New Age Music World

Archive for February, 2010

Today’s computer enhanced technology is amazing, and when skillful composing is combined with live performers and instrumentals, the resulting musical outcome can become a creation of natural beauty.

Timothy Crane is an artist using a creative touch with the music technology of today by composing piano music and then intregrating key instrumentals along with orchestra effects that become full structured works of music he and his close friends enjoy creating.

Dragonfly is the second release where Timothy plays a leading role as pianist and co-producer of his second album, along with Jason Rowsell who also played bass and mixing. Friends Rick Henly performs on guitar and percussion effects, while Ryan Day engineered and mixed the album. One last credit I don’t want to miss, Jason Rowsell’s young daughter has a cameo role by quietly laughing on cue during the beginning of song, A Child’s Goodnight.

The Other Life I Dream is the first album I enjoyed equally from Tim and this talented group. When asking Timothy what was the primary objective on this current release, and what set Dragonfly apart from the first album. Here is his reply:

With Dragonfly, my focus was more on the composition. Each piece reflects an attempt to craft an instrumental tune that is memorable, unique to the overall album, and noticeably piano-driven, produced by independent musicians who want nothing more than to continue to create and play music.   Timothy Crane

Dragonfly is where I discovered more natural forms of instrumentation become closely acquainted with an animated entity in 11 song classics. A few songs carry the rhythmic tones that might remind some of a highly recognized female artist at first glance, but I soon discovered every song is composed with a unique singular structuring in each melody belonging in a New Age, Piano, Contemporary Instrumental, Cinematic theme.

Dragonfly indeed takes flight with first song 2×2. In a graceful piano based dance of the keys, a real beauty of a melody greatly captures your attention by the upper tempo modern rhythms.

Well placed staccato notes from strings carry this steady motion while wonderful orchestration carries the appropriate rhythms that lead to a natural form of musical attraction.

Sylvan Grove holds much of the same beauty by piano leading in an upbeat theme while horns and strings inscribe a smooth blend into another most positive melody. Higher octave piano notes in Star Cross Moon are the first gentle indications of a nice correlation in melodic shades, and when numerous major to minor key changes make a full emotional presence felt during refrains, the result is gratifying.

A Child’s Goodnight is a playful theme that soon matures in a full chord and heartfelt movement, while Salish Sunset in again, a more moderate tempo, along with light recollections in piano phrasing, join with oboe to impart warmer tones of orchestration to enhance the open atmosphere of splendor.

Theft in Eb Major has more of a classical thought in composition with major and minor chords extending vibrant hues while building momentum as the song progresses. The woodwinds warm breezy notes blend with background choral vocals to instill a more celestial feel with this song.

Theme of Rachel Scott is another focal point where medium range keystrokes give way to lower chords feel of depth and richness, blending nicely with orchestration to become one exciting entity. Vasilissa the Beautiful entertains a most peaceful beginning only to be suddenly interrupted by an enthralling performance from piano, choir, and deep thunderous percussion, quickly taking flight as if suddenly startled from a comfortable resting place.

Title song Dragonfly is an impassioned piano solo signaling the finale of this lightly animated album, in a conclusion where I felt every colorful detail was closely examined while producing this incorporated album, becoming the perfect choice for many people desiring popular music creations having a natural attraction.

Visit timothycrane.com website to sample / purchase.  You can also visit his CDBaby.com pageor Amazon.com page.

Picture Copyright Big Stock Photo – FOTOCROMO.

Bill Wren is often referred to as the Rare Texas Songbird, in a declaration I thought appropriate having the surname Wren, yet it uniquely describes his musical aspirations and return flight to perfection. First playing bass in a Rock band, Bill realized after one stellar show in front of a crowd gone wild audience, music was his final destination.

Bill Wren is a composing songwriter where his recent One Day in a Life composition exhibits the very essence for each characteristic style of every performer on the album he can call a friend.

One Day in a Life does seem to facilitate a level of relaxation one person can easily enjoy alone, morning, noon or night, but with such an engaging album like this one, it is always best experienced in the company of good friends.

Recently I published a review about his release and there one song of many that stood out.  As it turns out there is a great video of Bill Wren’s song En Mai, taken from a concert in Jacksonville Florida last October. 

Bill’s good friend Frank Ralls produced and directed, edited the video, along with playing Keyboards and percussion.  Brittany Maroney is the cellist also giving a wonderful performance in front of a live audience.

It’s difficult to accurately describe great music in written text at times, so here is your chance to hear En Mai for yourself and below is my review quote.  Visit billwrenmusic.com to sample.  Learn more about Bill and visit his CDBaby.com page.  Read my album review at our page dedicated to Bill Wren.

Much like the song En Mai, lavish cello entries appear to drift and sway in time to gentle winds and deep sentimental overtones, with an emphasis on instrumental soloists as the chosen method to hallmark every occasion in this album of versatility.

New Age Music World has a new CD submit policy. I have decided to revise my CD Album Submit Policy due to the increasing amount of email requests I receive for album reviews and interviews from artists, music promoters and producers.

While I enjoy writing album reviews about international artists, and their current new release, I have been spending too much time responding to daily emails requesting an album review.

The new CD album acceptance policy was implemented because of the overwhelming response for album reviews requests by email correspondence, which takes up a significant amount of my time to reply to everyone who writes me. It is my hope to spend more time writing album reviews, and less time on daily email correspondence. You may send 1 physical CD album and (press kit if available) to the address on my profile page.

Read the complete CD Submit Policy for NewAgeMusicWorld.com on my profile page. Thank you for your interest and visits to New Age Music World, one of the top new age music blogs worldwide. Big Stock Photo copyright – Ihfgraphics.

Michael Brant DeMaria, PH.D, is a recent Grammy Nominee making the news lately. Likewise, our recent interview together gave many people an in-depth look into the life of a clinical psychologist, composing musician, poet, author, and dedicator of his Healing Sound Series.

Knowing Michael better now, it’s clear to me his music is an instrumental model in itself, much like his art, books, and poetry, all of which have acquired U.S. recognition, along with international acceptance in Australia, Europe, Russia, and other parts of the world.

In his psychotherapy practice, Dr. DeMaria created ONTOS (Greek for Being) to help people live more meaningful and effective lives by ambient music interwoven as relaxation therapy. I feel The Series can be perceived much like a form of cognitive conditioning, becoming an audible portion of his personal inner message by design, helping one acquire a new perspective and begin a refreshing journey on a path to wellness through calming music.

The River first began the Healing Sound Series, with Ocean his second project based on over 25 years of personal and professional research in the fundamental principals of sonic healing techniques. Ocean was conceived to help hurricane survivors much like himself, begin anew and return to a more peaceful existence.

Where our rivers are a beginning source during their natural paths across the landscape, The River by Michael Brant DeMaria is like a template to discover a new direction, if even for a single day. In addition, while help customarily arrives in the form of understanding words from this highly educated man during his medical practice, Michael’s healing music has a similar philosophy. It is where gentle curves in The River now become the stimulus equivalent for discovering a natural direction in which to travel.

Siyotanka is the third story based narrative that won a Native American Music Award in the Native Heart category, and placed him on the Grammy ballot for Best Native American Music Album, also retaining the # 1 position on ZMR Top 100 charts in December 2009. “The River is an album dedicated to all who listen from the heart” are words Michael used to analyze this first in series. More than familiar with his music, I find this a true description of his work.

Descriptive song titles likewise assist in what you will hear on The River, which relies on Native American Flutes, keyboards, piano, and indigenous percussion to form the reservoir, rising momentum, and infiltrating sunbeams heard in beginning ambient songs First Light, The River & Sunlight.

Journeying is one of the more intriguing songs to me, having a rhythmic percussion and keyboard enhanced xylophone effect that paints a serene picture.

When left to the imagination, Journeying places one in a forest habitat, residing right beside gently lapping water’s edge in a restful moment of singular, peaceful solitude.

The Rain features an indigenous flute solo while a thunderstorm’s echoing claps can be heard in the distance as if releasing every negative thought from afar.

The imagery of light water droplets dispersing transform to create a colorful sunset at dusk, leading into piano and woodwinds calming sounds in a quiet Night Fall.

Moderate keyboard sequences, along with single touches on the piano keys treble octaves make positive reflections in Moonlight & Stillness lightly glow by their conforming ambient phrasing, while indigenous woodwinds direct a more solemn indication to denote the threshold hour of Midnight.

The River’s 10 song origins instinctively find a natural pathway to The Sea where most rivers lead. In comparison to seas partially confined and bound by land, Michael’s directive of these rivers hope to point towards a new concept releasing everyone’s unlimited potential, in relation to the vast open horizons observed in our five greater oceans.

Visit ontos.org here and then sample / purchase on his music page, or CDBaby.com page. Read our interview on our page dedicated to Michael Brant DeMaria. Picture copyright Bigstockphoto.com – WizData.

Canada is a country currently making the news daily by hosting the XXl Olympic Winter Games and Like B.T. Fasmer said in his recent article, New Age Music for Driving, listening to calming music to relax with while driving in Vancouver or surrounding areas, is a great idea.

Julian Ray is a Canadian citizen and member of SOCAN, Society of Composers, Authors and Music Publishers of Canada, active in theater, psychology, and philosophy and award recipient as a design artist. In addition to keeping up with current events in his country, Julian is promoting his 2010 release In Flow of Light, placing well in a winners circle of New Age, Electronic, Ambient music categories.

In Flow of Light is a lighter form of easy listening ambient music, with the title song In Flow of Light and second track The Call, a mid tempo blend of synthesized ambient music, with abundant keyboard effects affable for relaxation while also exhibiting a more pronounced upbeat rhythm I would classify as distinctive.

Silence & Mountain Air are toned down in tempo to a more atmospheric level, in a more casual presence, keeping up a measurable level of his individual style, likewise felt in the abundant runs on keyboard based Soaring.

This ambient music with a more casual tone of 10 uplifting melodies makes one relaxing album, great for travel or winding down right at home.  His prior releases Saga, Wonderful Life, & Seashell Stories give you much to choose from too, with all having an individualistic tone that indirectly tells you it was produced by Julian Ray.

Between Earth and Sky has a windswept beginning before keyboards entertain a lighter melody, and the synthesizer background gives an enticing angle in tone by the voice box impressionism.

Towards the Sun reaches a higher peak of performance on percussion, along with upbeat rhythms, where New Morning takes off with a slower start, only to increase in speed, gaining momentum by the smooth flowing keyboard melody.  Percussion rhythms happily dance along with a more mid tempo theme as the song progresses, making a fine finish at the end.

New Age Music and Canada seem to have a natural presence, and music from Canadian teams has always made the grade with me.  Julian who resides in Toronto, likewise goes the distance with current In Flow of Light by providing a measurable amount of relaxation with his individual freestyle of ambient music.  Since several new projects are on the way, and I am now more familiar with his music, it should be easy to recognize his freestyle compositions at any event.

Visit julianraymusic.com to learn more.  Sample / purchase on his website album page, or at Amazon & iTunes.

Cover design copyright Julian Ray Music courtesy of Katrin Ray.

It’s pretty easy to get sidetracked from doing what we really want to do everyday, and a 25 year departure from songwriting was longer than what this artist had in mind, but his migration back to composing have many people moving to new heights.

Bill Wren is often referred to as the Rare Texas Songbird, in a declaration I thought appropriate having the surname Wren, yet it uniquely describes his musical aspirations and return flight to perfection. First playing bass in a Rock band, Bill realized after one stellar show in front of a crowd gone wild audience, music was his final destination.

One day in a Life is his release already gathering attention, having many songs winding up #1 or in the Top 10 at SoundClick.com & Broadjam.com, with songwriting awards in Indie & International Song Writing Contests. Reading everything I could on Bill Wren, I also learned that lifelong friends played a major role leading to an early formation of his musical biography that endures even to this day.

Wren states the album’s success is due in part to the arrangement and production work of Frank Ralls, along with musical assistance of Terry Winch & Ike Strum, with a host of vocalists and instrumentalists who together, have assembled a refined album with a right at home presence.

One day in a Life is like a beautiful bird of paradise and where Bill Wren excels the most, in heartfelt compositions that exhibit the very essence for each characteristic style given by every performing musician on the album he calls a friend.

One day in a Life answers the call to 11 songs in New Age, Orchestration, Neo Classical, along with structured blends of Jazz, Blues, and Rock, building a comfortable resting place to display his versatile compositions. The calm acoustic guitar strides heard in the title song characterize the overall attraction given to the entire album, giving a hint of the harmonious novelty waiting within each well rounded song.

Daybreak shows the smooth artistry of this album sporting a fragrant touch and vibrant flare, where rich orchestration plays the intermingled leading role while supporting soloist and softer vocals.

Much like En Mai, lavish cello entries appear to drift and sway in time to gentle winds and deep sentimental overtones, with an emphasis on instrumental soloists as the chosen method to hallmark every occasion in this album of versatility.

Ocean Breeze features acoustic guitar giving the arrangement a moderate tempo and under closer examination, exhibits a form of poetry in motion while gently transitioning to a more complex guitar rendition, making the move during nice orchestral balance and light percussion effects.

I Will Waltz For You glides right into motion filled pirouettes in time to dance rhythms, while Lovers Rendezvous has a moderate tempo with saxophone and piano adding an impassioned rendition, contributing to a pleasing sense of atmosphere. Setting the ambiance again is Heart to Heart, in singular key piano melody and Night Fall, where piano, saxophone, and soft vocals maintain the beautiful colors perceived in this albums theme.

The song Old Friend provides the forethought in this lighter flute melody backed by a full symphony of warmth and sincerity, and since everyone is great as an individual soloist on the album, it does help me summarize with certainty. The qualities I discovered in One Day in a Life, facilitate a level of relaxation one person can easily enjoy alone morning, noon or night, but with an engaging album like this one, is always best experienced in the company of good friends.

The musicians on this album are, Frank Ralls, Terry Winch, Ike Strum, Sandy Williams, Nick Curry, Janet Planet, John Gibson, Jim Farrelly, Kyle Wehner, Michael Houston, Kelly Willard, Tom Washatka, Patrick Harshbarger, and Chris Lieber.

Visit the Rare Texas Songbird at billwrenmusic.com to sample and CDBaby.com to purchase.

Picture copyright Bigstockphoto.com – Ardith.

Classical Orchestral Harps can be thought of as divine or celestial instruments, having origins dating to around 2500 BC. The harp as an instrument often reminds one of angels and religious cherubs poised in a statue.

Lizary Rodriguez Rios is the harpist I had in mind while writing this first sentence taken from an earlier review of her Harp Therapy album which invites listeners to relax by the soothing music this stringed instrument can provide.

Valentines Day is approaching and a great time to tell you about this music professional and bring up the celestial instrument, since the harps early origins are ironically thought to be modeled after an archery weapon.  Given this fact, even Cupid would like to own this instrument since it strongly resembles a bow and arrow.

Lizary Rodriguez Rios credits are quite impressive, securing a Doctorate in Musical Arts and 4 time awards winner of international harp competitions around the world, touring with the Grammy Award Nominated Harp Fusion Ensemble.

The many concerts and festivals people have attended, like the prestigious Casals Festival in Puerto Rico, venues in the United States, Czech Republic, Switzerland, Spain and Russia have enjoyed the experience, so chances are you will too.

The recipient of a Centennial Achievement Award is a respected one of many, in an overall long list of awards and recognition she has achieved, drawing attention around the world as a harp soloist and composer, so expect a right on target delivery.

Harp Voyage was her first album, and much like her Harp Therapy are specifically composed for relaxation, massage, and yoga, while also finding a comforting niche since the songs serve as the perfect auditory background music during church services, memorials, hospitals, and even weddings.

Lizary has informed me she is presently working on a Christmas album, so another fine project of her specialized music is expected in the future.

While Lizary’s harp CD’s are not exact centerline New Age music, her high level of expertise as a harpist is decidedly front and center by delivering a highly regarded level of comfort, from a natural talent who is devoting much of their life achieving the very highest in musical standards.

For your next special occasion or great classic music to relax by visit lizary.net here.  Sample at CDBaby.com here, and read our pages dedicated to Lizary.

The New Age Music genre is already an exciting music category to be involved with for many reasons and now the excitement is going to the next level since Zone Music Reporter (ZMR) recently took the first step in announcing their Annual Music Award Qualifiers for 2009.

Every musician in our genre has produced some outstanding music this year, and we have enjoyed writing reviews for some of the current award qualifiers, award nominees, and artists who received a best album award this past year.

We share in the excitement of hearing the final outcome of this years ZMR best album awards decision too.

B.T. Fasmer and I know making a final determination is a challenge, and there is never an easy way to go about the task of deciding who will receive the highest recognition for a Top New Age Album Award in 2009.

Here is the list of 20 ZMR Qualifiers we have been writing about this past year by our reviews or interviews, and is a nice sample of the many outstanding musicians now under consideration.  On a personal note, I deeply respect everyone I have met and have enjoyed getting to know some artists even more by our recent interview together, and only wish I had time to request an interview with everyone.  With that said, you may click on the links to visit the artist’s official website, and then our dedicated pages to 20 of the qualifying artists and my review of their current album or interview.

There is no denying that every musician has made a significant contribution to our beloved genre and in our minds, has already become a winner simply by qualifying.  We wish everyone the very best in ZMR’s annual awards, and again thank every artist for producing music everyone can be proud to call new age.

ZMR announced the Category Nominees on February 14, 2010 & the Award Winners on March 14, 2010.  See a complete list of the Best Album Awards at Zone Music Reporter for 2009. Picture Copyright BigStockPhoto – pkruger.

    NewAgeMusicWorld.Com  &  NewAgeMusic.nu  ZMR Qualifying artists.  Albums shown in alphabetical order.

                               The click on Word Links are [ Website ]  & [ Review ] for each artist listed below.

                David Mauk / davidmauk.com [ website ]  12 Months Album [ review ]

                David Wahler / davidwahler.com [ website ]  Antiquus Album [ review ]

      Fiona Joy Hawkins / fionajoyhawkins.com [ website ]  Blue Dream Album [ review ]

           Arturo Mayorga / arturomayorga.com [ website ]  Cascades Album [ review ]

           9  Muses /  Sample at cdbaby.com [ here ]  Feel to Heal Album [ review ]

             Ciro Hurtado / cirohurtado.com [ website ]  Guitarrista Album [ review ]

             Paul Avgerinos / roundskymusic.com [ website ]  Love Album [ review ]

         Bruce Mitchell & Ron Korb. newearthgoddess.net [ website ] Album [ review ]

 Christopher Boscole / christopherboscole.com [ website ]  Presents of Angels [ review ]

       Christopher Boscole / christopherboscole.com [ website ]  O Christmas Tree.

                Michael Brant DeMaria / ontos.org [ website ]  Ocean Album [ review ]

            Michael Brant DeMaria / ontos.org [ website ]  Siyotanka Album [ pages ]

         Matthew Labarge / matthewlabarge.com [ website ]  October Album [ review ]

         Terri Liles Mason / omgaiamusic.com [ website ]  Om Gaia Album [ review ]

  Cadence Spalding / cadencespalding.com [ website ]  Save The World Album [ review ]

            Anewday / anewday.ca [ website ]  Summer Reflections Album [ review ]

   Lawrence Blatt / lawrenceblatt.com [ website ]  The Color of Sunshine Album [ review ]

          Nick Farr / nickfarr.com [ website ]  The Ever Present Now Album [ review ]

          John Adorney / johnadorney.com [ website ]  The Fountain Album [ review ]

   Paul Jensen / juancarlosproductions.com [ website ]  The Other Side Album [ review ]

        Michael Stribling / leela-music.com [ website ]  The Promise Album [ review ]

           Kori Linae Carothers / koritunes.com [ website ]  Trillium Album [ review ]

Fiona Joy Hawkins has just released a YouTube video with excerpts of her recent concert performance at the Q Theatre in Sydney Australia.  In this concert, Fiona is featured showcasing her talents as a pianist, and sings soft vocals.  The entire supporting cast of music professionals on the video are Rebecca Daniels playing violin and vocals, Trish McMeakin on cello and Andy Busuttil on percussion, clarinet, and reed instrument, saxillo.

I have watched this new video several times now, and found it gives an excellent sampling of her classic material with several songs from her recent Blue Dream album. 

Fiona is also one of many currently under consideration with Zone Music Reporter’s awards ceremony taking place later in February and March.

Speaking of the ZMR awards, we have a special post ready for this weekend displaying 20 qualifying artists and their albums currently under consideration that we have written album reviews on this past year at NewAgeMusicWorld.com.

We invite you to check back for a nice story about the ZMR awards ceremony this weekend.  You can go to zonemusicreporter.com for the complete details.

Visit fionajoyhawkins.com.au to find out more about this music professional.

Cover art is courtesy Fiona Joy Hawkins.

The Piano as the leading musical instrument can be appreciated using just a few simple well placed notes. It’s the pianist who takes the leading role by their note by note delivery to determine the style and complexity of the note structure in hopes of creating a classic piece of music everyone can appreciate.

Ann Sweeten is one musician widely recognized for her classic style. She also sets a high standard in quality among many pianists in the wide range of genres employing piano music as the chosen manner for pleasing an audience. In a skilled full range delivery on a Steinway Baby Grand, her classic signature sound deserves respect in a natural way, lending itself to beautiful music that many have found, gives new meaning to the term music appreciation.

Just This Side Of Spring showcases her latest composing lead performance as a Steinway Artist and music professional, with several talented artists at her side. Windham Hill Records founder Will Ackerman performs on acoustic guitar on the title song, along with co-producing the album with Ann, who also conducts vocals and synthesizers. Andrew Eng on viola & violin, along with bass performer Michael Miksis, and Trisha Craig on Flute are the accompanying musicians of several songs contained on this album, who do excel in terms of fluidity as a collective unit.

Being the author of numerous solo piano reviews in the New Age genre, I promptly identified an admirable level of richness and depth in tone I rarely hear in many comparative piano solo albums. Stylish tonal qualities held in even the quietest patterns give complex sequences and a prolific feel of realism within every individual phrase. I likewise concluded the classic instrumentals supporting Ann Sweeten on Just This Side Of Spring clearly strengthen this opulent quality, validating my initial first impression.

Ann Sweeten is a Steinway Artist & Composer, and her achievements are numerous, including voting privileges in the National Recording Academy of Arts & Sciences, ASCAP Popular Award Recipient starting in 2002 thru the years 2009.

The ZMR nominations and awards are just as numerous and her talents are not limited to music achievements and concert performances on piano. Ann is also a professional actress, singer, and ballet dancer, realizing many achievements in her diverse life.

Just This Side Of Spring is a thoughtful Piano Instrumental album that holds many elegant touches leaning towards the classical side of life, while shown in a natural realistic way too, becoming a great follow up for her previous Piano Instrumental album Grey Sky and Bittersweet.

I concluded that both Just This Side Of Spring & Grey Sky and Bittersweet make you feel a pleasant sense of comfort and enjoyment in a much desired way, given by a qualified pianist who delivers an admirable performance on a Steinway Baby Grand, in another new release of her music almost everyone can appreciate.

Visit AnnSweeten.com to sample or purchase. Find at popular music outlets like Ann Sweeten’s CD Baby.com page.