believes. In the end, if YOU believe in yourself, YOU do the work, anything is possible.

John: There were a couple of obstacles you had to overcome with your latest album, if you don’t mind, could you tell our readers what happened during the release of the album?

Vicki Logan: I believe someone once said to me sarcastically, if anything can happen, it will. About 3 years ago, we purchased a home only to find that it had major mold and moisture intrusion issues. The previous owner was found guilty of fraudulent seller misrepresentation and was given the order to repair the home. Instead of getting our home repaired, someone arsoned it and we lost everything…our pets, our businesses. We literally had the clothes on our backs.

Then I got lyme disease because I am an over zealous lawn mower. I mow everything. Due to genetics, I found that I had back issues. I had stenosis. My bone was growing onto my nerves and causing massive pain. It was a quick surgery and I’m hoping it’s not the beginning of more because the pain is starting to come back yet again. Then I had cataract surgery. (By the way, those of you who would like to know, I’m 43.) I haven’t been able to see right since 3rd grade! To wake up and see the alarm clock in the morning – to actually see who someone is and not a big fuzzy blob – to go swimming and not worry about getting splashed and losing a contact lens – wow! And the list goes on! And I didn’t even added the rest of my families challenges! Maybe someday I’ll write a book… lol!

John: You and I are perhaps like most Americans by constantly being surrounded by Rock, Pop, Jazz, and other genres, which are all great forms of music, so how did you discover, or what brought you into the New Age music scene?

Vicki Logan: STRESS! (Just kidding…kinda)

Really, it’s the creativity I find within myself listening to this specific genre, but I think that many of you will find that even the term “New Age” covers a lot more than just one style of music and the term has a different meaning for a lot of people. (A subject for a much later conversation.) I think that, using my music as an example, “New Age” music can be found labeled Celtic Pop, Smooth Jazz, and a gazillion other things.

I love all music and I think that comes out in what I create. I hope people realize that it’s not the music people are attracted to or not. It’s the message of the artist using the music that people relate with. Music is but a tool that allows people to communicate with others. Instrumental music is all encompassing. There are no words so there are no boundaries. Not even for the deaf or animals, believe it or not. That’s how I view it.

It’s another medium with which to paint something. So, I like the “New Age” music best because I feel that most of the artists here have a more positive view on life and I think we really need to be more positive. Personally, a label is just something we put on something else because we need to be able to identify it when we communicate with others and we all label differently according to what that label means to us.

John: There are other talented musicians who perform on particular songs and albums, who are the band members, and is creating the albums fun for you and the group, or do you consider producing an album work ?

Vicki Logan: In reality, I am all the parts when I create the songs. The musicians I work with take the parts I create and give them life. Technology has provided me with a lot of sounds which are similar to the real thing, but it’s not like having the real item in the studio. People are capable of manipulating their instruments in ways computers can’t. To give credit where credit is due, these musicians all have excellent ideas to help make a song much more interesting. I don’t know everything and I don’t expect I ever will, so human interaction is something that we all need. Period.

The folks that help me out are Randy Gildersleeve (also my main mentor) who performs miracles on guitars, mandolin, banjo and pushes me to learn more and open my mind when we are in the studio during production. Then there is Andy LaCasse who does things with bass that I would never think of. He also puts my music into sheet music form so others can play the parts with backing tracks. I can’t read a stitch of it, but I guess it’s pretty cool since there is a lot of black all over the paper! The other person who helps me get the music where I need it to be is Peter O’Gorman – percussionist extraordinaire. He will play anything to get the sounds we need. Give him a garbage can lid, a stick, whatever. He’ll make it sound awesome.

There are several other people that help out depending upon what my needs are. Matt Fink (aka – “Dr. Fink”) is an incredible keyboardist and producer and taught me a lot about midi recording, computer work and pro-tools in his home studio.

I know why I hire people to do those things!

Too much information and I just don’t have the knack for that part! Then there are loads of other instrumentalists, producers, mentors and more that I’ve worked with but would take forever if I named them all. They ARE ALL listed in my CD packages and I could never thank them all enough. That’s why I get to be where I am. With all of them. Work? Music is NEVER work. Promoting and merchandising things, figuring taxes and making sure the right things go to the right places, THAT’s work!

John: You already have 4 exceptional CD’s now available for purchase. Are you presently producing, or plan to have another album in the future besides the 4 currently on sale?

Vicki Logan: Funny you should ask that question. I literally got my new equipment today (after waiting patiently for the past 2 1/2 years!) and when I started messing around with all the buttons, I found that I have more sounds then I had previously and songs were rushing out left and right. I hope to have a new CD for release sometime in 2010. We’ll have to see what happens until then, though. Timing is everything and it has a mind of it’s own! Beisdes, remember my little quote above? If anything can happen it will? I just have to see what will happen! lol!

John: After reading your homepage biography, you seem to be philosophic about a person obtaining their goals by your own life experience. What advice can you offer persons just beginning in the music business, or suggestion to others about overcoming obstacles in general?

Vicki Logan: Everyone is different, yet everyone is the same. What I have found is that if you do what it is that you truly love, you make time for it and you are happier. If you THINK you want to do something and have a million excuses as to why you don’t get to it, I’d say that you must not be that interested in it. Think about it. If you want to go to the park, you will find a way to go to the park. If you want to take a vacation, you will find a way to take that vacation. For the most part, we will do the work necessary to get instant gratification. For some reason, we don’t do the work necessary for LONG TERM gratification.

Time goes by so fast, even our so called long term is here before we know it. My favorite quote is “Dreams are only dreams unless YOU are willing to make them a reality.” Many someones out there said that opportunities don’t just happen, we make them happen and that is more right than any one can imagine. If you want something, then do what it takes and get it! Just be realistic. Life is a precious gift. Use it. Enjoy it. Live it!

Check out the VickiLogan.com website and  read my pages dedicated to Vicki Logan. Photos are courtesy vickilogan.com.

The recent article by B.T. Fasmer about the upcoming Yanni concert scheduled for May 13 2009 in New York led to some great discussion with a good friend of mine about the past Live Yanni Tribute Concert and programing which first aired on PBS television stations in 1997.

Perhaps many of our NewAgeMusicWorld.Com & NewAgeMusic.nu visitors can recall watching this past televised concert also since it is then estimated that well over a half billion people around the world over are familiar with, or have watched the esteemed musician Yanni. Our discussion about Yanni included the extremely talented musicians who accompany by their masterful instrumentals and perform solos during his many scheduled concert tours.

Venezuelan born Pedro Eustache specializes in ethnic flutes and woodwinds section, having two albums and a multitude of appearances with other renown musicians and composers worldwide, also playing a variety of instruments in many popular movie soundtracks. Pedro also regularly toured with Yanni for 10 years. Both artists are diverse and relentless in their pursuit of perfection in their chosen field of music and well worth a visit to their individual websites to learn more about some of the past and present day extraordinary musicians who make up the major concert headliner everyone recognizes as Yanni.

The official Yanni.com website is also a great place to visit for news and the past but memorable Tribute Concert Album just mentioned, along with all discography and a vast number of live concert tour dates presently available in the United States.

                          Yanni performance live at the Taj Mahal during the Tribute Concert

It seems that few instruments can compare to a piano for personally illustrating the emotion and feeling of what an artist wants to share with another. The piano is a divine instrument to play or to simply listen while others perform. I am certain many readers like myself have also had the opportunity to play the piano as younger adults either willingly or unwillingly under the guidance of their parents, which ended with varying degrees of success.

Fiona Joy Hawkins from Australia is the noteworthy artist I would like to highlight today since she has achieved unbridled success as a touring concert pianist. Fiona has reached the number 1 spot in World New Age radio charts across 9 countries, achieving the Best Piano Album in the NAR lifestyle music awards in 2006, and winning the classical/jazz category in the Music OZ Awards for 2008. These are accomplishments even her parents never would have dreamed possible.

Fiona Joy Hawkins has also received multiple nominations as finalist in classical jazz categories in 2007 and 2009 in multiple genres, among her respectable achievements as an Australian born composer and pianist.

Fiona’s most recent 2008 Blue Dream album on the Little Hartley Music label, described as Contemporary World fusion piano music. The release places the listener into a relaxed mood by many refined variations ranging from the poignant quiet moments of thought, to reflective moments with varying rhythms and orchestration phases on the 22 song album which does blend together well from song to song.

Fiona Joy Hawkins most current album Blue Dream is a piano and instrumental collaboration with other artist that has received top music honors and again extended the worldwide admiration for her work. Fiona is recognized as an awarding winning pianist who covers New Age, Classical, Contemporary, Jazz and World Fusion genres, it’s easy to see Fiona’s Blue Dream release was worth the wait!

While already widely recognized, the Blue Dream album should help her break into international markets. One can consider the 22 songs on this album as chapters in a book, that after reading each chapter, the next phase of this story becomes more revealing when finishing all verses, and working your way towards the final chapter.

My favorite track 9 blends powerful, yet soft vocals, only to crescendo into a moving inspirational piece, blending into the next novel chapter. All song chapters and illustrations in Blue Dream will hold your interest by preventing you from putting the book down, and my favorite track 9 blends powerful, yet soft vocals, only to crescendo into a moving inspirational piece, blending into the next novel chapter. Farther in the storyline, Track 12 opens with a classic piano solo interlude as vocals add definition. The plot thickens in this musical storyline by increased keyboard momentum and fine instrumentals, which divulge even greater amounts of dialog on this narrative.

Recorded and produced by Grammy Award winner Will Ackerman, there are a host of talented musicians who solo and accompany Fiona Joy Hawkins on her Blue Dream release. To their credit, they greatly influence the beauty and refinement of the album, without ever exceeding the award winning pianist intentions, and the message she masterfully portrays on the 88 ebony and ivory keyed Steinway concert piano.

Fiona Joy Hawkins is also a painter with her own online art gallery, where paintings can be purchased, along with her 4 available CDs. The novel website to visit is fionajoyhawkins.com.au. Picture Copyright Big Stock Photo – aysarts.

The epic quest for personal style in composing is pretty evident in a new release entitled The Gates of Realities from South American born composer and producer Oscar Aguayo, who is titled as Australis.

Australis is an artist title taken from the Latin word meaning Southern or from the South, and also symbolic of the artist himself which emphasizes Oscar Aguayo’s early influences he felt during his very first experiences in musical emotion in his home country as a young adult.

The primarily mid tempo music will encompass the listener with rich, deep tones to translate for you what the artist has drawn from his personal conclusions in how New Age music should be interpreted. I can tell you it is simply wonderful electronic music!

Drawing imagination from his homeland recollections and earliest life changing events, the project is a mixture of New Age, Electronic, Ambient, Neo-Classic and Ethnic, in contrasting genres. Together there is a fine balance of emotional depth in all 14 compositions on his second album of individual expression.

Track 4 Promises of Light is a dark and mysterious example of a longing desire for the presence of light in which that wishful song is titled.

Track 5 Paqta Kutemunqa begins with an ethnic quality by the ancient chants, whisperings and woodwind flute which blends together beautifully.

If one closed their eyes they could almost imagine themselves as an archaeologist exploring the inner depths of ancient ruins, and then finding the lost treasures hidden away for centuries. This is an epic quest I found mysterious but inspirational.