New Age Music World

Archive for September, 2010

Michael Stribling is an award winning New Age composer and family therapist who readily embraces change having made many of his own successful transitions during his lifetime.  His newest release entitled Paradise Lost narrates the Native American experience and becomes the latest chapter in his long career as a musician.

Michael Stribling has made Paradise Lost into a bold and monumental seventh album, in an enduring lineage of New Age Electronic albums that have made an impact in the genre, winning awards and universal acclaim during his years as an accredited musician recognized for producing outstanding ambient music.  His entire discography like recent The Promise which dealt with life transitions, became a success by winning top honors in ZMR’s Best Electronic Album award in 2009.

His album Songs of Hope and Healing made it to # 1 on the Top 100 on ZMR charts, securing the Electronic Lifestyle Music Award in 2006 and Out of the Darkness, Into the Light, lit up the # 2 spot on the Top 100 in January having 2 nominations for the Lifestyle Music Award in 2007.  Another Day in Paradise is another praiseworthy album while Love, Light, and Water earned nomination for Best Relaxation / Meditation Album in 2008, making every single day even brighter for this independent recording musician with a boldly optimistic outlook toward the challenge of change.

Michael’s transitions over the years include earning a Bachelor’s Degree in Music, work as a radio announcer, performing in theatre musicals and playing percussion for Johnny Mathis.   Michael’s story gets even better since after becoming a successful Licensed Marriage and Family Therapist offering professional help to those who needed a hand with their transitions, he himself returned to his earlier love of music and formed Leela ( Divine Play ) Music where he also hosts free online radio programs at Leela Radio.

Paradise Lost  is a terrific new release with 12 symbolic songs defined by 3 movements and while retracing the ancestral life experiences of Native Americans through electronic orchestrations, the perspective I determined ranged from total relaxation to energetic and is quite epic during this recounting of the early Native American experience.

Visit the leela-music.com website to sample or purchase at his CDBaby.com page.  Also visit Michael where he hosts a free online radio program at leela-radio.com website and then my pages dedicated to Michael Stribling.  Below is the album review quote I wrote for The Promise and song video from Love, Light and Water album titled River Canyon.

Michael Stribling has clearly made many successful transitions in his musical lifetime, giving him a first hand perspective to help others cope with change.  The positive yes responses shown in his earlier music and in this new release prove his natural composing abilities for bringing hope and inspiration to others.

Creative talent and new age music are equal terms in reference to the many creative and influential musicians producing music today. This can be said of every music influence available today of course, and like every genre, new age music had a group of select artists in the primordial years whose earlier influences formed the inception and foundation of the genre.

Clifford White is a musician living in the United Kingdom defining our new age music genre then and this is true today. His biography as a musician began during an era when there was much less of a foundation to build upon and had to rely primarily on his own creative intuition as a vital resource. Clifford White’s inception into the new age genre first emerged in 1985 at age 17 when he released a phenomenal album entitled Ascension which quickly established Clifford as a leading composer and producer whose music greatly influenced our genre in the early years.

Atlantis is the 2010 MG Music label release Clifford White has just produced in his present day Sanctuary Studio in St. Albans, Hertfordshire and it is great news to know Clifford White’s talent for producing outstanding music and creative intuition during modern times is just as ingenious today as in earlier years. Currently he presides over his multi faceted 21st Century New Media Ltd business which specializes in media consultation of Internet, film, software, television and media related training courses. In addition to his musician website he also hosts the New Age Music News website and his presence in the new age music genre today remains on the forefront.

Clifford White has made Atlantis into an exciting electronic composition based in theme on the lost underwater city adventures first recounted in the writings of Greek philosopher and mathematician Plato. Knowing Clifford has made explorations of his own by using a broad range of influences and innovations with every successive album, these novel synthesizer effects translate into a modern Progressive album that reaches Epic and Cinematic proportions while recounting the ancient city lost beneath the waters.

Atlantis ( Title Song ) is the Epic first of 11 exploratory melodies on this Electronic expedition transcending folklore of the past into a new modern day chronicle overflowing with depth and creative imagination.

One innovation of many on this release is the unique metrical timing by using the middle C note on piano. Balanced with precision, this synchronized rhythm gives the impression of a heart beating with adventurous excitement while the main keyboard melody and regal orchestration begin to herald in this majestic opening song.

Catacombs has a more mysterious allure given the ever present key changes made throughout the keyboard melody with percussion timing and synthesizer enhancements furthering this deeper realm in atmosphere like the dreamy sequences in moderately timed song Xtasea.

The Kingdom has Contemporary guitar rhythms along with an energetic beat illustrating a brighter atmosphere while shedding new light onto the mysterious underwater city, while the Groove qualities in Time Tunnels with percussion accents also maintain the traits given by these more modern progressive qualities.

Voice of the Aegean with a gentle guitar melody resembles the lighter variation of calm like on the song Summit which conveys relaxing qualities by a more moderate tempo. Ascendant & Exodus are comprised of prominent synthesizer surroundings with percussion sequences of bells, woodblock and xylophone.

The epic music heard in New World begin to surface during the first measures when beautiful orchestrations by horns and choir vocals infuse classic imagery of the legendary kingdom of antiquity for which this theme is based upon and just like a paradox, Atlantis the album was composed with a more modern ideology but where they share common traits by their amazing stories and early foundations that had first began on solid ground.

Visit CliffordWhite.co.uk to sample or purchase Clifford White’s new Atlantis album. Read my interview and album review pages dedicated to Clifford White. Cover art by Medwyn Goodall – Picture copyright BigStockPhoto – Dirk Paessler.

Since antiquity the whereabouts of the legendary island Atlantis has been discussed. From Plato to Francis Bacon and into today’s world, it has been a frequent topic for both scientific research and art. Atlantis is also the topic for Clifford White’s new album. Here he gives the listener a fresh perspective on the old myth. Indeed, after 65 minutes of music you feel that Atlantis has risen from the ocean and become a place in your mind you can visit and revisit again and again. So hang on, and enjoy the voyage!

Atlantis is a popular theme in New Age Music. Most prominent is musician David Arkenstone’s Atlantis: A Symphonic Journey (2004), but also Alex Herr’s synth classic from the late 1980s Atlantis Arising comes to mind. And now we can add another strong album to the list!

I was excited when I heard that Clifford White’s new album would be about Atlantis. The reason is because his previous albums concerning water are among my all time favorites. The collection An Island Called Paradise is a like a trip to a magical and relaxing island, and I make sure to recommend it as often as I can. Selected songs from it are also among the most popular on our channel New Age Stars. We must also not forget that Clifford White is used to myths and great histories; last year’s The Gods Of Olympus was an album worthy of gods.

So with this in mind I put Atlantis on my iPhone and started my musical journey.

The album opens with the title song, which starts with the sound of waves, a quiet piano melody and then something I can describe (bear with me here) as a Vangelis / Chariots of fire-like synth pluck-beat. Which is always a welcome effect! The larger-than-life strings are also here, illustrating the grandness, the light and magic of the underwater world. The song has a very nice melody, and a calming atmosphere.

Track 2, Catacombs, takes the listener even further down – into a darker world, with a faster beat and nice dripping sounds. After all, the tale of Atlantis – like the real-life story of Pompeii – is first and foremost a dramatic story. If Atlantis hadn’t disappeared, there would be no magic; what you can’t ever see, find or reach is to man always more exciting than what is readily available. Isn’t that so?

I am always fascinated by the way Clifford White changes sound from one track to the next, while the tracks still blend perfectly into each other. An example here is track 6, Time Tunnels, which is lounge in style. It has a jazzy freshness. Then it is track no. 7, Edge of the Ocean, which is laid back, has a bossa nova beat and a Vollenweider-ish electronic harp melody. This makes the album into an interesting listen.

There is no monotony or repetitiveness.

Again it is tempting to refer to Vangelis – both in style and in craftsmanship; Track no. 8, The New World, has the force of Conquest of Paradise, and lots of White’s usual magic too. The new world unveils itself before your inner eye.

Atlantis is like a box of surprises. The album closer is Exodus; an upbeat, bright piece. Here I must compare to Jean Michel Jarre’s classic Fourth Rendez-Vous. It shines bright, illustrating the overwhelming power of the Exodus.

As you can see from the references; White is here delivering a top notch album, and will once again find himself on the year’s top lists of new age albums. Atlantis is here as real as it will ever get. Bravo!

Visit CliffordWhite.co.uk to sample or purchase his new album Atlantis.

The editor notes that NewAgeMusic.nu and NewAgeMusicWorld.com are partners and supporters of Clifford White’s NewAgeMusicNews.com, but .world/nu are independent sites with no commercial ties to Clifford White/MG Music. Cover art by Medwyn Goodall – picture copyright BigStockPhoto – Regisser.com.

Television media is an excellent source for documenting past historical events in retrospect and whether you are watching historic events unfold on the network news in your country or during a documentary, this opportunity to view the human triumphs along with the atrocities allows the viewer to reach their own conclusions for what they have witnessed.

Jeff Woodall is a New Age musician, producer and composing songwriter living in the United Kingdom.  The song video of My Isolation from his Chasing Shadows album becomes the media sensation that truly reflects the very best and the worst of past historic events in retrospect while inviting the viewer to draw their own conclusions.

Indigenous is the 2010 release from Jeff Woodall who composes electronic music for television and library productions worldwide and I am almost certain this particular video is one of the more extraordinary works out of the many he has produced.  Regarding his New Age audio compositions, Jeff Woodall has written and produced 11 Electronic solo albums since 2002 and collaborated with easily recognized artists and composers like Belgian based Bryan El, another fine music talent I have written reviews on and had an interview with recently.

Chasing Shadows is an earlier Electronic, Ambient and Chill Out release from Jeff Woodall, and like his prior albums Free Diving, Osmosis & Afterworld, are a relaxing and introspective indulgence into ambient New Age music that borders into Experimental realms at times.

This YouTube video shows material of historical record and what is broadcast now and then during news programming here in the U.S. where I live, but does contain sensitive material so please be advised of the Strong Viewer Content Rating for this video.  Below is the YouTube song video of My Isolation from the Chasing Shadows album by Jeff Woodall.

 Find albums and songs by Jeff Woodall at RealMusik.co.uk or visit his CDBaby.com page.

When listening to New Age music, the multiple genres and subgenres of World, Ambient, Contemporary, Instrumental, Chill Out, and Groove in most cases are heard from one album to another. Today I have a chance to tell you about a novel new release that explores the multitude of influences I have listed throughout the entire album.

The Landing ( Special Edition ) is polarizing by this fine balancing act of multiple influences and is a wonderful feat of artistry from beginning to end, plus The Landing in original form with 6 songs has achieved worldwide airplay while catching the attention of not just the buying public, but some music retailers too after landing directly onto their best sellers section.

David Clavijo from Seville Spain seems to have a natural inclination of what multi influential New Age music is all about and I felt his performance on acoustic & electric guitars along with piano & keyboards are a fine line balance that blends together quite nicely by having these diverse instrumental strengths.

The compositions of David Clavijo likewise have universal appeal after featuring in television commercials, soundtracks, festivals and numerous cultural events held in Spain. In addition, his music has acquired a global audience by extensive radio airtime having also collaborated with many international labels in the Ambient & Chill Out categories, so there are additional compilation projects that feature his original scores.

The Landing ( Special Edition ) has 10 songs and is a natural acquisition for those who like lively instrumentals with wonderful upbeat rhythms since every songs carries at least a moderate or upper tempo with liberal percussion accents. Another point of interest is almost every song exhibits piano and electric guitar harmonies with appealing vocals which nicely enhance the instrumental music environment.

Dancing on the Moon features some beautiful orchestration for the very beginning song, where piano, oboe and violin weave a bold and dynamic theme into a colorful interblending that instills a cosmopolitan touch of class. Light soprano vocals with excluded lyrics also regulate this effect on several songs like Distant Love, where electric guitar runs revolve into a memorable Rock styled rendition that is in direct contrast with a lighter piano melody.

One sensational method of exploration is the usage of upper register notes on piano which inscribes a lighter perspective while comingling the stronger melodic guitar runs and deeper tenor vocals. Es Vedra likewise paired mid register piano notes with upper range octaves backed by guitar runs and deeper tenor vocals, making an admirable blend by this interchange.

Sailing in my Dreams projects a more mysterious presence given the deeper keyboards and piano melody accents suspended in moderate timing by bass percussion. The longest song Nowhere gives a wonderful mood to relax with by the lighter arrangement. The World influences in African Spirit are moving by an ethnic choir of children vocals set to a nice percussion rhythm and turns out to be a pretty colorful song.

Las Dunas is the first of 4 new bonus songs added to the original The Landing lineup and like most songs, carries an upbeat tempo and has a modern groove feel with soprano vocals backed by saxophone and guitar. East Winds has a far reaching atmosphere by long extended electric guitar long notes, where Uttara Kanda blends exotic influences from the lands of India and with indigenous percussion, brings a spice of life presence into the picture.

Promises with an orchestra blend is the last song on The Landing ( Special Edition ) and while the Original album was indeed a success, this latest release with the 4 bonus tracks holds even greater expectations for this promising new multi influential release that really is quite special.

Visit davidclavijo.com to sample / purchase or at his CDBaby.com page and major retail outlets. Learn more about David Clavijo at his website profile page. Connect with David Clavijo on his social network sites MySpace page & FaceBook page.

Picture copyright BigStockPhoto – Copestello.

Ann Licater has just released a brand new follow up to her opening debut Following the Call, a release which received nomination of Best Native American Album and listing in the top 12 Contemporary Albums in 2007.

This first effort began her journey of recognition as a top solo flutist performing on Native American, World and silver alto flutes and had begun the chosen pathway towards her next success.

Doorway to a Dream is the 2010 release from Ann Licater that again displays her level of expertise in both traditional and indigenous flutes while accentuating the fine attributes woodwind instruments can produce.  The 14 original songs and improvisational compositions this time around however are during collaboration with accompanying musicians and becomes a perfect album discovery for those who appreciate the smooth sounds of tranquil and relaxing music.

Ann Licater is well rehearsed in classical silver flutes having began her own journey into Native American & World flutes years ago after listening to the unique sounds indigenous flutes can produce, having studied with master flutist R.Carlos Nakai at the Renaissance of the Native American Flute which nicely reinforces the comprehensive skill level of her already accomplished classical flute studies.

Many of the indigenous instruments Ann plays on this album are selected for their unique tonal qualities and include Native American-style, Chinese Rosewood Xiao, Zapotec Triple Clay, Anasazi and Alto flutes.

In addition to her recordings, Ann Licater teaches in workshops and during concerts, describes to her audiences the origins for each of the clay and wood instruments featured during her appearances.

Doorway to a Dream is a natural contrast to her first solo album by inclusion of recognized artists who incorporate their talents and help expand her original compositions by collaborative instrumentation of Middle Eastern Tar, African udu Coral electric sitar, Edo period Japanese shakuhachi, flugelhorn, acoustic guitar, piano, keyboard and World percussion.

Whether you are searching for music with the unique intonation flutes can produce when placed in the hands of an accomplished musician, or simply enjoy the finer sounds produced by music professionals, Doorway to a Dream is a natural choice.

The world class musicians accompanying Ann Licater on various songs throughout this album and you are sure to recognize are Jose’ Neto, Jeff Oster, Peter Phippen, David DiLullo, Troy Arnett, William Hoshal and Shambhu.  This album was mastered by award winning Engineer Stephen Hart.

Visit fluteforthesoul.com to sample / purchase or at her CDBaby.com page.

Photo courtesy of Greg Crowder.

In the millennium before the nation of America was founded and a new way of life was envisioned, Native Americans lived brave and free throughout the land. History tells of the conflict and injustice imposed upon indigenous people thought to be hindering this new way of life, but in fact Native Americans were already living the proverbial American dream in sacred lands they viewed as paradise.

Michael Stribling has released an album to commemorate the past while honoring every Native American who lived and died protecting their sacred homeland. To me, Michael’s dedication struck a familiar chord concerning our present values and the high price we pay to keep the diverse ethnicities comprising the America of today free.

Paradise Lost is Michael’s seventh in an enduring lineage of New Age Electronic albums making an impact in the genre, winning awards and universal acclaim during his years as an accredited musician producing outstanding ambient music. His electronic discography like recent The Promise which dealt with life transitions is indeed a success and in my role as review publicist, quickly identified his exemplary artistry in the first few measures, so Paradise Lost is not worlds apart from earlier albums, but is clearly a monumental one as those familiar with his music would agree.

Paradise Lost has 12 symbolic songs defined by three movements and while retracing the ancestral life experiences of Native Americans, the perspective I determined from this viewpoint ranged from total relaxation to energetic, so you will find Paradise Lost is not gloomy or somber and I felt more epic in nature. Another point worthy of mention knowing this album recounts the Native American experience, conceptual electronic orchestrations are the expressive medium given during this rendition so a harmonious contrast to more traditional depictions by wood flutes, chanting or bass drums.

Prairie Dawn is first of 5 songs to reveal a distant gaze upon the clear majestic landscape and of people living during this historic period, now emerging with a more ambient view of tribal culture where spacious orchestrations echo the expansive lands of our past.

French horn heralds in Guardian of the Plains, then strings become like strands of wheat gently moving in the breeze while flute sets the melody upward in flight during Forest Heart. Synthesizer projects an airy windswept Eagle Above, River Below, then growing excitement and tempo ensues while racing among the scenic timberlands in Hunting Party.

March of Destiny is first of 3 songs to reference the battle over territorial supremacy and true to song title, a crisp drum cadence is timed in lock step rhythm to a salutary march across the open wilderness. Horns make a melodic call to arms to a swirling crosswind of mystery surrounding the ambient Approaching Storm with blended electric guitar strides. In Vision Quest a drifting cloud of haziness finds origins by long extended atmospheric notes.

Paradise Lost ( Title Song ) is first of the final 4 songs to represent the loss of humanity and prized territories, shown by contrasting synthesizer runs, an elevated prominence boldly reaches an ascending summit while heightening the majestic image this project in entirety symbolizes. Lament for the Land is more tributary by a solemn narrative that is likened to the soulful Hymn for the Fallen.

Return to the Spirit World is a song telling of a higher perspective during Michael’s closing adaptation, and while entering into an ever rising plateau of instrumental ambiance, each expansive layer also finds equable ground for every note to build a foundation upon, coinciding with the present unified territories everyone observes today from every corner pointing North and South, East and West.

Visit the leela-music.com website to sample or purchase at his CDBaby.com page and visit Michael where he hosts a free online radio program at leela-radio.com website and my pages dedicated to Michael Stribling.

Cover art copyright Michael Stribling – Picture copyright Big Stock Photo – ta_samaya.

During times of war most sovereign nations remain dependent on men and women serving in the military for defense and protection of their country. While protecting the freedoms and individual rights of private citizens, returning soldiers acquire imbedded memories that last a lifetime and clearly the grandest memory of them all is during the homecoming when they are happily reunited with their families.

Peter Jennison is a U.S. Army Captain and MEDEVAC helicopter pilot returning from active duty during the war in Iraq with revealing memories he witnessed from a firsthand perspective. From this experience, Peter Jennison began to compose music.

An American living at home in Florida now, his latest CD composed during the time period he served in Iraq is meant to evoke imagery of the conflict as a more peaceful musical experience for every listener, along with providing renewing therapy for soldiers and families upon their return home from service.

Longing For Home (Songs From War) is a New Age Contemporary Instrumental release Peter Jennison composed for piano with renown musicians supplying refined instrumentals in most of the 10 songs.

This album also has the notation of being a Will Ackerman production and with Corin Nelsen providing the mixing and mastering, their GRAMMY© Award-winning expertise can be perceived as a winning strategy by the quality work they produce.

Peter Jennison, in another strategic move enlisted highly recognized artists on his album including Jeff Haynes on percussion, Eugene Friesen on cello and Steve Schuch on violin. In addition, Will Ackerman performs on guitar in one song and vocalist Noah Wilding gives soft vocals on two songs. Longing For Home is some of the last performances given by the late Tom “ T-Bone “ Wolk, a highly regarded multi instrumentalist remembered in part by his outstanding talents.

War is a song with lighter phases in the beginning that build with increasing drama as piano, violin and percussion recreate a battlefield image during a dramatic illustration projected within the musical arrangement. Peter Jennison’s illustration is shown by a precise context by increasing tempo and percussion rhythms that project distant artillery rounds. The song’s imagery of chest moving recoil from artillery rounds and ejected shell casings makes it seem all too real.

Peter Jennison composed his album with much regard to stories from the heart and mind. This is apparent in his compositions where most songs portraying a tranquil atmosphere with a strong sense of drama and emotion can be easily felt and is consistent, during his solo piano expressions and in songs with instrumental refrains.

Performing on a Steinway B, the emotional feel of 4 Solo Piano songs; Hold Me in Your Heart, The Promise, Anthem & Longing For Home ( Title Song ) are classic and uplifting yet each one holds a certain melancholy as if telling of the days spent apart from family and the extra weight of uncertainty this carries.

The piano and instrumentals of violin during Time Passage convey this more poignant feeling where piano, cello and bass in High Mountain Dreams has a more relaxed atmosphere.

The song Desert Storms has a bass guitar and piano duet which band together as one. A wonderful piano melody combined with guitar, violin and tenor vocals in The One breaks into a resolute wave of harmony. With everything considered, it is music empowered to portray the sentiment the majority of us will never experience firsthand.

Longing For Home (Songs From War) is told from a U.S. soldier’s perspective, made more real since this story is voluntarily given by someone who has honorably faced and met the challenges war can bring. Recounting American men and women risking all in service to their country, reverent tribute is given to those lives we honor in memorandum of, while celebrating the virtues of every U.S. soldier as a private citizen and beloved family member who has served their country.

Visit Peter Jennison’s Facebook page. You can sample or purchase at his Amazon.com page or CDBaby.com page.

Note: A portion of the proceeds from every album sold will be given to charities that support veterans and their families.

Picture copyright BigStockPhoto.com – JustASC.