Archive for the ‘Guitar Music’ Category
Best World Music Album: The Recording Academy bestows Ravi Shankar a 55th GRAMMY® Award in the Best World Music Album Category for his album The Living Room Sessions Part 1.
The 55th GRAMMY® Award Winners in 81 specific categories were announced during a live presentation ceremony. The show publicized as “Music’s Biggest Night” aired live during a televised broadcast on the CBS Television Network.
The ceremony held at the Staples Center in Los Angeles, California on February 10, 2013 included a series of show performances while honoring top artists for their achievements by one or more awards of 81 total Best Album Award categories.
Selected Best World Music Album in category #51, a Music Award was bestowed to Ravi Shankar posthumously. Award recipients in all categories were determined by voting members of the National Academy of Recording Arts and Sciences.
Ravi Shankar won the Best World Music Album GRAMMY® Award for his album titled The Living Room Sessions Part 1.
The GRAMMY® Awards first inaugurated in 1959 was formed to recognize artists for their achievements in the music recording industry. To give you an idea how popular this awards presentation has become, the Annual Music Awards is ranked in viewership popularity as one of the highest rated television special programs.
Last year’s televised live Annual Music Awards ceremony reported 39.9 million viewers worldwide. The prime-time awards presentation in 2013 with an equally long list of popular celebrities who performed live during the presentation ceremony is expected to be another record breaking year for television viewership.
The four additional nominees and their albums in the 55th Music Awards for Best World Music Album are: Folila by Amadou & Mariam, On A Gentle Island Breeze by Daniel Ho, Jabulani by Hugh Masekela and Traveller by Anoushka Shankar. For album reviews and interviews with additional Award-Winning and Nominated artists at this site find further reading and information on my main pages.
To sample or purchase The Living Room Session Part 1 album visit RaviShankar.org. You may also sample or purchase The Living Room Session Part 1 at the store page for Ravi Shankar at Amazon.com. To read the complete list of award-winning artists, including all award-nominees in all 81 Best Album Categories visit Grammy.com. Cover art and photo are courtesy ravishankar.org. & Big Stock Photo – AnmFoto.
Interview in 2012 with GRAMMY Award-Winning Guitarist, and Cheshire Studios Record Producer Eric Tingstad.
Eric Tingstad is a distinguished artist and record producer who over the course of his lengthy career has recorded many fine albums in a variety of genres.
Famous for his expertise as a songwriting guitarist in a variety of genres, the diverse range of influences include Americana, alternative country, ambient, blues, jazz, rock and new age music. Eric Tingstad’s new release Badlands is a vibrant follow-up to his GRAMMY® Nominated album Southwest.
New Age Music World site host John P. Olsen had an opportunity to interview New Age GRAMMY® Award recipient Eric Tingstad in October of 2012. This interview publication with a variety of topics follows the release of his new 2012 album titled Badlands. Today we are pleased to present their conversation to his fans and to all international site visitors.
John P. Olsen: I would like to thank you for accepting my invitation for this interview Eric. In addition to being a distinguished GRAMMY® Award-winning artist and guitarist, you are also a record producer, so I hope to cover many aspects of your life and career in music during our interview today.
Let me begin by saying your newest Americana album titled Badlands is a wonderfully unique release Eric! I found Badlands is miles apart in theme and style from the majority of new age, world and instrumental albums I have reviewed this year. Writing a Badlands review was a nice change of pace for me. I found it to be a beautifully picturesque album Eric.
Eric Tingstad: Thank you very much. I have to say that when Badlands was all done, I was very happy to hear how relaxed all the pieces were feeling. Even though there are more teeth and beef than on previously hailed “calming” recordings of mine, Badlands just has this laid back pocket and groove that I was very pleased to hear.
It’s like some really big guy giving you a massage or a powerful engine that’s just idling. A lot of headroom. And whereas Southwest was a bit more gentle, tender and soothing and that all is bliss in the desert, Badlands intentionally has more grit and attitude. Not so much about the spiritual ambiance of the Southwest, but more of the human element and how it resonates with the harshness of the environment.
John: Your new 2012 Americana album Badlands honors the traditions of American roots music and Western culture, and is unique from many previous albums like Acoustic Elegance: Ultimate Collection, Acoustic Garden, Paradise & American Acoustic. How did the idea or inspiration for Badlands originate?
Eric Tingstad: Badlands is the follow up CD to my 2007 release, Southwest and continues my adventures of combining ambient elements and vibe with American roots music. My early musical influences were what I heard on the TV as soundtracks for movies and shows. I watched a lot of western adventures and the Beverly Hillbillies, which was just rich in the roots music of Flatt and Scruggs.
Also one of my earliest mentors was a lap steel player and I was fascinated with that sound that he got by using a table knife! Growing up I had a real cross cultural group of friends and I was fortunate to have some Elders in my life as a child that taught me “the ways.” They had an effect on my beliefs and subsequent interests in Native American culture. Also on Badlands there is my crunchy telecaster underpinnings that contributes an edgy quality and brings me out of my rock n roll closet a bit. I would also have to say that the music of Angelo Badalamenti from Twin Peaks or Ennio Morricone resonates with me. It’s music that creates a sense of place.
John: Badlands features a number of great artist including Nancy Rumbel, Cindy Cashdollar, Byron Metcalf and other fine contributing instrumental artists. Would you like to tell us about some of the artists who perform on Badlands?
Eric Tingstad: On Badlands I intentionally set out to feature more Western elements and a bit less Native American. And so I pulled back on the native flutes and featured more of the dobro, (both slide and fingerstyle), which conjures up that American roots element and the pedal steel and lap steel that bring out the western sound. I also leaned pretty heavily on the fiddle which was played by Andrew Joslyn.
The one major component that is the foundation for both Southwest and Badlands is all that great shamanic hand drumming was done by Byron Metcalf. The frame drumming not only ties it all together, but brings that spirit of western landscape and depth of the Native American culture to the recording. I use these instruments because I love the way they sound. And the way they were played.
I did the fingerstyle playing on the dobro but Cindy Cashdollar did all the cool dobro slide work along with lap steel. I did a bit of the pedal steel but all the amazing stuff was done by Terry Lauber. Ben Smith from Heart supplied all the drum kit efforts. There is a large cast of players involved with Badlands. Counting the engineers, I think there were about a dozen.
John: I found Bandlands very picturesque, with ingrained cinematic qualities. Would you say the same, and do you knowingly make an effort to compose music with incorporated cinematic qualities?
Eric Tingstad: Thank you, but I do not set out to make music with cinematic qualities. What I do, is set out to make music that creates a sense of place. I suppose if I makes you see pictures in your head I have achieved that … partially. But, I also want you to see and feel the dryness, the warmth and smell the smells of my locations and themes. Maybe even make you thirsty or hungry.
John: Currently you also provide guitar instruction and offer consultation in the music business. Could you provide some specifics on the services you offer to artists wanting to improve their chances at succeeding in the music business, or artists who want to improve their individual performance goals?
Eric Tingstad: There are many misconceptions about how the music industry works. What I try to do is help with clearing those up and set a realistic course for each individual. It’s helping that I love to do and each client has been different with different needs and expectations. There are so many ways to be involved in the music industry these days and understanding the options is how I can add value to someone’s efforts.
John: Pedal steel guitar is prominently featured on Badlands, but is primarily thought of as a country music instrument. Is there a challenge with transition into your Americana style of music?
Eric Tingstad: I did not find that it was all that difficult. I luv country and roots music and the pedal steel is a big part of why I luv that music. But mostly I luv the steel for it’s beautiful sound. It has such a pure, full and magical tone. It also has the quality of being able to create long legato phrasing, which is something I am always hearing in head. All kinds of music are being played on the Pedal Steel these days, especially rock. And then there is the whole Sacred Steel style of the Campbell Brothers and Robert Randolf.
John: What made you decide to begin performing on a pedal steel guitar, and is the learning curve, or degree of difficulty, far apart from a traditional acoustic or electric guitar?
Eric Tingstad: I was actually recording and producing other players on the steel with my music before I decided to try my own hand at it. I find the pedal steel to be pretty easy to play and some of my favorite styling for it are the simple passages that demonstrate the warm tone of the instrument. The learning curve was not too bad. I am sure that it helped that I had a pretty good grip on guitar and music in general.
John: I read you perform in the Segovia tradition, but is this style is implemented on a steel strung classical guitar. Could you tell us about some of the finer points regarding this specific performance style?
Eric Tingstad: I was playing for about 10 years as a youngster before I become involved with studying the classic guitar. I was interested in developing a very fluent fingerstyle both for the right and left hand. I think my classical studies were about the smartest thing I ever did for my career. Apart from just learning the proper physical technique I learned a lot about making the guitar sing with a strong sense of phrasing. I also put a lot of stock in the tone I try and generate.
John: In addition to composing, recording and producing your own music, you are an established record producer who assists other artists including Tingstad and Rumbel, Narayan & Janet, The Halyards, The Road Trip Relief Squad and Louis Landon. Would you like to tell us about your role as a record producer, and provide some details about your music recording and production services at Cheshire Studios?
Eric Tingstad: I like to think of myself as sort of old school when it comes to production. I don’t try to commit the artist to “my sound” but act as a one member audience that gives feedback from that point of view. It’s valuable to remind the artist of the often simple and “taken for granted” things they do that resonates with the listener. I always try to focus on what is best for the song and what will support the lead vocal or instrument line. The goal is to help flush out the intent of the project and keep the artist focused on that original intent. Not always easy to do.
John: You have enjoyed a remarkable music career for over 35 years with many successes along the way Eric. What do you find most rewarding first, as a professional record producer, and secondly as a respected musician?
Eric Tingstad: I don’t really think of my part in this wonderful world of music in terms of rewards and respect. I just luv how the music I like makes me feel. I like to listen to music as much as I do to play it and if I can make others feel like I do, then that is all the more better. Helping others realize their musical vision with my production skills is a thrill though and brings me a lot of personal satisfaction. There are so many levels and reasons to enjoy music and I am fascinated by what other players have to offer.
John: I like to report on current music news when I can, so I would like to ask if you have any news announcements or information to pass along about new album projects or special events you plan to make public soon?
Eric Tingstad: I will be continuing in this Instrumental Americana style I have got going now for a couple more projects at least. I will be doing one that is a bit sparser on the production and one that actually will have more vocals. I do lots of songwriting as well with others that needs to be released at some point.
John: Thank you again for allowing me host your most current interview Eric. It’s an honor to meet you, and I wish you continued success. It has been a privilege to provide today’s news coverage about you and your newest release Badlands. It’s a great album and I look forward to your next new release.
Visit the main pages at EricTingstad.com. Purchase or sample albums and songs at Eric Tingstad’s music store or find the best songs and albums by Eric Tingstad at iTunes. Photos are courtesy erictingstad.com & cheshire-studios.com.
Thirty-One Nights by Nicholas Gunn in Billboard’s Top 10 Chart.
The newest album by Nicholas Gunn has apparently been a popular new hit album at Billboard for the week of September 29, 2012.This week Nicholas Gunn’s new instrumental album titled Thirty-One Nights, made its debut at #8 in the Top 10 New Age Charts at Billboard.
Thirty-One Nights is the 14th album by Nicholas Gunn after an interval of 5 years. On this newest release he, Dana Kemmerle and Chris Fossek communicate the splendor of the natural world and beauty of its environment. Earlier this week in my album review, I spoke of the uncompromising instrumental qualities, intensity and passion in which flutist Nicholas Gunn and team dedicated to this release.
For the acclaimed flutist Nicholas Gunn, making the Billboard Top 10 Charts is more the rule and not the exception, having spent a total of 55 consecutive weeks overall on the Billboard New Age Charts.
With over two million in album sales, Nicholas Gunn has consistently shown he is a dominate force at producing beautiful instrumental music. Congratulations go to flutist Nicholas Gunn, vocalist Dana Kemmerle and guitarist Chris Fossek.
Sample and purchase Thirty-One Nights at NicholasGunn.com.
New Instrumental Music Review: Thirty-One Nights by Nicholas Gunn, with vocalist Dana Kemmerle and guitarist Chris Fossek.
Instrumental new age recording artist Nicholas Gunn has always been intensely passionate about his flute music, and his new instrumental album, Thirty-One Nights is no exception to the rule.
For the acclaimed flutist Nicholas Gunn, who made Billboard’s Top 10 Charts, with 55 consecutive weeks overall on Billboard’s New Age Charts, and over two million in album sales, Nicholas Gunn is clearly a master at producing instrumental music that touches one in a profound way.
Thirty-One Nights, which is his 14th album after an interval of 5 years, is a significant new release by its uncompromising instrumental qualities.
Thirty-One Nights is like a case study of the depth and beauty in which he, Dana Kemmerle and Chris Fossek communicate the splendor of the natural world and beauty of its environment. Nicholas Gunn traveled to the Yucatan Peninsula in Mexico and spent 31 days in the Caribbean shoreline to find inspiration for this project. As if researching a part for a movie role, his true life experience of one month devoted to nature in its purist form is recreated and brought to life on Thirty-One Nights.
The real time connection of a scenic, tropical atmosphere gives reflective depth and balance to the 13 songs of serenity that waltz hand in hand with songs rich in auditory intensity. Beautiful acoustic instrumentals and vocals paired with flute are key elements that have made this recollection one of true excitement.
Two professional artists in accompaniment are vocalist Dana Kemmerle singing soft poetic verses on a number of songs and Chris Fossek, himself a wonderful guitarist well versed in Flamenco guitar tradition.
For the classically trained flutist Nicholas Gunn, re-living the sight and sound experience has without exception, proven to be a wonderful true life excursion worth sharing. Included in the audio CD is an embedded journal about the creation of the album, and a 10 page cover booklet with bi-lingual lyrics.
The 13 songs on Thirty-One Nights are titled: Remember Me Prelude, Fiesta Patria, Thirty-One Nights, The Swallows of Na’ Lu’um, Veracruz, Condesa, Candle Dance, Someday, Full Moon Over Calle 12, Road to Merida, On the Shores of Tulum, From Water to Wind, & Recuerdame.
Song Sample: Thirty-One Nights by Nicholas Gunn.
Thirty-One Nights is a new album by the platinum selling recording artist and instrumentalist Nicholas Gunn. The acclaimed flutist Nicholas Gunn’s newest release is anticipated by many persons having been 5 years after the earlier release of another fine album titled Encanto from 2007.
Thirty-One Nights is a vibrant new release with 13 instrumental songs of original music performed by an ensemble of flute and guitar, with vocals on a number of songs. Full Moon over Calle is the song sample video shown below.
The two music professionals joining Nicholas Gunn on Thirty-one Nights is vocalist Dana Kemmerle and guitarist Chris Fossek. Coming next is an album review for Thirty-one nights at New Age Music World. You may sample songs and purchase at NicholasGunn.com. Photo is courtesy nicholasgunn.com.
New Music Review: Americana Album Badlands by Award-winning Guitarist, and Cheshire Studios Record Producer Eric Tingstad.
GRAMMY® Award-winning recording artist and producer Eric Tingstad, renowned for his expertise as a songwriting guitarist in a variety of genres, strides into new territories on a vibrant follow-up to his GRAMMY® nominated album Southwest.
Eric Tingstad’s newest release Badlands is Americana album said to honor the traditions of American roots and Western culture. With that byline description I couldn’t agree more. I have to admit the 12 songs on Badlands is not what I first expected, but on the other hand, I knew Eric Tingstad is an established, well-known artist who has produced many fine albums in a variety of genres. Tingstad’s diverse range of music influences include Americana, alternative country, ambient, blues, jazz, rock and of course, new age music.
With this far ranging diversity of influences, and Eric Tingstad’s reputation as an artist led to the prospect of something grand. It didn’t take long before I found the direction he would choose, and distance he was prepared to travel on Badlands. Akin to his Southwest album, Badlands is a moving example of Americana music at its finest, beautiful in every vivid detail from start to finish.
One characteristic I heard right away was the cinematic latitude Badlands conveys to the listener. It’s an attribute where colorful illustrations paint a picture of the desert Southwest with vibrant transparency. It’s a moving portraiture of a bygone era, yet before you lay a stylish, modern day representation of contemporary Americana music. Most songs are ingrained with a casual and upbeat atmosphere, while several songs are shaded with light country and Native American influences.
Badlands is unique to most instrumental albums by the use of lap steel and pedal steel guitar implemented in unison with a variety of traditional instruments, performed by a group of talented artists. Among the group is co-artist and award-winning artist Nancy Rumbel, who has her own solo career and equally starring role with Eric as the GRAMMY® Award-winning duo Tingstad and Rumbel.
On Badlands you will discover a pronounced Southwestern style of Americana music, made more apparent by the pedal steel guitars and pairing of more traditional instrumentals of English horn, bass guitar, organ, violin and percussion. It can be said Eric Tingstad approached a fork in the road, and had a choice to make when producing Badlands. By all accounts taking a road less traveled by others has clearly turned out to be a winning choice.
Musicians performing on Badlands include Cindy Cashdollar (dobro, steel and lap steel guitars), Ben Smith (drums), Byron Metcalf (frame, bass and buffalo drums, clay pots, djembe and udu), Garey Shelton (bass), Terry Lauber (pedal steel guitar), Andrew Joslyn (violin), Eric Robert (organ), Nancy Rumbel (English horn, oboe and ocarina), Petra Stahl (voice), Narayan Baltzo (trumpet).
Visit the homepage of EricTingstad.com and sample or purchase Badlands at his music store or find his albums at major online retail stores including Amazon.com, CDBaby and iTunes. Photos are courtesy Frank Blau and erictingstad.com.
New Album: Wires Rosewood & Roots by Bob Ardern.
Finger-style Folk guitarist Bob Ardern brings new harmony to the forefront in his novel 2012 acoustic album arrangement entitled Wires Rosewood & Roots. Finding inspiration from a number of impromptu events that occurred in day to day life, his newest album reveals the improvisational passion in which he composes.
In many ways, Bob Ardern’s new album Wires Rosewood & Roots, transcends the ordinary into an extraordinary blend of 12 beautiful song melodies you will simply have to experience for yourself.
Bob Ardern is an accomplished Folk guitarist, songwriter and singer, but his mastery of finger-style guitar music is the manner in which Wires Rosewood & Roots begin a new form of expression for the talented artist who is skilled on a variety of music genres.
Bob Ardern is a finger-style guitarist with over 25 years of experience as a popular concert musician performing in venues like house concerts, coffee shops, and Folk music festivals especially in Canada where he lives and is widely recognized. There is also a possibility for a U.S. tour in 2012, and into 2013, so a concert announcement will be made once confirmed.
Wires Rosewood & Roots covers 12 original songs, with some songs on the latest album incorporated as new arrangements from two earlier albums in the accustomed Bob Ardern style entitled Come From Away & Returning Home.
Some of the songs feature Bob Ardern as soloist on a Beneteau acoustic guitar, with the balance of instrumentals on various songs by guest artists. Unlike the unrehearsed events that spawned the concept for his newest album, Bob Ardern is always prepared to perform his finger-style acoustic guitar music with the knowledge and familiarity of a seasoned performer. It’s one attribute about Bob Ardern you can always anticipate.
Artists on Wires Rosewood & Roots are Kev Corbett (upright bass, bodhran, cabasa), Alyssa Wright (cello), and David Findlay (drone, bass, piano, and percussion).
Gallery of Dreams – Plus Live by Gandalf with Steve Hackett.
With the advent of the New Year 2012 well past us, new age and popular artists of every genre are releasing their best new project for 2012. While brand new CD and mp3 album downloads are arriving daily at music stores, legendary new age artist Gandalf and popular rock music icon Steve Hackett, formerly of Genesis, have a new 2012, re-mastered release of an exquisite instrumental music classic.
Gandalf’s Gallery Of Dreams – Plus Live featuring Steve Hackett is the title given to this definitive 3 CD Anniversary Edition, that is progressive instrumental music at its finest! Also available as mp3 digital downloads, the first CD is an original studio Gallery Of Dreams album digitally re-mastered.
Plus, Gandalf and Steve Hackett’s previously unreleased 2 CD live concert recordings at the Wiener Konzerhaus concert in Vienna, Austria are included in the special 3 CD Anniversary Edition, comprised of several world-class quality guest instrumentalists, and a wonderful vocalist named Tracy Hitchings on the title track.
Gandalf – featuring Steve Hackett – Live in Concert Part 1 & Live in Concert Part 2 are the official titles for the 2 live concert CDs. The 3 CD Anniversary Edition of Gandalf and Steve Hackett’s legendary studio recording, plus their 2 CD live concert recorded during the Wiener Konzerthaus concert in Vienna Austria is an exceptional collection of songs. The finer points with this release are the artisanship, cinematic qualities and cultural fusion of new age and progressive rock music.
Gallery Of Dreams by Gandalf, featuring Steve Hackett is a masterful arrangement that amazed the music world in 1992, like the definitive anniversary collection carries on the tradition today.
Gandalf’s Gallery Of Dreams is a timeless instrumental classic, powerful in depth by the beauty of orchestral instruments of oboe, flute, piano and English horn in perfect rhythm with classical, acoustic and electric guitar. Even while conveying an air of refinement and complexity, the focus on instrumental warmth and harmony create a personable atmosphere from beginning to end.
It is in a likeness to predecessor Symphonic Landscape, another instrumental album by Gandalf whose symphonic innovations remain ageless with the passing of time. I say with near certainty, Gallery Of Dreams – Plus Live is one of the rarest albums destined to be one of the best progressive instrumental albums I, or any review publicist will write a review about in 2012.
Gandalf featuring Steve Hackett – Live In Concert – Part 1 & Part 2 CDs are previously unreleased live recordings during Gandalf’s Gallery Of Dreams in 1992 at the Wiener Konzerhaus concert in Vienna Austria, with former Genesis guitarist Steve Hackett as special guest artist.
Live In Concert Part 1 & Live In Concert Part 2 is parallel to the Gallery Of Dreams studio album by the inherent music qualities given by the artists involved, but perhaps more dynamic being a concert recording made on stage in front of a live audience.
Steve Hackett takes the lead in rock opera styled guitar refrains on a number of songs. Live In Concert Part 1 contains the two Genesis songs Horizons & In that Quiet Earth. As fans of the band Genesis know, guitar virtuoso Steve Hackett in classic form and bravura will leave a lasting impression on the listener every time.
Gandalf and Steve Hackett each have their own highly successful solo albums with distinctive style and technique, but it was Steve Hackett’s musical influence that made a major impression on Gandalf’s music. The natural ability of both artists as soloist is legendary. Gandalf and Steve Hackett complement one another beautifully during their performance, so it’s no surprise their collaborative effort together has resulted in a phenomenal collection of songs.
The 3 CD Anniversary Edition comes with a 6 page color photo booklet, concert poster, and a song video clip of Face in the Mirror that is playable on your computer. For Gandalf concert information, the Gandalf – Art Of Infinity Concert is scheduled for November 3, 2012 at the Planetarium Bochum in Nordrhein-Westfalen Germany.
Full credits for artists performing on Gallery of Dreams – plus live, Live in Concert Part 1 & Live in Concert Part 2 are; Gandalf – electric guitar, acoustic 12-string guitar, piano, keyboards, sitar, sequencers and atmospheres. Steve Hackett – electric and classical guitars. Robert Julian Horky – flutes. Andrea Krauk – oboe, English horn.
Peter Aschenbrenner – flutes, soprano saxophone, and keyboards. Erich Buchebner – bass and fretless bass, taurus, bass-pedals and acoustic guitar. Toni Muhlhofer – percussion and Tracy Hitchings is the vocalist on Gallery of Dreams title track.
Gallery Of Dreams – Plus Live featuring Steve Hackett is the title of Gandalf’s 3 CD Anniversary Edition of progressive instrumental music featuring former Genesis guitarist Steve Hackett. An album and concert review of their 3 CD Anniversary Edition will be ready before “Earth Day.” Until then, here is a song video of Face In The Mirror.
The first CD is an original studio Gallery Of Dreams album, plus Gandalf and Steve Hackett’s previously unreleased 2 CD live concert recordings are included in the special 3 CD Anniversary Edition digitally re-mastered for 2012.
The live concert CDs of Gandalf’s Gallery Of Dreams European Tour in 1992 was held at the Wiener Konzerhaus concert in Vienna Austria. Steve Hackett, former Genesis guitarist joined Gandalf as the special guest artist on the Gallery Of Dreams studio album, and the 2 live concert CDs titled Live in Concert Part 1 & Live in Concert Part 2.
Gandalf and Steve Hackett of Genesis complement one another on stage, and in their own words below;
Gandalf: “Steve Hackett is one of the people who in the past had a major influence on my musical development. Over the last few years, I have been finding my own personal style and working with Steve felt like closing a circle. I managed to build a bridge to my musical roots.”
Steve Hackett: “Working with Gandalf on this album has certainly been one of my most enjoyable recording experiences. In his field, he is undoubtedly a musical genius without parallel.”
International Nouveau Flamenco ensemble Luna Blanca is now leading the way to worldwide prominence by their festive new release entitled El Dorado. The vibrant forerunner to Luna Blanca’s new album was their celebrated flagship album Provence, which in retrospect is, one of the best Nouveau Flamenco releases from coast to coast.
Luna Blanca has ascended to the highest summit as a group, nearing the verge of perfection with their elite signature song melodies that have carried them to international acclaim on every continent.
This time around Luna Blanca intensifies their musical fortitude by moving Nouveau Flamenco music to new elevations, where no artists before them have reached. The highest latitude of earlier success may be due in part to a precise focus on producing energetic song melodies. Created with true passion, it’s only natural Luna Blanca’s vibrant flamenco music appeals to a broad multicultural audience.
The Germany based band Luna Blanca, who regularly perform live concerts, have reached international prestige over the past decade and duly earned their reputation as one of the most popular Nouveau Flamenco music ensembles worldwide. The cosmopolitan sound qualities heard in El Dorado express the diverse ethnicity of Nouveau Flamenco with classic sophistication and grace, yet the sunny casual atmosphere is the greatest defining characteristic of Luna Blanca.
El Dorado is a remarkable new flamenco album by the straightforward presentation of Luna Blanca, and the inherent qualities of artisanship that first began their rise to popularity. It is clear to me that Luna Blanca has their fingers placed on the pulse of today’s popular Nouveau Flamenco music style.
Masterful in this new flamenco music release, founding band member and guitarist Richard Hecks, and co-composing pianist Helmut Graebe, select world-class musicians like brilliant rhythm guitarist Bino Dola, and Clemens Paskert, a dazzling performer on bass guitar, percussion and second part keyboards.
Luna Blanca clearly has a new reason to celebrate in 2012 with the release of their new El Dorado album. When taking into consideration the Top 10 radio chart success, glowing reviews and accolades given to Provence the past year, it’s as if their time for festive celebration is never ending with each passing year.
Luna Blanca has produced an exhilarating new wave of excitement with this new project in 2012 which nearly guarantees El Dorado will be one of the best and most talked about Nouveau Flamenco music albums during the year 2012 and beyond.
I can picture another year of honors and tributes, again with all glasses raised in a goodwill toast to Luna Blanca. Cheers!
Visit LunaBlancaMusic.com. Find the soon to be released El Dorado at the Luna Blanca music store, or at Amazon.com. Read about their Provence album on my page for Luna Blanca. Photos are courtesy lunablancamusic.com.
Nouveau Flamenco ensemble Luna Blanca has a new reason to celebrate the year 2012. So do fans of the Bocholt Germany based band, who admire Luna Blanca, a fine group recognized for their energetic song melodies backed by lively drumbeat world rhythms. This spring is the season opener for Luna Blanca’s exciting new Flamenco release El Dorado.
Luna Blanca is releasing El Dorado on the heels of their highly prized release Provence, which climbed the online radio charts to earn the # 7 position on the Zone Music Reporter Top 100 Radio Airplay Charts for October 2010. The 12 songs on Luna Blanca’s Provence also received award nomination in the ZMR Annual Music Awards in two categories of Best Instrumental Album (Acoustic) and Best World Album.
El Dorado is a new album in 2012 representing the inherent music qualities that first began their rise to fame and admiration as a Nouveau Flamenco ensemble, but in a more pronounced instrumental variety. After listening to some songs from El Dorado, I can say the songs I listened to are comparable to their best songs from the Provence album. Recently I had the privilege of writing the CD inside cover text for Luna Blanca’s El Dorado album, so an exclusive, pre-release album review for El Dorado will be published in a few days here at New Age Music World.
The group Luna Blanca is made up of founder Richard Hecks (lead guitar) and co-composer Helmut Graebe (piano). Contributing artists are Bino Dola (rhythm guitar, 2nd part lead guitar) and Clemens Paskert (bass, percussions, second part keyboards). Springtime is not too far away, so look for new songs from Luna Blanca in 2012. Simply stated, El Dorado is Luna Blanca’s newest prize Nouveau Flamenco album that will be available as a CD album and new song downloads at their online store or at iTunes.
Watch the song video of Desperado (Church Bell Mix), and join the over 35,000 people who have viewed the official song video in less than a month. The Desperado (Church Bell Mix) song video also feature artistic paintings that are often on exhibit during their live concerts. The 13 songs on Luna Blanca’s new Flamenco album are El Dorado, Los Ojos, Obsession, Desperado, Kolibri, Dreaming, Summer Breeze, Dos Guitarras, Guapa, Hurry Up, Río Mamoré, Puesta del Sol & Medianoche.
Visit LunaBlancaMusic.com to sample or purchase CD albums or find single new song downloads soon at their music store or when you visit Luna Blanca’s iTunes page for album and song downloads. Photo is courtesy lunablancamusic.com.
José Luis Serrano Esteban is a composer from Spain releasing A New Horizon, (Un Nuevo Horizonte) an adventurous blend of classical and electronic rock music. Like much of Esteban’s instrumental guitar music I sampled, his electronic and acoustic guitar songs are relaxing melodies that introduce a picturesque representation across a scenic new horizon.
A New Horizon features 14 songs in a classical merge of electronic rock music in a representation like epic band Tangerine Dream, in his changing scores of over 100 popular music themes. Esteban has studied classical guitar and electronic music over the years before producing his first album Dreamland in 2002. Composer Esteban is the second Spanish musician who has signed with Landscape TV, an audio visual media station in the UK called Landscape HD productions.
José Luis Serrano Esteban’s first new age video will be released near the end of 2011. Along with his own recordings, Esteban is a guitar player and synthesizer programmer in other artist’s CDs and visual music productions too, having produced numerous scores for commercials, demo tapes, and music scores for television documentaries.
On A New Horizon, some pieces were performed with the help of the fine artists Nacho Serrano (Bass and 12 string acoustic guitar), Nuria Felix (Violin), Santiago Puente (Clarinet), Gloria Esteban (Flute) and Covadonga Serrano (Piano). The song video of Further Than The Milky Way shows images from the European Space Agency/Hubble Space Telescope.
Visit his jlse.serarte.es website to sample or purchase or at amazon.co.uk and other digital stores. Find more on my page for José Luis Serrano Esteban. Visit Landscape HD at landscapehd.com. Photo is courtesy jlse.serarte.es.
If you have ever heard the facts about our universe that there are over 1 billion galaxies other than our own, and there are more stars in the sky than grains of sand on every shore, then you know these truths about our universe make the interstellar space above us seem infinite and hard to envision.
Fred Thrane from Sandpoint Idaho has incorporated those fact based linear notes on the inside CD cover of his debut album Angels of the Sun, but in a related topic much closer to home and easier to picture is the like a grain of sand approach in which he composed and launched his first instrumental album. Presenting his exclusive talents on CD for his first official introduction, Angels of the Sun yields an expansive diversity in what you would expect to hear on a debut album, so it is a release that can be appreciated by a variety of people.
Angels of the Sun features diverse styles ranging from New Age, Flamenco and Contemporary, which likewise ascertain his aptitude as an accomplished guitarist of various styles. Relying on his strong background as both a student and music educator, I thought Fred Thrane has released a wonderful first album. Everything began when he picked up the guitar for the first time during his teen years studying Classical and Flamenco guitar.
The next phase of his education was Classical Guitar instruction during college years at UC Santa Barbra. Fred later transferred to Cal State Hayward, where he majored in guitar and earned a master’s degree in music, with a specialty in Classical Guitar. For the next 5 years he took lessons from distinguished guitarist Rey de la Torre. Fred Thrane then reached a turning point when he began his teaching career as Professor of Music at San Jose State University and Foothill College while educating students in Classical Guitar. It was during this time period he had composed some of the melodies for this release.
Angels of the Sun features 9 engaging songs, and brings with it the foresight and experience of a music professional that has devoted much of his life acquiring the skills needed to produce an album which is singular in its existence yet further reaching in its appeal among many.
Dennis Murphy and Jim Norris are two performers who provide accompaniment on this release. While Denis plays bass and Jim contributes the variety of percussion parts, both complement the nucleus of Fred’s composition by magnifying his melodic theme, and then adding a good measure of vibrant harmony of their own.
The more extravagant Flamenco styled songs Big Sur, Fandango in Four, Farruca & Moraga Raga were my favorites. Like most songs on this instrumental album, you will find they are quite lively and up-tempo with great percussion enhancements which are in harmony with the energetic atmosphere one would expect to hear on Flamenco music. The Title Song, Dawn Dancer & The Third Heaven are more serene in tempo and rhythm, but they too are engaging and consistent in theme.
Finding a forte in blending New Age, Flamenco and Classical styles into a single orchestration, Fred Thrane is a music professional who shines on his first release by his diverse experience as a guitarist. More than capable of arranging a select number of music influences into a single improvisation of wonder, I can see where Angels of the Sun will please a wide variety of musical tastes. In the end, this makes his first release seem more like a universal commodity.
Hubble Telescope cover image courtesy NASA, B.D. Moore and J.J. Hester.
Blackmore’s Night newest release Autumn Sky is a great album I wrote a review about here at New Age Music World. During the United States portion of their 2011 concert tour their fans know and can attest to the fact of what a wonderful success this concert season has been for the band so far, with sold out venues at nearly every concert.
Ritchie Blackmore and Candice Night are the Grammy Nominated, award winning musicians that make up the core essence of Blackmore’s Night and 7 member troupe who wear renaissance attire of centuries past during concerts, fairs, and festival events. Overseas concert goers will have their chance to see Blackmore’s Night later in 2011 with live concerts scheduled in Germany, Czech Republic, Finland, Russia and the UK.
Ritchie Blackmore is a legendary guitar player who has made many progressive transitions in music having been a long standing member of the iconic band Deep Purple and then founder of the band Rainbow. Candice Night is the lead vocalist and songwriter for the renaissance group whose voice and lyrical point of view is one of fascination while singing in the forefront on Blackmore’s Night albums.
Blackmore’s Night 2011 release Autumn Sky acquired the #1 position on the Billboard New Age Charts upon its debut in January, 2011, The result of their international attainment and exclusive musical focus they have engraved for themselves has acquired an enormous following in North America, South America, Europe and Japan. Their melodies have gained crossover prosperity by the enchanting lyrical vocals and fascinating instrumental music that often contains metrical structures dating back to the seventeenth century.
Autumn Sky has remained in the top 10 New Age charts at Billboard for many weeks now, and I expect this will continue since their earlier release Secret Voyage endured while on Billboard’s Top 10 Chart for a remarkable 72 weeks. Autumn Sky is an album that accentuates the elegant vocals delivered by Candice, along with ancient and modern instrumental fanfare for which this group has become famous.
Blackmore’s Night is a true winner by their consistent ability to create progressive music with every new release. Traditional instruments of keyboards, violin, woodwinds, acoustic and electric guitars are intertwined with old-world instruments like hurdy-gurdy, chanters, mandolin, vintage percussions, and woodwinds. The song Highland from Autumn Sky shown below is a wonderful high definition YouTube video that takes you front row and center stage of a Blackmore’s Night concert.
Charting on Billboard is a good way to measure the accomplishments of any group, but what makes Blackmore’s Night a true winner is their consistent ability to create transcending music which varies with every new album they produce. This renaissance inspired band which transports progressive music into contemporary times is a model for success, past, present and future.
It really doesn’t matter how old you are, but I would be willing to take a guess and say that there was a time in your life when everything seemed much simpler. Living the carefree life as a youngster might be the best way to describe this positively uplifting feeling that everyone has experienced at one time.
Keith Driskill has created an acoustic guitar album that gives one the impression of those lighthearted days by gentle guitar melodies of inspiration. His release A Time of Innocence is an acoustic guitar album that at least, momentarily shuttles the listener to a relaxing state of mind by its peaceful down to earth purity.
Keith Driskill performs superbly on acoustic guitar using the fingerstyle technique, and as it turns out, he is pretty well versed in articulating the emotional imagery of those carefree days, and does so with amazing clarity. Finding an early fascination in learning how to play the guitar at age 10, Keith began to explore and develop his own skills during the early years as a youngster growing up in Kentucky. This may have had something to do with the present day Utah resident’s abilities at expressing the simplistic period of our youth by fine guitar melodies.
A Time of Innocence is a New Age, Solo Guitar album with traditional Folk music elements. The 9 songs are best defined as serene and peaceful, yet there is a broader modulation of warmth and depth, which makes A Time of Innocence something rather unique and special. On the surface you will find light guitar rhythms comingle and reside in time with more complex tracings of depth and refinement which is a nice counterpart to the lighter more serene qualities.
The song Lover’s Farewell is the melody I felt best compliments this adaptation. The equally relaxing Moonlight Lullaby & Fireflies each convey an elevated atmosphere of inspiration. It may be less important how I phrase the description of Keith Driskill’s acoustic guitar music, just so long as wonderfully uplifting music is incorporated when summarizing his solo guitar endeavors. While true none of us can return to the carefree days of our youth, Keith’s guitar melodies offers a moment to reminisce about those lighthearted days of our past that ironically turn out to be important to most of us during our adult years. It’s an easygoing acoustic expression about A Time of Innocence.
Photos courtesy driskillmusic.com.
A New Horizon album by José Luis Serrano Esteban.
José Luis Serrano Esteban is a Spanish musician who has spent many years composing music in many different styles embracing Classical, Rock, New Age, World and Electronic music, which began the creation of two albums of instrumental music that he has released. His music is full of divergent shades of timbre, sensibly crafted in the recording studio, which invites the listener to pause and appreciate.
A New Horizon is his second album published in 2009. It contains 14 pieces from nearly classical pieces to electronic rock, and his main idea is reaching peace through the beauty expressed in his music compositions. The album takes the listener on a voyage through a broad range of imaginary landscapes. In addition to A New Horizon, he has released more than 100 music compositions in varying styles from Classical, Electronic, and Rock music.
José Luis Serrano Esteban is a composer who has studied both classical guitar and electronic music. In his albums he plays all kinds of guitars, including bass guitar and also keyboards and percussion instruments. José has also spent some years working on technical issues related with sound, computing and electronics so has been able to produce his own recordings.
Using timbre as an important part of his compositions, fine elements of electroacoustic music enable him to emphasize ideas and create “sound landscapes” for his listeners.
On A New Horizon, some pieces were performed with the help of great musicians like Nacho Serrano (Bass and 12strings acoustic guitar), Nuria Felix (Violin), Santiago Puente (Clarinet), Gloria Esteban (Flute) and Covadonga Serrano (Piano). José Luis Serrano Esteban is signed on to be a featured artist on the LandscapeHD channel near the end of 2011.
Visit his English and Spanish website JlseMusic.com to sample or purchase and find at other major digital store outlets.
When you integrate one proficient acoustic guitarist with select vocalists and instrumentalists, along with the skillful production talents of Windham Hill Records founder and GRAMMY® Winner Will Ackerman, the album as you might expect, will be a top rated album compiled by dedicated music professionals that virtually everyone would love and appreciate.
Shambhu is the proficient guitarist clearly asserting in his website news pages that his first album has truly been a “labor of love” while composing, performing and co-producing with Will Ackerman, along with his time spent working beside other top music professionals. This I can believe since at the end of the day, Shambhu and his insightful selection of collaborating musicians has paid off rather handsomely, and by their collective time spent together, have helped convert this debut release into a commodity of premium value.
Sacred Love – Feel The Journey is New Age Fusion, Contemporary Instrumental, and Jazz, having East, West, and World elements which help facilitate the conversion of artful melodies into solid gold entertainment that requires only simple involvement for the rest of us to acquire the appreciable benefits of this grand endeavor. Sacred Love has already achieved a quantifiable amount of success, where at present Sacred Love – Feel The Journey is # 1 for the month of October 2010 in ZMR’s Top 100 Chart, but I also have a feeling this album will appreciate in value even more over time.
Shambhu is an esteemed musician in his own right performing concerts or on albums with top music entertainers like Bob Hope, Carlos Santana, John Anderson and on Whitney Houston’s multi-platinum album titled simply Whitney. The list goes on since Shambhu has also been involved in projects with many of the respected musicians I continually write about like Will Ackerman, Jeff Oster, Eugene Friesen, Ann Licater plus many more.
Sacred Love – Feel The Journey has an impressive cast and crew since many have toured or recorded with top musical groups themselves. Some of these artists on Shambhu’s album include Tony Levin of Peter Gabriel on bass, Jeff Haynes of Pat Metheny on percussion, George Brooks of John McLaughlin on saxophone, Celso Alberti of Steve Winwood on drums, and then Premik Tubbs of Santana and John McLaughlin on flute.
Together is the first of 12 songs total and what a memorable impression it creates. The center stage guitar and violin pairing established securely alongside flute and reflective instrumentation is magnificent, plus it is easy to visualize this song and others in a Cinematic role since the warm, sincere, and dynamic atmosphere echo the characteristic essentials for a multitude of made for the big screen movie settings.
Natural Moment is a warm and casual song that positively takes off and ascends to new heights. First expressed by xylophone and percussion enhancements, these lively components merge into a free spirited narrative complete with graceful electric guitar rhythms, which intensify and progress neatly into a picturesque arrangement.
Maiu Breeze is refreshing by exhibiting a jazzy tropical presence. First conveyed by acoustic guitar highlights, the xylophone rhythms and energetic vocals are a natural accompaniment to the guitar arrangement. Together they merge perfectly to bring out the fascinating aspects of this album and its entirety, creating a dynamic atmosphere that gives one an impression of total harmony refinement.
This first release by Shambhu will always be termed a debut as one might expect, but when you consider his proficiency as a guitarist, the impressive number of outstanding talents on this extraordinary album, and their combined lifework totaling a significant number of decades as esteemed music professionals, then this masterful first album by Shambhu truly does amount to a rewarding and appreciable “labor of love.”
Full musician credits are Eugene Friesen – cello, Charlie Bisharat – violin, Ravichandra Kulur – flute, Michael Manring – bass, Jill Haley – English horn, Claytoven Richardson – lead vocal, Jeff Oster – flugelhorn, Noah Wilding – vocals Todd Boston – sarod, mixed and engineered by GRAMMY® Award-winning Corin Nelsen.
Luna Blanca is a prominent Nouveau Flamenco ensemble from Bocholt Germany that has perhaps become the celebrated toast of the town in another part of the world by naming their latest Contemporary Instrumental album after a beautiful region of Southeastern France, amidst the countries of Italy and Spain, with a seaside boarder along the glistening coastal waters of the Mediterranean Sea.
Provence is the name of this admirable new release by Luna Blanca, along with the region of Southeastern France highly prized by a warmer climate, gourmet cuisine and regional quality vineyards, creating the picture-perfect setting for Luna Blanca’s new release that greatly succeeds at intertwining these luxurious qualities of refinement into their own creation of beauty.
Luna Blanca selected the nearby locality of Provence for a good reason since many famous authors, poets, and painters like Vincent van Gogh & Pablo Picasso had acquired inspiration for their artistic masterpieces. After reading more about this region of Europe it became clear to me why Luna Blanca members regularly travel to Provence for their creative inspiration, and it appears everything was well designed during their masterful adaptation.
Luna Blanca is prevalent on an international level and where founding lead acoustic guitarist Richard Hecks, first trained in classical music initiated his crossover to New Flamenco and began writing the vibrant original compositions we hear today. Artist Helmut Graebe is a principal member with spirited piano and organ rhythms and on Provence, Hecks and Graebe had an equal hand while composing their parts along with the instrumental compositions of talents Bino Dola on rhythm guitar, Clemens Paskert on bass, percussion, and added keyboards. Juan & Carolina provided some vocals and guest musician Uwe Gronau is featured on two songs playing organ and accordion.
First song Driving sets the contemporary surroundings in motion for this pretty as a postcard destination in Nouveau Flamenco music and where everyone will be able to perceive their picturesque connection to the region of Provence in the first few measures. Colorful in every way, Driving like each of the 12 songs are unique by their united but singular identity.
Gipsy & Francoise nicely exemplify this ever changing diversity since each have passionate melodies and charismatic rhythms which vary noticeably but interblend conclusively from song to song, representing one of many progressive attributes of this album in entirety. Mistral has a fascinating groove based melody with accented organ and keyboards parts exhibiting many fine upbeat runs in parallel time with exciting acoustic guitar rhythms.
Café has a tantalizing setting by trumpet and accordion refrains among progressive guitar and piano melodies which introduce an alluring arrangement to the surroundings.
Sunset & La Maison Bleue likewise display some great instrumentals plus the dynamic percussion rhythms heard on every song do more than merely lay the timing foundation for band members to build their melodies upon, so it is noticeable the percussion parts are a lively component in the total note by note Nouveau Flamenco atmosphere.
Crème Brulee is an inviting song given the calm serene impression and one that resembles Siesta, where moderately timed guitar melodies with piano accompaniment establish a comfortable mood of relaxation while also conveying at the very same time, a fine impression akin to white tablecloth elegance while the boldly accented accordion composition in Camargue introduces an elevated amount of European ambience by the intriguing sentiment.
Rosé is a song named after the house wine regularly served with the cuisine at local cafés and proportionate to the regional vineyards and fields of lavender, Rosé is an aromatic song for the senses too and while presented in more moderate time, the guitar and piano melodies fluently bring a fragrant bouquet of light ambience to the table.
Cote d’Azur is a majestic song finely poised by graceful half step guitar chords and piano counter melody which paint a romanticized picture of the French Riviera, concluding this song with the sound of coastal waters moving across the Mediterranean seashore, and with everything considered I wonder if anyone could ask for anything more.
Provence by Luna Blanca is an exciting new release, where admirable guitar and keyboard melodies express an anytime occasion for celebration. Together in unison, every member gives a brilliant performance and the spirited festive theme this new release portrays has the perfect entertainment setting. Casual and inviting by an open air sensibility, the members of Luna Blanca deserve every glass to be raised high in a toast of salutation. Cheers Luna Blanca!
Cover art copyright Anke Baugatz – Picture Copyright Big Stock Photo – klenova.
When listening to New Age music, the multiple genres and subgenres of World, Ambient, Contemporary, Instrumental, Chill Out, and Groove in most cases are heard from one album to another. Today I have a chance to tell you about a novel new release that explores the multitude of influences I have listed throughout the entire album.
The Landing ( Special Edition ) is polarizing by this fine balancing act of multiple influences and is a wonderful feat of artistry from beginning to end, plus The Landing in original form with 6 songs has achieved worldwide airplay while catching the attention of not just the buying public, but some music retailers too after landing directly onto their best sellers section.
David Clavijo from Seville Spain seems to have a natural inclination of what multi influential New Age music is all about and I felt his performance on acoustic & electric guitars along with piano & keyboards are a fine line balance that blends together quite nicely by having these diverse instrumental strengths.
The compositions of David Clavijo likewise have universal appeal after featuring in television commercials, soundtracks, festivals and numerous cultural events held in Spain. In addition, his music has acquired a global audience by extensive radio airtime having also collaborated with many international labels in the Ambient & Chill Out categories, so there are additional compilation projects that feature his original scores.
The Landing ( Special Edition ) has 10 songs and is a natural acquisition for those who like lively instrumentals with wonderful upbeat rhythms since every songs carries at least a moderate or upper tempo with liberal percussion accents. Another point of interest is almost every song exhibits piano and electric guitar harmonies with appealing vocals which nicely enhance the instrumental music environment.
Dancing on the Moon features some beautiful orchestration for the very beginning song, where piano, oboe and violin weave a bold and dynamic theme into a colorful interblending that instills a cosmopolitan touch of class. Light soprano vocals with excluded lyrics also regulate this effect on several songs like Distant Love, where electric guitar runs revolve into a memorable Rock styled rendition that is in direct contrast with a lighter piano melody.
One sensational method of exploration is the usage of upper register notes on piano which inscribes a lighter perspective while comingling the stronger melodic guitar runs and deeper tenor vocals. Es Vedra likewise paired mid register piano notes with upper range octaves backed by guitar runs and deeper tenor vocals, making an admirable blend by this interchange.
Sailing in my Dreams projects a more mysterious presence given the deeper keyboards and piano melody accents suspended in moderate timing by bass percussion. The longest song Nowhere gives a wonderful mood to relax with by the lighter arrangement. The World influences in African Spirit are moving by an ethnic choir of children vocals set to a nice percussion rhythm and turns out to be a pretty colorful song.
Las Dunas is the first of 4 new bonus songs added to the original The Landing lineup and like most songs, carries an upbeat tempo and has a modern groove feel with soprano vocals backed by saxophone and guitar. East Winds has a far reaching atmosphere by long extended electric guitar long notes, where Uttara Kanda blends exotic influences from the lands of India and with indigenous percussion, brings a spice of life presence into the picture.
Promises with an orchestra blend is the last song on The Landing ( Special Edition ) and while the Original album was indeed a success, this latest release with the 4 bonus tracks holds even greater expectations for this promising new multi influential release that really is quite special.
Visit davidclavijo.com to sample / purchase or at his CDBaby.com page and major retail outlets. Learn more about David Clavijo at his website profile page. Connect with David Clavijo on his social network sites MySpace page & FaceBook page.
Picture copyright BigStockPhoto – Copestello.
Bruce Kaphan from California has taken pedal string guitar to a whole new level in New Age music for years, making this instrumental transition not only a surprising one but a dazzling one too, giving even music purists a reason to love pedal steel guitar with his earlier release Slider and now Hybrid.
Bruce Kaphan is easily recognized in the music industry since he began an early career as a studio technician, engineer and producer for many highly recognized artists in other genres and had either played a role with the recording production of their album or performed with artists such as REM, Jewel, The Black Crowes, Thomas Dolby, John Lee Hooker and a vast selection of popular musicians.
The list of popular artists Bruce has encountered as a musician and during his tenure as a recording artist is quite lengthy and will surprise you as it did me when you visit his website. During the early days while living in San Francisco he was also a member of Indie / Alternative band American Music Club plus his music has been featured on many film scores and television broadcasts.
Hybrid is his current album that I recently wrote a review about here at New Age Music World. The 12 original compositions show pedal steel guitar as an appealing choice while clearing a new path of creative improvisations in light ambience and emerges as a natural contender in the vast field of music.
Bruce Kaphan and his music is described below in my review quote, along with the song video of Oregon Fire from the Slider album. This is a nice selection of Bruce performing on pedal steel guitar behind a backdrop of beautiful photography by Nick O’Kelly. Visit brucekaphan.com website to sample / purchase his music or visit his CDBaby.com page. Read his biography page and view his collective discography page. Read my review of Hybrid on our page dedicated to Bruce Kaphan. Studio photo copyright Bruce Kaphan courtesy of James Saxon.
Bruce Kaphan makes a bold statement on Slider and current Hybrid album which features pedal steel guitar as the primary instrument. You will find his music is a unique blending of unrivaled beauty freshly harvested from another cross section in the vast field of music. It quickly becomes apparent this new emerging beauty will remain a lasting entity in the world of music.