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Archive for the ‘New Age Music World’ Category

Al Conti is a name many recognize in U.S. and international audiences as a composing musician having a natural ability for producing some of the most vivid story based music in the New Age & World music genres.  For those who are wondering, his ability to intermingle these exciting tales of intrigue into every one of his award winning projects originates from Al Conti’s life experiences and extensive global travels.

Northern Seas is the fourth narrative from Al Conti that made a grand impression on me after hearing this new release for the first time.  On Northern Seas the ancestral homeland and Nordic heritage of Scandinavia is the theme presented in a manner you will find intensely glorious regardless of your own family coat of arms since the perceptions in imagery and rich instrumental landscape valiantly hold the high ground on this resolute masterpiece.

Al Conti has a long family legacy himself arising from a extensive linage of expressive artisans, and in addition to his popularity as a top musician, Al Conti is an performing actor, having made television appearances during shows of the acclaimed CBS daytime drama As The World Turns, commercials, and films, in addition to on stage theatre productions in the United States and overseas.

Al Conti’s first albums were Shadows & Poeta and third release Scheherazade from 2008 was a landmark award winning release that resided at the top of ZMR charts for 3 consecutive months, and then received 4 ZMR Lifestyle Music Awards nominations including Album of the Year.  Scheherazade then sailed among the clouds to secure Best World Album of 2008 and is played on many satellite and cable channels including Sirius / XM and Music Choice in addition to high watermarks in global radio charts.  Northern Seas at time of review publication has reached # 2 in ZMR’s Top 100 chart for October 2010.

Northern Seas is a fascinating mixture of New Age & World Fusion with a Celtic inscription on several of the 11 tales of intrigue recounted from the long ago days of antiquity.  The indigenous past folklore of Norse mythology brought to light by Al Conti is a melodious one indeed, telling of Norsemen during a time of Viking sovereignty in the Scandinavian nation.  Treading a deep imprint on each tale, every single song is crisp, clear, and refreshing as if detailing the pristine landscape and panoramic mountain vistas by deeply spacious tonal qualities.

Northern Seas ( Title Song ) has a thunderous opening with an aura of mystery by the piano melody but the free spirited rhythms by flute and violin illuminate the first waterscape images and swiftly place you into the forged from fire and ice Nordic landscape.  The light lyricless vocals portray an invigorating atmosphere which greatly changes what could have been pictured as a cold dreary day into one filled with deep but breathtaking rays of shrouded sunbeams.  Long drawn out colorful vocals are another positive element that dominates an ambient grounded Veil of Mist.

Song of Rig & Valkyrja are adventurous melodies featuring the ancient and exotic instruments used in this albums production.  Al Conti is proficient on a wide range of instruments and on Northern Seas he and contributing global talents create the unique feel of ambience using ancient and exotic instruments like kantele, harp, hurdy gurdy, pump organ, accordion and tribal drums that are melded with modern time instruments of piano, violin, cello, acoustic and electric guitar.

Odin The Wanderer is notably mysterious but also carries a palate full of vibrant hues much in part to the charismatic melody and choir that is lightly comingled with alluring violin and accordion tracings.  Two flute melodies with a Celtic essence are the vigorously paced Dans for Loki and then free flowing The Rainbow Bridge.  Piano and accordion merge in the light song Baldur and the time honored instrument when united with piano turn the tides of time to create an aesthetically pleasing old world essence.

Ragnarok has a penetrating melody with a light percussion rhythm of true enchantment.  This graceful new dimension in elaborate instrumentals of piano, harp, flute, and accordion constitute smooth verses in unison with a light choir while transitioning into a breezy reflection well in harmony with the chosen Nordic folklore theme.

Al Conti has crossed yet another threshold with this exciting new release having every telltale sign of award winning success given his intriguing music portraiture of Scandinavian countries centered by Norway, Denmark, and Sweden.  The majestic highlands, islets and fjords bordering the Barents, Baltic and Norwegian Seas have become the phenomenal harbor setting for this striking new album christened Northern Seas.

Visit alconti.net to sample / purchase.  You can also visit his CDBaby.com page or Amazon.com page.

Album art courtesy Elena Ray.  Picture copyright Big Stock Photo – galdzer.

David Clavijo is a composing guitarist from Seville Spain with an adventurous expression of New Age music along with the multiple genres of World, Ambient, Contemporary Instrumental, Chill Out and Groove categories.  In most cases you will find some of these influences from one album to the next with some musicians but his novel new release travels along a multitude of influences throughout the entire album.

David Clavijo first began to write songs in the styles of Pop and Rock of the 1980’s and has several compilation albums to his credit until diversifying into the multiple genre music he composes today.  The compositions of David Clavijo likewise have universal appeal having been featured in television commercials, soundtracks, festivals and numerous cultural events held in Spain.  He has acquired a global audience by extensive radio airtime too and has collaborated with many international labels in the Ambient & Chill Out categories, so there are several compilation projects you can find that feature his original scores.

The Landing ( Special Edition )  is his current release and a natural acquisition for those who like lively instrumentals with wonderful upbeat rhythms since every songs carries at least a moderate or upper tempo with liberal percussion accents. Another point of interest is almost all songs exhibit piano and electric guitar harmonies with appealing vocals which nicely enhance the instrumental setting.

The Landing ( Special Edition ) by David Clavijo has 10 songs featuring some vocals and his polarizing balancing act of multiple influences which is a wonderful achievement of artistry from beginning to end plus The Landing in original form with 6 songs has attained worldwide airplay, catching the attention of not just the buying public, but some music retailers too after landing onto their best sellers section.  While the original The Landing was already an earlier success, David Clavijo’s inclusion of 4 bonus tracks truly does turn his promising new multi influential release into something quite special.

Visit davidclavijo.com to sample / purchase or at his CDBaby.com pageand major retail outlets.  Learn more and connect with David Clavijo on his social network sites MySpace page & FaceBook page.  Below is my review quote I wrote about his release and the compilation YouTube video from The Landing ( Special Edition ) album and a special promotion video!

David Clavijo from Seville Spain has a natural inclination of what multi influential New Age music is all about and I felt his performance on acoustic & electric guitars along with piano & keyboards are a fine line balance that blend together remarkably well by his diverse compositional and instrumental strengths.

 

                      David Clavijo has a New Age Music World reference in his promotion video.  Check it out!

David Lanz is a GRAMMY® Nominated new age pianist getting more recognition with a little help from his friends on a new release with an almost certain destiny to become a radio chart topping release in 2010.

Pianist David Lanz has reunited with longtime friend and flutist Gary Stroutsos and cellist Walter Gray to form The Liverpool Trio, in a special instrumental tribute release of the greatest iconic band of all time.

Liverpool: Re-Imagining The Beatles by David Lanz & The Liverpool Trio is the release many people are talking and writing about at present including yours truly.

This release is more than just a name tribute to the fabulous four Beatles and is quite special by the respected musicians comprising this instrumental album with Lanz delivering his admired by many piano presentations.

David Lanz is easily remembered for his 1988 album Cristofori’s Dream release which remained at the top, number 1 position on Billboard’s Adult Alternative/New Age chart for 27 consecutive weeks and went platinum, establishing his position as a top New Age Solo Pianist.  In addition to several decades in recording work, GRAMMY® Nominated Lanz is also a concert pianist with appearances scheduled at many venues around the country.

While The Liverpool Trio is comprised of David Lanz, Gary Stroutsos, and Walter Gray, brother Gary Lanz co-produced this release featuring Keith Lowe on bass, Eric Eagle drums, David Revelli percussion, Larry Knechtel Hammond, Alonzo Davideo guitar, James Reynolds synthesizer and Richard Olivier on vocals.

Liverpool:  Re-Imagining The Beatles is based on the original song compositions of John Lennon & Paul McCartney and a new release that takes you back to the memorable Liverpool England of yesterday where John, Paul, George and Ringo were born.  While most are lesser known songs by design, songs like Norwegian Wood & Yes It Is are included in this fantastic release that becomes your ticket to ride during your modern times musical tour of The Beatles.

The YouTube video of Yes It Is featured below shows you wonderful images of The Liverpool Trio performance.  You can discover more on their YouTube video Interview Presentation with David Lanz & Gary Stroutsos.  The video gives their personal reflections and the creativity that went into on this production.

Visit DavidLanz.com for more information and to sample or purchase the Liverpool album. Photo courtesy davidlanz.com.

 

Bill Leslie has a sensational new release that is truly a refreshing experience for the senses and one new release I feel certain people of all ages will enjoy listening to.  Simple Beauty is the name Bill Leslie gave his personified current album and just as assuring like the title suggests, a natural attraction of refined beauty becomes the harmonious ingredient everyone will find within.

While Bill Leslie is easily recognized as a composing musician and leader of his traditional and Celtic fusion music group Lorica, he is also a 5 time Emmy Award winning journalist and newscaster for WRAL television network and a multiple Journalist of the Year awards recipient in North Carolina.  In addition he composes traditional and Celtic fusion music as a soloist and during concert appearances with his band Lorica.

In fact Bill Leslie was an early roommate and helpful mentor to popular musician, radio, television, and Entertainment Tonight Show host John Tesh.  These good friends have recently had the opportunity to perform together again during a September 2010 concert at Meymandi Hall in the Progress Energy Center for the Performing Arts located in Raleigh, North Carolina.

Simple Beauty is the 2010 all instrumental album now charting in the number 1 position for the month of September at ZMR and reflects the inspirational countryside of The Carolinas, along with a personal improvised structuring Bill had conceived after his studies with renowned Irish musician Michael O’Domhnaill and his Celtic influences.

On the Simple Beauty release Bill composed 10 original songs patterned in accordance with 4 traditional ancient Irish melodies so the composition in entirety results in a highly melodic blend of Instrumental New Age with a Celtic alliance that is harmoniously arranged with a done just right perfection.

Like his early debut Peaceful Journey, which received a number 1 ranking on ZMR World Music charts, Bill’s current has all the hallmarks of reaching equal success.  Christmas in Carolina was named Best Holiday Album and I am a River charted number 2 and also contain some wonderful instrumentals.

Blue Ridge Reunion was another album that secured a number 1 position with Zone Music Reporter charts, along with the year ending honors of being named Best Acoustic Instrumental Album of the Year in 2008.

An instrumentalist at heart, Bill Leslie performs acoustic guitar, piano, bass, whistles and keyboards.  The artists on this album are Bill Covington on Grand Piano, Brent Cotton on Acoustic Guitar, Jennifer Curtis on Violin, Nancy Green on cello, Will Leslie on percussion and Linda Metz on flute.

Simple Beauty is an appropriately titled work of harmony whose scenic wonder and peaceful surroundings emerge by the truly great instrumentals, making this current natural and wholesome new release a sensational find for everyone.

Visit billleslie.com to sample / purchase or visit his CDBaby.com page.  Find out more at Bill Leslie’s What’s New page.

Cover photo by Bill Leslie.

Kelly Andrew ( Kaveny ) after releasing his first album Olympus continues to create a loyal fan base for himself which makes perfect sense to me after listening to the 12 songs contained on his official debut album based upon the twelve Olympians of Greek society and then the YouTube song video from the album titled Athena.

Kelly Andrew is a classically trained composing pianist with over 15 years of producing his own signature series brand of music having composed, arranged, and produced over 35 original singles of which some songs were performed by the University of Colorado choir and the good news is that there is more to be released in the near future.

Olympus is filed New Age, Contemporary, Instrumental and Symphonic categories by New Vision Promotion director and musician Kevin Wood which is appropriate, but Kelly Andrew is also recognized for producing wider a array of music including Electronic, Trance, Celtic, Soundtrack and a Trance / Progressive hit single titled Julietta.

Reflections is an album nearing completion and he is working on several unique projects with release dates in 2010 & 2011, plus Kelly creates a wide array of music with over 15 years of experience as a musician.  You are invited to visit his website for more about the Olympus album, future projects and tour dates since Kelly gives live stage concerts.

Olympus is a symphony of exceptional quality and true excitement with some of the finest orchestrations I have heard recently.  Considering his strong compositional skills and the 12 tracks of classic symphonic music with contemporary instrumentals from every section backed by full percussion is unified with precision, Olympus can be regarded as a music symphony that will stand the test of time.  Below is the YouTube video Athena from his Olympus album.

Visit kelly-andrew.com to sample / purchase Olympus or at his CDBaby.com page. Read the profile page on Kelly Andrew.

 

One of the more uplifting aspects of being a review publicist is getting to know many of the great artists producing music today on a personal level. In a recent interview with a musician from the U.K. everyone had a chance to learn he had a recording audition during his interview at the record label music icons The Beatles founded in 1968 called Apple Records.

Steve Orchard is the musician traveling that long and winding road to 54 St. James Street, London to Apple Records and this story is just one of many he shared during our interview together. Everything has come together for Steve Orchard since today he is an MG Music Label artist and representative member of the Medwyn Goodall circle of friends highly revered for their outstanding music and integral voice every label artist is known for producing.

Steve Orchard is a multi instrumentalist composing and performing original music for many years on guitar, mandolin, harmonica, keyboards, piano and various skin drums. His prior albums Voyages Beyond Midnight, Salt Water Café & The Consequences of Kisses are great albums too and some earlier songs reveal the fact that Steve is also a fine vocalist.

Sundancer is an emblematic second album in his Trilogy Series and just like first in series Raindancer, nicely reflects the rare qualities of relaxing yet energetic melodies that I felt achieve universal appeal. Moondancer is the third album in the Trilogy Series, which makes this trio edition a well timed release during the 25 year anniversary events taking place with Medwyn Goodall and every fine artist comprising the United Kingdom based MG Music Label.

Sundancer is a glowing accent to the Trilogy Series and where first in series Raindancer, with deeper tones and synthesized rhythms set the mood, Sundancer has a fun energetic symmetry and feel of Island music by a well placed illuminating atmosphere. One element greatly uniting the two is their overall relaxing yet energetic tonal qualities and their multiphase array of percussion rhythms.

The first bold impression of beaming radiance appears in energy driven song Soar. Percussion inscribes an upper tempo outline while keyboards and acoustic guitar imprint pleasing colors by a light but nicely melodic tempering while becoming your first indication the lively sun dancing theme is going to be fun and exciting.

While Sundancer is centered by a primarily upper tempo and is full of energy set in motion by an array of percussion and instrumentals, there are plenty of laid back relaxing moments too and none more apparent in than what you will hear in Lagoon & Tethered. This coequal ambiance with deeper rhythms during refrains are likewise found in the sultry oasis song Heat!

Many songs are evenly layered midst more moderately timed tempos like Rainman, Unrepentant & Deadly Arrow, where an ensemble of percussion and steel drum accents prepare the harmonic profile for acoustic guitar, flute and keyboard contrasting melodies, with brighter phrasing infiltrating the deeper passages with full solid clarity.

Playing in the Sun & Borboletas are upper tempo songs with wood flute becoming the essential melody producer, and where single or long drawn out notes are often heard from others playing either the woodwind instrument or by effect, here a free flowing multiple note melody backed by accordion, keyboards and percussion nicely balance the full of energy attribute.

Pacifica is the positive upbeat song rounding out the 11 total on Sundancer.

Steve Orchard is a bright and serious composer today just as he was in yesteryear and I’ve got a feeling he had composed Sundancer with a fun and energetic theme in mind all along which is like some of our other all time fun favorites, so for me this is what makes Steve Orchard’s releases memorable eight days a week.

Visit the steveorchardmusic.co.uk homepage and sample or purchase Sundancer on his music page. Read my recent interview with Steve Orchard on our pages dedicated to Steve Orchard.

Sundancer cover design copyright David Orchard. Picture copyright BigStockPhoto – Albo.

When listening to New Age music, the multiple genres and subgenres of World, Ambient, Contemporary, Instrumental, Chill Out, and Groove in most cases are heard from one album to another. Today I have a chance to tell you about a novel new release that explores the multitude of influences I have listed throughout the entire album.

The Landing ( Special Edition ) is polarizing by this fine balancing act of multiple influences and is a wonderful feat of artistry from beginning to end, plus The Landing in original form with 6 songs has achieved worldwide airplay while catching the attention of not just the buying public, but some music retailers too after landing directly onto their best sellers section.

David Clavijo from Seville Spain seems to have a natural inclination of what multi influential New Age music is all about and I felt his performance on acoustic & electric guitars along with piano & keyboards are a fine line balance that blends together quite nicely by having these diverse instrumental strengths.

The compositions of David Clavijo likewise have universal appeal after featuring in television commercials, soundtracks, festivals and numerous cultural events held in Spain. In addition, his music has acquired a global audience by extensive radio airtime having also collaborated with many international labels in the Ambient & Chill Out categories, so there are additional compilation projects that feature his original scores.

The Landing ( Special Edition ) has 10 songs and is a natural acquisition for those who like lively instrumentals with wonderful upbeat rhythms since every songs carries at least a moderate or upper tempo with liberal percussion accents. Another point of interest is almost every song exhibits piano and electric guitar harmonies with appealing vocals which nicely enhance the instrumental music environment.

Dancing on the Moon features some beautiful orchestration for the very beginning song, where piano, oboe and violin weave a bold and dynamic theme into a colorful interblending that instills a cosmopolitan touch of class. Light soprano vocals with excluded lyrics also regulate this effect on several songs like Distant Love, where electric guitar runs revolve into a memorable Rock styled rendition that is in direct contrast with a lighter piano melody.

One sensational method of exploration is the usage of upper register notes on piano which inscribes a lighter perspective while comingling the stronger melodic guitar runs and deeper tenor vocals. Es Vedra likewise paired mid register piano notes with upper range octaves backed by guitar runs and deeper tenor vocals, making an admirable blend by this interchange.

Sailing in my Dreams projects a more mysterious presence given the deeper keyboards and piano melody accents suspended in moderate timing by bass percussion. The longest song Nowhere gives a wonderful mood to relax with by the lighter arrangement. The World influences in African Spirit are moving by an ethnic choir of children vocals set to a nice percussion rhythm and turns out to be a pretty colorful song.

Las Dunas is the first of 4 new bonus songs added to the original The Landing lineup and like most songs, carries an upbeat tempo and has a modern groove feel with soprano vocals backed by saxophone and guitar. East Winds has a far reaching atmosphere by long extended electric guitar long notes, where Uttara Kanda blends exotic influences from the lands of India and with indigenous percussion, brings a spice of life presence into the picture.

Promises with an orchestra blend is the last song on The Landing ( Special Edition ) and while the Original album was indeed a success, this latest release with the 4 bonus tracks holds even greater expectations for this promising new multi influential release that really is quite special.

Visit davidclavijo.com to sample / purchase or at his CDBaby.com page and major retail outlets. Learn more about David Clavijo at his website profile page. Connect with David Clavijo on his social network sites MySpace page & FaceBook page.

Picture copyright BigStockPhoto – Copestello.

Ann Licater has just released a brand new follow up to her opening debut Following the Call, a release which received nomination of Best Native American Album and listing in the top 12 Contemporary Albums in 2007.

This first effort began her journey of recognition as a top solo flutist performing on Native American, World and silver alto flutes and had begun the chosen pathway towards her next success.

Doorway to a Dream is the 2010 release from Ann Licater that again displays her level of expertise in both traditional and indigenous flutes while accentuating the fine attributes woodwind instruments can produce.  The 14 original songs and improvisational compositions this time around however are during collaboration with accompanying musicians and becomes a perfect album discovery for those who appreciate the smooth sounds of tranquil and relaxing music.

Ann Licater is well rehearsed in classical silver flutes having began her own journey into Native American & World flutes years ago after listening to the unique sounds indigenous flutes can produce, having studied with master flutist R.Carlos Nakai at the Renaissance of the Native American Flute which nicely reinforces the comprehensive skill level of her already accomplished classical flute studies.

Many of the indigenous instruments Ann plays on this album are selected for their unique tonal qualities and include Native American-style, Chinese Rosewood Xiao, Zapotec Triple Clay, Anasazi and Alto flutes.

In addition to her recordings, Ann Licater teaches in workshops and during concerts, describes to her audiences the origins for each of the clay and wood instruments featured during her appearances.

Doorway to a Dream is a natural contrast to her first solo album by inclusion of recognized artists who incorporate their talents and help expand her original compositions by collaborative instrumentation of Middle Eastern Tar, African udu Coral electric sitar, Edo period Japanese shakuhachi, flugelhorn, acoustic guitar, piano, keyboard and World percussion.

Whether you are searching for music with the unique intonation flutes can produce when placed in the hands of an accomplished musician, or simply enjoy the finer sounds produced by music professionals, Doorway to a Dream is a natural choice.

The world class musicians accompanying Ann Licater on various songs throughout this album and you are sure to recognize are Jose’ Neto, Jeff Oster, Peter Phippen, David DiLullo, Troy Arnett, William Hoshal and Shambhu.  This album was mastered by award winning Engineer Stephen Hart.

Visit fluteforthesoul.com to sample / purchase or at her CDBaby.com page.

Photo courtesy of Greg Crowder.

Acoustic Ocean has just released a fine new follow up to their debut release Light Returning and like many of the relaxing destinations of Hawaii where the musicians reside and the song titles suggest, becomes a restful retreat into music that tells of the natural beauty one would experience on the islands for themselves.

Since the founding team members of Acoustic Ocean are skilled therapists and all 4 performers on the album live in Hawaii, their unique perspective with daily experiences of island living have helped recreate the relaxing atmosphere for you.

Reflections on Still Water is a New Age, Contemporary Instrumental album retaining a great sense of calm by 9 original compositions and 1 spiritual melody of instrumental beauty that is clearly prominent from the very beginning.

Peggy Morgan and Bette Phelan, as the former folk singer-songwriting duo Morgan & Phelan, toured together for 20 years performing in the US and abroad at a wide variety of venues which numbers in the thousands. 

Over the past two decades together their music has been featured on television along with aquiring widespread radio airplay, receiving awards and notoriety over the years before founding the New Age artist title we recognize today.

The year 2008 first marked the beginning of Acoustic Ocean and while the genre may have changed, their style in creating original works of relaxing music has fortunately remained constant.   Peggy and Bette are both certified Kripalu Yoga teachers, therapists and have specialized skills in many areas related to stress management so their better living skills enabled a well suited entrance into the New Age genre.

On this album the team has enlisted Kay Aldrich playing cello on 3 songs and Anne Berliner on flute in 1 song which turns their wonderful instrumentation into another perspective of beauty.

The album cover shown in Reflections on Still Water gives you a visual hint of the elemental beauty you will hear, plus with the primary instrumentals of Celtic harp, Dulcimer, mandolin, acoustic guitar and fretless bass, the mental images of this restful destination reflect an even clearer picture, translating into a relaxing sound experience all within easy reach of the imagination.

Visit acousticoceanmusic.com to sample / purchase or their CDBaby.com page.  Learn more about this team at their morganandphelan.com website.  Cover photo copyright Bette Phelan.

Gandalf is an internationally acclaimed composing musician and producer from Vienna Austria identified as a New Age, Contemporary Instrumental and World music artist. During the past 30 years of his career, his progressive music and global persona has helped neutralize the customary social borders in multicultural music for years.

Gandalf is currently planning a future orchestration to celebrate his 30 year Anniversary in 2011 and this composition will become the centerpiece to mark the celebrations.

There is a live performance in Vienna scheduled to accent the occasion of his milestone achievement. The Vienna concert and new release is the first topic of their interview conversation during this comprehensive 2010 interview published just prior to his 30 year anniversary.

The website hosts for NewAgeMusicWorld.Com & NewAgeMusic.nu are excited to bring our visitors the present day interview John Olsen has conducted with this global musician and invite all visitors and fans to learn even more on our respective website pages dedicated to Gandalf.

Interview with Gandalf

John : I wanted to first thank you myself Gandalf, and on behalf of our visitors for taking time away from your more creative endeavors. I feel certain our visitors and your fans do appreciate this present day opportunity to learn more about you and the outstanding music you produce.

Many are already anticipating your 30 year anniversary you have slated for 2011 which will be here before long, and currently you are planning a new orchestration project with live performance in Vienna to accent your milestone achievement. Is everything being kept a secret for now or can you provide some details about your next orchestration and the live concert event scheduled for 2011?

Gandalf : At this stage I don´t want to tell much in detail about the new project, this will all be presented due to the launch of the album and the concert in 2011.

The composition is meant to be the essence of my musical excerience and development in the past three decades. The leading instruments are guitars, piano and percussion, a small symphonic orchestra (woodwinds and strings) and a male choir.

The work is in good progress, a lot has already happened, but there is still much to do. Currently I am finishing the orchestral score, the recordings are planned in October. The album producton shall be finished until the end of this year.

John : Thank you for the insight you have provided. Your 20 year anniversary was quite extraordinary which included your first live performance in Vienna and the CD / DVD collection on the BSC Music label titled Live In Vienna. Would you describe what your first live concert had felt like on a personal level and was your first stage performance the positive experience you had imagined?

Gandalf : Actually, this DVD/CD is the first official release of recordings from a performance in Vienna, of course there have taken place a lot of performances prior to this one. My really first big performance in Vienna was in 1982, when the album Visions was released. I had just started my career a year before and the reponse from the audience was a real sensation, the concert was completely sold out (more than thousand people) and the album climbed up to #2 in the album charts over night. This was far beyond my imagination! It was just great and lifted my motivation to continue with my work.

John : In addition to your studio recordings you began venues of live solo concerts on acoustic guitar and piano in the United States, along with live concerts in Austria, the Netherlands, and during Woodroot Festival in Germany. With the increasing number of venues, are live performances more rewarding for you as a musician than studio recording, and if so why?

Gandalf : A live performance can not be compared to anything else, this is where the music happens in the very moment. Today performing live is more important for me than ever. If you record an album in the studio you spend much time to get your performance recorded as perfect as possible, on stage you only have this one chance and that is the fascination about it, no song sounds exactly the same twice, you never know what is going to happen every other night. And sometimes there is real magic and you can feel it from the first note you play and the audience can feel it. I would not want to miss this.

John : What was the early turning point where you decided to pursue music as a career and could you tell us about your music history throughout the years?

Gandalf : After having played in various Progressive-Rock lineups during the Seventies I found out that I had a musical vision which I could not realize with a conventional band so I started experimenting in a very simply equipped studio at home just on my own, playing and recording all instruments by myself. And this was the first time I really felt satisfied about my work so I recorded my first album Journes To An Imaginary Land and my friends were so enthusistic about the result, that I played the material to someone from a record-company and I got a contract.

That´s how it happened, I just followed my intuition and after some time I realized that I was able to make my living from making exactly the music I played out of my heart.

John : The Gates to Secret Realities was the transitional album during your move to World music influences. What was the defining moments or reasons for your decision to begin composing World influenced music?

Gandalf : My travels to India and other countries opened up my horizon and I found out more and more, that music is a universal language. It has the ability to dissolve borders between different cultures. There were so many elements in music from other parts of the world that inspired me and I wanted to integrate such influences and expand my personal style, trying to create some kind of a Global Music.

John : During your continental travels, what experiences and ethnic cultures have led you to discover and then recognize music as the unifying source that indeed helps abolish the boundaries in various musical styles and categories?

Gandalf : The first special encounters I had in India when I jammed with musicians there. We were not able to communicate much by words because of our different languages, but we had so much fun communicating through music.

Also on my Brazilian tour in 1995, I could not speak Portugese at all, but the music opened up the hearts of people and the feedback was amazing.

This was where I met Emily Burridge from England. She had lived with a Tribe of Indians for a while and was very inspired by there way af looking at the world and their rituals. So when we played together in Brazil, we decided to record an album together, and this was Gates

John : You are referred to as The Painter of Musical Landscapes plus your music has a story to tell. What thoughts, images or message do you hope your listeners will acquire from your music and what are the ideal circumstances where you are most productive in composing music?

Gandalf : Nature is the most imortant source of inspiration for me, this is where I find my balance and open the channels of my creativity.

Over the years I found out, that the music already tells its story, whether I am aware of this or not. It reflects my inner landscapes and feelings. If you for example play it to children and let them paint, the pictures that come out show symbols of love, peace and hapiness, so there is not much else I need to tell people besides the music itself. Sometimes a story that accompanies the music is nice but not really necessary.

John : Your music has been featured in television and video media productions. I wondered if you find visual scores more challenging to produce than your more traditional album compositions, and how do they differ when you begin composing?

Gandalf : It is just, that your inspiration is initialized by a different source. If there is a certain story you want to express by your music, you first must get fully into the story and then, the pictures or the words will evoke musical ideas.

Sometimes books can be inspiring, I did project with lyrics from The Prophet by the Libanese writer Khalil Gibran, and also wrote a soundtrack to the book The Stones Of Wisdom by a friend of mine, Ronald P. Vaughan.

John : In the early years you were highly regarded mainly in Europe and other countries prior to your current widespread recognition and status in U.S. markets. Did acquiring a presence in broader international markets influence your music style to fit European or American tastes or was your transition to each country non apparent in your music identity?

Gandalf : I never really cared much about such matters, it happened more the other way round. When my musical style changed throughout the years it became more or less interesting for different markets. For example, back in the Eighties when I had some Spanish guitar on the opening track of the album The Universal Play it suddenly was released in Spain and South America.

Over all the years I tried to follow my musical vision as honest as possible and did not try to adjust to any market or trend-situation and I think this is one of the reasons, why I am still here. If you try to bend your personal way due to fast changing marketing situations, you may soon get lost.

John : Again, Thank You Gandalf. B.T. Fasmer and I do appreciate this present day opportunity to present our visitors this interview. We wish you well, and we will continue writing more about you in the future. Is there anything you would like to tell your fans or bring up before we close?

Gandalf : I just want to thank you and everyone who helps promoting my works and all my fans for purchasing my records and thus helping me to carry on with the music.

We now invite everyone to visit the gandalf.at homepage then read his biography page. Visit the BSCMusic.com website to purchase / sample his music, then read our pages dedicated to Gandalf.

Photos are courtesy Klaus Rautenberg and gandalf.at.

Some young adults begin their early working careers by taking whatever job is at hand and find the road to success. Some hope to achieve the road to success when handed the family business. Either decision requires talent and determination of course, but the universal message often heard about either choice is to always have your individual hopes and dreams.

Gunnar Madsen from Berkley California has achieved an impressive level of success most would hope for at this stage of his bright career. You can visit his website to learn all about his career choices through the years and I feel his grand success as a Grammy Nominated pianist and award winning composer, singer, writer, sound designer, filmmaker and actor are career decisions that might have even impressed his family.

Two Hands is the New Age, Cinematic Piano, Instrumental 2010 release from Gunnar Madsen and eighteenth CD he has produced. This album is a more especial and innermost portrayal of his musical works in relation to his earlier compositions with the a capella group he founded called The Bobs.

His first solo album Spinning World is a closer likeness with Two Hands, in a uniquely diverse discography that includes award winning family CDs along with an Epic Orchestral recording and even a lively pop art Rock album titled The Power of a Hat.

The recipient of countless music and theatre awards, his Grammy Nomination was for a song arrangement by The Beatles and has received ASCAP Awards for 15 consecutive years, plus his music is featured in some episodes of the widely popular HBO series Sex and the City and films Breaking the Rules, A Special Providence, The Break Up & Just a Kiss. Gunnar Madsen also does voice-overs, providing the film voice for Don Cheatle when he portrayed Sammy David Jr. in the Emmy Award winning HBO film The Rat Pack and this is just a partial listing of many credits during his career so far.

Two Hands was recorded at the industry regarded Skywalker Sound Studio and includes 16 songs total. Three songs have contrasting instrumentals where notable guest violinist Irene Sazer, a member of the improvisational Jazz and Classical group Turtle Island String Quartet lends her elegant expressions.

The first violin portrayal by Irene Sazer on Kerenyl is more subtle while gently tracing the melodic depth on strings as Gunnar leads on piano. Ordinary Day & Red Bird make a beautiful piano and string duet from the pair, extending the symmetrical harmony on each song while interblending into a narrative full of melodic drama.

Solo Piano ballads of Cinematic proportions are the sequential songs where Gunnar begins to reveal the innermost reflections of his work in a manner of classic distinction.  Outlined with a conceptual feeling of depth, some of the more melodramatic and intriguing phrasing performed on songs like Nino and Me, Down Moon & South Trail are offered with a personalized touch.

Frank Grows Flowers is a song responding with an upbeat tempo and imaginative runs while dancing along the piano keys in every measure.  The light reflective moments yet none the less expressive songs The Blackbird Whistling, Brandon & Oak Sky are more introspective in their structuring.

Break into Blossom begins with a lighter metrical sway and soon unfolds into bolder imagery by exploring a more robust presentation of greater intensity before returning into restful state of contentment and has a resemblance in style with In These Lonely Regions & Down Moon, given the more pronounced dynamics of diminuendo and crescendo variances.

Much like the memoir notes on the inside album cover detailing each composition, Gunnar Madsen traces every song on Two Hands with a gifted accounting of his diverse imagination while delivering a beautiful finger to key statement and like the valuable reward of success that is never just handed to anyone, it came from the talent and determination of an individual who started with and continues to have, hopes and dreams.

Visit gunnarmadsen.com to sample / purchase or visit his CDBaby.com page. You can also purchase at Amazon, iTunes and most music outlets. Read more about Gunnar Madsen on his biography page.

Picture copyright Big Stock Photo – jocelynbaker.

David Mauk from Las Vegas Nevada is a composing performer with plenty of experience in the entertainment business and since he lives in the city billed as The Entertainment Capital of the World, you might have guessed he is also a performing Las Vegas musician at the popular destination when not composing his original New Age Electronic music.

David Mauk made an impressive debut with his first release 12 Months which received nomination at ZMR for Best Electronic Album, earning David the title distinction of Best New Artist nomination for 2009, so a fine entry for an artist who also happens to be writing a Broadway-type musical.

Ground Swell is his 2010 release and quite unique not only by the great mood effect of his classic yet easygoing electronic compositions but his second album is a CD / DVD collector’s edition.

The 5 bonus video clips are nicely correlated with his unique brand of classic electronic music and become a beautiful addition to the audio CD since the extra sensory effect of video makes it easy for anyone to visualize his ambient music becoming a modern times movie score.

The National Geographic Society has already realized the true dynamic effect of David Mauk’s work and have recognized many compositions by designating as their official background scores and integrating into many of their museum exhibits.  In addition his music has been heard by over 10 million people at prestigious venues in many countries and currently the international King Tutankhamun, Golden Age of the Pharaohs, Cleopatra & Real Pirates are the exhibit destinations where his music enhances and brings to life the full experience for all museum visitors.

Ground Swell is in effect an Ambient, Electronica, New Age album and another fine classic that makes another great listening experience.  The song Summertime is like an ode of joyous celebration the summer season always represents, marching right along in attitude by a majestic piano movement while lower piano octaves maintain the rhythm while upper ranges move up and down the scales in half steps while bell tones ring in the seasonal event.

The bonus DVD is really fun to watch and David had compiled the music videos after drawing inspiration from early American realist painter Edward Hopper and he nicely captures the early American century with Cinematic drama himself by the rollercoaster ride of featured attractions on every one of the song videos he produced.

Visit the davidmauk.com homepage and then sample / purchase on his music page.  Learn more about David at his MySpace.com page and then our pages dedicated to David Mauk.  Below is my review quote I wrote about his current CD / DVD release titled Ground Swell and the song video of Summertime.

* In a footnote to this article, Ground Swell placed Number 1 on ZMR’s July 2010 Top 100 chart.  Congradulations David!

David Mauk has given everyone 2 excellent reasons to appreciate his music in 2010. The Ground Swell CD alone is a free flowing natural display of bright ambience offered with a harmonious and casual impression, plus the DVD greatly points out the Cinematic enchantment that makes his music special.

 

 

Lisa Hilton is a name well recognized in the Jazz Music circuit as a continuous producer of great music having all the vibrancy and positive direction one would expect from a top artist in the genre. What some may not know is her music carries a subtle reference of New Age ambiance in many of the 12 recordings she has produced during her lifetime.

Nuance is Lisa Hilton’s 2010 release that returns to her earlier solo piano style that began her dazzling career from the very beginning in addition to fulfilling a well kept promise for her fans who have been requesting another solo album for years, with Lisa as the singular attraction.

Lisa Hilton from Southern California taught herself to compose music at a young age before more formal education in classical and twentieth century piano became the foundation prior to her transition to popular Jazz, recording and producing an album every year since 1997.

Many of her songs are played in the U.S. and around the world, realizing more recognition over the years by acquiring airtime on NPR Morning Edition, XM Radio, and charting on major Jazz oriented programs while earning numerous awards and nominations in her long enduring career.

In her earlier band inclusion release Twilight & Blues she received nomination at ZMR for the 2009 Album of the Year for the 10 original compositions and renditions of top songs from equally talented artists you are sure to recognize.

Nuance / Twilight & Blues are more subtle in their references as New Age albums and her success as a Jazz musician does reflects this, but her renowned piano performances of improvisation either as a soloist or with the band under her direction is worth a listen knowing Lisa Hilton is a great talent who personifies this ambiance with creativity and imagination, just like you would expect from more mainstream New Age artists within the genre.

Visit lisahiltonmusic.com here then sample / purchase at her music page or CDBaby.com page.

Eric Chapelle is a composing pianist from Austin Texas whose original music scores conceivably calm the waters by the gentle ambient music he produces.  Born in France, Eric is also an avid photographer who has lived in several countries around the world and his piano music retains the essential element of relaxing music by the calm buoyancy in sound that finds neutral ground with the pounding waves heard in some music today.

Across The Water is his Contemporary Instrumental 2010 release that impart 16 songs of ambient expression and creative imagination.  Eric has performed his original compositions in concerts across the U.S. for over a decade, plus movie soundtracks in television, film, and commercials have been the scores that yielded wider recognition in addition to the 2 albums to his credit.  Our Time was his 1998 album admired by many and had justifiably earned Eric a place alongside more esteemed pianists after his opening debut.

Eric Chapelle’s contributions in The Heart Aid Project has inspired me to tell you more about his dedicated efforts on a tribute CD in memorandum of the fateful World Trade Center events on 9 / 11.  Eric conceived and produced the tribute CD and compiled with 16 additional pianists who donate all royalties to the families and to me, greatly represents the caliber of people comprising the New Age genre today.

Across The Water is another fine illustration of the resourcefulness put into every composition while retaining another harmonious notation since some of the 16 songs were recorded at the Norton Island Retreat residency program in Maine.  Tide Pool is one song where the comparatively timed piano solo is casual in ambient recollection to convey an impression of calm by the fluid detailing in chord phrasing in a lighter melody that offers subtle reflections.  Below is my review quote for Across The Water and song video of Tide Pool.

Visit the hamsamusic.com website and then purchase on his music page or at CDBaby.com to sample / purchase.  Read more at our page dedicated to Eric Chapelle and at his biography page.  The Heart Aid Project CD is currently offered through the Spring Hill Music website.

Across the Water by Eric Chapelle is an inspired by nature collection of calming ambience with a wealth of restful harmony for many of the challenging moments in life, smoothing out the rough edges of today while residing in a state of readiness for the next enduring wave of life challenges that are sure to arise.

 

New Age Music is a wonderful medium for any musician to express the more creative aspects of their music apart from what we regularly expect to hear from someone any given day.  This change can be just a slight adjustment from their select style or in many cases, one giant leap while traversing the starry twilights into new zones and uncharted territories.

Julian Ray is a New Age musician from Canada making a more exploratory departure by his current release produced while in the comforts of his home studio suite.  His newest revision in Ambient music with a story to tell is based in theme on the Argonauts of Greek mythology fused into an innovative territorial journey of the cosmos transposed by his just released creation in New Age, Ambient and Experimental music.

Julian is an independent solo musician from Toronto Canada with a lengthy presence in the music industry and member with the Society of Composers, Authors, and Music Publishers of Canada ( SOCAN ) and is active in theatre, psychology and philosophy, so perhaps this transition arrives quite naturally.

In addition, he and his wife Katrin Ray are design artists recognized by prestigious awards in Europe and North America during numerous design exhibitions around the world so during their team production strategy Katrin designs the cover arts and other contributing roles which help advance the artist title of Julian Ray Music.

Julian Ray has planned the itinerary for his cosmic explorations on Argonauts of Kosmos as one of true excitement.  While on this expedition into the outer zonal boundaries of electronic music, novel melodic landmarks are created and mysterious territories are revealed to become an experimental project in spatial music ready for your discovery.

Argonauts Of Kosmos is his Cosmic, Ambient, New Age, Experimental release in 2010 and 10 song modification from his more New Age Ambient classified In Flow of Light release earlier this year.  This is also a more categorical illustration away from the Jazz, Easy Listening, Instrumental sounds heard on Wonderful Life & Seashell Stories but for those familiar with his discography know this is just a matter relevant to the creative itinerary he has in store for his listeners at the time.

In the case of Argonauts of Kosmos it appears considerable effort was made to create interest and kindle the imagination since the musical landscape is a consistent medium to upper tempo atmosphere with prevailing keyboard melodies transmitting the radiant episodes.

Star Bridge & Milky Way are good examples of the excitement and liveliness since they are so far distant from the lonesome plateaus and solitary note landscapes often heard in some ambient space projects.

Venus : Deep Forest & Stardust have keyboard melodies taken a step further along with the wide range in percussion and clave enhancements of woodblock which increase the interest to the already dreamy atmosphere.  This can also be said about the more ambient song Deep Space Mission.

Orion’s Belt & Argonauts of Kosmos ( Title Song ) are the most experimental given the voice box encounters and lightly drifting notes that divuldge new territories in electronic explorations where the outer boundaries are readily defined for the listener so they may make their own individual excursion by using a little creative imagination of their own.

More importantly this over an hour long album is aglow in bright ambience and the deeply mysterious moments enhance the bold adventuresome qualities of the music without ever leaving one wanting more or stranded all alone in the twilight zone.

Visit the julianraymusic.com homepage then sample / purchase on his albums page or CDBaby.com page.  Read more on his biography page and then our page dedicated to Julian Ray.

Cover design copyright Julian Ray Music courtesy of Katrin Ray.  

Music and Movies are two of the most popular internet search terms used today. These two forms of entertainment by themselves are enough to spark our interest alone yet when audio and visual productions are merged into a movie soundtrack, film score or popular music video, the results achieve an even more exciting sights and sounds experience.

David Mauk from Las Vegas Nevada is a composing performer with plenty of experience in the entertainment business while advancing in popularity from his 12 Months debut released in 2009. His first album created much excitement for many and equally so for David since 12 Months received nomination at ZMR for Best Electronic Album and also earned David a Best New Artist nomination for the year.

Ground Swell is his 2010 release, unique not only by the great mood effect of his classic yet easygoing electronic compositions but some songs were inspired by American realist painter Edward Hopper and Ground Swell is a CD / DVD collector’s edition that beautifully captures the early American century with Cinematic drama and makes a nice collection by any standard. The 5 bonus video clips are nicely correlated with his unique brand of classic electronic music and are a beautiful addition to the audio CD since the extra sensory effect of video makes it easy for anyone to visualize his ambient music becoming a modern times movie score.

The National Geographic Society has already realized the dynamic effect of his compositions by integrating as their official music with many exhibits including King Tutankhamun, Golden Age of the Pharaohs, Real Pirates and Cleopatra museum exhibits, in fine music that enhances the experience for every visitor.

David Mauk has given everyone 2 excellent reasons to appreciate his music in 2010. The Ground Swell CD alone is a free flowing natural display of bright ambience offered with a harmonious and casual impression, plus the DVD greatly points out the Cinematic enchantment that makes his music special.

Ground Swell is in effect an Ambient, Electronic, New Age album with a total of 14 songs. The 5 song descriptions I will provide from the CD are ones also listed on the bonus DVD, in this all inclusive CD / DVD collection and you will find the 9 additional songs are sequential to the atmosphere and ideals this album in entirety represents.

Dawn in Pennsylvania has a singular piano melody backed by a deeper synthesizer profile that gives depth to the overall bright and casual mood and is effective at producing a story line of realism by a light atmospheric point of view with cymbal taps and percussion enrichment.

Summertime is like an ode of joyous celebration the summer season always represents, marching right along in attitude by a majestic piano movement.

Lower piano octaves maintain the rhythm while upper ranges move up and down the scales in half steps while bell tones ring in the seasonal event.

Chop Suey relies on tenor drum and percussion rhythms as a prelude to keyboard producing the light staccato note melody with a casual feel.

During refrains the dynamics are rearranged to a deeper tenor and nicely embolden the song while adding tonal drama.

Queensburo Bridge carries nice rhythmical metrics by strings subtle back and forth sway while light synth notes and key changes introduce sparkling overtones into the melodious theme.

New York Movie is a dreamy song that transports you to a different place and time with strings becoming the prevalent character in the lighter melody. Percussion plays a more indirect role by sharp woodblock notes and when xylophone enters, the soft percussion detailing projects nice sparkling tones in a secondary rhythm.

David Mauk made 12 Months an impressive introduction into New Age music. Ground Swell is another fine classic that makes musical entertainment an even better experience, offering his appealing to the senses experience like the premiere attractions many people are searching for at this very moment.

Visit the davidmauk.com homepage and then sample / purchase on his music page. Learn more about David at his MySpace page and then our pages dedicated to David Mauk.

Cover art copyright Kelly Stamblesky – Smith. Picture copyright BigStockPhoto.com – Ondrej Garaj.

Steve Orchard is our interview guest today at NewAgeMusicWorld.Com & NewAgeMusic.nu. We welcome our visitors and Steve’s fans to read the recent interview John Olsen has prepared with this outstanding musician from the UK.We would also like to take this opportunity and invite everyone to read more on our pages dedicated to Steve Orchard.

John Olsen : Thank You for sharing a moment of your time with us today Steve. B.T. Fasmer and I appreciate this opportunity and I am certain your fans are excited to have this chance to find out more about you too. Steve, would you provide a description of your music studies beginning with your earliest introduction to the present?

Steve Orchard : Yes, Well I probably go back to piano lessons at 7 years old and then combining guitar lessons at 8. My one fault would be that I have always been an impatient, inquisitive player of various musical instruments always wanting to discover how things worked quickly and then improvise. As my Father would say, “Jack of all trades and master of none”.

I played a pretty mean trumpet in the school band and enjoyed singing in the church choir. My family was very musical. I had an aunt who was a piano teacher. When she regularly visited us, from Birmingham, she would want to hear my progress. She once nearly keeled over when I produced the sheet music for What a Day for a Daydream by The Lovin’ Spoonful ! Outrageous !!!

One side of the family were very properly trained with piano & violin playing and into classical and show tunes, whereas my other granddad was a pub pianist. He ‘vamped’ and ‘boogiewoogied’ his stuff and played harmonica at Christmas parties…. It was hilarious when I think back. It seemed to me that he was more joyous in his approach to music. It’s a belief I still hold today that made me a little rebellious in my approach to making my own music. At an early age I bent a wire coat hanger so I could play harmonica & guitar at the same time, just like Dylan & Donovan. It only resulted in me nearly losing an eye and breaking a tooth. I was the school ‘show-off’ doing plays & pantomimes and guess I fancied a career in something to do with the performing arts. Like most kids I was influenced by the pop of that generation.

I have made so many friends all around the world with the release of Raindancer. It has been a privilege to be able to share my music with so many enthusiastic people. This is what encourages us composers to continue to ‘up our game play’ to continually raise the standard, stretch, and find the best we can be.

In my teens I enjoyed the diversity of progressive rock, like Yes & The Moody Blues, also the gentle folksy guitar melodies of Joni Mitchell, James Taylor, plus the piano troubadours Billy Joel & Elton John & also, the early electronic sounds of Tomita & Mike Oldfield. I was into that ‘Hippy’ thing and meditated, burnt incense and read a lot of Buddhism…. Took myself a bit too seriously! I was a bit of a ‘geek’ and lived for my music writing little tunes with terrible pretentious lyrics from about 15, spotty, years old.

John : You are a member of the Medwyn Goodall circle of friends as a MG Music label artist. Can you tell us some of your experiences as a member and what it is like to be a MG Label artist?

Steve Orchard : I first heard Medwyn Goodall’s Druid in the July of 1991, in an art gallery in St. Ives Cornwall. It just blew me away and couldn’t put it in any category that I recognized. It was more than music… It was an awesome soundscape and I just knew that it fit me like a glove. I bought it instantly from the gallery on cassette, to play on my ‘state of the art’ Walkman!! When I returned from my holiday I bought it again from New World, on CD. And so began a long period of buying up anything to do with Medwyn Goodalls music.

My wife Julie & I started to correspond with Medwyn and he graciously autographed all our CD’s. He was very open and quite funny. I’ve kept everything he ever sent me, every doodle and every ditty, including all the Christmas cards ( worth a fortune on Ebay …. only joking ) In our early letters ( this was before emails ) I never told Medwyn that I was a musician, thinking that he may feel I was “chasing my own ambitions”…. unthinkable I know but musicians have been known to do it !!!

I think I broke the news very humbly, without wanting to sound ‘pushy’ and tarnish this rather lovely correspondence that we were enjoying. He invited me to send anything anytime …. WELL !!! Boy, did I send him some rubbish, poor guy. I hadn’t found my NEW AGE feet yet and although I enjoyed this new genre, I couldn’t quite capture it in my own compositions. He was my mentor, DEFINITELY. He guided me, no doubt, to where I am today. After a few stumbles, falls, and many experimental tracks, I sent song Lull in The Storm from something I was working on called The Consequences of Kisses album. He invited me to produce a new project for MG Music !!!

You can imagine that this was a dream come true. To be working for the man that I had held in such high esteem for so many years. I soon discovered the family at MG Music is a wonderful bunch and all the other artists swap ideas and tips generally between us. The amazing Paul Sills soon became a great friend & Charmaine, his wife & Meina, his daughter, travelled down to spend an enjoyable weekend with us. We had discussions late into the night and played each other’s new or experimental tracks whilst the rest of the world slept.

I realize how unpretentious and genuine all the MG artists are. Chris Green and I talk on the phone regularly ( very clever & funny guy ) then Simon Lovelock & Clifford White have spent ‘time out’ to critique and give ‘sound’ advice, both brilliant technicians of the art. In the past I have found musicians to be very protective and guarded with their work but not here. The wonderful thing is, we are all so different and diverse yet all the same family, producing a vast mix of choices within the same genre, all under the safe and knowledgeable direction of the man himself, Medwyn Goodall. Be warned budding New Age composers, he will not accept second best on his label.

John : In your own words Steve, how would you best describe your music and what are the main components that uniquely sets your music apart from not only MG label artists, but so many other New Age musicians?

Steve Orchard : My music almost always originates from a guitar base and is then transcribed onto keyboards. I find the guitar a comfortable friend that I can embrace quietly without any sense of rushing to ‘lay down’ on paper or in the studio. Sometimes I live with a melody for months before it develops into a workable phrase or shape.

I have a terrible bad habit of not documenting tracks I have recorded. I have folders, in my studio, bursting with hastily scribbled chords and lyrics…. Someday I may return to them for inspiration, that’s if I can decipher them, but I hate going back. I prefer to always look forward with my writing. In the making of Raindancer I did a lot of research into the South American rainforest and I story boarded ideas & concepts onto the walls of my studio. Another strict rule I have is I never ever go into the studio unless I am in a happy, contented mood. I like to think that when you listen to a Steve Orchard album that, my positive optimism shines through. Sundancer was almost entirely written in my garden during the summer of 2009. It’s sunnier than a ripe melon !!! As Medwyn says, it has lots of energy & warmth. I think his buzz word for the album was ENERGY !!

John : During the early years in Bristol your music was played on BBC Radio and utilized in music scores for various media programming. In what ways has your music been featured?

Steve Orchard : It seems like a life time ago now but in the 70’s I was in a very popular duo of the time called Mossy, with musical partner Barry Webb ( he’ll be pleased I mentioned his name. ) We played a residency in the cellar bar, at the notorious Bristol Arts Centre. It was a mixture of folk covers and our own written ‘offerings’. We earned a lot of respect locally and had a loyal following amongst the local artists, musicians & regional TV personalities ( I seem to remember being invited and attending a lot of crazy parties ) We were also good ‘fodder’ for the colleges and festivals. At that time we did 3 half hour shows for BHBS radio which led to a spot on BBC’s Friday Folk Nights. BHBS were still playing the jingle we did for them up until a few years ago ( probably when the tape finally disintegrated ) We had a lot of fun but mutually called it a day in 1980 when we both had growing family’s. We remain great buddies.

Unbelievable now with all this technology, that I sent out my first demos on ‘spool’ tape. Perhaps most ended up in the bin but one hit home and I was invited up to Apple’s old offices in St. James Street London for an interview/audition. They gave me a good look over and I felt optimistic but, sadly nothing ever became of it. I still have the letter though, dated 6th September 1972 and at the bottom are the printed names of the two directors…. Yes, you guessed, J O Lennon & G Harrison. In the ’90’s I was asked to do the incidental music for ‘Star Runners’. It was a short promotional sci-fi film directed by Andrew Dymond who, I believe, went on to produce ‘Star Hyke’ which was sold to American TV. I wrote about an hour’s worth of instrumental music but only half of it finally reached the finished movie….. My son Daniel & I had a lot of fun going on an all night shoot for the film, eating Mars Bars and drinking Coca Cola all night to stay awake!! The studio day was also fun where we recorded my work, with the help of a prehistoric sequencer, onto video tape and mini disc ( very nostalgic ) Later, with the advent of Channel 5’s birth I was asked by an agent to go up to their TV studios in London to perform one of my own compositions for a forth coming daytime TV show, which I did….. The day flew by in a blur and all I can remember is the hideous cost of car parking on the Tottenham Court Road…. Scandalous !!!

I was invited up to Apple’s old offices in St. James Street London for an interview/audition. They gave me a good look over and I felt optimistic but, sadly nothing ever became of it. I still have the letter though, dated 6th September 1972 and at the bottom are the printed names of the two directors. Yes you guessed, John O. Lennon & George Harrison.

John : You were a band member earlier in life and in addition, widely recognized as a soloist in South West & London England during the 1990’s. Could you tell us about this time period of events you experienced and I just imagine there are some good stories you could tell everyone?

Steve Orchard : Blimey… How long have we got ? I worked a lot. Mainly covers for the pubs, clubs, hotels and summer seasons at holiday parks. I also did gigs for Army & Navy bases. If you are into performance then it is an incredible apprenticeship. You learn a lot about audiences. I spent 8 consecutive New Years Eve’s away from my wife & kids entertaining 1000’s of drunken party people. When the nights success relies on only YOU…. that’s quite a responsibility ( oh and the bingo & raffle ) I performed all over the South West with 3 nighters in London gigs sleeping in theatrical digs above a pub (not something I can recommend) It’s like an athlete. You build up muscles. You know when to be funny and when to keep your mouth shut!! ( Did I mention I did stand-up ? Don’t do it if you want to retain your sanity ha ha ha !!! )

I’ve known great musicians who were lousy entertainers and great entertainers who were rubbish musicians. In 2001 I realized that this was not what I wanted to do anymore. I wanted to return to my roots which was writing & recording. It was in my heart and the only way I could ‘look at myself in the mirror’ as a serious musician. Continually gigging, performing other people’s material makes you slightly morose and can leave your creative side sadly lacking. True, I do miss the adrenalin rush of an audience but what I do now feels right for me and hopefully my audience is out there still enjoying my performance.

John : Recently I wrote a review for Raindancer and have made plans to review Sundancer & Moondancer when released. Could you tell us more about your Dancer Trilogy and what each individual album illustrates?

Steve Orchard : Yes, they are companions to each other. I hope my listener/audience hear Raindancer and think, ” Wow! I liked that I’d like to taste some more of that.” Raindancer is very jungle/tribal with some twists and turns in its rhythm’s. I had this picture in my mind of cutting ones way through dense foliage to find a clearing populated by remote civilizations ( does that sound crazy ? ) The indigenous animals and fauna were all playing a part in my composing. Raindancer is where I discovered my New Age capabilities. With the generous direction of Medwyn, I am proud of this album. Sundancer, as I mentioned is all about energy. Islands in the sun and deep tropical seas yet cooling sounds in the midday heat. Rhythms play a big part of this album also and will make people want to move and children dance. My youngest son David is a gifted illustrator having produced many published children’s books has preliminarily designed both, Sundancer & Moondancer album covers. Obviously this is still to be confirmed but his work on all my other albums can be seen on my website.

Moondancer …. Is still under wraps. Suffice to say, this is the cool of the evening. The Moon is out in a cloudless night and a billion stars lead us to imagine what life could lay beyond them. This album is entirely recorded on my new studio and at this date still has to be completed but I have some ‘can’t quite keep still’ ideas in my head. I would just say, “Watch This Space!”

John : There is a lot of great instrumentation on the Raindancer album. In addition to acoustic guitar what are the instruments you play, and you told me about an upgrade to your project studio, so could you tell us the story behind this recent upgrade?

Steve Orchard : Raindancer is a completely ‘live’ album. By that I mean that it is layered onto a hard disc in the same way as working with analogue ‘tape’. That’s not to say it suffers from sound quality but I felt I needed to embrace a tiny bit more technology going forward. My main keyboard friends are my trusty Korg Triton & Roland Sonic Cell, with expansion boards, plus some other concoctions!!! On with a story…

By now Medwyn and his lovely wife Wendy had become my good friends. He invited me down to his home in Helston, in Cornwall, for a visit and to look at his studio with perhaps, an insight into the more sophisticated way he works. WOW !!! I only say that because a lot of your fellow members and readers of this site will be saying WOW !!! He was considering completely re-building his studio and giving me the opportunity to ‘adopt’ & ‘adapt’ his studio. This is ‘THE STUDIO’ which is responsible for selling over 4 million albums. It was January and the worst winter the UK had seen in 30 years. I was doubtful whether I would be able to make the journey as heavy snow had fallen over most of the South West. I travelled the day before our meeting and the journey was a little ‘hairy’ ( that’s a British expression for OMG !! …. another icey patch!!! ) I just had to go and meet this man face to face. He had a reputation for being ‘very private’ and not conceding to personal visits to their beautiful Cornish home.

I have to say, that information could not be more wrong. From the outset he was warm and friendly, and we spent the long day in his studio exchanging much humor and banter. I felt relaxed in his company immediately. To be sat elbow-to-elbow in the studio with him was an unforgettable experience. Such ease of understated talent was remarkable ( no, not me, him…. only joking ). Wendy arrived home from there very busy offices and warehouse in Helston and they were gracious enough to take me out for a memorable meal that evening. Suffice to say, I returned the following day with the ‘HEART’ of Medwyn’s studio and since then have amalgamated it into my own studio I think, really successfully ( you will need to wait for the completion of Moondancer to make that appraisal ) I personally can’t wait… It’s going to be special !!

John : On behalf of our visitors and your fans Thank You again Steve. Before we go is there anything you would like to bring up or tell your fans?

Steve Orchard : I have made so many friends all around the world with the release of Raindancer. It has been a privilege to be able to share my music at last, with so many enthusiastic people. This is what encourages us composers to continue to ‘up our game play’ to continually raise the standard, stretch, and find the best we can be. In the spirit of all MG Music Artists I will always try to answer all emails and help other budding musicians in their quest. Everything is possible. It has been a long journey but I still feel opportunities lay ahead of me. So many friends & family ( my closest love & confidant Julie, my wife of 31 years. She’ll be pleased I mentioned her name again! ) have supported me over the years even when I may have floundered. A good friend told me, ”The thing with you Orchard, is that you are PERSISTANT” Oh Yes!”… & keep smiling!

Visit the steveorchardmusic.co.uk homepage and sample his albums on his music page and learn more about Steve on his about page. Here is where you will find our pages dedicated to Steve Orchard.

Sundancer & Moondancer covers by David Orchard. Raindancer cover by Medwyn Goodall. Copyright Steve Orchard.

The United Kingdom based MG Music label has much to be proud of these days. The 25 year anniversary for Medwyn Goodall and Clifford White alone is reason to celebrate, yet MG label artists Steve Orchard and Paul Sills also have excellent releases planned this year. You will find the quality artisanship delivered by this close circle of friends is special with each artist retaining their own integral voice which to me makes MG label artists significant.

Steve Orchard is a New Age artist from the United Kingdom quite masterful at producing electronic instrumental music composed with many improvised mood sensations that nicely culminate into a repertoire of lively rhythms blended with a kaleidoscope of colorful melodies. The end result is one singular voice implanting a vivid melody image right beside a natural and reposeful atmosphere.

Raindancer is his current release and first in a trilogy series based in theme on a 3 natural elemental word, with each in series containing the dancer suffix.

Sundancer & Moondancer are future releases and I can already tell you that his spirited dancer series illustrates a rare quality of relaxing yet energetic melodies that readily achieve universal appeal.  Steve’s prior albums Voyages Beyond Midnight, Salt Water Café & The Consequences of Kisses are highly regarded earlier works and certainly worth a listen too.

Steve Orchard is a prolific singer songwriter having composed and performed original music for many years on guitar, mandolin, and harmonica, various skin drums, piano and keyboards. His music was featured on BBC Radio, film scores, local radio jingles, plus Steve was a band member in 100’s of concert venues with other artists and a well recognized soloist in South West & London England during the 1990’s era.

Steve Orchard made a great impression on me with his first in series Raindancer. This admirable collection of beautiful melodies exhibit the standard of excellence and integral voice Steve Orchard so boldly represents, brightly illustrated by his picturesque first release in the alluring Dancer trilogy.

Raindancer begins the initial splash of bright colors painted on a fresh musical canvas in a vivid song portrait titled Tribal Fire. The lighter vibrato in soprano vocals make the primary background shades to flute’s breezy hues, nicely accented by snare drum taps and free flowing rhythms. Keeper of the Sacred Trees & Cajon Sun are enhanced pan flute and keyboard melodies attuned to light synthesizer bordering while percussion assists by even handed rhythms in a fine blending of tropical harmonies.

Acoustic guitar then takes a turn holding the primary melody brush in Cajon Moon, primed with a steady synthesizer outline backed by flute and tenor drum. Guitar and pan flute emblazon the impression by a faster tempo in free flowing songs Amazona, Pathway Through The Forest & Festival, with each song inscribing bright reflective patterns by progressive guitar rhythms, flute expressions and percussion cadences that portray a flamboyant resemblance.

Passion Flowers & Where Rivers Meet are compositions with airy Latin & World influences which make easy going songs by light flute notes dreamy ambience and gentle tracing by guitar strums having a soft percussion mix in the first, then tenor drum outlining in the second.

Road to Manaus has a dreamy groove concept by light flute refrains intertwined with deeper keyboard and acoustic guitar that travel along a harmonic pathway together with even symmetry. The orchestra phrasing with strings and resolute percussion smoothly enhance the delightful mood illustration in this song.

Anocondas Caress completes the colorful spectrum and gives one a chance to admire the total picture on this album filled with exotic surroundings. In an exclusive move during composition, this song is captivating using two metrical rhythms.  Flute nurtures the primary melody while guitar draws on half step chord rhythms during a second melody, rising in chord phrasing to elevate the tropical atmosphere.  This beautiful song in proportion to the entire album is a nice exhibition of the integral voice Steve Orchard  boldly represents.  It sets a high standard of excellence for his all inclusive Dancer Trilogy.

Visit the steveorchardmusic.co.uk homepage and sample or purchase Raindancer on his music page.  Learn more about Steve on his biography page.  Read my pages dedicated to Steve Orchard.

Cover design Copyright MG Music courtesy of Medwyn Goodall. Picture copyright Bigstockphoto.com – wtolenaars.

Pedal steel guitar is a stringed instrument that often receives no respect in relation to New Age music in part because the instrument is often classified in the Country and Hawaiian music scene only, but believe me the ground rules have changed and is primarily due to one man.

Bruce Kaphan from California has taken petal string guitar to a whole new level in New Age music for years, making this instrumental transition not only a surprising one but a dazzling one, giving even music purists a reason to love pedal steel guitar with his earlier release Slider and now Hybrid. The reason behind his new adaptation in an otherwise strict classification was pretty much the colorful sound quality it provides and a love of exploratory music.

What many find interesting is that Bruce Kaphan began his early career as a studio technician, engineer and producer for many highly recognized artists in other genres, where he either played a role with the recording production of their album or performed with artists such as REM, Jewel, The Black Crowes, Thomas Dolby, John Lee Hooker and many others. During his early days in San Francisco he was a member of Indie / Alternative band American Music Club and his music has been featured on film scores and television broadcasts.

Hybrid is an album with 12 original song compositions by Bruce Kaphan who makes it crystal clear right from first track Pohaka La that you are listening to a unique composite of exotic blending with unrivaled clarity freshly harvested from another cross section in the vast field of music and it quickly becomes apparent this new emerging beauty will remain a lasting entity.

Pedal steel guitar just happens to be the prominent instrument in Hybrid and a natural selection too after listening to songs like Gleaming Towers, Legacy, Silenzi & Renewal, which breaks new ground by classifying the instrument as a main entry melody contender versus a mere supporting instrument.

There are songs like the piano enhanced Maya and guitar renditions in Senbazuru & Loops for Larry displayed in a new manner and show the instrument as an appealing choice while clearing a new path during improvisation in light ambience while reproducing a well conceived follow up for his Slider – Ambient Excursions for Pedal Steel Guitar 2000 release.

In an age where hybrids in all shapes and forms are becoming more relevant daily, Hybrid seems like a true natural contender when placed side by side among more traditional New Age albums and the lighter exploratory metrical patterns of Jazz, Hawaiian and Country in Hybrid are a prized natural attraction that shows well beside other music forms while earning the respect it deserves.

Bruce enlisted numerous artists on this album including, Jake Shimabukuro, Jeffrey Wash, Kent Darnielle, Salar Nader, Matt Brubeck, Real Vocal String Quartet, David Immerglück, John Loose, Paul Olguin and Karl Perazzo and Real Vocal String Quartet that is featured in Okanagan Jubilee.

Visit brucekaphan.com to sample / purchase or visit his CDBaby.com page. Read his biography page and music page.

Picture Copyright Big Stock Photo – nsilcock.

Many musicians are content to remain within a specific genre and are a complete success in their artistic focus. Then there are other notable musicians where a natural progression is realized, developing into a unique artisan style and by their inner convictions, become a virtuoso by what they offer the music world.

Gandalf is an internationally acclaimed composing music producer from Vienna Austria first identified as a New Age, Contemporary Instrumental and World artist. While transitioning over the past 30 years of his career, his progressive directive and persona has helped neutralize the customary social borders in multicultural music for years.

Gates To Secret Realities on the Prudence label is an open manifest of his ambitious return to classic world music. This 1996 album is one of fascination and perhaps a secret gaze into what Gandalf is planning for a future orchestration slated to celebrate his 30 year Anniversary in 2011. This future CD currently being composed is the centerpiece for the occasion, plus a live performance in Vienna will accent his milestone achievement.

It was during continental travels to Europe, North & South America and Asia where Gandalf began to realize the prevailing attitudes and many similarities of every continent greatly unites each of us, verses creates a divisional line between countries. This open border view is much a part of his global World Music ambitions, and perhaps why his style encompasses a unique image while making a valid statement in relation to his cultivated talents and international status.

Gates To Secret Realities featuring 11 songs with over an hour of world class music is an earlier expedition not to be missed. Gandalf is a multi-instrumentalist performing acoustic and electric guitar, charango, piano, keyboards, mellotron, balaphon and many indigenous percussion. Enlisting Emily Burridge from England and Peter Aschenbrenner from Vienna, Emily performs vocals & cello and composed 3 songs while Peter is another fine talent on flutes, soprano saxophone and some backing vocals.

Gandalf’s ensemble makes this album a unique listening experience beginning with 3 songs Dreamcatcher ( Part 1 ) vocals and flute instill a celestial atmosphere before Gandalf steps up to give an astounding rock styled electric guitar anthem. This is in relation to The Power Of Nature & Man’s Promise To Mother Earth performed by the united trio where vocals, flute, keyboard and electric guitar proclaim a powerful majestic atmosphere.

Many songs journey along more moderate terrains regarding style and tempo yet the fascination remains deep and on a grandiose scale. Footprints In Red Sand is relaxing by the flute and keyboard interludes before building momentum with electric guitar that greatly increases depth of the impression.

Majestic Mountain View is an apt title shown by cello, keyboard and flute setting their sights on a light background depth and then again in following windswept song Voice In The Wind, then bells signal the tonal imagery in piano and guitar melody on Along The Milky Way.  Some songs like Ascending On The Eagle’s wings, Dreamcatcher ( Part 2 ) & Floating Down The Silent Stream are ballads elevated by cello flute, keyboards and saxophone that give a cinematic feel by lighter orchestrations portrayed in a lavish way.

The Wheel Of Life is a moving concerto lightly revolving in time, thought and deliberation, swaying in a gentle way by an enchanting flute melody backed by wondrous piano rhythms. Cello is fluently engaged to intensify the atmospheric warmth and progressive movement this song and the album in entirety envisions, perhaps giving us secret insight into the celebratory atmosphere Gandalf has in mind for us in the year 2011.

Visit Gandalf.at to sample his music and read his biography page. Visit the Munsing Germany based bscmusic.com homepage and BSA’s Gandalf music profile to sample / purchase. Picture copyright Big Stock Photo – EcoShot.

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