New Age Music World

Archive for the ‘2010 Album Review’ Category

Music and Movies are two of the most popular internet search terms used today. These two forms of entertainment by themselves are enough to spark our interest alone yet when audio and visual productions are merged into a movie soundtrack, film score or popular music video, the results achieve an even more exciting sights and sounds experience.

David Mauk from Las Vegas Nevada is a composing performer with plenty of experience in the entertainment business while advancing in popularity from his 12 Months debut released in 2009. His first album created much excitement for many and equally so for David since 12 Months received nomination at ZMR for Best Electronic Album and also earned David a Best New Artist nomination for the year.

Ground Swell is his 2010 release, unique not only by the great mood effect of his classic yet easygoing electronic compositions but some songs were inspired by American realist painter Edward Hopper and Ground Swell is a CD / DVD collector’s edition that beautifully captures the early American century with Cinematic drama and makes a nice collection by any standard. The 5 bonus video clips are nicely correlated with his unique brand of classic electronic music and are a beautiful addition to the audio CD since the extra sensory effect of video makes it easy for anyone to visualize his ambient music becoming a modern times movie score.

The National Geographic Society has already realized the dynamic effect of his compositions by integrating as their official music with many exhibits including King Tutankhamun, Golden Age of the Pharaohs, Real Pirates and Cleopatra museum exhibits, in fine music that enhances the experience for every visitor.

David Mauk has given everyone 2 excellent reasons to appreciate his music in 2010. The Ground Swell CD alone is a free flowing natural display of bright ambience offered with a harmonious and casual impression, plus the DVD greatly points out the Cinematic enchantment that makes his music special.

Ground Swell is in effect an Ambient, Electronic, New Age album with a total of 14 songs. The 5 song descriptions I will provide from the CD are ones also listed on the bonus DVD, in this all inclusive CD / DVD collection and you will find the 9 additional songs are sequential to the atmosphere and ideals this album in entirety represents.

Dawn in Pennsylvania has a singular piano melody backed by a deeper synthesizer profile that gives depth to the overall bright and casual mood and is effective at producing a story line of realism by a light atmospheric point of view with cymbal taps and percussion enrichment.

Summertime is like an ode of joyous celebration the summer season always represents, marching right along in attitude by a majestic piano movement.

Lower piano octaves maintain the rhythm while upper ranges move up and down the scales in half steps while bell tones ring in the seasonal event.

Chop Suey relies on tenor drum and percussion rhythms as a prelude to keyboard producing the light staccato note melody with a casual feel.

During refrains the dynamics are rearranged to a deeper tenor and nicely embolden the song while adding tonal drama.

Queensburo Bridge carries nice rhythmical metrics by strings subtle back and forth sway while light synth notes and key changes introduce sparkling overtones into the melodious theme.

New York Movie is a dreamy song that transports you to a different place and time with strings becoming the prevalent character in the lighter melody. Percussion plays a more indirect role by sharp woodblock notes and when xylophone enters, the soft percussion detailing projects nice sparkling tones in a secondary rhythm.

David Mauk made 12 Months an impressive introduction into New Age music. Ground Swell is another fine classic that makes musical entertainment an even better experience, offering his appealing to the senses experience like the premiere attractions many people are searching for at this very moment.

Visit the davidmauk.com homepage and then sample / purchase on his music page. Learn more about David at his MySpace page and then our pages dedicated to David Mauk.

Cover art copyright Kelly Stamblesky – Smith. Picture copyright BigStockPhoto.com – Ondrej Garaj.

While water is one natural element necessary to sustain life, music is one non essential we can certainly live without but then again, fluid and tranquil music can be a calming neutralizer to a more harmonious life, especially when one is caught in a hurricane of stormy life challenges.

Eric Chapelle is a composing pianist from Austin Texas whose original music scores conceivably calm the waters in several ways.  Born in France, Eric is also an avid photographer who has lived in several countries around the world and his piano music retains the essential element for relaxing music by the calm buoyancy in sound that finds neutral ground with the pounding waves heard in some music today.

 Across The Water is his Contemporary Instrumental 2010 release that impart 16 songs in ambient expression and creative imagination.  Eric has performed his original compositions in concerts across the U.S. for over a decade, plus movie soundtracks in television, film, and commercials have been the scores that yielded wider recognition in addition to the 2 albums to his credit.  Our Time was his 1998 album admired by many and had justifiably earned Eric a place alongside more esteemed pianists after his opening debut.

Eric Chapelle’s contributions in The Heart Aid Project has inspired me to tell you more about the story behind his dedicated efforts in a tribute CD in memorandum of the fateful World Trade Center events on 9 / 11.  In addition to Eric who conceived and produced the project, he and review publicist Kathy Parsons had corresponded with 16 additional well respected pianists and everyone compiled the tribute CD without royalties.

Simply put, their time and virtuous work on this 9 / 11 remembrance album is to be commended, in addition their efforts have also reaffirmed my current knowledge that the 17 contributors response is very much representative of the caliber of people who comprise the New Age genre today.

Across The Water is another fine illustration of the resourcefulness put into every composition.  Julia Cory is a cellist from Texas joining Eric on songs Every Wish & Soft Landing then guitarist John Inmon & cellist Dawn Biega offer their contributing instrumentals on Across The Water ( Title Track )  Their level of performance and musical drama they offer expressively impart gentle movement into the picture and is well suited to the principal ideals this album represents.

This album retains yet one more harmonious notation since some of the 16 songs on Across The Water were recorded at the 150 acre Norton Island Retreat residency program created by the Easter Frontier Educational Foundation in Maine.  Eric has characterized the island as an inspiring destination of solitude where writers and musicians like him can compose in peaceful moments of relaxing clarity.

Norton Island is one song where the natural environment of the retreat is evenly transferred then shown like a scenic picture of captured images.  The comparatively timed piano solos, casual in ambient recollections like heard in Tide Pool wonderfully convey an impression of calm by the fluid detailing in chord phrasing and lighter melodies that offer subtle reflections using even handed moderation, much attune to Wild Iris in the mellow point of view it brings.

Remembrance is another beautiful song that carries a wonderful Cinematic overtone with every measure, and although the song on the surface is light the well placed notes engrave a deep feel of melancholy, in nicely placed emotional content I found quite moving.  Contrasting soprano chorals evenly trace the piano melody while outlining lower octaves then model into more dramatic posturing and boldly crescendo as if gentle waves were moving across the shoreline.

While Across The Water from Eric Chapelle is not essential to daily living, his inspired by nature album is a solid collection of calming ambience that provides a wealth of relaxing harmony for the listener, smoothing out the rough edges of today while remaining anchored in a state of readiness for the next enduring wave of life challenges that are sure to arise.

Visit the hamsamusic.com website and then purchase on his music page or at CDBaby.com to sample / purchase.  Read more about Eric at his biography page.  The Heart Aid Project CD is currently offered through the Spring Hill Music website.

Photo copyright Hamsa Music courtesy of Eric Chapelle.

The United Kingdom based MG Music label has much to be proud of these days. The 25 year anniversary for Medwyn Goodall and Clifford White alone is reason to celebrate, yet MG label artists Steve Orchard and Paul Sills also have excellent releases planned this year. You will find the quality artisanship delivered by this close circle of friends is special with each artist retaining their own integral voice which to me makes MG label artists significant.

Steve Orchard is a New Age artist from the United Kingdom quite masterful at producing electronic instrumental music composed with many improvised mood sensations that nicely culminate into a repertoire of lively rhythms blended with a kaleidoscope of colorful melodies. The end result is one singular voice implanting a vivid melody image right beside a natural and reposeful atmosphere.

Raindancer is his current release and first in a trilogy series based in theme on a 3 natural elemental word, with each in series containing the dancer suffix.

Sundancer & Moondancer are future releases and I can already tell you that his spirited dancer series illustrates a rare quality of relaxing yet energetic melodies that readily achieve universal appeal.  Steve’s prior albums Voyages Beyond Midnight, Salt Water Café & The Consequences of Kisses are highly regarded earlier works and certainly worth a listen too.

Steve Orchard is a prolific singer songwriter having composed and performed original music for many years on guitar, mandolin, and harmonica, various skin drums, piano and keyboards. His music was featured on BBC Radio, film scores, local radio jingles, plus Steve was a band member in 100’s of concert venues with other artists and a well recognized soloist in South West & London England during the 1990′s era.

Steve Orchard made a great impression on me with his first in series Raindancer. This admirable collection of beautiful melodies exhibit the standard of excellence and integral voice Steve Orchard so boldly represents, brightly illustrated by his picturesque first release in the alluring Dancer trilogy.

Raindancer begins the initial splash of bright colors painted on a fresh musical canvas in a vivid song portrait titled Tribal Fire. The lighter vibrato in soprano vocals make the primary background shades to flute’s breezy hues, nicely accented by snare drum taps and free flowing rhythms. Keeper of the Sacred Trees & Cajon Sun are enhanced pan flute and keyboard melodies attuned to light synthesizer bordering while percussion assists by even handed rhythms in a fine blending of tropical harmonies.

Acoustic guitar then takes a turn holding the primary melody brush in Cajon Moon, primed with a steady synthesizer outline backed by flute and tenor drum. Guitar and pan flute emblazon the impression by a faster tempo in free flowing songs Amazona, Pathway Through The Forest & Festival, with each song inscribing bright reflective patterns by progressive guitar rhythms, flute expressions and percussion cadences that portray a flamboyant resemblance.

Passion Flowers & Where Rivers Meet are compositions with airy Latin & World influences which make easy going songs by light flute notes dreamy ambience and gentle tracing by guitar strums having a soft percussion mix in the first, then tenor drum outlining in the second.

Road to Manaus has a dreamy groove concept by light flute refrains intertwined with deeper keyboard and acoustic guitar that travel along a harmonic pathway together with even symmetry. The orchestra phrasing with strings and resolute percussion smoothly enhance the delightful mood illustration in this song.

Anocondas Caress completes the colorful spectrum and gives one a chance to admire the total picture on this album filled with exotic surroundings. In an exclusive move during composition, this song is captivating using two metrical rhythms.  Flute nurtures the primary melody while guitar draws on half step chord rhythms during a second melody, rising in chord phrasing to elevate the tropical atmosphere.  This beautiful song in proportion to the entire album is a nice exhibition of the integral voice Steve Orchard  boldly represents.  It sets a high standard of excellence for his all inclusive Dancer Trilogy.

Visit the steveorchardmusic.co.uk homepage and sample or purchase Raindancer on his music page.  Learn more about Steve on his biography page.  Read my pages dedicated to Steve Orchard.

Cover design Copyright MG Music courtesy of Medwyn Goodall. Picture copyright Bigstockphoto.com – wtolenaars.

Pedal steel guitar is a stringed instrument that often receives no respect in relation to New Age music in part because the instrument is often classified in the Country and Hawaiian music scene only, but believe me the ground rules have changed and is primarily due to one man.

Bruce Kaphan from California has taken petal string guitar to a whole new level in New Age music for years, making this instrumental transition not only a surprising one but a dazzling one, giving even music purists a reason to love pedal steel guitar with his earlier release Slider and now Hybrid. The reason behind his new adaptation in an otherwise strict classification was pretty much the colorful sound quality it provides and a love of exploratory music.

What many find interesting is that Bruce Kaphan began his early career as a studio technician, engineer and producer for many highly recognized artists in other genres, where he either played a role with the recording production of their album or performed with artists such as REM, Jewel, The Black Crowes, Thomas Dolby, John Lee Hooker and many others. During his early days in San Francisco he was a member of Indie / Alternative band American Music Club and his music has been featured on film scores and television broadcasts.

Hybrid is an album with 12 original song compositions by Bruce Kaphan who makes it crystal clear right from first track Pohaka La that you are listening to a unique composite of exotic blending with unrivaled clarity freshly harvested from another cross section in the vast field of music and it quickly becomes apparent this new emerging beauty will remain a lasting entity.

Pedal steel guitar just happens to be the prominent instrument in Hybrid and a natural selection too after listening to songs like Gleaming Towers, Legacy, Silenzi & Renewal, which breaks new ground by classifying the instrument as a main entry melody contender versus a mere supporting instrument.

There are songs like the piano enhanced Maya and guitar renditions in Senbazuru & Loops for Larry displayed in a new manner and show the instrument as an appealing choice while clearing a new path during improvisation in light ambience while reproducing a well conceived follow up for his Slider – Ambient Excursions for Pedal Steel Guitar 2000 release.

In an age where hybrids in all shapes and forms are becoming more relevant daily, Hybrid seems like a true natural contender when placed side by side among more traditional New Age albums and the lighter exploratory metrical patterns of Jazz, Hawaiian and Country in Hybrid are a prized natural attraction that shows well beside other music forms while earning the respect it deserves.

Bruce enlisted numerous artists on this album including, Jake Shimabukuro, Jeffrey Wash, Kent Darnielle, Salar Nader, Matt Brubeck, Real Vocal String Quartet, David Immerglück, John Loose, Paul Olguin and Karl Perazzo and Real Vocal String Quartet that is featured in Okanagan Jubilee.

Visit brucekaphan.com to sample / purchase or visit his CDBaby.com page. Read his biography page and music page.

Picture Copyright Big Stock Photo – nsilcock.

Many musicians are content to remain within a specific genre and are a complete success in their artistic focus. Then there are other notable musicians where a natural progression is realized, developing into a unique artesian style and by their inner convictions, become a virtuoso by what they offer the music world.

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria first identified as a New Age, Contemporary Instrumental and World artist. While transitioning over the past 30 years of his career, his progressive directive and persona has helped neutralize the customary social borders in multicultural music for years.

Gates To A Secret Reality on the Prudence label is an open manifest of his ambitious return to classic World music. This 1996 album is one of fascination and perhaps a secret gaze into what Gandalf is planning for a future orchestration slated to celebrate his 30 year Anniversary in 2011. This future CD currently being composed is the centerpiece for the occasion, plus a live performance in Vienna will accent his milestone achievement.

It was during continental travels to Europe, North & South America and Asia where Gandalf began to realize the prevailing attitudes and many similarities of every continent greatly unites each of us, verses creates a divisional line between countries. This open border view is much a part of his global World Music ambitions, and perhaps why his style encompasses a unique image while making a valid statement in relation to his cultivated talents and international status.

Gates To A Secret Reality featuring 11 songs with over an hour of world class music is an earlier expedition not to be missed. Gandalf is a multi instrumentalist performing acoustic and electric guitar, charango, piano, keyboards, mellotron, balaphon and many indigenous percussions. Enlisting Emily Burridge from England and Peter Aschenbrenner from Vienna, Emily performs vocals & cello and composed 3 songs while Peter is another fine talent on flutes, soprano saxophone and some backing vocals.

This ensemble in unison has made the album a unique listening experience and beginning with 3 songs Dreamcatcher ( Part 1 ) vocals and flute instill a celestial atmosphere while Gandalf steps up to give an astounding Rock styled electric guitar anthem. This is much in relation to The Power Of Nature & Man’s Promise To Mother Earth performed by the united trio where vocals, flute, keyboard and electric guitar proclaims a powerful majestic atmosphere and is most memorable.

Many songs journey along more moderate terrains regarding style and tempo yet the fascination remains deep and on a grandiose scale. Footprints In Red Sand is relaxing by the flute and keyboard interludes before building momentum with electric guitar that greatly increases depth of the impression.

Majestic Mountain View is an apt title shown by cello, keyboard and flute setting their sights on a light background depth and then again in following windswept song Voice In The Wind, then bells signal the tonal imagery in piano and guitar melody on Along The Milky Way.  Some songs like Ascending On The Eagle’s wings, Dreamcatcher ( Part 2 ) & Floating Down The Silent Stream are ballads elevated by cello flute, keyboards and saxophone that give a cinematic feel by lighter orchestrations portrayed in a lavish way.

The Wheel Of Life is a moving concerto lightly revolving in time, thought and deliberation, swaying in a gentle way by an enchanting flute melody backed by wondrous piano rhythms. Cello is fluently engaged to intensify the atmospheric warmth and progressive movement this song and the album in entirety envisions, perhaps giving us secret insight into the celebratory atmosphere Gandalf has in mind for us in the year 2011.

Visit Gandalf.at to sample his music and find out more on his biography page. Visit the Munsing Germany based bscmusic.com homepage and then his BSA Music profile page to sample / purchase his music.

Picture copyright Big Stock Photo – EcoShot.

 NewAgeMusicWorld.Com is always ready to present musicians who excel in a particular field of music and whether it is solo guitar, piano or compilation albums comprising the New Age genre, we are ready to help point our readers in an appropriate direction.

Ben Woolman is a solo guitarist from Minnesota specializing in finger style performances on steel string guitar who amazes his audiences by an ability to layer cross and counter rhythms in relative fashion to the primary melody which gives the impression of multiple performers at his side.

Performing with multiple artists is not the case at all here, in fact his blending of harmonies and counter rhythms at the solo level are also without the assistance of dubbing, making his individual abilities a much rarer find than many other guitarists in the solo category.

Many Moods is his current release that projects his unique abilities in finger style guitar and this latest is another fine example of his more expansive 10 total albums that Ben Woolman has produced during his lifetime.  In addition, his longtime repertoire while playing guitar encompasses many genre elements like Folk, Blues, Jazz, Neo Classical, Latin, Celtic, and African, fusing many interwoven components that attest to his proficiency at a complicated technique.

Excelling in finger style guitar is precisely what makes the signature style of Ben Woolman quite unique.  In a perfectionist blend of layered counter rhythms, the applause given at the end of any performance goes to Ben Woolman alone and his singular talent for mastering the intricate counter melody technique.

The University of Wisconsin is one of the only colleges in the United States offering a degree in finger style guitar and exactly where Ben studied under a cooperative program with the Wisconsin Conservatory of Music, earning a Bachelor of Fine Arts Degree with honors in Guitar Performance which nicely enhance his natural composing and performance abilities.

Many Moods features 11 songs that offer a nice variation in manner and perception with 8 original compositions that do attain the numerous mood variations this aptly named album suggests.  The 3 remaining songs are renditions of The Police, Blind Blake and James Horner, and the challenging task of incorporating Rock, Jazz, and Cinematic music influences into Solo Guitar is pulled off with ease.

One Afternoon is the first song on the Many Moods album and one nice characterization of his individual style given the Folk with a light hearted feel similar in mood to Contemporary Sadie’s Smile.  Lighter images appear in a more contemplative Me, myself and You and faster paced Up and Back is a nice progressive piece, along with the briskly paced rhythms in Wicked Ascent.

A more Jazz style orientation can be heard in Salamander Swing and then Blake Says is an upbeat Blues tune that is sure to make you smile.  Mazurka Dance is a World & Latin influenced piece and another bright number that highlights his proficiency at finger style guitar.

The 3 renditions make great listening too, and this entire album is a fine introduction to not only a proficient artist, but a wonderful musician that kindly restructures his challenging handiwork into uncomplicated and relaxing moods on our behalf.

Visit benwoolman.net to sample / purchase or at his CDBaby.com page.  To find out more about Ben and view his full discography and song videos click here.

 Photo Copyright benwoolman.net courtesy of Rebecca Pavlenko.

When you hear New Age Contemporary Instrumental music having great rhythms and a wonderful upbeat atmosphere expertly blended with beautiful electronic melodies, this may be a promising sign you are listening to one of many quality songs produced by Davol!

Davol has just released Good Sign which decisively aligns itself to symbolize my description above and become an encouraging assertion to those in the music world already familiar with his first name artist title they are indeed listening to someone known for producing top quality music.

Successful in many aspects of his life, after obtaining a Ph.D. in 1989 his earlier career as a medical researcher and microbiologist were judiciously shelved in 1996 when he began a commercial venture producing multimedia music. During the same year his debut Mystic Waters became another personal success and made it to # 15 on the Billboard New Age Chart, where it remained a lengthy 25 weeks.

The decision to pursue a full time music career was fantastic news to those who already knew of his premium quality melodies, plus the worldwide usage of his songs involving television, radio, video and numerous multimedia production scores has clearly magnified this proficient artisan to many more.

Good Sign is an album that upon closer examination is rapidly multiplying in popularity and already making waves with his fans since the April 2010 release date. ZMR has set at # 3 for the month of April, so another positive finding for the very latest from Davol.  The 4 additional albums A Day Like No Other, Open Book, Paradox & Nature Of The Beast are all relatives to his current yet each one is a natural variation that evolves into their individual class, each interrelated by a characteristic source of fascinating drama.

Davol has exceeded his artistic intentions with Good Sign and the early reactions granted to Davol’s progressive album does replicate the characteristic source of fascination one will find in his entire discography. Good Sign is symmetrical to Davol’s principal expression of innovative quality music nicely accented with inspiring drama.

Scarborough Days is the first song of 8 tracks that gives you a clear indication of the momentum and direction of this definitive album, along with the resulting positive influences his entire discography symbolizes. This lively song highlights the optimistic upbeat feel and beautiful keyboard synthesizer melodies those who collect his albums know so well and treasure.

Good Sign ( Title Song ) is more moderate by a light ambient feel that will brush a dark cloudy day away for anyone and promptly replace it with a bright sunshiny day full of color simply by the rich interwoven keyboard melody.

Truth 2010 is an electronic Dance / Club influences remix featured during the popular online video now available on this album. A heavier percussion tempo prepares the groove rhythms before exploration into deeper shades of electronic intensity and is very much in time when comparing to his conceptual Truth Video which captures the superficial and unbalanced influences often portrayed in television media.

Nautikos is another favorite by displaying a natural sophistication and contemporary elegance given the positively upbeat keyboard melody blending notes to perfection. This song steadily integrates harmonic spectrums in sound while harboring the glowing standard of inspiration Davol can readily achieve, making this album and his entire music collection an exceptional find for anyone.

Those familiar with his captivating music have another reason to celebrate. Newcomers can experience this sweeping source of fascination for themselves and learn why everyone is so excited about this promising new discovery by Davol.

Visit davolmusic.com to sample / purchase or visit his CDBaby.com page. You can also find out more about Davol at his biography page and MySpace.com page.

Picture Copyright BigStockPhoto.com – Yakobchuk.

David Nevue is a composing Solo Pianist where some comparisons have been made to other pianists in the solo category for years. Those truly familiar with David accept the fact his personalized Neo Classical melodies shed new light on Spiritual piano music while instilling a deeper meaning apart from many by their innermost reverence.

It is true that in addition to his individual concert appearances David who resides with his family in Oregon, has often shared the stage with comparable great talents like David Lanz, Wayne Gratz, Suzanne Ciani, Peter Kater, and a multitude of solo performers, so perhaps a reason some comparisons of his work are made.

Another reason could be the way up in the clouds airplay since his music is heard on over 220 radio, satellite and internet programs worldwide. Overcome is a prior album named Best Instrumental Piano Album of 2005 in the Lifestyle Music Awards and Adoration, which also features traditional hymn arrangements reached # 1 on ZMR charts in May 2008, highlighting the integral popularity of his music.

In relation to his music career David also authored the book How to Promote Your Music Successfully on the Internet and founded the educational Music Biz Academy website that helps independent musicians market then advance their individual music careers. David Nevue also founded the free internet based Whisperings : Solo Piano Radio program having nearly a million listeners each month.

Coinciding like an open ministry of personal faith, Revelation : Solo Piano for Prayer & Worship is an offertory album of 19 intimate peaceful songs of beauty within, given the honored hymns of worship that persons with or without their own personal inner beliefs will enjoy.

Revelation : Solo Piano for Prayer & Worship contains 5 new hymn arrangements, 4 original songs and improvisations on 10 modern worship classics and is David’s eleventh release with a rededicated focus on melodic piano music offering a deep spiritual structure.

Revelation is much like past albums by original content and inclusion of new compositions on age old song hymns from centuries past where church attendees from many religious faiths will recognize in the first few measures.

David Nevue has a limited degree of formal music studies so recites much of his songs from memory, but believe me this is not apparent when you witness the beautiful music granted to this devout Christian man also identified by a skillful aptitude in his composing abilities and creative spirit while performing his personalized music.

You will discover that David offers his hymns like an open book with a nice variety of thought and feel on each song he performs. Softly and Tenderly is shown in a like reverence by an emotion filled call during the gentle yet moving piano melody that is more than worthy of this ages old hymn.  Blessed Assurance is an onward moving testament by the lively melody set in a moderately faster tempo that reveals the resolute nature of his work.

Holy, Holy, Holy is a lighter piano improvisation validating the positive hallmarks of the holy trinity and Amazing Love ( You Are My King ) is a more introspective song and positive affirmation for the melodies of honor he steadfastly produces.  David’s version of this Contemporary Christian music hymn is serene by an inner reflection that stands apart from most modern versions that celebrates his faithful commitment to Solo Piano music exalting a beautiful reverence overfilled with joyful praise.

Visit davidnevue.com to sample / purchase and learn more about his inspirational music. Then visit David’s CDBaby.com page and listen to Whisperings Radio solopianoradio.com right here.

David & Steve Gordon are internationally acclaimed 30 year music legends pushing the musical boundaries yet again by 2 releases in 2010.  The time consuming search for finding great music just got a little easier and I plan to bring you more about the band of brothers who founded the Sequoia Records Label.

The Gordon Brothers are easily recognized by many since these Award Winning producers, composers, and classically trained instrumentalists also founded the acclaimed Sequoia Records 26 years ago and will find they are a reliable and trusted source for great music.

Knowing their defining contributions to our genre and after my recent introduction to David and Steve, I look forward to telling you about their new releases since they consistently shape the landscape of New Age, World, Ambient, Nature, Chill Out and Electronic music in many respects.

New Age explorers of music by their early conception of nature sound creations and early dawn of their Sequoia Records Label, these 2 music innovators have attained world class recognition, grossed over 1.6 million units in sales worldwide and in the process, and even helped write the definitions for our primary genre and subgenres.

 David and Steve Gordon have been recognized too since their original music was commissioned for many film and television scores over the years, charted several times on Billboard and a recent New Age Music Retail survey has listed the team as the fifth overall favorite in our beloved genre which tells you about their fine achievements, recognition and life work.

Gratitude is their latest contribution in the Relaxation and Meditation series highlighting Native American flute with enhancing keyboard imagery that when integrated as a whole creates a natural feel with the pairing and becomes conducive to a revitalizing atmosphere.

Gratitude has a calming sensation which briefly takes you back to their innovative days of nature sound ambience first heard in primordial album Misty Forest Morning if you listen close enough.  On their current however a more prominent Native American Flute interchange becomes extended when partnered with drawn out electronic enhancements, nurturing depth while maximizing the level of richness in tonal balance.

The electronics blended with woodwind passages impart moments of peace and solitude in a relaxing sanctuary of refined ambience.  While sharing equal time and thought on this album, the Native American flute passages at times, becomes the calming voice from the past that shares a respective dialogue with modern day electronic ambience.

Buddha – Lounge 7 is the second release and a compilation of Chill Out Electronica tracks from around the world, and a great choice for those pursuing exceptional Chill Out music that also happens to be widely popular these days.  This Sequoia Records album enlists an array of 9 hand selected global talents sporting their interpretations of Electronic Chill Out, Groove and Lounge, with David and Steve taking a role on 3 originals of the 12 songs which presents over an hour of first class music.

Buddha Nova, Secret Lotus & Cobalt Transport are the 3 songs from David and Steve, and it is always a challenge to pick just one favorite, but lively percussion enhanced Buddha Nova with a light tonal keyboard melody did make an impression on me.

The progressive feel of Secret Lotus and mesmerizing percussion enhanced Cobalt Transport are first class too and you will find my favorite pick is simply a matter of personal taste.  This compilation album in entirety features Achillea, Tya, Jens Gad Presents, Artemisia, Paul Heinerman, Helene Horlyck, Jaya Lakshmi, Lodestone Resonator, and Opera to Relax.

Buddha – Lounge 7 is just one in the edition series in an even more expansive 16 Chill Out / Groove compilation albums from the production and mixing team of DJ brothers who showcase an abundance of global music talents you will recognize in addition to their individual album arrangements, making your search for fine music so much easier.

Visit the sequoiarecords.com homepage and then visit David & Steve Gordon’s biography page.  Here is their Meditation, Relaxation and World collection page and where you can sample Gratitude.

Here is their Chill Out Electronica collection page and where you can sample the latest Buddha – Lounge 7.   If you are new to The Gordon Brothers here is a link to their best sellers page.  Photo Copyright Sequoia Records.      

Craig Urquhart is an accomplished pianist having a renewed focus on quintessential travels into piano music that literally speaks to the heart by virtue of his current seventh Solo Piano composition. Craig also aims to share reflective memories on this album with hopes of achieving mutual recollections which appear reminiscent to our own memories.

Within Memory is Craig’s classic memoir that takes a transcending tour into piano music that quickly becomes a meeting place to share moments of harmonious reflection, focusing on moments that everyone can relate to themselves. Residing in New York City, his regional and United States concerts have also earned worldwide audiences on the airwaves and during performances in Germany, France, and Japan.

Telling of music influences like Classical greats Chopin, Debussy, Satie and Copland, an intriguing aspect about Craig is that he also tells of contemporary influences like Pop and Rock too, so a classic contemporary structure converges with an overall expansive identity in respect to his original compositions.

Craig Urquhart holds a Masters Degree in Composition from the University of Michigan, and is a member of ASCAP, serves on the Board of Directors with the Lotte Lehmann Foundation, is a Whisperings Artist and voting member of the National Academy of Recording Arts and Sciences ( The Grammys ) which speaks volumes about his comprehensive musical career.

Within Memory is an album well suited for telling much about Craig Urquhart’s harmonious directive for parallel unity and poetically becomes the equivalent memoir he openly shares with worldwide concert audiences, presented by a memorable and sincere narrative from the heart.

In The Afternoon is the preamble song of 10 for Within Memory, having a bright tonal cheerfulness recited by a frame of mind you will find engaging. Before The Canvas exhibits a deeper tone and image by proficient piano chords modulation while stair stepping upward during ascending treble scales, changing perceptions with each layer.

Rapture is the benchmark showing a hopeful image to the conceptual pondering and lighter melody. Laid Back has a nice feel by a treble melody concurrent with deeper bass octaves consistent rhythm while October Bright Blue recaptures a crisp and bright piano overture while making a distinction midst the two songs. Low Tide is the deep flowing melody with pause and intonation nicely enriched with hopeful optimism and song I favored most. Prairie Flowers flourishes into a gently moving melody while traveling to and from, given the preceding treble notes lead the closely timed counter bass notes while held in a subsequent role.

Within Memory ( Title Song ) concludes the album recital for the listener, but for Craig Urquhart it begins an arranged lineup for abundant visits to many countries during his role as an esteemed concert pianist. Later this year Craig is scheduled for concert recitals in the United States, Berlin Germany, Positano and Rome, Italy.

I am certain the concert events slated for this year will be another wonderful social meeting place for notable entertainment along with an exchange of lasting memories for everyone, especially for Craig Urquhart.

Visit craigurquhart.com to sample / purchaseor visit his CDBaby.com page right here. You can also read his biography page and visit his MySpace.com page.

Picture Copyright Big Stock Photo – aysarts.

Solo instrumental albums are a natural source of personalized music, so when two reputable soloists merge their singular talents, an alliance from soloists to duettists is an even more valuable source of personified music for everyone.

Devin Rice & Erin Aas are seasoned musicians already recognized by their proficient styles as individual artists now emerging as a team that writes and performs original piano / guitar and finger styled guitar duet compositions with hand selected musicians adding polished accompaniments on their new release titled Arrival.

Residing in the state of Washington, Devin & Erin had also traveled to Imaginary Road Studios in rural Vermont to enlist the expertise of Grammy Award winning Will Ackerman, so the level of quality on the album’s production retraces their visit to a highly specialized destination.

Arrival is an album where Devin plays piano in addition to guitar along with Erin, showcasing their 15 song compilation that is adventuresome and symmetrical from the first song to the last. After meeting for the first time several years ago, I felt their earlier mainstay as professional soloists has been doubled and enhanced using simple math, along with their broad variance in individual styles.

Devin Rice & Erin Aas, have selected skilled artists along with Grammy Award winning producer Will Ackerman, to emerge as a fortified musical team, and by virtue of each artist’s specialized skills, has attained a winning strategy with Arrivial.

Thyn Ayre is the crisp beginning song that sounds like a down to earth journey put to sheet music, like Procession, where a wonderful just right feel becomes the standard atmosphere. These folk styled narratives flourish during the piano and guitar duets set in a moderate tempo like most of the 15 songs.

Borderline is a breezy guitar duet by Erin and Devin, while their Tribute to Robert Frost expresses a more stately approach that includes percussion rhythms backing majestic piano melodies with subtler acoustic guitar highlights.

Lively acoustic guitar and percussion rhythms are heard on the memorable song Nevada, while Something About A Harbor has piano lead in for guitar, with rich melodic tones showing depth in a natural way.  Perdido En Granada, Lullaby For Now & For JB are gentle and more introspective songs with English horn and cello support that compliment the pleasing atmosphere.

Whiskey In The Watertower is truly spirited and a nicely coordinated guitar duet, featuring Will Ackerman on the final guitar solo that resembles Pulborough Spring by taking an up-tempo direction from the primarily moderate paced piano and guitar duets with instrumentals.

Rich cello harmonics are the scenic backdrop in songs, Morning With Annie, Southern Breeze, & Stars of Winter, with the latter song taking an adventurous free flight expression during the melody and refrains that gently lands with guitar, cello, and piano uniting in an ensemble.

Although solo albums are a mainstay and pleasing source of enjoyment, Arrival is a nice departure from singular solo albums given the enriching instrumentals and contrasting styles of the two principal soloists.  This departure notably doubles the fine harmonic value for the listener, along with Devin & Erin who have likewise doubled their musical achievements together as a team, and as individuals.

Additional musicians include Derrick Jordan on djembe with Eugene Friesen & Traci Hoveskeland giving cello performances on several tracks. Jill Haley lends her talents on English horn and Will Ackerman is featured in the final guitar performance.

Visit devinriceanderinaas.com to sample / purchase or at their CDBaby.com page. Click on their biographies page to read about their backgrounds and how it all began. Visit the Imaginary Road Studios of williamackerman.com right here.

Picture copyright Big Stock Photo – MelMcNaughton.

If you look close enough you can find beauty in all music genres. With some you have to look a little closer than others, but within every genre beautiful music does reside, regardless of your initial impression or what you first hear on the surface.

Likewise, many of our most popular genres greatly influence the atmosphere, tones, and rhythms of New Age subgenres to help create a perfect balance in modern music by becoming a liberating escape from more traditional forms of Ambient music.

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age. The album producers Garrett Schwarz on guitar and Vic Levak on keyboard, along with lead vocalist and songwriter Jody Quine, have enlisted guest vocalist Rebecca Ramone on several songs, to create a sensational new vision and exciting unification in ambience you are sure to find enticing.

Under An Endless Sky is the 2010 release by Balligomino via the Chrysalis Music Group. This current follow up to their critically lauded 2002, BMG / Windham Hill debut album, Beneath the Surface, is another album I was already familiar with years ago and still enjoy today.

The multinational band membership is based in Canada and the United States, so distances for members are miles apart and uniquely independent since each performer electronically relayed their unhurried contribution to the album’s construction, verses a studio mix. This approach has noticeably led to a uniform performance of quality from each member, with appreciable care given on each individual musical contribution.

Balligomingo is one artist title where Contemporary Instrumental, Alternative, and Ambient, reveals an effervescent intermingling with New Age. Their enchanting escape incorporates attractive female vocals, acoustic guitar melodies, and percussion structures that elevate beautiful yet non conforming ambient rhythms. Rhythms you will find fresh and energizing.

Under An Endless Sky features 12 songs with modern up tempo rhythms and pleasing vocals that easily provide a timely retreat from more traditional New Age renditions, and most importantly, Balligomingo consistently produces beautiful songs New Age and Contemporary Instrumental fans will easily embrace.

Showing a casual atmosphere with every song on the album, Spinning stands out as a modern representation, where guitar and keyboard ensure the surface reflections of light and color while backing alluring vocals contrasting the imagery of the mood with dreamy idealistic lyrics about endless possibilities.  I Just Tell Myself is an appealing and melodic song that outlines an intimate picture by the rose colored lyrics and resonating guitar rhythms with strong keyboard chords during refrains, like the deep synthesizer posturing in A Beautiful Day.

Under An Endless Sky ( Title Song ) Letting Go & New World rely on light and passionate vocals with nicely balanced instrumentals to nurture moderate tempos showing a partisan likeness towards the overall glowing attributes one will experience throughout this entire album. Over You illustrates a soulful groove rhythm by acoustic guitar that is soon personified by vocalized countermoves defining the relationship intimacy by lyrical viewpoint, while Goodbye retraces more progressive styled guitar runs.

Sunshine In Rain is a motivating up-tempo song with percussion making the early moves leading into strong guitar chords taking the song in an enthusiastic direction. Passionate vocals show a harmonic likeness to bright sunshine throughout the song verses, before keyboards ambient chords become the fading clouds while closing out the song.

Balligomingo relies much on enthralling and quality rich vocalists to display their picturesque musical surface, with deeper ambient imagery from instrumental and percussion displaying the pleasing atmospheric rhythms that brings everything together.

You might have noticed Balligomingo has a pretty album cover, but rest assured that the attraction does reside within the packaging. There you will encounter the true attributes of Under An Endless Sky, along with this striking Canadian and American group that also stands out as a natural beauty.

Additional writers on this album include, Michelle Lewis and Patrick Upton Jr. Additional acoustic guitar and piano include, Jerry Sintich, Geraldo Dominelli, and Zirque Bonner.

Visit balligomingo.com to sample / purchase then find out more about their performance tours, and their biography page.

Its one occasion when musicians produce music at the local level, and another when top performing artists from around the globe unite in a music festival that reaches the attention of worldwide audiences and achieves a high level of acclaim.

Johannes Linstead is an Award Winning Canadian guitarist and multi instrumentalist proving his acclaimed talents once again by his current release. Showcasing his lively artisanship on Spanish guitar, Mistico becomes the well centered focal point and international meeting place for dedicated music professionals uniting from Canada, Spain, Cuba, Greece, Iran, and Venezuela.

Recently winning Best World Album & Best Instrumental Album – Acoustic in ZMR’s 2009 Awards, plus ranking #1 at eMusic.com’s World Music & Jazz / Blues charts, gives the few people not familiar with the quality of his work a little more insight.

Listing just the highlights of his music career, Johannes was recognized in the Canadian Smooth Jazz Awards as Guitarist of the Year, had 4 Top Ten charting albums at Billboard, Best World Album JUNO Awards nomination, and 4 Best Album awards at NAR & NAV. With over 500,000 albums sold worldwide, the long list of awards and nominations in entirety reaches a length most artists strive to achieve in a lifetime.

Johannes Linstead has a musical style not easy to categorize since Contemporary, Latin, Flamingo, Mediterranean, and World are just some of the essential New Age influences that when synchronized with a vast array of percussion instruments, seamlessly integrate into stylish musical scores that could be more easily categorized using the word festive.

Mistico is the successful album that commands much respect, not only by the heart beating origins of another chart topping project by Johannes and his extraordinary Contemporary Latin guitar rhythms, but Mistico becomes an extravagant music festival with top international artists performing by his side.

The Happy Song ( Felicidad ) begins this rare international festival of 11 original songs with up-tempo flare, neatly tailored to the elevated atmosphere of the occasion while giving Johannes his first opportunity to sport the masterful guitar melodies for which he has become famous. The accordion composition smoothly introduces a heightened amount of ambience to the opening number with much fanfare, while groove rhythms in Rico ! move gracefully in counter beat with beautiful electric guitar runs, congas, and bongo drums to interlock in dramatic fashion.

Leisurely strides in Night Dance rely on a crisp Latin styled melody with moderate vocals to generate a nice distinction to a more casual Twilight, where the sheer beauty of guitar melodies lend themselves to a veiled feel of lively sophistication.  Otros Mundos embraces percussion claves, congas, bongo and timbale while playing rhythmic intermediary companion with guitar melodies expert runs in well defined chords.

All She is ( Ella Es ) brings a light breeziness into the storyline, while Coconut Girl outlines positive imagery of the spirited occasion on this festive album. Rhumba styled Santa Maria with accordion harmony extends a tantalizing impression of solidarity to the sunny and joyful affair. 

Durango brings the talents of many artists into the lively exotic mix, where dejembe, doumbek, and bongo percussions dispense the glitter, while guitar instrumentals and accordion intermezzos engrave the melodic sparkle. 1000 Veils conveys energetic rhythms and palmas ( hand clapping ) to make a striking contrast to violin’s and Spanish guitar’s well structured verses.

Mistico ( Title Song ) enters an extravagant linage of passion where violin and doumbek perpetuate the energetic tempo and warm festive atmosphere, uniting with resolute harmony while synchronizing to become positively dazzling.  Much like the territorial borders the world musicians in attendance encountered during the album’s production, Mistico crosses many borders itself, achieving an extravagant repertory for everyone who listens to this celebratory fiesta of music. Viva Mistico!

The global musicians uniting to form this international festival alongside Johannes Linstead include Anastasios Bigas, Frank Marcos Aular, Jalidan Ruiz, Jordan Abraham, Geoff Hlibka, Yosvani Castaneda, Sina Khosravi, and Laura Fernandez.

Visit johanneslinstead.com to sample / purchase or visit his Amazon.com pages here.

Picture copyright Big Stock Photo – Siart.  Album cover copyright Johannes Linstead.

Close your eyes then imagine a gentle breeze and warm sunshine against your skin. Add in the beautiful sights, sounds, and pleasing aroma of your surrounding environment so that when everything is considered, makes a memorable day you could term sensational.

This scenario could easily place everyone in many favorite pastimes, but for one concert pianist who enjoys sailing the warm oceanic waters in Hawaii, this description matches the wonderful sensations realized while contemplating his next piano album.

Christopher Boscole is the classically trained pianist, composer, and musician where genre’s of New Age, Jazz, folk, and Neo Classical piano, are just some of the elementary influences of his inner expressions as a pianist finding new enlightenment while recalling his personal experiences.

Christopher’s educational achievements run deep, having a Bachelor of Arts in music as a professional music educator performing for over 20 years now that expectedly incorporates his scholastic abilities of quality. He is also a Master of Music in Studio Music, Jazz, and holds a Master in Teaching degree, also serving tenure as a piano teacher, concert band director, and church accompanist, all of which nicely reinforce his level of expertise.

Inner Voyages is the 2010 release by Christopher Boscole, where after the return trip home to his concert piano, inner recollections and creative observations from voyages of the day are transposed to sheet music for our enjoyment. These creative inspirations that are drawn from a favorite pastime greatly show original piano compositions as positive memories, and where his freestyle music readily equates these recollections a truly memorable experience for the listener.

A Melody in My Heart & Title Song Inner Voyages makes wonderful first preludes into the 12 songs showing inner expressions in a primarily moderate tempo recounted as an uplifting time of restful retreat and overall pleasing experience.

Heart of Romance share mid range moments of calming ambiance with very upper octaves during the final touches, while Spanish Dreamer in a more stirring melody, closely matches the joyful atmosphere of the moment by classic chords journey up and down the note filled landscape.

Land of Sea and Sky gives breezier moments that smoothly glide in contrasting horizons of calm, where Sea of Spirits reflects leisurely back and forth steps in the scales in notes that give the feeling of time well spent by the song’s more inward introspection.

Cry of the Birds in lingering moments, nicely correspond with key notes that similarly mimic sound imagery of the environment, and Suite Sunrise, has pondering contemplations by a singular key melody paired with upper octave trills where by effect, give a shimmering tint to the open flight of his personal experiences.

Christopher Boscole readily shows much versatility by his prior piano compositions totaling 7 albums. September Songs & Land Of Music are Contemporary Instrumental, while Shimmer, O Christmas Tree, & Presents Of Angels are Solo Piano, with nominations in 2 categories at ZMR. His Jazz influenced album Natural Instincts combines talents with great performers in the Instrumental Jazz category, and is a nice selection too.

Inner Voyages is an album where calmer winds and tides prevail during Christopher’s recollections. You will find the audible sensations closely match expectations one would discover if they were sitting right beside this music professional while he navigates the warm calm waters of his sensational inner piano compositions.

Visit christopherboscole.com here and sample / purchase at his CDBaby.com page.

Picture copyright Bigstockphoto – palms.

Some New Age music has the power to inspire right from the moment it was first created, capturing your attention right from the beginning while also standing the test of time. Inspiring music at this level is powerful, imaginative, and well defined.

Something I find just as inspiring are the true life biographies of the artists themselves and their individual success stories that sets them apart from all others, and what may be revealed in their futures. I find their innermost passions and true life stories of their careers incredibly powerful and real.

Clifford White is a musician living in the United Kingdom defining our New Age genre in many respects, and if you knew the significance of Clifford’s story, you would agree we can expect more contributions in the future. His insightful inception into the New Age genre emerged as a teen back in 1985 when he released a phenomenal hit entitled Ascension, establishing Clifford as a leading composer and producer who greatly influenced our primal genre in the process.

Ascension l l – The Healing Touch on the MG Music label is his 2010 sequel revisiting the very essence of his younger creative spirit, now with newly enlightened perceptions as an acclaimed artist.

The true story of Clifford White is unique from so many artists since he began a recording studio while retaining producer credits on 26 albums, founding the music magazine Sound Waves and the New Age Music Association (NAMA) persevering even more where he and top artists began promoting our genre by concerts and recordings in the early years.

Clifford White first composing the historic international best-seller Ascension back in 1985 now celebrates his 25th year commemoration by the powerful and inspiring Ascension ll – The Healing Touch. The biography of Clifford White reaches another chapter in his life and music, telling much about the man and his insightful dedication to the New Age genre.

Ascension ll – The Healing Touch has a reverent infusion into 9 classic songs, ushered in by A Blessing, where mid tempo bell tones unite in a gilded keyboard melody rising to embrace a peaceful interlude in mind calming ambiance. Orchestra stanzas enter a rich fullness in depth, giving a gentle swaying motion which readily personifies the aesthetic legacy of his insight into a genre promising peace and tranquility to all.

Eternity denotes wonderful orchestration with flugelhorn articulating an offertory role in a gentle concerto. Chimes and keyboard form an abstract atmosphere with chorals that lightly crescendo into a proclamation of relaxed contentment, while the song Luna contently adheres to a steady rhythmic keyboard pattern while upper keyboard octaves support a light shimmer to an already glistening theme.

Sanctuary gives retrospect imagery of the song Hallowed Ground from the first Ascension album, where songbirds begin verbal episodes of their creative entity, lightly recalling a past heritage.

The new melody in Sanctuary now signals in peaceful orchestra illuminations where bells signal in light contrast to a calming melody while songbirds again give a final repose about the common ground shared in melodies during the past 25 years.

In a counter beat melody, Reawakening joins with strings, soprano choir, and percussion woodblocks in a peaceful realm, while The Answer & The Power Within embrace ethereal sensations in synthesizer projections that evoke supreme auditory notes, residing in high melodic textures that reach for the stratosphere in harmonic purity.

The Healing Touch ( Title Song ) is a lightly ascending piano melody where an invocation with celestial harp gently strums a transcendent likeness, remaining well versed with the ethereal theme.

Ascension ll is another great testimonial to the aesthetic values of Clifford White and his time tested principal leadership towards a music genre that promises peace, relaxation, and calming tranquility with every defining moment.

Clifford presides over his multi faceted 21st Century New Media Ltd business, specializing in media consultation of Internet, film, software, television, and media related training courses and operates his New Age Music News website.

Visit cliffordwhite.co.uk to sample / purchase Ascension ll.  Here is his dedicated page at our website.

Picture Copyright Big Stock Photo – dndavis.

In a dream of fascination, one man’s New Age Symphony moved light years ahead in time by his first release on the AMAdea Records label based in Bulgaria. This visionary dream now advances into a deeper realm by his second release to become a world class symphonic revolution.

Bryan El is the artist title with a minds eye resemblance when confronting electronic music and where his first album Out Of This World began to witness a calculating number of people to his quickly multiplying fan base. Those familiar with the classic symphonies of Bryan El would be compelled to look you straight in the eye then admit his music carries a modern day or futuristic atmosphere, and some might even say his visionary projects are somewhat revolutionary.

Northwest Europe is the geographical homeland where Bryan was educated and currently lives, arriving at his stair stepping music ambitions after having studied Graphical Arts at Belgium’s Holy Technical Institute, along with a professional career and creative interests in website design.

Spiritual Evolution closely examines the challenging theories that make synthesized music a great formula and what can be interpreted from the use of electronic components. Integrating Contemporary New Age, Electronic, Groove, and Chill Out, touch every precise beat becomes relative motion in this modern day configuration.

Spiritual Evolution marks the second Bryan El album, where some stereotypical guidelines in music are crossed, and synthesizer boundaries seen in many modern electronic influences begin a new interpretation. To me, Bryan boldly speaks this universal language loud and clear, marked by his spirited crusade of premium brand electronics in a fascinating second symphonic proclamation.

Ascension makes your first trek into the deep symphonic creations of 13 song origins known front and center by an escalating song of beauty. During keyboards methodical exhibit of eerie ambience, glowing strides measured out by cellos back and forth inclinations, sway in time behind strong percussion rhythms in an effective blend of unifying ambience.

Dreamscape literally rises above like a hand waving crowd given the pronounced upper tempo showing the lofty abstract of this logistical dream escape. While rising to a high plateau on synthesizer, the keyboard staccato notes nicely contribute to equal groove timing, and deeper bass percussion entertains a pronounced beat while progressing into a conjoined helix of modernistic apparitions.

Lightly steady rhythms give Sunburst & Airwave a well blended symphony along with a modern common denominator akin to song Moonshine, with the exception of a more elevated tempo. The mid range Arcana hazily drifts towards an ethereal plane, much like the heavier percussion and choral backed piano heard in Soulbound.

Fantasia first appears to have a light linier florescence on the outer surface, yet there lays a deeply mysterious vector line etched parallel within this song. This imaginary line soon unfolds in a moderate tempo harmony with timpani, bass, and snare percussion holding steadfast in their revolving rhythms.

When keyboards enter a beautifully drawn out melody, soprano vocals strongly unite with their tenor and deep bass equivalents to incorporate powerful sketches of light contrasting mystery.

Solaris XL is an iconic song most popular with fans of Bryan El and while this upbeat revision holds a vogue mindset with a completely new matrix, the spirited melodic glow that made this selection most popular, is once again expected to acquire renewed acceptance and favor of those loyal to Bryan.

Those familiar with the name Bryan El have surely acquired this newest world class symphony for their collection. Newcomers will hopefully visualize their first opportunity to discover the candescent fascination behind Bryan’s unique brand of great symphonic music most are sure to see as revolutionary.

Visit bryanel.com website to sample / purchase or CD Baby.com page. Be sure to visit Bryan’s profile page at amadearecords.com website and the large selection of great musicians showcased at the AMAdea Records label.

Picture Copyright Bigstockphoto – sgame.

When searching by computer for talented artists in your favorite genre, a couple of simple search terms might quickly get you good results. If not, you can try searching the many recording labels to help you find talented artists, or at least point you in the right direction.

Lisa Downing is one name to search for, and Vision Quest Entertainment is another search term you can try. With either result, Lisa Downing’s name will appear since this business was originally her own record label and now a combined talent agency doing business as Vision Quest Entertainment, representing over 1200 musicians in Colorado.

Now that we know Lisa Downing as a businesswoman, let me tell you about her busy career as composer, recording artists, and concert pianist. Lisa performs in many concert venues including corporate and private events, along with conducting workshops and concerts with Liz Story and Joseph Akins, among many additional reputable artists.

Teaching piano along with her academic studies, Lisa attended the University of Colorado at Denver and Metropolitan State College to study music and piano performance. Graduating with a degree in Traditional and Nontraditional Music with Keyboard Emphasis in 1982, her educational pursuits appear to be nicely balanced too.

A Delicate Balance is her 2010 Solo Piano, New Age, Neo Classical release, in an album title that is pretty well equal to her business and creative endeavors as a Solo Pianist. What’s interesting about the inside cover of this CD is the special written diary about the thoughts behind each song’s composition which uniquely portrays Lisa’s intimate expressions during some rather personal moments in her life. I did enjoy reading her diary of songs while listening and preparing for this review of A Delicate Balance since it meticulously brought her personal recounting for each composition into the picture, giving her piano melodies a conclusively heartfelt and well spoken reflection.

Without giving away all of the diary secrets, many songs like The Gift, reflect a wonderful positive expression by the classical phrasing leading to the uplifting feel given by full register piano runs. This song aligned in a moderate tempo made me think of the intrinsic treasures a gift giver feels and the unexpected joyful surprises a recipient receives.

The song Lost nicely portrays the first quiet moments in piano composition before well placed notes makes one realize that someone dear has lost their way, leading to deeper moments of pause and curiosity by her intonation. After bolder dynamic chords suggest a winding road of lost hope, an upbeat conclusive ending happily points to a more familiar direction, ending with a more moderate calming tone of security. Indecision is a faster moving piece where treble runs are shown like racing thoughts of indecisiveness, and lower register chords lean towards equal balance in an affirmative way, reflecting the decisive moments in life that are pretty much universal to everyone.

No Matter What I Do involves a special dedication and meaning to Lisa and does reflect this by quieter phrases giving way to pause, leading to a wider path, where positive chords suggest a new resolve in this scenario, ending in a more relaxed contemplation. Lisa’s prior albums Think On These Things is much like her current personal melodies with well timed moments of reflection, and her Holiday CD Christmas for Two are traditional holiday arrangements you will easily recognize and are easy to find CDs.

A Delicate Balance is a fine Solo Piano album with the personal Lisa Downing expressive touch. Reading her song diary while listening to her latest musical gift about finding many delicate lines during the search for perfect balance is sure to please everyone, provided they take the time to search and then find this talented artist for themselves.

Visit this Vision Quest Entertainment artist at LisaDowning.com to sample / purchase or visit her CDBaby.com page here.

Picture copyright Big Stock Photo – og-vision.

Just like an orchestra conductor standing on a podium, one New Age artist first held his raised baton in hand, and began to cue the first downbeat gesture for his debut album.  What emerged after the final cutoff gesture was made, led to an upbeat direction for his first album’s achievements, and proclaimed admiration for this relatively new artist.

David Wahler is the musician orchestrating Antiquus in a like manner, where his time signature expertly directed a unique phrasing in tempo, dynamics, and articulation, leading to welcoming salutations of praise during the final reception at the end of his first orchestration.

Antiquus  is a greatly applauded 2009 album surprising many by the paramount success granted to such a relative newcomer in the New Age music industry.  The consistent airplay and high ranking in Zone Music Reporters charts is widely recognized, along with pending nominations for 2009 in 4 categories, yet to be decided.  Likewise you will find Antiquus is held in high regard with our own NewAgeMusic.nu Best Albums of 2009 Awards, so these merits do speak clearly.

Music itself is not new to David since he began playing piano by ear at age 7, then formal music studies in college academics before directing several theater productions, performing with the Rockford Symphony Orchestra & New American Theatre, while also teaching music appreciation to disadvantaged and handicapped children.

David again steps onto the conductor’s podium for a second time.  With all eyes watching, and with several decisive taps of the hand baton, he confidently cues in his current 2010 release  A Star Dances, in an encore performance notably holding great expectations. 

Composed, performed, and arranged solely by David Wahler, this album represents a heartfelt narration surrounding his family circle past and present, where resolution of personal life challenges are reflected as a unique source of inspiration for his music’s identity, lovingly embraced by his close family heritage. 

A Star Danced is New Age, Contemporary, Electronic, Ambient, Neo Classical, and Orchestration, nicely displayed by his directing hands, where it becomes apparent this second release sharply manifests a sweeping one and two and timing, in relation to the precision delivery of his already admired discography.

The song Quest is the Epic alpha and omega heralding in 14 classics of A Star Danced, and perhaps a fine talking point of those like myself giving their own conclusions about his second release.  To me, this sensational wonder is a revelation to behold, given the heavenly virtuoso trumpet intonation with pronounced percussion taps unveiling moderate rhythms while keyboard and tenor vocals gently mesmerize.  Having these bold dynamics and a contrasting sheer ambience of lightly drawn out vibrato notes, it could be telling of a more calming and peaceful resolution made during some of our most challenging moments.

The atmosphere in the Title Song by soft soprano and tenor vocals echo nicely behind droplet-like keystrokes and percussion rhythms blending into one relaxing starlit entity.  The Seeds of Time are generously sown by guitar soloist Brent Gunter, where his evolving impressions are backed by moderate keyboards and celestial choir. Come Gentle Night has a light sway led by beautiful keyboard bell tones similar to Peaseblossom & Reverie.  Sigh Away Sunday & Vespera are new images holding a conforming poise from the well conducted Antiquus album, giving fresh ambient patterns to the ensemble of songs.

Yvonne is a heartfelt rendition where harp and piano melody embrace to portray a positive affirmation when keys changes bravely touch on an optimistic tone. It is this song where piano, strings, and harp join in a tribute to a special person, and where the significance of someone dear to David is personified.

Missing You is first composed in singular piano notes where a solemn melody gives a peaceful and serene placement of solitude in the earliest moments while nicely responding with a graceful tribute.  Piano notes resolve in a most dignified phasing, giving rise by a reverent conclusion, where ordained notes of respect and solidarity become intertwined in the loving arms of melancholy. 

Quest ( Reprise ) makes a return odyssey to the dynamic opening impressions, becoming the concluding exodus to again reveal the bold aesthetic testimonial of David’s second album.  Devoted to his unique signature which retains your interest and imagination from the first cue to the final cutoff note, I do expect honorable recognition will be given to David Wahler & A Star Danced, pending this album’s overall final reception.

Visit davidwahler.com to sample and purchase or at his CDBaby.com page.  You may read our own NewAgeMusic.nu Best Albums of 2009 Awards and my review of Antiquus on our pages dedicated to David Wahler.

Picture copyright Big Stock Photo – pressmaster.

Today’s computer enhanced technology is amazing, and when skillful composing is combined with live performers and instrumentals, the resulting musical outcome can become a creation of natural beauty.

Timothy Crane is an artist using a creative touch with the music technology of today by composing piano music and then intregrating key instrumentals along with orchestra effects that become full structured works of music he and his close friends enjoy creating.

Dragonfly is the second release where Timothy plays a leading role as pianist and co-producer of his second album, along with Jason Rowsell who also played bass and mixing. Friends Rick Henly performs on guitar and percussion effects, while Ryan Day engineered and mixed the album. One last credit I don’t want to miss, Jason Rowsell’s young daughter has a cameo role by quietly laughing on cue during the beginning of song, A Child’s Goodnight.

The Other Life I Dream is the first album I enjoyed equally from Tim and this talented group. When asking Timothy what was the primary objective on this current release, and what set Dragonfly apart from the first album. Here is his reply:

With Dragonfly, my focus was more on the composition. Each piece reflects an attempt to craft an instrumental tune that is memorable, unique to the overall album, and noticeably piano-driven, produced by independent musicians who want nothing more than to continue to create and play music.   Timothy Crane

Dragonfly is where I discovered more natural forms of instrumentation become closely acquainted with an animated entity in 11 song classics. A few songs carry the rhythmic tones that might remind some of a highly recognized female artist at first glance, but I soon discovered every song is composed with a unique singular structuring in each melody belonging in a New Age, Piano, Contemporary Instrumental, Cinematic theme.

Dragonfly indeed takes flight with first song 2×2. In a graceful piano based dance of the keys, a real beauty of a melody greatly captures your attention by the upper tempo modern rhythms.

Well placed staccato notes from strings carry this steady motion while wonderful orchestration carries the appropriate rhythms that lead to a natural form of musical attraction.

Sylvan Grove holds much of the same beauty by piano leading in an upbeat theme while horns and strings inscribe a smooth blend into another most positive melody. Higher octave piano notes in Star Cross Moon are the first gentle indications of a nice correlation in melodic shades, and when numerous major to minor key changes make a full emotional presence felt during refrains, the result is gratifying.

A Child’s Goodnight is a playful theme that soon matures in a full chord and heartfelt movement, while Salish Sunset in again, a more moderate tempo, along with light recollections in piano phrasing, join with oboe to impart warmer tones of orchestration to enhance the open atmosphere of splendor.

Theft in Eb Major has more of a classical thought in composition with major and minor chords extending vibrant hues while building momentum as the song progresses. The woodwinds warm breezy notes blend with background choral vocals to instill a more celestial feel with this song.

Theme of Rachel Scott is another focal point where medium range keystrokes give way to lower chords feel of depth and richness, blending nicely with orchestration to become one exciting entity. Vasilissa the Beautiful entertains a most peaceful beginning only to be suddenly interrupted by an enthralling performance from piano, choir, and deep thunderous percussion, quickly taking flight as if suddenly startled from a comfortable resting place.

Title song Dragonfly is an impassioned piano solo signaling the finale of this lightly animated album, in a conclusion where I felt every colorful detail was closely examined while producing this incorporated album, becoming the perfect choice for many people desiring popular music creations having a natural attraction.

Visit timothycrane.com website to sample / purchase.  You can also visit his CDBaby.com page or Amazon.com page.

Picture Copyright Big Stock Photo – FOTOCROMO.

Michael Brant DeMaria, PH.D, is a recent Grammy Nominee making the news lately. Likewise, our recent interview together gave many people an in-depth look into the life of a clinical psychologist, composing musician, poet, author, and dedicator of his Healing Sound Series.

Knowing Michael better now, it’s clear to me his music is an instrumental model in itself, much like his art, books, and poetry, all of which have acquired U.S. recognition, along with international acceptance in Australia, Europe, Russia, and other parts of the world.

In his psychotherapy practice, Dr. DeMaria created ONTOS ( Greek for Being ) to help people live more meaningful and effective lives by ambient music interwoven as relaxation therapy. I feel The Series can be perceived much like a form of cognitive conditioning, becoming an audible portion of his personal inner message by design, helping one acquire a new perspective and begin a refreshing journey on a path to wellness through calming music.

The River first began the Healing Sound Series, with Ocean his second project based on over 25 years of personal and professional research in the fundamental principals of sonic healing techniques. Ocean was conceived to help hurricane survivors much like himself, begin anew and return to a more peaceful existence.

Where our rivers are a beginning source during their natural paths across the landscape, The River by Michael Brant DeMaria is like a template to discover a new direction, if even for a single day. In addition, while help customarily arrives in the form of understanding words from this highly educated man during his medical practice, Michael’s healing music has a similar philosophy. It is where gentle curves in The River now become the stimulus equivalent for discovering a natural direction in which to travel.

Siyotanka is the third story based narrative that won a Native American Music Award in the Native Heart category, and placed him on the Grammy ballot for Best Native American Music Album, also retaining the # 1 position on ZMR Top 100 charts in December 2009.

“The River is an album dedicated to all who listen from the heart” are words Michael used to analyze this first in series. More than familiar with his music, I find this a realistic concept.

Descriptive song titles likewise assist in what you will hear on The River, which relies on Native American Flutes, keyboards, piano, and indigenous percussion to form the reservoir, rising momentum, and infiltrating sunbeams heard in beginning ambient songs First Light, The River & Sunlight.

Journeying is one of the more intriguing songs to me, having a rhythmic percussion and keyboard enhanced xylophone effect, when left to the imagination, places one in a forest habitat, residing right beside gently lapping water’s edge in a restful moment of singular, peaceful solitude.

The Rain features an indigenous flute solo while a thunderstorm’s echoing claps can be heard in the distance as if releasing every negative thought from afar.

The imagery of light water droplets dispersing transform to create a colorful sunset at dusk, leading into piano and woodwinds calming sounds in a quiet Night Fall.

Moderate keyboard sequences, along with single touches on the piano keys treble octaves make positive reflections in Moonlight & Stillness lightly glow by their conforming ambient phrasing, while indigenous woodwinds direct a more solemn indication to denote the threshold hour of Midnight.

The River’s 10 song origins instinctively find a natural pathway to The Sea where most rivers lead. In comparison to seas partially confined and bound by land, Michael’s directive of these rivers hope to point towards a new concept releasing everyone’s unlimited potential, in relation to the vast open horizons observed in our five greater oceans.

Visit ontos.org here and then sample / purchase on his music page, or CDBaby.com page. Read our interview on our page dedicated to Michael.

Picture copyright Bigstockphoto.com – WizData.