New Age Music World

Archive for the ‘2011 Album Review’ Category

Kelly Andrew from Denver Colorado is an admirable composing musician I wrote an album review about recently. You might recall I spoke very highly of his instrumental debut album titled Olympus. There was a pretty good reason I recommended his first effort to our visitors since Olympus really is one appreciable album!

In fact, I had even earlier stated in my album review that Olympus has some of the finest orchestrations I have heard in recent memory, and his classic symphonic music with contemporary instrumentals backed by full percussion, is a music symphony that will stand the test of time. Like all of my album reviews, there shouldn’t be any reading between the lines with that statement. Kelly has a second album with a night to day contrast in style titled Reflections.

Kelly Andrew is a great musician who is far from being a new composer since he is actually identified for creating a wide array of music having composed and arranged over 35 original singles, some of which were performed and recorded with the University of Colorado Choir.

One point I would like to make is that even if Olympus was his debut album, Kelly Andrew is a great composer too, well-seasoned with over 15 years of experience producing his individual brand of music in a variety of influences. Some of his arrangements are expressions in New Age, Cinematic, Contemporary, Symphonic, Soundtrack, Neo-Classical, World music, and a wide range of original orchestrations.

Reflections by Kelly Andrew really did surprise me after listening to this 11 song recording. Reflections is a second great album, but the surprise is most apparent in the way he composed the two albums. While his first has deep orchestrations and a bolder atmosphere, Reflections is an impressive contrast in style, and it is pretty clear his second album Reflections is even more aligned in the Cinematic or Soundtrack category.

The 11 songs are a selection of instrumental ensembles with Kelly Andrew on piano, keyboards and synthesizer. Aditional musicians are; Marcy Baruch (vocals) Randy Chavez (guitar) Christian Teele (percussion) Bijoux Barbosa (bass) Kailin Yong (violin) James Brody (oboe) Rachel Ellins (harp) and Rodney Garnett (flutes). Musicians from the Colorado Symphony Orchestra provided the strings section.

Reflections has a wonderful blending of New Age, Contemporary Instrumental, Symphonic music, and again commendable. Kelly Andrew’s change in direction has produced a second great album, and I would certainly recommend his first and second, with a third appreciable mention being the smooth transition in style conveyed by the artist himself.

Visit kelly-andrew.com to sample / purchase or visit his CDBaby.com page. Read our page dedicated to Kelly Andrew.

Album artwork by Kelly Andrew.

Composing pianist Louis Colaiannia from Denver Colorado has a classic contemporary instrumental release you may want to know more about. His most recent New Age album expresses his love of Classical music by composing pianists like Beethoven and Mozart, but you will also hear a freestyle influence in his original compositions that give one the impression of more contemporary orchestrations. It’s like modern improvisations on classical music!

Louis Colaiannia has composed a number of classic piano and instrumental releases over the years. With earlier albums having titles of Desert Winds, Journey Of The Soul, Sailing On A Dream & Sea Of Stars, it is easy for anyone to envision that his modern orchestrations are divine and dreamy in nature. They are, much like the album titles themselves.

I found this true regarding his earlier albums, along with the wonderful piano and instrumental release Louis Colaiannia has produced in 2011, A Moment Between Eternities. With divine piano music evenly centered by a classical and contemporary atmosphere, why would anyone want to change this fine balance?

A Moment Between Eternities is a classic New Age Contemporary Instrumental release comparable to earlier albums by a wonderful range in thought and feel. The mood variations in the 9 songs are as if transitioning between one season to another, so in relation to the emotional content of his work, you will hear light graceful songs carefully blended with pieces emboldened by a more impassioned frame of mind.

Louis Colaiannia has composed each of the 9 songs total, performing on piano and synthesizer. The instrumentalist in accompaniment are; Jenna Ehrle (vocals and lyrics) Melvin Morford (bass) Jess Allen (cello) Bob Glassman (percussion) Evelyn Rutenberg (flute) Bill Kerr (guitar) and Rex Spease (saxophone and clarinet).

There is one recent variation in Louis Colaiannia’s music where a new innovative single titled City Scapes takes on a whole new direction. Moving in a new trend like his classical and contemporary orchestrations, City Scapes takes a melodic shift in what Louis terms “Orchestral Jazz”. I listened to this song and found the upbeat melodies with lively rhythms another beautiful performance of his modern classic improvisations.

Visit louismusic.com to sample / purchase and find out more. You can also visit his Amazon.com page.

Cover artwork courtesy Steve Hamilton.

Asher Quinn is a singer songwriter from the United Kingdom who has devoted much of his adult life to writing music, and what passionate music he has created while securing a significant position in the genre!   His Love Theme Ballads, Folk Melodies and Contemporary Instrumentals, united with romantic and poetic lyrics, placed him in a unique class in the field of New Age music years ago, just as his more Mainstream Progressive Ballads and Spiritual Love Songs continue to inspire today.

Falling Through Time is the 2011 release which reintroduce his unique abilities as a splendid lyrical songwriter and vocalist without rival.  Possessing the heart and mind of a true poet, Asher assimilates his rare abilities and divine lyrical aptitude directly into his melodic love songs, which often exemplify a spiritual atmosphere.  To me, his lyrical ballads of praise and adoration, for which he has become famous, are highly prized by their gentle and forthright emotive charm.

Asher Quinn, who released his first New Age chart-topping album Open Secret back in 1987, followed with other chart-topping releases Mystic Heart, Wings of Fire & Concert of Angels, under the name first of Denis Quinn, and then Asha.  Some of his compositions have been used in film soundtracks, and with over half a million album sales to his credit, Asher Quinn continues to be a popular and incomparable one of a kind artist in the New Age music genre.

Falling Through Time features 9 original compositions, 6 traditional ballads and a cover version of This little bird first made famous by Marianne Faithfull, and was recorded and co-produced with sound engineer Shaun Britton at his studio in Fareham, Hampshire, UK.  On this album, Asher delivers lead vocals and contributing artists include Kristian Biddiss on lead and Spanish guitars, along with supporting female vocalists Jaba and Jimena Larraguivel.

Asher Quinn’s music is released on his new independent Singing Stone Music record label.  In addition, song lyrics for the CD album are printed in a handsome cover booklet, plus lyrics for every release by Asher Quinn are available on his website lyrics page.  Two of my personal favorite songs from Asher are Free Yourself & Love’s Philosophy.

While love songs and folk ballads have been a source of creative inspiration for popular musicians in a variety of genres, this is a rarity concerning artists within the New Age music category.  In every respect, Asher Quinn’s newest album continues his enduring legacy for producing top quality music in a wide variety of styles, which brings forth a newfound sense of admiration for his compositions you will indeed find glorious and inspiring.

Visit asherquinn.co.uk to sample / purchase or at his CDBaby.com page.  Then visit his official YouTube Channel for music videos, and our page dedicated to Asher Quinn.

Cover artwork courtesy Emoke Labancz – emokelabancz.com.

Blackmore’s Night newest release called Autumn Sky is a #1 Billboard Charting album off to a very strong start, especially when you consider Autumn Sky acquired the #1 position on the Billboard New Age Charts upon its debut in January, 2011.  This legendary renaissance inspired New Age and Folk Rock touring band has a long history for producing top of the chart and award winning instrumental melodies over the course of many years, and there is no end in sight.

Ritchie Blackmore & Candice Night are the Grammy Nominated, award winning musicians that make up the core essence of Blackmore’s Night and 7 member troupe on Autumn Sky, who wear renaissance attire of centuries past while performing at concerts, fairs, and festival events.

Ritchie Blackmore is a legendary guitar player who has made progressive transitions in music having been a long standing band member of Deep Purple and then founder of the band Rainbow.  Candice Night is an instrumentalist and the group’s songwriter, whose voice and lyrical point of view is one of enchantment while singing in the forefront on Blackmore’s Night albums.

Blackmore’s Night 2011 release Autumn Sky greatly accentuates these elegant vocals delivered by Candice, along with ancient and modern instrumental fanfare for which they are famous.  Here you will find more traditional instruments of keyboards, violin, woodwinds, acoustic and electric guitars are melded with old-world instruments like hurdy-gurdy, chanters, mandolin, vintage percussions, and woodwinds.

The international success for Blackmore’s Night is not a fairy tale.  The exclusive musical focus they have engraved for themselves has resulted in an enormous following in North America, South America, Europe and Japan.  Their melodies have gained crossover prosperity by the enchanting lyrical vocals and fascinating instrumental music that often contains metrical structures dating back to the seventeenth century.

Blackmore’s Night prior album Secret Voyage is another recent achievement, likewise debuting at #1 on the Billboard New Age Chart where it remained for four consecutive weeks.  In addition Secret Voyage continued to remain on Billboard’s Top 10 Chart for a remarkable 72 weeks.  Secret Voyage is another great album with a more mystical feel.  The song Rainbow Eyes, which is one of my all-time favorites, is an excellent version of an earlier cover song from the band Rainbow.

Charting on Billboard is a good way to measure the accomplishments of any group, but what makes Blackmore’s Night a true winner is their consistent ability to create transcending music which varies with every album they produce.  This renaissance inspired band which transports progressive music into contemporary times is a model for success. Past, present and future.

Blackmore’s Night touring band consists of Ritchie Blackmore, Candice Night, Bard David of Larchmont, Gypsy Rose, Earl Grey of Chimay, Squire Malcolm of Lumley and Albert Danneman.  Note; The Blackmore’s Night album Autumn Sky has been listed in the top 10 on Billboard’s New Age chart for the past 8 consecutive weeks.

Visit blackmoresnight.com to sample / purchase or visit their Amazon.com page.  Check the latest news and tour dates and then visit candicenight.com for more info regarding this award winning group of musicians.

Cover art courtesy Jeff Pickett-Pickett Productions.

Matthew Schoening is a professional cellist who caught my attention recently.  I primarily became interested since his current release Elements (Live and Uncut) is presented as a solo concert recorded in front of a live audience.  As it turned out the initial reason I became curious was less important to me after I listened to his Avant-Garde electric cello concert in front of a rather enthusiastic audience.

During his live concerts Matthew apparently does a touch of magic too since this one man cello concert ended up sounding more like a full orchestra of string instruments.  In addition to cello, fine resonances of acoustic guitar, violin, double bass, and a variety of percussion rhythms are expertly produced.  I also found his tenacity for perfecting sounds on electric cello are equal to his fine technical skills of live looping and layering in real time.  Because no other musicians are present during concerts, and his current release Elements was live and uncut, it greatly increased my admiration for Matthew Schoening.

Matthew is from a family of music professionals and enjoys free reign to pursue his musical career, which has led to performance opportunities of several prestigious fundraising events.  One significant fundraiser given with Mark Steines of Entertainment Tonight was a charitable benefit designed to raise money for relief work in Sierra Leon, West Africa.

Elements by Matthew Schoening is his third Solo Cello release, and the earlier first and second albums; Solo Electric Cello & The Art of Live Looping are like Elements by the Avant-Garde style of cello Instrumentals.  In fact, there is also a Cinematic influence in his work I feel shouldn’t be overlooked.  Leap of Faith from The Art of Live Looping and then songs Air & Fire from Elements gave me this impression the most.

Elements (Live and Uncut) is a stage session before a live audience of 75 people, and it does create interest by an inherent uncut and recorded in one session format.  The original electric cello innovations on Elements are 5 songs titled Water, Air, Fire, Earth, and Spirit, with clapping only at the beginning and end of the 45 minute session.

Matthew performs live concerts and he tours upon request, so if you have a group function or get-together coming up, find out the details at his website.  The warm tonal setting and enhanced rhythms of his solo electric cello music is perfect for a wide variety of festive social occasions.  In fact I would be interested to hear your group as the next enthusiastic attendees during a live concert venue with Matthew Schoening.

Visit soloelectriccello.com to sample / purchase or by going to his Amazon.com page.

Portrait & cover photos courtesy Greg Gorman.  

Kathryn Kaye is a talented pianist releasing her first piano and instrumental album. After learning every detail like her lifetime of music experience, the collaborating artists and production credits, I had a feeling her new release was going to be great. In fact Kathryn Kaye’s new release greatly exceeded my expectations since this album really goes the distance.

Dreaming Still is an Acoustic, Contemporary Instrumental, New Age release having many integral advantages, one being the importance of music in Kathryn Kaye’s life, which began with playing the piano at age four.  She attended college and began working toward a major in music, earning a performance degree with a double major in voice and keyboard.  In addition to her strong educational background she pursued classical training while living in Germany, appearing on television in both the U.S. and Germany as a vocalist during concerts, recitals and operas.

Kathryn Kaye is a musician and songwriter presently residing in Colorado. The beautiful Rocky Mountains region and Appalachian mountain territories in Kentucky recalled from childhood are in part a focal point for this contemporary nature inspired release. Dreaming Still contains 14 songs she composed, half of which are Solo Piano, with the balance in piano and instrumental harmony support by violin, cello, bass and English horn.

The world-class musicians providing instrumentals with piano are commendable, and are as follows: Charlie Bisharat (violin) Eugene Friesen (cello) Dan Greenspan (bass) Jill Haley (English horn) Derrik Jordan (percussion) and Noah Wilding (vocal). Dreaming Still is a Will Ackerman production, with recording, mixing, and mastering by Corin Nelsen at Imaginary Road Studios. The assistance from these two Grammy Winning talents is a fine enhancement to her proficiency as a composing pianist.

Dreaming Still is a delightful album, and I was pleased to hear a wonderful cinematic touch at times. Waiting For The Rain with piano and cello, then a Solo Piano song August Light were my two favorite songs, however this album is consistent and enjoyable throughout.  I believe Kathryn’s commitment and expertise in music has been vital to the level of quality on her first album, and her choice of music artists was first-class. In contrast to the vast expanse of the Appalachian territory, I expect the appreciation for this beautiful album will go the distance and travel far.  At the time of publication, Dreaming Still by Kathryn Kaye is #1 in the ZMR Top 100 Radio Chart for January 2011. Congratulations Kathryn Kaye!

Visit kathrynkaye-music.com to sample and then purchase at her CDBaby.com page & Amazon.com page.

Photo courtesy Delanda Licata. Cover art courtesy Robert Kooken.

When you unite the Cinematic Piano talents of award winning Marc Enfroy with the production abilities of Billboard-charting musicians 2002, the conclusive result is a work of music bound to be a success. Arriving with this creative transformation in contemporary instrumental music is the impression a new and innovative sound entity has just been born.

Marc Enfroy has released his third Cinematic Piano album Unconditional, and the newly formed alliance with Randy and Pamela Copus of 2002 certainly does deliver a rather unique chord in piano and Contemporary Instrumental fanfare.  Already admired for their singular inspiring melodies, the union of their two unique styles into one creation of beauty is exemplary.

Marc Enfroy’s music career emerged after the death of his sister Suzanne Whiting to cancer, but it was from this profound loss his progressive music legacy arose. Finding his inspiration in memory of Suzanne, Marc proceeded to compose music for the senses just like a painter would use brushstrokes to fill in the empty spaces on white canvas, and as it turns out, Marc indeed has the gift of a true artisan.

His Solo Piano debut Unbounded acquired Best Neo-Classical award in the ZMR Lifestyle Music Awards in 2008, and Best New Artist nomination. Awakening was the second colorful music portraiture, with classic orchestrations by Janet Sullins on violin, Jack Chen on flute, and vocals by Jillian Aversa. Awakening was also an award finalist which aired on many popular Internet radio stations worldwide.

Unconditional will be unveiled to the public when released on March 1 2011. The 10 song classics display Contemporary Instrumental orchestrations and fine piano detailing expertly blended with flute, strings, bell tones and chorales, with admirable performances by Jack Chen on flute and Pamela Copus on vocals.

If you are familiar with both Marc Enfroy and 2002, then you can imagine this new arrival in Cinematic Piano, Instrumental and celestial soundscapes is the ultimate music experience. While I can only speculate on the success of this, or any album, I can give you the assurance Unconditional is a passionate creation and absolute beauty that was empowered by design to take flight, in uplifting music made to celebrate life.

Visit marcenfroy.com to sample / purchase or at his Amazon.com page. Visit Randy & Pamela Copus at 2002music.com.

Cover art courtesy Marc Enfroy.

Steve Orchard is a New Age musician from the UK releasing the third album from his Dancer Trilogy Series.  With this sequential album, a bold and thoughtful design in dancing rhythms, along with lively choreographed melodies entice ones imagination exactly like the first and second in series were envisioned.

Moondancer is the conclusive result in his highly imaginative Dancer Trilogy Series, reaching a point where it couldn’t get any better than what I have heard so far with the first two.  Then again, it becomes clear Steve reaches for the stars on the rhythmic dancer series featuring earthly qualities of rain, sun and moon elements.

Steve Orchard from Bristol, England is quite masterful at producing electronic instrumental music composed with improvised mood sensations and a progressive repertoire of lively rhythms.  If you have read our interview or earlier album reviews you know that Steve Orchard is a prolific singer songwriter having composed and performed original music for many years on guitar, mandolin, and harmonica, various skin drums, piano and keyboards.  His music was featured on BBC Radio, film scores, local radio jingles, plus Steve was a band member in 100’s of concert venues and a recognized soloist in South West & London England during the 1990′s.

Drawing inspiration from the natural environment, Steve’s first in series Raindancer is based in a tropical soundscape where beautiful South American rhythms are explored with flutes, panpipes, acoustic guitars, keyboards percussion, along with a wonderful array of elements by synthesizer.

Sundancer is an emblematic second album in Steve Orchard’s Trilogy Series, and like the first album, the second reflects rare qualities of relaxing yet energetic melodies that I felt achieve universal appeal.  In fact the energetic symmetry, illuminating atmosphere and Island music impression did help him win several music awards.

Moondancer is the twilight and glowing counterpoint keeping well in contrast to the first two albums, but I do want to point out that Moondancer is far from being a boring or lull you to sleep album.  Here again you will find radiant melodic imagery right beside a natural and reposeful atmosphere, and this is where an emphasis on the dancer suffix comes into play.

Counting Stars begins the twilight sequence of the series with a light keyboard melody set in a deeper background and like Apollo’s Return, mysterious imagery is not the prevalent consequence with this first song, or the entire album as a whole.  Moondancer is carried out with a deeper contrast in style as the moon prefix implies, yet is very complimentary to the first two albums sunnier atmosphere so you will find this album preserves many of the same rhythmic qualities which are an integral part of the entire dancer series.

Phases & Tides, Nebula and Grimaldis Comet are three songs that help make this distinction clear since bongo drums and other percussion enhancements gently counterbalance deeper keyboard tones, infusing shades of light which in turn introduce a more illuminating atmosphere.  The soft flute melody in moderately timed Nocturne creates an interesting contrast when combined with the twinkling effect by keyboard.  Lost Contact has a deep futuristic feel by the dreamy keyboard and synthesizer tones while Earth Glue adheres to the counterbalance theme by a wood flute melody and percussion woodblock beats, and the intermittent chanting does convey a strong ethnic influence too.

NewAgeMusicWorld.com features many outstanding musicians who are all are capable of producing mood elevating music to either help you relax and unwind, brighten your day or even inspire you by notes that seem to dance.  The Dancer Trilogy Series from Steve Orchard is an all-inclusive colorful kaleidoscope of vibrant melodies, and this latest is no exception.  It is lively music rhythms in step with a wonderful radiant design. 

Visit the steveorchardmusic.co.uk homepage and sample or purchase Moondancer on his music page. Read my interview with Steve Orchard and album reviews on our pages dedicated to Steve Orchard.

 Moondancer cover design copyright David Orchard.  Big Stock Photo – mpemberton.

Even if the holiday celebrations of Christmas and New Years are behind us now, one contemporary composing pianist has an important message to share. Having equal relevance to the honorable offerings of peace and harmony we celebrate during the close of one year and the hopeful new beginning of another, his album arrives just in time for Valentine’s Day.

Evan Wish is a classical trained concert pianist from Encino California with a brand new release titled; Forget-me-not, blue.  Incorporating the spoken words of honorable Nobel Peace Prize recipients, and like their principled humanitarian message of peace and hope, Evan Wish gives a heartfelt message of peace and hope, told by his beautiful design in inspiring contemporary instrumental music having a classic touch.

Evan’s contemporary classic Solo Piano debut album titled Lullaby Of Love acquired the number 3 position in global charts, and remained in the Top 10 position for three months and the Top 100 for 6 months, earning a NARAS consideration for a Grammy Nomination for 2005 in the Best New Age Album of the Year category on his original composition.  Evan travels and performs concerts in Europe, and does television, film, and theatre production writing, and is an active ASCAP & ACF member, plus you can find his music on Syndicated, Public, and College Radio Stations, along with AOL, Music Choice, Live 365 and numerous others.

Forget-me-not, blue has 10 songs of Contemporary Instrumental bliss with 5 Solo Piano pieces and 5 piano with string ensemble of violin, viola and cello.  Together in unison Evan Wish delivers gently contemplative and some inspirational songs while sharing the message of peace and hope in a positive upbeat manner.  Recent recognition for Forget-me-not, blue is the # 3 chart success for December 2010, in ZMR’s Top 100 Radio Airplay Chart listings.

In a universal message of harmony in tune with a multitude of people who share the same beliefs and ideals, the song What will man’s legacy be is the heart of the humanitarian side of this project.  Here you will find past Nobel Peace Prize recipients incorporated spoken words of Mahatma Gandhi, Mother Theresa, and Martin Luther King are included, along with Native American reciting, an Israeli singer and ethnic percussions.

Forget-me-not, blue is a true achievement after many years as a Canadian born and educated pianist, beginning his first music instructions at age 7, where his gift as a pianist became apparent as a young adult which then led to formal studies at the Conservatory of Music institute in Canada where he won first class honors among many talented competitors.

In addition Evan attended the prestigious Dick Grove School of Music in Los Angeles and received tutoring from top composers in the entertainment industry.  His unique gift at an early age was discovered thankfully, and those early formative years were the strong foundation for his composing skills.  Today Evan has achieved international recognition while performing worldwide for the past 25 years.

The Solo Piano and strings ensemble songs each retain their individual merits of quality, and Evan performs on a Bosendorfer Grand Piano, widely accepted as a fine tonal instrument which transfers a pianist musical arrangement with warmth and clarity.  When touring the Provence region of France, Paris, or the French Riviera, Evan Wish is widely publicized as “The Passion of a Romantic” and you will find his Solo Piano and Instrumental release with ensemble allows one to hear his passionate work as others have discovered for themselves.  In recent news, Evan has just returned from Cannes, France while attending the Midem 2011 Music Conference, meeting with music companies and industry leaders, in addition to performing an exclusive solo concert.

While peaceful ambassadors of our past have arrived to us in the form of an ideological leader, an advocate for the poor and a nonviolent civil rights crusade of another, the beautiful Solo Piano and strings instrumental expressions from the heart of Evan Wish constitute a gallant and notable gesture too, arriving in a truly inspiring manner sure to be embraced by all.

String orchestration by Marcy Vaj (violin) Robin Ross (viola) Vahe Hayrikyan (cello).  Engineer/Co-produced by Peter Granet.

Visit evanwish.com to sample / purchase or visit his CDBaby.com page & Amazon.com page.

Photo courtesy John DeCindis. 

Composing musician Paul Sills of the United Kingdom has a celestial New Age album composed from a brand new viewpoint in his already skillful approach to celestial music.  It now appears Paul has taken his new arrangement to the next level, and like earlier perceptive albums, Devas – Natures Spirit becomes his third release that in no shape, form or fashion could ever be termed commonplace.

Devas – Natures Spirits is the third great album written, performed and produced by MG Music label artist Paul Sills and by all accounts, Devas is a thoughtful departure from his second Walking Across Heaven release which created a beautiful sound sanctuary where instrumentals of piano, flute, acoustic guitar, and distant choral vocals rose to transform each song into one having an anthem like quality.

Paul Sills is a long standing MG Music Label artist and representative member of the Medwyn Goodall circle of friends, highly revered for their outstanding music and singular expression each label artist is known for producing, and again he has proven this to be true for the third time around.

Astral Doorways was Paul’s imaginative first endeavor exploring the divine and surreal side of music.  All three are powerful albums, symbolic of the outer confines in synthesized ambient music that simply become a natural choice for those who love a memorable journey into the vast territories of electronic resonances while residing in a deeper realm in relaxing music.

Paul Sills and I had a recent interview and insightful discussion together on his early music career and life at MG Music, so I hope you will want to find out more about Paul at our websites.  Many visitors know I have published reviews on both of his earlier albums essentially because I enjoy listening to his intensely divine brand of electronic music that consistently has a dreamy keyboard based melody and prominent celestial atmosphere.

Devas – Natures Spirits with 12 songs total is precisely what I had anticipated and had hoped to experience from this Medwyn Goodall label artist recognized for producing Electronic ambient music that is by definition, wonderfully unique and singular in style when placed alongside many of his counterparts in the electronic music category.

First song Sacred Waters is the gentle inception to a deeper Dolphina, where piano and percussion parts reproduce the familiar Paul Sills expressive touch many of us have come to appreciate.  Tidal sounds mark the gentle layering of acoustic guitar strums mixed with piano intervals in Memories Of The Ocean and the steady piano rhythms mixed with dreamy electronic modulations on Footprints In The Mist are likewise a wonderful reflection.

A Sketch Of Spring contains a truly exciting transformation in composition which originates with the lighter melody before a keyboard sequence modification in the arrangement reveals a fascinating cascade of piano runs and half step key changes in both lower and upper octaves, modifying this piece into one of majestic design.

Choosing a broad pathway along his journey in nature inspired celestial music, this newest release from Paul Sills resides at a comfortable plateau in ambience, where deep orchestrations incorporated with light melodies and rhythms admirably blend into a pleasingly dreamy atmosphere.  Paul by definition, has singularly created a deeper realm in sound, far beyond the commonplace methodology in what we regularly hear and experience from top producers of celestial music.

Sample or purchase albums and songs by Paul Sills at Amazon.com. Picture copyright Big Stock Photo – zootog.

Chances are everyone reading my pre-release Truth Of Touch album review today is well acquainted with the man we identify simply as Yanni, and if you are like most people you can vividly recall the very first time you viewed a televised Yanni concert.  Now, can’t you just remember the exhilaration of watching this charismatic gentleman touch the lives of people of all nationalities with his music?

Truth Of Touch is truly a passionate reflection of what Yanni does best which is create a personal interaction with an audience through his extraordinary music abilities. And just like those powerful memories of yesteryear as many of you may remember, the close societal bond is shared in contemporary times by virtue of his magnificent studio version of 15 songs with an over hour long symphony of refined harmony.

Truth Of Touch is a Contemporary Instrumental & Electronic arrangement likewise creating a genuine fascination for a multitude of people by being an original composition and direct expression from Yanni himself.  This enthusiasm is not surprising since his last original arrangement Ethnicity from 2003 is an excellent and successful album.

It may explain why Truth Of Touch is highly anticipated among his enthusiastic fan base, along with a vast multitude of people who consistently search for outstanding music that greatly surpasses the everyday ordinary.

Yanni is conceivably the greatest influential musician of our time. While his exceptional abilities as a gifted composer and keyboardist by themselves are a valid testament to his universal appeal, when you factor in the remarkable musicians and vocalists by his side and personal “One World, One People“ vision, the collective inspiration pay tribute to a universal and heartfelt music experience.

Yanni Live at the Acropolis began his historic rise to stardom and likely the first time you witnessed his grand entrance onto the world stage since 500 million people from 65 countries have viewed this top fundraising program for PBS.  The album sold 7 million copies worldwide and the music video sold over 1 million copies to become a top selling music video, second only to the Thriller Video by the late Michael Jackson.

If you regularly watch the Olympic Games then you know his music scores are presented during international television broadcasts of the Olympic Games since 1988.  He has 35 platinum and gold albums and received 2 GRAMMY® Nominations in the Best New Age Album category, for In My Time and then Dare to Dream. Perhaps of greater importance to Yanni himself are his fans, since after a temporary departure Yanni made a celebrated return to concert tours and producing music due in part to the personal letters from his dedicated fan base requesting encore performances.

In fact his global presence has remained strong following the earlier days where over 2 million people in over 20 countries attended a Yanni concert, some of which were held in culturally significant locations like the Tribute Concert venues held at the Taj Mahal in India and The Forbidden City in China, where viewership reached a television audience of 250 million people.

Truth Of Touch can be defined by the contemporary instrumental, electronic and cinematic influences, but what makes this new release special like earlier albums are a wide array of influences, crossing over into popular, new age and world music domains too.  Truth Of Touch ( Title Song ) begins a memorable introduction to a lavish cascade of midrange keyboard and string sequences set in time to energetic orchestration crescendos and intense timpani drum beats, giving you your first positive affirmation this is indeed an authentic composition from Yanni.  The boldly decisive first song is satisfying to the senses by the majestic intonation, and this is true again regarding the reverberation keyboard melody united with higher octave twinkling notes heard in Echo Of A Dream.

Seasons has a lighter keyboard sequence at the onset, changing in dramatic fashion during every refrain by articulated electronics, strings and xylophone notes.  Backed by rhythmic heartbeat percussion, Seasons progresses into a heartening song of inspiration.  Voyage is a fine excursion reaching epic qualities at times where the lighter prelude is forerunner to a spectacular sound adventure created by strings and woodwind orchestration.  Suspended by steady percussion beats, the full instrumentation creates a wonderful sensation of depth.

The World ethnicity percussion rhythms and accents with ever changing intervals of harp and cello create a beautiful tribal effect in Flash Of Color, and true again by the voice of a child set in instrumental counter time during I’m So.  Pronounced orchestra and percussion rhythms are a bold source of vibrant energy presented in the upbeat melodic theme of Vertigo.  The vocal melodies on Can’t Wait and Secret are definitively two of the more serene songs on the album.  Elegant and passionate, the soprano vocalist delivers her romantic lyrics in a graceful emotive voice which is certain to be a popular collection of contemporary songs for many people.

O Luce Che Brilla Nell’Oscurita is exquisitely imaginative given the theatrical piano, light choir and opera concerto in a harmonious adaptation where the tenor vocalist proclaims his warm and moving declaration of sentiment direct from the heart.

Long Way Home has an air of sophistication yet the vigorous piano melody has a peaceful atmosphere at times too, changing from light to more dynamic expressions along the way.  Mist Of A Kiss reveals intricate percussion rhythms having a steadfast effect in the timing of piano chord phrasing, like the piano and percussion cadence heard in the song Nine.  Yanni & Arturo begins with a light trumpet and piano prelude while transitioning into exuberant poetry in motion when glorious soprano vocals and intricate percussion rhythms set the progressive tempo for an improvisational style trumpet solo during which the highest octave notes are reached then extended with astounding precision and clarity.

Truth Of Touch is a studio composition of pure refinement, giving one a beautiful impression exactly like the inspiring concert recollections of yesteryear.  The prodigious caliber of musicians Yanni enlists for his projects is boldly demonstrated on what I feel is his greatest instrumental music composition yet.  Perhaps you can tell by now his newest release made me reflect on the personal exhilaration I first felt upon my introduction to his music, and it did inspire me today.  With that said, I am certain you too will find the qualities in Truth Of Touch are genuine, unforgettable and yes, simply Yanni!

Visit Yanni.com and truthoftouch.com to sample or purchase and then read the latest news and concert tour dates for 2011. For pre-release Truth Of Touch album orders and for gift items visit the Yanni Store and read my pages dedicated to Yanni. Photo copyright – courtesy yanni.com. Big Stock Photo copyrights Acropolis – sborisov and Taj Mahal – pius99.