New Age Music World

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David & Steve Gordon are internationally acclaimed 30 year music legends constantly exploring new territories throughout the years in respect to New Age, World, Ambient, Nature, Chill Out and Electronic genres.

While they have shaped the landscape when composing their own diverse music creations, their compilation albums are another key component since they select global musical talents from around the world for Sequoia Record’s playlist lineup found in many relaxation and chill out subgenre categories.

The Gordon Brothers are widely recognized by many since these Award Winning producers, composers, and classically trained instrumentalists had founded the acclaimed Sequoia Records 26 years ago which does make the time consuming search for great music easier.

Their early conception of nature sound creations and early dawn of their Sequoia Records Label has enabled these 2 music innovators to achieve world class recognition while grossing over 1.6 million units in sales worldwide and in the process, helped write the definitions for our primary genre and subgenres in the process.

David and Steve Gordon have been noticed by the film industry too since their original music was commissioned for many film and television scores over the years, charted several times on Billboard and a recent New Age Music Retail survey has listed the team as the fifth overall favorite in our beloved genre which tells you much about their fine achievements, recognition and life work.

Yoga Planet is a new modern alternative style of music designed for yoga, exercising or fitness programs, yet the rejuvenating music is ideal for your next get together with friends or simple relaxation.

The Gordon Brothers composed and performed on Yoga Planet and enlisted three of the top creative producers and engineers in today’s electronic music and give credit to Bobby Cochran, Alex Newman and Noah Alexander for helping bring everything together.

Gliding Azure is the first of ten songs featured on Yoga Planet and a good example of the relaxing yet energizing mood created by their mellow groove atmosphere and is an innovative collection of songs that gives the perfect auditory ambience for many occasions.

Visit the sequoiarecords.com homepage and then visit David & Steve Gordon’s biography page.  Here is where you can sample Yoga Planet and if you are new to The Gordon Brothers here are links to their new releases page & best sellers page.  Read my review on our page dedicated to David & Steve.  Directly below is my review quote about the life work of David & Steve Gordon, and the song video of Gliding Azure from the Yoga Planet album.

David & Steve Gordon are internationally acclaimed music legends admired by their early conception of nature sound creations which helped shape the landscape in New Age, World, Ambient, Nature, Chill Out, and Electronic genres.  The Gordon Brothers are additionally Award Winning producers, composers, and classically trained instrumentalists recognized by their many compilation albums and early founding of their renowned Sequoia Records Label 26 years ago. 

The United Kingdom based MG Music label has much to be proud of these days. The 25 year anniversary for Medwyn Goodall and Clifford White alone is reason to celebrate, yet MG label artists Steve Orchard and Paul Sills also have excellent releases planned this year. You will find the quality artisanship delivered by this close circle of friends is special with each artist retaining their own integral voice which to me makes MG label artists significant.

Steve Orchard is a New Age artist from the United Kingdom quite masterful at producing electronic instrumental music composed with many improvised mood sensations that nicely culminate into a repertoire of lively rhythms blended with a kaleidoscope of colorful melodies. The end result is one singular voice implanting a vivid melody image right beside a natural and reposeful atmosphere.

Raindancer is his current release and first in a trilogy series based in theme on a 3 natural elemental word, with each in series containing the dancer suffix.

Sundancer & Moondancer are future releases and I can already tell you that his spirited dancer series illustrates a rare quality of relaxing yet energetic melodies that readily achieve universal appeal.  Steve’s prior albums Voyages Beyond Midnight, Salt Water Café & The Consequences of Kisses are highly regarded earlier works and certainly worth a listen too.

Steve Orchard is a prolific singer songwriter having composed and performed original music for many years on guitar, mandolin, and harmonica, various skin drums, piano and keyboards. His music was featured on BBC Radio, film scores, local radio jingles, plus Steve was a band member in 100’s of concert venues with other artists and a well recognized soloist in South West & London England during the 1990’s era.

Steve Orchard made a great impression on me with his first in series Raindancer. This admirable collection of beautiful melodies exhibit the standard of excellence and integral voice Steve Orchard so boldly represents, brightly illustrated by his picturesque first release in the alluring Dancer trilogy.

Raindancer begins the initial splash of bright colors painted on a fresh musical canvas in a vivid song portrait titled Tribal Fire. The lighter vibrato in soprano vocals make the primary background shades to flute’s breezy hues, nicely accented by snare drum taps and free flowing rhythms. Keeper of the Sacred Trees & Cajon Sun are enhanced pan flute and keyboard melodies attuned to light synthesizer bordering while percussion assists by even handed rhythms in a fine blending of tropical harmonies.

Acoustic guitar then takes a turn holding the primary melody brush in Cajon Moon, primed with a steady synthesizer outline backed by flute and tenor drum. Guitar and pan flute emblazon the impression by a faster tempo in free flowing songs Amazona, Pathway Through The Forest & Festival, with each song inscribing bright reflective patterns by progressive guitar rhythms, flute expressions and percussion cadences that portray a flamboyant resemblance.

Passion Flowers & Where Rivers Meet are compositions with airy Latin & World influences which make easy going songs by light flute notes dreamy ambience and gentle tracing by guitar strums having a soft percussion mix in the first, then tenor drum outlining in the second.

Road to Manaus has a dreamy groove concept by light flute refrains intertwined with deeper keyboard and acoustic guitar that travel along a harmonic pathway together with even symmetry. The orchestra phrasing with strings and resolute percussion smoothly enhance the delightful mood illustration in this song.

Anocondas Caress completes the colorful spectrum and gives one a chance to admire the total picture on this album filled with exotic surroundings. In an exclusive move during composition, this song is captivating using two metrical rhythms.  Flute nurtures the primary melody while guitar draws on half step chord rhythms during a second melody, rising in chord phrasing to elevate the tropical atmosphere.  This beautiful song in proportion to the entire album is a nice exhibition of the integral voice Steve Orchard  boldly represents.  It sets a high standard of excellence for his all inclusive Dancer Trilogy.

Visit the steveorchardmusic.co.uk homepage and sample or purchase Raindancer on his music page.  Learn more about Steve on his biography page.  Read my pages dedicated to Steve Orchard.

Cover design Copyright MG Music courtesy of Medwyn Goodall. Picture copyright Bigstockphoto.com – wtolenaars.

Pedal steel guitar is a stringed instrument that often receives no respect in relation to New Age music in part because the instrument is often classified in the Country and Hawaiian music scene only, but believe me the ground rules have changed and is primarily due to one man.

Bruce Kaphan from California has taken petal string guitar to a whole new level in New Age music for years, making this instrumental transition not only a surprising one but a dazzling one, giving even music purists a reason to love pedal steel guitar with his earlier release Slider and now Hybrid. The reason behind his new adaptation in an otherwise strict classification was pretty much the colorful sound quality it provides and a love of exploratory music.

What many find interesting is that Bruce Kaphan began his early career as a studio technician, engineer and producer for many highly recognized artists in other genres, where he either played a role with the recording production of their album or performed with artists such as REM, Jewel, The Black Crowes, Thomas Dolby, John Lee Hooker and many others. During his early days in San Francisco he was a member of Indie / Alternative band American Music Club and his music has been featured on film scores and television broadcasts.

Hybrid is an album with 12 original song compositions by Bruce Kaphan who makes it crystal clear right from first track Pohaka La that you are listening to a unique composite of exotic blending with unrivaled clarity freshly harvested from another cross section in the vast field of music and it quickly becomes apparent this new emerging beauty will remain a lasting entity.

Pedal steel guitar just happens to be the prominent instrument in Hybrid and a natural selection too after listening to songs like Gleaming Towers, Legacy, Silenzi & Renewal, which breaks new ground by classifying the instrument as a main entry melody contender versus a mere supporting instrument.

There are songs like the piano enhanced Maya and guitar renditions in Senbazuru & Loops for Larry displayed in a new manner and show the instrument as an appealing choice while clearing a new path during improvisation in light ambience while reproducing a well conceived follow up for his Slider – Ambient Excursions for Pedal Steel Guitar 2000 release.

In an age where hybrids in all shapes and forms are becoming more relevant daily, Hybrid seems like a true natural contender when placed side by side among more traditional New Age albums and the lighter exploratory metrical patterns of Jazz, Hawaiian and Country in Hybrid are a prized natural attraction that shows well beside other music forms while earning the respect it deserves.

Bruce enlisted numerous artists on this album including, Jake Shimabukuro, Jeffrey Wash, Kent Darnielle, Salar Nader, Matt Brubeck, Real Vocal String Quartet, David Immerglück, John Loose, Paul Olguin and Karl Perazzo and Real Vocal String Quartet that is featured in Okanagan Jubilee.

Visit brucekaphan.com to sample / purchase or visit his CDBaby.com page. Read his biography page and music page.

Picture Copyright Big Stock Photo – nsilcock.

Many musicians are content to remain within a specific genre and are a complete success in their artistic focus. Then there are other notable musicians where a natural progression is realized, developing into a unique artisan style and by their inner convictions, become a virtuoso by what they offer the music world.

Gandalf is an internationally acclaimed composing music producer from Vienna Austria first identified as a New Age, Contemporary Instrumental and World artist. While transitioning over the past 30 years of his career, his progressive directive and persona has helped neutralize the customary social borders in multicultural music for years.

Gates To Secret Realities on the Prudence label is an open manifest of his ambitious return to classic world music. This 1996 album is one of fascination and perhaps a secret gaze into what Gandalf is planning for a future orchestration slated to celebrate his 30 year Anniversary in 2011. This future CD currently being composed is the centerpiece for the occasion, plus a live performance in Vienna will accent his milestone achievement.

It was during continental travels to Europe, North & South America and Asia where Gandalf began to realize the prevailing attitudes and many similarities of every continent greatly unites each of us, verses creates a divisional line between countries. This open border view is much a part of his global World Music ambitions, and perhaps why his style encompasses a unique image while making a valid statement in relation to his cultivated talents and international status.

Gates To Secret Realities featuring 11 songs with over an hour of world class music is an earlier expedition not to be missed. Gandalf is a multi-instrumentalist performing acoustic and electric guitar, charango, piano, keyboards, mellotron, balaphon and many indigenous percussion. Enlisting Emily Burridge from England and Peter Aschenbrenner from Vienna, Emily performs vocals & cello and composed 3 songs while Peter is another fine talent on flutes, soprano saxophone and some backing vocals.

Gandalf’s ensemble makes this album a unique listening experience beginning with 3 songs Dreamcatcher ( Part 1 ) vocals and flute instill a celestial atmosphere before Gandalf steps up to give an astounding rock styled electric guitar anthem. This is in relation to The Power Of Nature & Man’s Promise To Mother Earth performed by the united trio where vocals, flute, keyboard and electric guitar proclaim a powerful majestic atmosphere.

Many songs journey along more moderate terrains regarding style and tempo yet the fascination remains deep and on a grandiose scale. Footprints In Red Sand is relaxing by the flute and keyboard interludes before building momentum with electric guitar that greatly increases depth of the impression.

Majestic Mountain View is an apt title shown by cello, keyboard and flute setting their sights on a light background depth and then again in following windswept song Voice In The Wind, then bells signal the tonal imagery in piano and guitar melody on Along The Milky Way.  Some songs like Ascending On The Eagle’s wings, Dreamcatcher ( Part 2 ) & Floating Down The Silent Stream are ballads elevated by cello flute, keyboards and saxophone that give a cinematic feel by lighter orchestrations portrayed in a lavish way.

The Wheel Of Life is a moving concerto lightly revolving in time, thought and deliberation, swaying in a gentle way by an enchanting flute melody backed by wondrous piano rhythms. Cello is fluently engaged to intensify the atmospheric warmth and progressive movement this song and the album in entirety envisions, perhaps giving us secret insight into the celebratory atmosphere Gandalf has in mind for us in the year 2011.

Visit Gandalf.at to sample his music and read his biography page. Visit the Munsing Germany based bscmusic.com homepage and BSA’s Gandalf music profile to sample / purchase. Picture copyright Big Stock Photo – EcoShot.

Salva Moreno of Psicodreamics is the predominate musician widely recognized in Continental Europe, the U.K. and overseas markets, where his unique form of fantasy and mythology inspired discography easily creates a magical divide apart from many New Age artists.

Valencia Spain is where Salva takes the stage to portray his principal role as master of ceremonies for Psicodreamics, and into the hypnotic realm of the mysterious and unknown, crafting his select style of fantasy inspired music cloaked in an intriguing shroud of mystery every time.

Psicodreamics creates this unique divide by producing designer mood music using a macabre blueprint with his own hands, all having an abundance of theatrical effects shown in a dramatic way that will leave you breathless.  Fantasynth is his 2009 Witches on the Radiowaves production that acquired a Top 100 rating, in addition to qualifying at ZMR for Best Electronic & Best Cover Art categories.

From our interview together, Salva Moreno readily defined his music as emotional melodies for dreaming and invites the listener to discover mythology through his music.  Indeed there are many opportunities for you to discover Psicodreamics and will find his discography spells out a variety of mythology and fantasy inspired tales of the heart.

Theatre des Vampires is laid out as a psychological thriller, portraying these images in classic form by a fine mixture of New Age, Ambient, Chill Out, Neo Classic and Gothic formats. This is not a rare occurrence for this composing musician who currently has 9 projects specializing in flowing tales of intrigue, all of which are well done.

AzhDark Passion is a project based on a novel by Tanith Lee titled Night’s Master, and although composed years ago, the project is relevant today as it was yesteryear.   In a surreal form of Ambient, New Age, Neo Classical, and Chill Out, with symphonic interludes, the 12 songs offer one a chance to make their own conclusions about his openly mysterious music, performed to the beat of the chilling and adventurous novel by Tanith Lee.  The Ambiethernum album also happens to be Psicodreamics best compilation of Ambient & Space music, and a nice selection too.

Visit the boldly unique psicodreamics.com homepage or go directly to his website store to sample / purchase.  You can also visit Salva at his MySpace.com website Facebook page and CDBaby.com page.   Read our interview together and my reviews of his music on our pages dedicated to Psicodreamics.

The song video Autumn Seduction from the Eternal Angel album was filmed in Benafer Spain and recently compiled by Salva Moreno himself.  Below is the AzhDark Passion album quote from my review titled Musical Magic and the song video of Autumn Seduction.

Psicodreamics beautiful array of mysterious albums make a great contradiction in sound and effect, becoming like a roller coaster ride of sensations, where you are taken close to the thrilling edge, but without the danger of losing your grip and falling into complete darkness.  

 NewAgeMusicWorld.Com is always ready to present musicians who excel in a particular field of music and whether it is solo guitar, piano or compilation albums comprising the New Age genre, we are ready to help point our readers in an appropriate direction.

Ben Woolman is a solo guitarist from Minnesota specializing in finger style performances on steel string guitar who amazes his audiences by an ability to layer cross and counter rhythms in relative fashion to the primary melody which gives the impression of multiple performers at his side.

Performing with multiple artists is not the case at all here, in fact his blending of harmonies and counter rhythms at the solo level are also without the assistance of dubbing, making his individual abilities a much rarer find than many other guitarists in the solo category.

Many Moods is his current release that projects his unique abilities in finger style guitar and this latest is another fine example of his more expansive 10 total albums that Ben Woolman has produced during his lifetime.  In addition, his longtime repertoire while playing guitar encompasses many genre elements like Folk, Blues, Jazz, Neo Classical, Latin, Celtic, and African, fusing many interwoven components that attest to his proficiency at a complicated technique.

Excelling in finger style guitar is precisely what makes the signature style of Ben Woolman quite unique.  In a perfectionist blend of layered counter rhythms, the applause given at the end of any performance goes to Ben Woolman alone and his singular talent for mastering the intricate counter melody technique.

The University of Wisconsin is one of the only colleges in the United States offering a degree in finger style guitar and exactly where Ben studied under a cooperative program with the Wisconsin Conservatory of Music, earning a Bachelor of Fine Arts Degree with honors in Guitar Performance which nicely enhance his natural composing and performance abilities.

Many Moods features 11 songs that offer a nice variation in manner and perception with 8 original compositions that do attain the numerous mood variations this aptly named album suggests.  The 3 remaining songs are renditions of The Police, Blind Blake and James Horner, and the challenging task of incorporating Rock, Jazz, and Cinematic music influences into Solo Guitar is pulled off with ease.

One Afternoon is the first song on the Many Moods album and one nice characterization of his individual style given the Folk with a light hearted feel similar in mood to Contemporary Sadie’s Smile.  Lighter images appear in a more contemplative Me, myself and You and faster paced Up and Back is a nice progressive piece, along with the briskly paced rhythms in Wicked Ascent.

A more Jazz style orientation can be heard in Salamander Swing and then Blake Says is an upbeat Blues tune that is sure to make you smile.  Mazurka Dance is a World & Latin influenced piece and another bright number that highlights his proficiency at finger style guitar.

The 3 renditions make great listening too, and this entire album is a fine introduction to not only a proficient artist, but a wonderful musician that kindly restructures his challenging handiwork into uncomplicated and relaxing moods on our behalf.

Visit benwoolman.net to sample / purchase or at his CDBaby.com page.  To find out more about Ben and view his full discography and song videos click here.

 Photo Copyright benwoolman.net courtesy of Rebecca Pavlenko.

When you hear New Age Contemporary Instrumental music having great rhythms and a wonderful upbeat atmosphere expertly blended with beautiful electronic melodies, this may be a promising sign you are listening to one of many quality songs produced by Davol!

Davol has just released Good Sign which decisively aligns itself to symbolize my description above and become an encouraging assertion to those in the music world already familiar with his first name artist title they are indeed listening to someone known for producing top quality music.

Successful in many aspects of his life, after obtaining a Ph.D. in 1989 his earlier career as a medical researcher and microbiologist were judiciously shelved in 1996 when he began a commercial venture producing multimedia music. During the same year his debut Mystic Waters became another personal success and made it to # 15 on the Billboard New Age Chart, where it remained a lengthy 25 weeks.

The decision to pursue a full time music career was fantastic news to those who already knew of his premium quality melodies, plus the worldwide usage of his songs involving television, radio, video and numerous multimedia production scores has clearly magnified this proficient artisan to many more.

Good Sign is an album that upon closer examination is rapidly multiplying in popularity and already making waves with his fans since the April 2010 release date. ZMR has set at # 3 for the month of April, so another positive finding for the very latest from Davol.  The 4 additional albums A Day Like No Other, Open Book, Paradox & Nature Of The Beast are all relatives to his current yet each one is a natural variation that evolves into their individual class, each interrelated by a characteristic source of fascinating drama.

Davol has exceeded his artistic intentions with Good Sign and the early reactions granted to Davol’s progressive album does replicate the characteristic source of fascination one will find in his entire discography. Good Sign is symmetrical to Davol’s principal expression of innovative quality music nicely accented with inspiring drama.

Scarborough Days is the first song of 8 tracks that gives you a clear indication of the momentum and direction of this definitive album, along with the resulting positive influences his entire discography symbolizes. This lively song highlights the optimistic upbeat feel and beautiful keyboard synthesizer melodies those who collect his albums know so well and treasure.

Good Sign ( Title Song ) is more moderate by a light ambient feel that will brush a dark cloudy day away for anyone and promptly replace it with a bright sunshiny day full of color simply by the rich interwoven keyboard melody.

Truth 2010 is an electronic Dance / Club influences remix featured during the popular online video now available on this album. A heavier percussion tempo prepares the groove rhythms before exploration into deeper shades of electronic intensity and is very much in time when comparing to his conceptual Truth Video which captures the superficial and unbalanced influences often portrayed in television media.

Nautikos is another favorite by displaying a natural sophistication and contemporary elegance given the positively upbeat keyboard melody blending notes to perfection. This song steadily integrates harmonic spectrums in sound while harboring the glowing standard of inspiration Davol can readily achieve, making this album and his entire music collection an exceptional find for anyone.

Those familiar with his captivating music have another reason to celebrate. Newcomers can experience this sweeping source of fascination for themselves and learn why everyone is so excited about this promising new discovery by Davol.

Find the album Good Sign at DavolMusic.com or music by Davol at CDBaby.com. BigStockPhoto.com – Yakobchuk.

Bryan El is the artist recognized for producing Classical Symphonic New Age music in a highly effective format that makes a grand impression while shedding new light on each and every one of his modern day electronic interpretations. You will find his compositions readily capture your attention right from the first few measures up to the final notes.

Bryan El is our featured interview guest where the topics of Bryan’s 2 albums, Out of This World & Spiritual Evolution, and his stunning song videos are open for discussion. In addition we take a detailed inquiry into what makes Bryan El’s individualistic approach to music so appealing.

Interview host John Olsen had the opportunity to visit with Bryan El. Today we publish their conversation so that our readers can learn more about the ambitions of this New Age musician many have come to recognized by his remarkable electronic symphonies.

Interview with Bryan El;

John : Thank You for taking time out for our interview Bryan. Recently I wrote album reviews and posted several song videos from Out of This World & Spiritual Evolution because I felt our readers would find your projects are boldly unique from many other forms of electronic music just like B.T. Fasmer and I did. I have read many comments from your fans that support my statement too. It was only logical to ask for an interview so everyone, including your fans could learn more about you.

Let me ask you this first. Many times an artist will say they have another musician’s influence or they “sound like“ another more recognized artist. I personally feel you break new ground with electronic music in many respects and do not “sound like“ another artist. Do you agree and share the same thoughts or do you feel your music closely resembles another artist?

Bryan El : Many people have a habit of comparing the sound of one artist with another. I believe each individual composer is trying to find their own “sound”. This can be based on several different songs and styles they have heard throughout their lives and have been unconsciously inspired by them. Of course I have my own sources of inspiration as any artist does but I feel I am still evolving my own “sound” as I keep producing new projects.

I honestly couldn’t say what my music will sound like ten years from now and that’s what makes it so exciting. You will always be able to identify similar instruments being used by different artists like pianos, strings and violins, but what matters to me most is the way an artist mixes these together into something unique…. A melody which expresses an emotion like a story that has never been told before.

John : What exactly sets your music apart from so many others Bryan. Is it because your music is Classical Symphony styled, or could it be your upbeat modern day songs are the reason you rise above the crowd from other electronic composers? What are your thoughts Bryan?

Bryan El : Good question. It’s hard to give your own music a “stamp” of its own kind and I don’t really like to compare my music with other artists in terms of “uniqueness”. Each artist is trying to capture emotions in their own way and the beauty of it is…. there are no rules how to do it. It allows composers to experiment by tweaking their own sounds and combining different styles into one to create something new and original. Eventually it’s up to the listener to determine what sets a specific type of music apart from others.

John : Out of the many genres available for a musician to explore, what led to your decision to embrace New Age and then explore the surreal Classical Symphonic music?

Bryan El : It wasn’t a decision really. It’s not like at some point I decided “hey let’s try the electronic new age category for a change”. I actually experimented with different things never knowing where I’d end up before I started a project. I’m not trying to fit a certain “genre” either. It has never been my intention to compose symphonic electronic music as people may call it. It’s just the global mix of so many different aspects and influences in my life that led me to create this and I am continuously searching to expand my boundaries.

John : Since the artist music of Bryan El consists of you alone, how exactly do you construct your projects to acquire a full orchestra sound, and do you mind telling everyone what equipment you use while recording?

Bryan El : Except from the hardware sounds I get from my Motif 6 synthesizer I am using a mix of VST plugins which I load into my Cubase sequencer. The orchestra sounds like violins & cello’s come from an amazing VST plugin called EastWest’s “Symphonic Orchestra”. The sounds from this VST have been individual-note recorded giving me the freedom to bend the notes to my own will with every detail. The choir vocals come from EastWest’s “Symphonic Choirs” which has a speech utility where you can actually type what the VST plugin should sing in any desired composition. It’s state of the art. Most electronic sounds come from the ReFX Nexus plugin. The Nexus is really awesome. It lets you tweak your own sounds in detail. I don’t know what I’d do without it. Finally the groove is done with Stylus RMX.

John : Would you tell us about your introduction to music starting from your earliest introduction up to present day?

Bryan El : The earliest I can remember is my mother playing these cassettes with very melodic new age/electronic music when I went to bed as a child. I remember it relaxed me so much and some of those tunes are burned in my memory for life because they had such a deep impact on me. I believe some of those tunes were by Vangelis, Tangerine Dream, Karunesh and Aeoliah.
It’s no surprise that when I got a little keyboard for my 10th birthday I couldn’t stop playing with it. Then came the Playstation era. Apart from the many cool games it had there was this awesome music program for it called “Music”. It opened my eyes to all possible things that could be done composing music. It was a basic sequencer which allowed you to freely place your own notes and adapt everything to the smallest detail.

Of course when I listen back to some of the tunes I made on it, I find the sound is quite poor compared to professional sound studio’s but it was a great start for me. When I was about 16 I got hooked on this cool midi sequencer called “Fruityloops” and made some dance tunes with it which I played at my friends parties. The Fruityloops was a next generation for me and much more sophisticated, far better sounds and effects. I was mostly inspired by dance-trance artists like Tiësto, Paul Van Dyk and Armin Van Buuren at the time and I learned a great deal by listening to their sounds, but it wasn’t until I got my Motif 6 synthesizer along with Cubase SX that I started to do some serious composing. I was 20 years old and could finally do what I always dreamed of and make it sound exactly the way I wanted it to. It was only a matter of time I discovered the internet would become a great tool of sharing my music with the world and I was surprised by the amount of positive feedback. I never taught I’d ever get the chance to release my own CD…. let alone two of them :p

It’s a dream come true thanks to AMAdea. The thing people never seem to understand is that I never actually attended any music school or learned how to read notes. When I have a melody in my mind I just systematically search and set each separate note in my sequencer instead of playing it live. It’s quite a time consuming process but patience is always on my side. I think this proves that anybody can make music if you are determined enough to express your emotions. I’ve never believed anybody should learn a specific set of guidelines and rules when it comes to music, I am autodidact and teach myself by learning from the music world around me.

John : Since you are one of the many great AMAdea Records Label artists, have you compiled any projects with other AMAdea Records label artists?

Bryan El : Indeed there are many great artists distributed by AMAdea but I haven’t had the pleasure to work with any of them yet. Who knows what the future brings, but for now I’m concentrating on a third solo album.

John : Many of your fans have said the song Solaris is among their favorites out of the many great songs you have produced. Is Solaris your favorite also and what do you believe is the reason this song is so popular among your fans?

Bryan El : Each composer has his own favorite baby and this one’s mine. Solaris is selected for airplay on several internet radio stations around the world. I’ve also produced a trance remix of it which has become quite popular on YouTube. The exposure may have caused the tune to become such a hit among my fans.

””When I have a melody in my mind I just systematically search and set each separate note in my sequencer instead of playing it live. It’s quite a time consuming process but patience is always on my side.  Bryan El

John : Your YouTube music videos are some of the best songs combined with visual effects I have seen, and many would agree with me that they are well conceived. Is constructing a song video and getting everything to correspond exactly the way you want it complicated technically?

Bryan El : The most complicated thing is to come up with an idea for the video. Once you have that it’s not that hard to assemble the video itself. I’m a music composer and not a movie designer so I had to come up with the solution of using existing footage to present my own music with. I have hundreds of DVD’s and have enough footage about anything you can think of so then I just listen to my song while I imagine what the emotion is showing me. Then I search for fitting footage to the music.

For example…. on my Solaris remix I used small parts of footage from a Tiësto concert dvd and pasted the parts together, muted the original sound, placed my own remix on top and adjusted the footage speed to match my own remix. Eventually it looks as if DJ Tiësto is playing my remix on one of his concerts. All you need is a good video editing program like PowerDirector and you can start editing. Of course none of my video’s are for sale as the images come from existing copyrighted material, but because the amount of footage used is so small it can legally be used under the term “fair use” on YouTube.

John : Could you tell us what do you have going at present, where you are at in composing, and what can we expect to hear from you in the future?

Bryan El : I am planning a third album as you know and many ideas have been roughly recorded. Be patient though…. It will take me at least a few years to get this new album ready. I can’t tell everyone much about it yet but all I can say to the fans is… it will be worth the wait!

John : I am certain it will be highly anticipated, and many like myself look forward to your next release. I just wanted to thank you again Bryan. Expect me to write even more about you in the future here at our NewAgeMusicWorld.Com & NewAgeMusic.nu websites. Your music along with the song videos you produce display your talents in a profound way. B.T. Fasmer and I wish you continued success!

Bryan El : Thank you John & B.T. Fasmer! You guys are great and it’s an honor to be on your websites. I also want to thank my fans for their support (it pays for my studio :D) and thanks to AMAdea for distributing and promoting my music and for really caring about their artists!

You may visit Bryan’s new website at bryanel.com right here and visit his CDBaby.com page. Learn more at his profile page and then discover the many fine AMAdea label artists at the Bulgarian based AMAdeaRecords.com homepage. The bryanel.com website is also a great place to sample his music and read the latest news about Bryan El.

*AMAdea Records has just announced the grand opening of their independent music store outlet. You may read about the news here then visit their new amadeastore.com website to read about the specials and vast selection of popular music encompassing every genre they are now offering their worldwide visitors. Interview photos are courtesy bryanel.com.

Julian Ray is a Toronto Canada based musician I have had the pleasure of meeting right when Canada was hosting the XXI Olympic Winter Games.  His freestyle New Age Ambient and Meditative discography meets and exceeds our gold standard for providing our readers defining music and I will soon be writing more about him.

Julian Ray’s presence in the music industry is lengthy in duration and he is a current member with the Society of Composers, Authors, and Music Publishers of Canada ( SOCAN ) and an independent solo artist who produces all of his music in his project studio suite.

His current releases are Seashell Stories, Saga, Wonderful Life  & In Flow of Light release that I had published a review about recently on our main pages.  Always looking ahead, 2 ready for release are Argonauts of Kosmos & Garden of Mysterious Souls.  Starry Tale, Evolution & Path To The Moon are future projects with song samples available at his julianraymusic.com website.

Julian’s educational background and interests are well centered in music, psychology, theater, philosophy, and art, plus he is a design artist along with wife Katrin Ray, who plays an important role by album art design and her assistance with helping advance Julian’s musical career to the next level.  Their design work together as a couple has been greatly recognized by many prestigious awards in Europe and North America during numerous design exhibitions around the world.

In Flow of Light is his current release with a lighter form of easy listening ambient music affable for at home or on the go relaxation with keyboard and percussion effects that nicely reinforce the trademark easy to recognize discography of Julian Ray.

Silence is one song from In Flow of Light that gives a measurable indication of Julian’s characteristic approach since this particular song has more of an atmospheric casual feel that makes traveling or relaxing at home even more enjoyable.

Visit julianraymusic.com and read his biography page.  Be sure to take a look at his current albums page, his future projects page then our page dedicated to Julian.  The album quote from my review titled New Age Music Canadian Style, and the atmospheric song video Silence are shown below to give you an example of Julian Ray’s individual freestyle approach to music that indeed makes the winner’s circle.

Julian’s current album In Flow Of Light has a casual ambiance while hosting the 10 uplifting song melodies in a relaxing format, great for travel or winding down right at home.  His prior releases Saga, Wonderful Life & Seashell Stories maintain this relaxing and uplifting concept, with all having a noticeable individualistic feel that indirectly tells you it was produced by Julian Ray.

David Nevue is a composing Solo Pianist where some comparisons have been made to other pianists in the solo category for years. Those truly familiar with David accept the fact his personalized Neo Classical melodies shed new light on Spiritual piano music while instilling a deeper meaning apart from many by their innermost reverence.

It is true that in addition to his individual concert appearances David who resides with his family in Oregon, has often shared the stage with comparable great talents like David Lanz, Wayne Gratz, Suzanne Ciani, Peter Kater, and a multitude of solo performers, so perhaps a reason some comparisons of his work are made.

Another reason could be the way up in the clouds airplay since his music is heard on over 220 radio, satellite and internet programs worldwide. Overcome is a prior album named Best Instrumental Piano Album of 2005 in the Lifestyle Music Awards and Adoration, which also features traditional hymn arrangements reached # 1 on ZMR charts in May 2008, highlighting the integral popularity of his music.

In relation to his music career David also authored the book How to Promote Your Music Successfully on the Internet and founded the educational Music Biz Academy website that helps independent musicians market then advance their individual music careers. David Nevue also founded the free internet based Whisperings : Solo Piano Radio program having nearly a million listeners each month.

Coinciding like an open ministry of personal faith, Revelation : Solo Piano for Prayer & Worship is an offertory album of 19 intimate peaceful songs of beauty within, given the honored hymns of worship that persons with or without their own personal inner beliefs will enjoy.

Revelation : Solo Piano for Prayer & Worship contains 5 new hymn arrangements, 4 original songs and improvisations on 10 modern worship classics and is David’s eleventh release with a rededicated focus on melodic piano music offering a deep spiritual structure.

Revelation is much like past albums by original content and inclusion of new compositions on age old song hymns from centuries past where church attendees from many religious faiths will recognize in the first few measures.

David Nevue has a limited degree of formal music studies so recites much of his songs from memory, but believe me this is not apparent when you witness the beautiful music granted to this devout Christian man also identified by a skillful aptitude in his composing abilities and creative spirit while performing his personalized music.

You will discover that David offers his hymns like an open book with a nice variety of thought and feel on each song he performs. Softly and Tenderly is shown in a like reverence by an emotion filled call during the gentle yet moving piano melody that is more than worthy of this ages old hymn.  Blessed Assurance is an onward moving testament by the lively melody set in a moderately faster tempo that reveals the resolute nature of his work.

Holy, Holy, Holy is a lighter piano improvisation validating the positive hallmarks of the holy trinity and Amazing Love ( You Are My King ) is a more introspective song and positive affirmation for the melodies of honor he steadfastly produces.  David’s version of this Contemporary Christian music hymn is serene by an inner reflection that stands apart from most modern versions that celebrates his faithful commitment to Solo Piano music exalting a beautiful reverence overfilled with joyful praise.

Visit davidnevue.com to sample / purchase and learn more about his inspirational music. Then visit David’s CDBaby.com page and listen to Whisperings Radio solopianoradio.com right here.

David & Steve Gordon are internationally acclaimed 30 year music legends pushing the musical boundaries yet again by 2 releases in 2010.  The time consuming search for finding great music just got a little easier and I plan to bring you more about the band of brothers who founded the Sequoia Records Label.

The Gordon Brothers are easily recognized by many since these Award Winning producers, composers, and classically trained instrumentalists also founded the acclaimed Sequoia Records 26 years ago and will find they are a reliable and trusted source for great music.

Knowing their defining contributions to our genre and after my recent introduction to David and Steve, I look forward to telling you about their new releases since they consistently shape the landscape of New Age, World, Ambient, Nature, Chill Out and Electronic music in many respects.

New Age explorers of music by their early conception of nature sound creations and early dawn of their Sequoia Records Label, these 2 music innovators have attained world class recognition, grossed over 1.6 million units in sales worldwide and in the process, and even helped write the definitions for our primary genre and subgenres.

 David and Steve Gordon have been recognized too since their original music was commissioned for many film and television scores over the years, charted several times on Billboard and a recent New Age Music Retail survey has listed the team as the fifth overall favorite in our beloved genre which tells you about their fine achievements, recognition and life work.

Gratitude is their latest contribution in the Relaxation and Meditation series highlighting Native American flute with enhancing keyboard imagery that when integrated as a whole creates a natural feel with the pairing and becomes conducive to a revitalizing atmosphere.

Gratitude has a calming sensation which briefly takes you back to their innovative days of nature sound ambience first heard in primordial album Misty Forest Morning if you listen close enough.

On their current however a more prominent Native American Flute interchange becomes extended when partnered with drawn out electronic enhancements, nurturing depth while maximizing the level of richness in tonal balance.

The electronics blended with woodwind passages impart moments of peace and solitude in a relaxing sanctuary of refined ambiance.  While sharing equal time and thought on this album, the Native American flute passages at times, becomes the calming voice from the past that shares a respective dialogue with modern day electronic ambiance.

Buddha – Lounge 7 is the second release and a compilation of Chill Out Electronica tracks from around the world, and a great choice for those pursuing exceptional Chill Out music that also happens to be widely popular these days.  This Sequoia Records album enlists an array of 9 hand selected global talents sporting their interpretations of Electronic Chill Out, Groove and Lounge, with David and Steve taking a role on 3 originals of the 12 songs which presents over an hour of first class music.

Buddha Nova, Secret Lotus & Cobalt Transport are the 3 songs from David and Steve, and it is always a challenge to pick just one favorite, but lively percussion enhanced Buddha Nova with a light tonal keyboard melody did make an impression on me.

The progressive feel of Secret Lotus and mesmerizing percussion enhanced Cobalt Transport are first class too and you will find my favorite pick is simply a matter of personal taste.  This compilation album in entirety features Achillea, Tya, Jens Gad Presents, Artemisia, Paul Heinerman, Helene Horlyck, Jaya Lakshmi, Lodestone Resonator, and Opera to Relax.

Buddha – Lounge 7 is just one in the edition series in an even more expansive 16 Chill Out / Groove compilation albums from the production and mixing team of DJ brothers who showcase an abundance of global music talents you will recognize. In addition to their individual album arrangements it will make your search for fine music easy.

Visit the sequoiarecords.com homepage and then visit David & Steve Gordon’s biography page.  Here is their Meditation, Relaxation and World collection page and where you can Here is their Chill Out Electronica collection page and where you can sample the latest Buddha – Lounge 7.   Photo Copyright Sequoia Records.      

Clifford White is a legendary musician living in the United Kingdom defining our aew age music genre in many respects.  I find his personal biography and true life success story which sets him apart from so many other musicians incredibly powerful and real.  His insightful inception into the New Age genre emerged as a teen back in 1985 when he released a phenomenal hit entitled Ascension, establishing Clifford as a leading composer and producer that greatly influenced our primal new age music genre in the process.

If you knew Clifford White and the significance of his story through the past 25 years you would agree too and knowing his past servitude to our genre, everyone can expect even more contributions in the future since his dedication remains steadfast and paramount.

Clifford currently presides over his multi faceted 21st Century New Media Ltd business specializing in media consultation of Internet, film, software, television, media related training courses and even designed the MG Music website for Medwyn Goodall.

In addition Clifford created the New Age Music Network social forum and operates his New Age Music News website where his business and technical knowledge is eclipsed only by his abilities to compose and produce classic music that greatly defines our beloved genre.

Ascension 2 – The Healing Touch on the MG Music label bestows another great testimonial to the aesthetic values of Clifford White and his principal leadership towards a music genre that promises peace, beauty, and calming tranquility with every defining moment.  The reverent interludes of 9 classic songs heard in Ascention 2 offer fine concertos with wonderful orchestration in each passing moment of time.

Ascension 2 – The Healing Touch is his 2010 sequel that revisits the very essence of Clifford White, in a younger creative spirit, yet now with today’s newly enlightened perceptions as an acclaimed new age artist.  His music incorporates ethereal sensations in ambience that nicely reinforce the melodic persona of harmonic purity that are identifiable to the achievements of Clifford White and a lifetime of dedication to the progression of New Age music.

Visit CliffordWhite.co.uk to sample or purchase Ascension 2. Photo Copyright Clifford White.

Clifford White first composing the historic international best-seller Ascension back in 1985 now celebrates his 25th year commemoration by the powerful and inspiring Ascension 2 – The Healing Touch. The biography of Clifford White reaches another chapter in his life and music, telling much about the man and his insightful dedication to the new age music persona.

In an exclusive interview, review publicists and interview hosts John P. Olsen and B.T. Fasmer each take a turn in asking Clifford White a variety of questions on his role in New Age music, and what the future holds for this great artist from the UK.

NewAgeMusicWorld.Com & NewAgeMusic.nu are proud to present this exclusive interview with New Age music legend Clifford White. During this 2010 interview Clifford talks about everything from Ascension (1985) to the upcoming album Atlantis, and he tells everyone a few secrets too!

Interview with Clifford White;

John P. Olsen: Take us back to 1985 when you were 17 years old Clifford. Ascension began your journey as a leading composer and producer of the primordial UK New Age genre, with Ascension selling tens of thousands of copies worldwide to become the strong foundation to your music career.

What is the reason you are so committed to the New Age genre, and have you ever considered producing music in more popular genres?

Clifford White: Although it was by no means traumatic, I did not have a particularly easy childhood, and by the age of 14 I had developed insecurities and fears which I found I could escape from by creating simple music on the piano, or by using various home keyboards and other musical instruments. Many years later, upon reading Mike Oldfield’s biography ‘Changeling’ I was very moved to hear that he had suffered from similar problems in his youth, and had in fact written Tubular Bells for much the same reason i.e. to escape from a world of fear into a space where the healing power of music could help him in releasing and resolving his feelings – in effect a form of musical catharsis.

My first album Ascension was written in a comparable frame of mind, and it is quite telling that it went on to have such an impact upon people’s emotional well-being. I am quite positive now that music influences the mind, body and soul in the most profound ways, and that for this reason my commitment to it abides. With Ascension boosting my musical confidence, I went on to produce a further 7 albums over a period of 10 years (1985 to 1995) in a variety of styles and I will continue to be committed to developing and promoting this type of music in the future, within whichever genre it appears.

John Olsen: I read in your biography at NewWorldMusic.Com, where your solo albums began receiving much press in the UK and were described as “Britain’s foremost exponent of New Age Rock“ and you, (Clifford White) were even listed next to the iconic Rock band, The Who in Collin’s book The Best of Rock. What is the story behind this statement and the early events during the time period?

Clifford White: Well, the ‘Best of Rock’ review was actually a bit of a joke. I mean, who actually creates ‘New Age Rock’ – isn’t that a bit of a misnomer?

In actual fact, it was a well known pop journalist called Alan Clayson that coined the term when he was asked to compile the ‘Best of Rock’ book. I knew Alan at the time, although I was very flattered that he wanted to include me. Imagine my surprise when I found myself next to The Who. Nice.

John Olsen: You were the presiding founder of the UK New Age Music Association (NAMA) with 40 top artists including James Asher, Kevin Kendle, Asha Quinn, and Tim Wheater. What was the mission of NAMA as a whole, and were there some ideas formulated that have evolved into what we find in today’s New Age genre?

Clifford White: Yes there is, and in many ways, my original desires and intentions for NAMA have been spectacularly resurrected with the resounding success of the New Age Music Network: Newagemusicnetwork.ning.com – an online social network with over 500 members. Both then and now, I continue to believe that artists and companies can work together to nurture and support the new age music genre and that, in perhaps our more technologically refined era, social networks such as these provide excellent environments from within which many useful discussions develop and contacts are made.

It is however unfortunate that, just as in the early days of NAMA, there is still a certain degree of exploitation going on (not mentioning any names) but I suppose this is to be expected in any industry, perhaps especially within music. I just wish people would see the logic in working together in teams to a greater extent. I believe our culture suffers greatly from excessive individualism and self interest, and what seems to have become an instinctive cynicism towards collaboration and group support – almost paranoia in some instances. It is therefore refreshing to meet individuals such as yourselves who, quite obviously, have nothing but positive intentions and goodwill as an agenda.

B. T. Fasmer: Please tell us a little about Sanctuary Studio at St Albans. From the pictures on your page, it looks impressive. Do you use mostly DAWs, or hardware synths – or both?

Clifford White: Sanctuary is the current name of my recording studio in St Albans. I set the studio up in 2008 and it is my most ambitious studio to date, certainly in terms of space and creative freedom. Detached from my home and occupying approximately 17ft W by 36ft L, my studio outbuilding has a dedicated sound booth for musicians and singers to perform, a control room and kitchen plus an office area. It was the realization of a 20 year dream to setup this studio and I am truly grateful and thankful to have achieved it. The only trick is finding enough time to spend in it!

On the music technology side I, like so many other producers in our current electronic era, use computers almost exclusively in the process of creating music. I have, over the past 10 years or so, built up a huge sample library of instruments, sounds and effects, which, combined with the software DAW I use – which is called Muzys – accounts for about 99% of my current music output. I do have a traditional ‘vintage’ analogue synthesizer – the Novation Supernova II Pro X, which is truly a beast of a machine – probably the greatest synthesizer ever made in terms of power and flexibility. Unfortunately however, it does not often see the light of day, as it is so much quicker and simpler to layer all of my music directly on the computer.

However, when a special timbre or effect is called for, the Novation is there. I also have a small selection of ‘virtual’ synthesizers (VST’s) which I enjoy using, including Arturia’s FM7, the excellent Yamaha DX7 emulation, which I used extensively on Ascension II. The original Ascension album featured the DX7 quite heavily and so it was truly great to revisit those old sounds in the new album. The freeware Synth1 plugin is also great, with a lovely silky sound, and I have a selection of other freeware VST’s that I use for other purposes, although like I said, raw instrument samples and effects are my usual elements of choice as they offer more control of the overall sound and dynamic than the virtual instruments.

I have little else that I directly use for my own album productions, although I do have a Behringer MX9000 48 channel mixer and a Mackie HDR24/96 hard disk recorder, which tends to be used mostly by visiting musicians and during improvised and ‘live’ studio sessions. I can directly transfer recordings made on the hard disk recorder to my music PC, importing them into my Muzys DAW as samples which I can then layer into my music, but I have hardly done much of that yet to be honest. I have so much of my own material built up in Muzys now that I suspect I will have enough to keep me going for another 5 or 6 albums at least!

John Olsen: During the past 25 years of your New Age music career you have used genre influences in Ambient, Epic, Latin, Jazz, Tropical, and even Classical. What determines the varying influence in each album you produce Clifford?

Clifford White: I love all those genres of music and I am always looking for an excuse to create albums that contain elements of those styles mixed together into the general album concept. Also, I like to try and avoid repeating myself and so the aim of making each new album different from the one that has proceeded it really appeals to me. The way I see it, the whole concept of an album seems to be an entity in it’s own right, with it’s own style, mood and flavor, and once it is finished, it should appear to be a completed work, like a book or a film, and one really doesn’t want to mess with it, add to it, or detract from it with further musings which might simply repeat ideas present in the original work.

I tend to approach the production of an album with this in mind, and I try to pour as many relevant ideas into the same pot as possible, never to be used again. As the album gets further underway, the various track ideas tend to link together, much like chapters in a story, and after a while it becomes self-evident what is working and what is not, in context of the whole. Of course, it is usually nowhere near as easy as it sounds and believe me, I have certainly labored long and hard on tracks which are (unfortunately) later thrown out for not meeting the general concept, style or criteria for the album as a whole. In the end, I try to make the final result as complete and as cohesive a work as I possibly can.

John Olsen: Do you feel the success of your projects are primarily the result of simple hard work or more from your creative imagination? Or what is the primary reason you have been so successful the past 25 years?

Clifford White: You know the old saying that goes ‘one percent inspiration and 99 percent perspiration’? Well, for me it’s more like 15% inspiration, 85% perspiration, but that is still a lot of work! I find that the initial ideas for a track or a collection of tracks tend to occur quite quickly – in the heat of the moment – and this usually results in a collection of strong core ideas. After repeated listening, these ideas seem to become further refined in my own mind – almost as if the process of hearing a piece of music days or weeks later from it’s creation somehow changes it, making it more ‘real’ and familiar. It’s very strange. In any event these ideas, usually in the form of short instrumental loops or arrangements, start to shine through in their own ways, suggesting further developments that could be possible. I tend to wait this process out until I am really ‘chomping at the bit’ to get into the studio to work on a piece. When the urge gets too great, that’s when I unleash myself into the studio and get working. Thus begins the 85% perspiration! A huge amount of effort goes into the process as I am very fussy and critical about my music tracks. They have to stand the test of time, yet sound fresh and new. That’s not an easy thing to sustain when you have already heard them 100 times!

John Olsen: You have your 2010 Ascension II – The Healing Touch, and plan to release another project later this year. Is this next album going to resemble an Ambient influence like Ascension II or more resemblance to your Epic Gods of Olympus?

Clifford White: I’ll tell you a little secret: I have a 5 year plan to release two albums a year until 2015! Believe it or not, I already have more than enough material to achieve this – it really depends on how much time I will actually get to spend in the studio. With the first in this series – Ascension II – already released, the next album due out later this year will either be Atlantis – which will be another epic production similar to the The Gods Of Olympus – or an album currently entitled The Beach, which will sound a little similar to my past albums The Lifespring or Twilight Paradise with that slightly jazzy, ‘sun-drenched’ tropical vibe. For 2011 I want to tackle two ‘Oxygene/Equinoxe’ type albums that I already have a great deal of material for. I have always loved the textures and moods Jean-Michel Jarre discovered whilst creating his early albums and have for a long-time wished he would revisit that sound. Unfortunately he did not, not even (to my ears) on his Oxygene sequel. I certainly would like to have a go! Following that I have a 2012 themed album planned (no big surprise there perhaps), and a sequel to The Beach, again for which I already have many track ideas. A couple more albums will follow and then as 2015 opens I will round the whole lot off with Ascension III, which will be the 30th anniversary of the original Ascension and make 20 albums in total. It will be very interesting to read this interview in a few years time to see if anything worked out according to my plan. After that – who knows…?

B. T. Fasmer: You have already told us a little about the Atlantis project. Is there anything more you would like to add?

Clifford White: Atlantis will hopefully be completed by around August/September 2010 and released shortly thereafter. The title is a little misleading as, although the album has watery overtones, it is rather more upbeat and rhythmic than you might expect. Its closest comparison would probably be my 2009 album The Gods Of Olympus, at least in terms of its cinematic style and mood. I am quite pleased with what I have completed so far and like GODS, the album will have plenty of tracks to enjoy – at present around 12 – in a variety of styles and moods.

I am thinking of it as a kind of sequel to GODS, and there are certain similarities, perhaps not unsurprising as – from a mythological point of view – The Atlanteans and the Olympians are not-too-distantly related to each other.

B. T. Fasmer: You are also an expert in web design, multimedia and video. As everyone knows, the internet has been a massive challenge for the music business – but don’t you agree that it has been mostly positive for a niche genre like new age music? Or?

Clifford White: Overall I would say yes, considering that the Internet is such a fantastic medium for communication between musicians, producers and composers and a superb tool for music promotion and publicity that it has served ‘New Age Music’ extremely well in this regard. The flip-side is that there is now so much music out there that it is impossible to find the good stuff!

I myself spend hours and hours listening to new artists, or past artists I had never heard of before, and much of it is not wildly original, not very satisfying. Don’t get me wrong, I do occasionally find some great music, such as Australis or David Wahler, but these are often exceptions from the norm. Blogs such as your own at NewAgeMusic.nu are fantastic ways to discover new music, although I must admit really that I find a great deal of New Age/Electronic/Ambient/Chillout music a little dull, although I always live in hope of discovering better works in progress. I certainly feel that the Internet provides for great potential in the promotion of this musical genre, and in fact I had myself setup a website to attempt this last year called the New Age Music News which is going from strength to strength. So the future looks positive !

Visit CliffordWhite.co.uk and my pages dedicated to Clifford White. Photograph copyrights Jon Warren & Clifford White.

Craig Urquhart is an accomplished pianist having a renewed focus on quintessential travels into piano music that literally speaks to the heart by virtue of his current seventh Solo Piano composition. Craig also aims to share reflective memories on this album with hopes of achieving mutual recollections which appear reminiscent to our own memories.

Within Memory is Craig’s classic memoir that takes a transcending tour into piano music that quickly becomes a meeting place to share moments of harmonious reflection, focusing on moments that everyone can relate to themselves. Residing in New York City, his regional and United States concerts have also earned worldwide audiences on the airwaves and during performances in Germany, France, and Japan.

Telling of music influences like Classical greats Chopin, Debussy, Satie and Copland, an intriguing aspect about Craig is that he also tells of contemporary influences like Pop and Rock too, so a classic contemporary structure converges with an overall expansive identity in respect to his original compositions.

Craig Urquhart holds a Masters Degree in Composition from the University of Michigan, and is a member of ASCAP, serves on the Board of Directors with the Lotte Lehmann Foundation, is a Whisperings Artist and voting member of the National Academy of Recording Arts and Sciences (The Grammys) which speaks volumes about his comprehensive musical career.

Within Memory is an album well suited for telling much about Craig Urquhart’s harmonious directive for parallel unity and poetically becomes the equivalent memoir he openly shares with worldwide concert audiences, presented by a memorable and sincere narrative from the heart.

In The Afternoon is the preamble song of 10 for Within Memory, having a bright tonal cheerfulness recited by a frame of mind you will find engaging. Before The Canvas exhibits a deeper tone and image by proficient piano chords modulation while stair stepping upward during ascending treble scales, changing perceptions with each layer.

Rapture is the benchmark showing a hopeful image to the conceptual pondering and lighter melody. Laid Back has a nice feel by a treble melody concurrent with deeper bass octaves consistent rhythm while October Bright Blue recaptures a crisp and bright piano overture while making a distinction midst the two songs. Low Tide is the deep flowing melody with pause and intonation nicely enriched with hopeful optimism and song I favored most. Prairie Flowers flourishes into a gently moving melody while traveling to and from, given the preceding treble notes lead the closely timed counter bass notes while held in a subsequent role.

Within Memory ( Title Song ) concludes the album recital for the listener, but for Craig Urquhart it begins an arranged lineup for abundant visits to many countries during his role as an esteemed concert pianist. Later this year Craig is scheduled for concert recitals in the United States, Berlin Germany, Positano and Rome, Italy.

I am certain the concert events slated for this year will be another wonderful social meeting place for notable entertainment along with an exchange of lasting memories for everyone, especially for Craig Urquhart.

Visit CraigUrquhart.com to sample and purchase his solo piano album titled Within Memory. Big Stock Photo – aysarts.

Cadence Spalding is a multi talented singer, songwriter, and performer I have interviewed and published a review on recently.  Many know about her Save The World release and solo performances with husband Mars Lasar on his albums by our interview, but there are so many more aspects to Cadence Spalding I wanted to tell you more about her.

Cadence Spalding is preparing for her role as a television network host for a Children’s program in California having already performed in a teaching role for years by her Miss Jenny television personality designed to educate and entertain children in the California community where she lives.

Along with her active role at many special events in the state of California, Cadence Spalding has scored, recorded and performed original music for children’s musicals that benefit renowned charities, including donations of original scores for documentaries, independent films and commercial CD/DVD’s. In 2008 Cadence composed the scores for both the original and the remake of For The Children, a documentary originally narrated by James Coburn for Share Incorporated based in Beverly Hills, California.

Save The World is Classic New Age where her radiant vocals host a lovely mix of ballads finely tuned to perfection in the purest sense, and where Cadence instills her personal message of peace, harmony, and dedication to the family unit and for all who share the same logic, devotion and perspective. The enhancements by Mars Lasar add to the aesthetic value of her first solo album that represents a new age music release that best answers the “what is New Age Music question.”

Save The World began her debut solo album as a solo artist, although Cadence has many years of experience as an instrumentalist and soloist on many releases from Mars Lasar, who provided his expertise on the mixing, vocal layering, and technical production.

This release is available as a CD only or in a suggested and widely preferred CD/DVD collector’s edition featuring top quality visual photography by Mars Lasar that is a beautiful work of art. Together the team have produced a stunning, one of a kind audio video collection.

Visit MarsLasar.com to sample or purchase Save The World by Cadence Spalding. While you are there, read Cadence Spalding’s biography pages that tell about her diverse life work and Miss Jenny character when leading her children programs. You can read our interview together, and my album review for Save The World on the New Age Music World pages dedicated to Cadence Spalding and Mars Lasar.

Below is a short summery of my review titled Music to the Power of One and a music video of title song Save The World.

Cadence Spalding is one person doing their part as role model for bringing about a greater awareness by her Save The World album. The 11 tracks pertain to the noblest of desires in conveying her message of what one person alone can accomplish by caring for mother earth, caring for those who cannot help themselves, and by caring for one another as a family unit.

Solo instrumental albums are a natural source of personalized music, so when two reputable soloists merge their singular talents, an alliance from soloists to duettists is an even more valuable source of personified music for everyone.

Devin Rice & Erin Aas are seasoned musicians already recognized by their proficient styles as individual artists. Now they emerge as a team that write and perform original piano with guitar, and finger styled guitar duet compositions with hand selected artists adding polished accompaniments on their new release titled Arrival.

Residing in the state of Washington, Devin and Erin traveled to the Imaginary Road Studios in rural Vermont to enlist the expertise of GRAMMY® Award-winning artist Will Ackerman. The level of quality with the album’s production retraces their visit to a highly specialized destination.

Arrival is an album where Devin plays piano and guitar along with Erin, showcasing their 15 song compilation that is adventuresome and symmetrical from the first song to the last. After meeting for the first time several years ago, I felt their earlier mainstay as professional soloists has been doubled and enhanced using simple math, along with their broad variance in individual styles.

Devin Rice and Erin Aas, have selected skilled team of artists, along with GRAMMY® Award-winning producer Will Ackerman, to emerge as a fortified musical team. By virtue of each artist’s specialized skills, they have attained an award-winning strategy with Arrivial.

Thyn Ayre is the crisp beginning song that sounds like a down to earth journey put to sheet music, like Procession, where a wonderful just right feel becomes the standard atmosphere. These folk styled narratives flourish during the piano and guitar duets set in a moderate tempo like most of the 15 songs.

Borderline is a breezy guitar duet by Erin and Devin, while their Tribute to Robert Frost expresses a more stately approach that includes percussion rhythms backing majestic piano melodies with subtler acoustic guitar highlights.

Lively acoustic guitar and percussion rhythms are heard on the memorable song Nevada, while Something About A Harbor has piano lead in for guitar, with rich melodic tones showing depth in a natural way. 

Perdido En Granada, Lullaby For Now & For JB are gentle and more introspective songs with English horn and cello support that compliment the pleasing atmosphere.

Whiskey In The Watertower is a spirited melody, and nicely coordinated guitar duet that features a wonderful guitar solo performed by Will Ackerman.

This song resembles Pulborough Spring by taking an up-tempo direction from the primarily moderate paced piano and guitar duets with instrumentals.

Rich cello harmonies are the scenic backdrop in songs, Morning With Annie, Southern Breeze, & Stars of Winter, with the latter song taking an adventurous free flight expression during the melody and refrains that gently lands with guitar, cello, and piano uniting in an ensemble.

Although solo albums are a mainstay and pleasing source of enjoyment, Arrival is a nice departure from singular solo albums given the enriching instrumentals and contrasting styles of the two principal soloists.  This departure notably doubles the fine harmonic value for the listener, along with Devin and Erin who have likewise doubled their musical achievements together as a team, and as individuals.

Additional artists are Derrick Jordan on djembe with Eugene Friesen and Traci Hoveskeland giving cello performances on several tracks. Jill Haley lends her talents on English horn and Will Ackerman plays guitar on the final song.

Visit devinriceanderinaas.com to sample or purchase, and at their CDBaby.com page. Read their biography page with how it all began. Visit the Imaginary Road Studios of williamackerman.com. Big Stock Photo copyright – MelMcNaughton.

David Wahler was a relatively new name in the New Age music industry a year ago, only to become a quickly rising star by his first album’s success, and the direction he took. David did in fact win an album award for his first album receiving the Best New Artist Award at ZMR in 2009. The initial reactions to his second album A Star Danced looks just as promising.

David Wahler’s Antiquus album officially released June 1 2009, has some unique qualities not heard in projects from musicians established before him. With this goal in mind David Wahler has managed to produce a debut album that appears to stand alone in personal style and form, creating a model as an artisan would create a grand sculpture adorned with touches of gold, and crafted entirely out of sound.

NewAgeMusicWorld.com & NewAgeMusic.nu have written much about David these past months. Today we are excited to present our visitors an informal interview with David Wahler and New Age Music World interview host John Olsen.

Interview with David Wahler;

John Olsen : Thank You for allowing us this interview and congratulations on your recent win for Best New Artist of the Year in the March ZMR music awards. It was welcomed news to B.T. Fasmer and I when we heard of your recent win and recognition by the Best New Artist award. You are also a recipient of our own NewAgeMusic.nu Best Albums of 2009 awards prior to your second award, so you have been in the music news quite a bit recently, now recognized and firmly established as a highly regarded composing musician.

You must still be pretty excited about receiving high recognition as an artist following your debut album. I am just wondering, did you aim high and set out to achieve this high level of success as a new artist, or did everything just fall right into place while composing Antiquus?

David Wahler : Thanks John for your congratulations. You and B.T. Fasmer have been great supporters since the release of ANTIQUUS. I really appreciate that. The Best New Artist Award was a wonderful surprise, capping off some ‘best of’ lists and several favorable reviews. I did aim high with my first album, as I am aware of all the superb artists who are creating in this genre right now. Putting together ANTIQUUS, however, did seem to flow rather easily, almost like writing a song that ‘releases’ almost effortlessly as opposed to one that one labors over for days and days! The music, concept, titles and art came together fairly quickly and with very little hesitation.

John Olsen : After writing reviews for both Antiquus & A Star Danced, I honestly felt you were poised for much recognition from the very beginning like many others. After final completion of Antiquus, did you feel confident you had a winning first album and have high expectations yourself, or did you have some reservations about the reception of your first album?

David Wahler : My co-producer and partner, Rick Stevens, and I had no idea how the album would be received. I don’t know if any artist knows how their music is going to resonate with their listeners. I just heard an interview with David Arkenstone where he said that he still has second thoughts and reservations when he releases a new album….. so there you go, and from a great artist with many years of proven success. It’s one of the ‘great unknowns’ I guess, that I will always be burdened with!

John Olsen : These reservations among great musicians could be universal then I suppose. David your early success as a musician is quite impressive, and your formal educational studies in music are equally impressive. Would you describe your formal music and educational achievements for our readers?

David Wahler : I was a ‘piano kid’ in my little farm town of Belvidere, Illinois growing up. My first piano teacher, Nellie Canfield, was almost 90, and instilled in me a love of classical music. I remember her driving three of her students (including me!) on a cold winter night to hear the Chicago Symphony Orchestra play a concert of Ravel, including the Piano Concerto in G and the beautiful Daphnes and Chloe Suite. I was 9 years old and had never heard a live musical concert. You can just imagine what an impression that made on a young musical kid’s mind!

From there I dedicated myself to learning the piano. I attended Lawrence University Conservatory of Music in Appleton, Wisconsin as a piano major. After a couple years there I felt the tug of the big city and I transferred to Mannes College of Music in New York City. My teacher, Mme. Olga Stroumillo, was a great friend of Vladimir Horowitz from their youth in Russia. She introduced me to the great music of the world, and indeed, the great musicians and pianists, from Alicia DeLarocha to Nadia Reisenberg.

I began playing for vocalists as a professional accompanist in debut recitals. It was there that I learned the song or ‘leider’ repertoire and gained a real appreciation for the melody. I gravitated to the theatre world in New York and became Musical Director in productions off Broadway. After a couple decades of non-music, making a living in the corporate world, I decided that I wanted to learn to produce my own music. I enrolled in Berklee College of Music’s Electronic Music Production program. I knew I had the music in me, but mastering the electronic part was the big question. I’m definitely not one of the ‘gear geeks’ I studied with at Berklee, but little by little I came to understand (and love) the technical side of what I do.

John Olsen : I am guessing your earlier music background has helped ease your transition to New Age/Electronic music. Did you find the change in genre style more challenging than you had imagined, and since the term New Age leaves room for interpretation, how would you best describe your unique compositions?

David Wahler : Really John, it’s been an easy transition from my classical music background to the music I produce now. With all the wonderful virtual instrumental sounds available now I’m able to incorporate many of the orchestral instruments into my music, from flutes to oboe, harp, strings and on and on. I also love to design new synthesized sounds to compliment these traditional elements. Yes, the term New Age conjures up different interpretations with people and it covers such a very wide spectrum so I refer to my music and genre as ‘Contemporary Electronic Instrumental’.

John Olsen : I am curious why you didn’t begin composing in more mainstream genre’s like Classical, Concert, or Jazz?

David Wahler : That’s an easy question to answer. Because I absolutely love the ‘world’ of New Age music. From George Winston and Will Ackerman to Vangelis and Tangerine Dream and Francis Lai.

Like in the early days I remember thinking to myself, “finally someone is writing music for me!” I also include wonderful film composers like Ennio Morricone and Hans Zimmer, and current New Age masters Paul Avgerinos, Jonn Serrie, Bernward Koch, Thierry David, and David Arkenstone as huge influences in my musical style.

John Olsen : When you first begin a new project, do you already have a structured outline of ideas in mind for what you plan to produce or do you primarily compose everything as you progress in the project?

David Wahler : For ANTIQUUS my focus was pretty clear that I wanted to produce an album dealing with ancient myths and distant places. I wanted the music to have a structured, yet dreamy and somewhat mysterious quality. So yes, that album was fairly structured from the beginning. A STAR DANCED was much a much different story. It consists of songs that have a very personal meaning to me, and I didn’t have a structured theme, other than the theme of everyone’s human experiences and how we each live under our ‘dancing star.’

John Olsen : Knowing the success and fine reception with Antiquus, and first initial reactions to A Star Danced have been very positive, do you feel A Star Danced will achieve the same highly regarded recognition, and do you feel your current release is of a higher caliber than Antiquus?

David Wahler : Wow, now that’s a tough question John! One of the pitfalls of early success is that everything is compared to the original. I can only hope that people listen to A STAR DANCED with an open mind and not compare the two. While I feel that I have a recognizable style to my writing, I do feel that the two albums are very different. I tried some new things with STAR like collaborating with guitarist Brent Gunter and writing in more of a cinematic style on some tracks, like ‘Peaseblossom’ and ‘Come Gentle Night’. I also added my arrangements of two classical pieces, Debussy’s ‘Reverie’ and Faure’s ‘Pie Jesu’. It was a challenge to revise these two pieces in a way that would honor the original compositions and yet add a new, fresh perspective. I believe that I was able to achieve those objectives.

John Olsen : Yes, I see your point and agree both of your albums have their individual merits, and happy that both are held in high regard. Your current album is dedicated to family members past and present and wondered if you don’t mind telling our readers a little about the life circumstances surrounding the dedication of A Star Danced?

David Wahler : ‘Missing You’ was written while my father was lying in his bed in a coma, dying of Parkinson’s disease. I thought how poignant to be missing him already before he had died. ‘Yvonne’ was written for a family member currently waging her battle against breast cancer. It is a tribute to her beautiful spirit and her unspoken ability to teach others the beauty of life. But I ultimately added these tracks to the album for everyone who has a ‘Yvonne’ in their lives, and everyone who is missing someone – parent, lover, friend, child, pet, relative- who is no longer in their life.

John Olsen : I believe everyone can see the significance to your tribute now. In my review of A Star Danced, I wrote much about the first song Quest and the final song Quest (Revisit) What was the sentiment or dedication behind this song?

David Wahler : ‘Quest’ was written for those people in the world who are facing challenges right now. And who doesn’t that include? We are living in perilous, difficult times. Most everyone is dealing with those obstacles that beat them down, obstacles that keep them from reaching their full potential. ‘Quest’ is an anthem, a herald that calls to everyone with setbacks (illness, money problems, death, injury, loss, etc.) to forge ahead and reclaim the spirit of joy and happiness that is our birthright.

John Olsen : Your song dedications are significant to you on a personal level, yet these circumstances remain pretty much universal to everyone. David, there are many hoping you will continue producing music. Do you have current plans for a future album, and what can you tell us about your next project?

David Wahler : I love writing in different styles; in fact, I have been working on a meditation/relaxation album that I would like to produce someday. And I love writing music about ancient and distant lands and worlds. ANTIQUUS was perhaps just a beginning……

John Olsen : I like to leave this last question open ended David since we can’t possibly cover everything in this single interview or even this final question. Is there anything you would like to bring up we haven’t talked about yet?

David Wahler : John, a year ago I was sitting and listening to some of my favorite music on Music Choice’s Soundscapes and thinking, “how wonderful it would be to have the world listening to my music, to perhaps touch someone with the sounds that come from my creations.” That was my personal ‘quest’, and now that wish has been fulfilled. I believe, that as Abraham says, ‘just ask and you will receive’. I urge everyone to ‘just ask’.

John Olsen : Thank You again for leaving us with your insightful words and allowing us this interview David. It’s clear that B.T. Fasmer and I both enjoy your music here at NewAgeMusicWorld.Com & NewAgeMusic.nu. We plan on writing even more about you to present to our readers, so let’s keep in touch. We wish you and your family the very best.

David Wahler : Thanks again John and B.T. for your support of my music. And, I’d like to thank my new found fans and your readers, and those fellow artists, broadcasters, reviewers, and industry insiders in the New Age community who have reached out so warmly to me in the past year!

We invite you to visit davidwahler.com to sample / purchase or his CDBaby.com page. You may read reviews and news about his recent awards on our page dedicated to David Wahler. Photos courtesy davidwahler.com & Bigstockphoto.com.

David Wahler first began conducting his New Age Electronic music just recently, where his time signature expertly directed a unique phrasing in tempo, dynamics, and articulation, leading to a Best New Artist award of praise during the final reception at the end of his first orchestration.

NewAgeMusic.nu had recognized the first release from David Wahler by our Best Albums of 2009 awards just prior to his Best New Artist award from ZMR, so this does reflect 2 awards that are warranted and we are glad to see David Wahler receive the recognition he deserves.

Antiquus is a greatly applauded 2009 album and truly a great debut that did earn much respect by the paramount success granted to such a relative newcomer in the music industry might have surprised many.

In our interview together David did say that winning was a wonderful surprise to him but had set his sights high to earn the top honors and achievements, aware of the superb musicians are creating great music within the genre.

Just like his first release A Star Danced is also welcoming a warm reception given the inherent dynamics of his well orchestrated compositions.  This album has the potential to succeed in recognition like his first so another fine album I would recommended to our visitors.  From our interview together David informed us of his plans for a future project, and many like myself are waiting in anticipation for his next album.

A Star Danced is David’s second album dedicated to his family circle past and present, boldly narrated by his unique direction in musical style.   The Quest video compiled by Aquariel Charm is just one of the many song videos that define the music of David Wahler perfectly.

Visit davidwahler.com where you can sample / purchase both albums and read his biography page.  You can also visit his CDBaby.com page then read our recent interview together and my reviews of Antiquus & A Star Danced on our page dedicated to David Wahler.

The song video Quest is a beautiful anthem giving insight into his album dedication and represents empowering inspiration to those facing challenging moments themselves.  The quote from my review titled Conducting New Age Music from A Star Danced and song video Quest is shown below.

Composed, performed, and arranged solely by David Wahler, this album represents a heartfelt narration surrounding his family circle past and present, where resolution of personal life challenges are reflected as a unique source of inspiration for his music’s identity, lovingly embraced by his close family heritage.

If you look close enough you can find beauty in all music genres. With some you have to look a little closer than others, but within every genre beautiful music does reside, regardless of your initial impression or what you first hear on the surface.

Likewise, many of our most popular genres greatly influence the atmosphere, tones, and rhythms of New Age subgenres to help create a perfect balance in modern music by becoming a liberating escape from more traditional forms of Ambient music.

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age. The album producers Garrett Schwarz on guitar and Vic Levak on keyboard, along with lead vocalist and songwriter Jody Quine, have enlisted guest vocalist Rebecca Ramone on several songs, to create a sensational new vision and exciting unification in ambience you are sure to find enticing.

Under An Endless Sky is the 2010 release by Balligomino via the Chrysalis Music Group. This current follow up to their critically lauded 2002, BMG / Windham Hill debut album, Beneath the Surface, is another album I was already familiar with years ago and still enjoy today.

The multinational band membership is based in Canada and the United States, so distances for members are miles apart and uniquely independent since each performer electronically relayed their unhurried contribution to the album’s construction, verses a studio mix. This approach has noticeably led to a uniform performance of quality from each member, with appreciable care given on each individual musical contribution.

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age. Their enchanting escape incorporates attractive female vocals, acoustic guitar melodies, and percussion structures that elevate beautiful yet non conforming ambient rhythms. Rhythms you will find fresh and energizing.

Under An Endless Sky features 12 songs with modern up tempo rhythms and pleasing vocals that easily provide a timely retreat from more traditional New Age renditions, and most importantly, Balligomingo consistently produces beautiful songs New Age and Contemporary Instrumental fans will easily embrace.

Showing a casual atmosphere with every song on the album, Spinning stands out as a modern representation, where guitar and keyboard ensure the surface reflections of light and color while backing alluring vocals contrasting the imagery of the mood with dreamy idealistic lyrics about endless possibilities.  I Just Tell Myself is an appealing and melodic song that outlines an intimate picture by the rose colored lyrics and resonating guitar rhythms with strong keyboard chords during refrains, like the deep synthesizer posturing in A Beautiful Day.

Under An Endless Sky ( Title Song ) Letting Go & New World rely on light and passionate vocals with nicely balanced instrumentals to nurture moderate tempos showing a partisan likeness towards the overall glowing attributes one will experience throughout this entire album. Over You illustrates a soulful groove rhythm by acoustic guitar that is soon personified by vocalized countermoves defining the relationship intimacy by lyrical viewpoint, while Goodbye retraces more progressive styled guitar runs.

Sunshine In Rain is a motivating up-tempo song with percussion making the early moves leading into strong guitar chords taking the song in an enthusiastic direction. Passionate vocals show a harmonic likeness to bright sunshine throughout the song verses, before keyboards ambient chords become the fading clouds while closing out the song.

Balligomingo relies much on enthralling and quality rich vocalists to display their picturesque musical surface, with deeper ambient imagery from instrumental and percussion displaying the pleasing atmospheric rhythms that brings everything together.

You might have noticed Balligomingo has a pretty album cover, but rest assured that the attraction does reside within the packaging. There you will encounter the true attributes of Under An Endless Sky, along with this striking Canadian and American group that also stands out as a natural beauty.

Additional writers on this album include, Michelle Lewis and Patrick Upton Jr. Additional acoustic guitar and piano include, Jerry Sintich, Geraldo Dominelli, and Zirque Bonner.

Visit balligomingo.com to sample / purchase then find out more about their performance tours, and their biography page.

Vicki Logan is a musician who not only creates great music, but every song she has produced over the years reflects her heart and true spirit within each piece.   Vicki is a New Age artist who incorporates Pop, Jazz, Rhythm & Blues, and other genre influences that blend into memorable works of music many like myself find inspirational.

Enlisting the help of Randy Gildersleeve, Andy LaCasse, Peter O’Gorman, Matt Fink, and others to produce built with pride award winning music, every album has a personal touch I am certain you will find inspiring too. 

The 4 albums that chronicle each advancing stage in her music career include, Chasing Dreams, Finding My Way, The Ride, & The Journey To The Places In My Soul, which is now listed in the Top 100 New Age Albums for radio play in 2009.

Vicki Logan is also a creative graphic designer and has been busy launching her new website lately, but plans are underway to produce another album before long, and many like myself are highly anticipating her next release.

If you have missed the chance to hear Vicki Logan’s music on Internet Radio, we encourage you to visit her brand new website VickiLogan.com to sample or purchase her music, and sample her current release The Journey To The Places In My Soul at CDBaby.com.  There are 4 album reviews I have written, and our interview together can be read when you visit my pages dedicated to Vicki Logan.

Here is an album review quote I wrote about Vicki’s inspiring music, and the song video below of Don’t Be Afraid, is just one of many classic songs you will find memorable. Photo Copyright Vicki Logan.

Vicki Logan is an excellent example of what can be achieved when a talented artist shares a part of themselves by putting their heart and spirit into the creation of their music.  Incorporating elements of New Age, Pop, Jazz, and R & B influences provides the listener a fresh perspective with each classic piece she produces.  After discovering the music of Vicki Logan, you will find yourself recalling her inspiring melodies over and over in your mind daily.      Blog Host – John P. Olsen