New Age Music World

Author Archive

    NewAgeMusicWorld.Com  &  NewAgeMusic.nu  ZMR Qualifying artists.  Albums shown in alphabetical order.

                               The click on Word Links are [ Website ]  & [ Review ] for each artist listed below.

                David Mauk / davidmauk.com [ website ]  12 Months Album [ review ]

                David Wahler / davidwahler.com [ website ]  Antiquus Album [ review ]

      Fiona Joy Hawkins / fionajoyhawkins.com [ website ]  Blue Dream Album [ review ]

           Arturo Mayorga / arturomayorga.com [ website ]  Cascades Album [ review ]

           9  Muses /  Sample at cdbaby.com [ here ]  Feel to Heal Album [ review ]

             Ciro Hurtado / cirohurtado.com [ website ]  Guitarrista Album [ review ]

             Paul Avgerinos / roundskymusic.com [ website ]  Love Album [ review ]

         Bruce Mitchell & Ron Korb. newearthgoddess.net [ website ] Album [ review ]

 Christopher Boscole / christopherboscole.com [ website ]  Presents of Angels [ review ]

       Christopher Boscole / christopherboscole.com [ website ]  O Christmas Tree.

                Michael Brant DeMaria / ontos.org [ website ]  Ocean Album [ review ]

            Michael Brant DeMaria / ontos.org [ website ]  Siyotanka Album [ pages ]

         Matthew Labarge / matthewlabarge.com [ website ]  October Album [ review ]

         Terri Liles Mason / omgaiamusic.com [ website ]  Om Gaia Album [ review ]

  Cadence Spalding / cadencespalding.com [ website ]  Save The World Album [ review ]

            Anewday / anewday.ca [ website ]  Summer Reflections Album [ review ]

   Lawrence Blatt / lawrenceblatt.com [ website ]  The Color of Sunshine Album [ review ]

          Nick Farr / nickfarr.com [ website ]  The Ever Present Now Album [ review ]

          John Adorney / johnadorney.com [ website ]  The Fountain Album [ review ]

   Paul Jensen / juancarlosproductions.com [ website ]  The Other Side Album [ review ]

        Michael Stribling / leela-music.com [ website ]  The Promise Album [ review ]

           Kori Linae Carothers / koritunes.com [ website ]  Trillium Album [ review ]

Fiona Joy Hawkins has just released a YouTube video with excerpts of her recent concert performance at the Q Theatre in Sydney Australia.  In this concert, Fiona is featured showcasing her talents as a pianist, and sings soft vocals.  The entire supporting cast of music professionals on the video are Rebecca Daniels playing violin and vocals, Trish McMeakin on cello and Andy Busuttil on percussion, clarinet, and reed instrument, saxillo.

I have watched this new video several times now, and found it gives an excellent sampling of her classic material with several songs from her recent Blue Dream album. 

Fiona is also one of many currently under consideration with Zone Music Reporter’s awards ceremony taking place later in February and March.

Speaking of the ZMR awards, we have a special post ready for this weekend displaying 20 qualifying artists and their albums currently under consideration that we have written album reviews on this past year at NewAgeMusicWorld.com.

We invite you to check back for a nice story about the ZMR awards ceremony this weekend.  You can go to zonemusicreporter.com for the complete details.

Visit fionajoyhawkins.com.au to find out more about this music professional.

Cover art is courtesy Fiona Joy Hawkins.

The Piano as the leading musical instrument can be appreciated using just a few simple well placed notes. It’s the pianist who takes the leading role by their note by note delivery to determine the style and complexity of the note structure in hopes of creating a classic piece of music everyone can appreciate.

Ann Sweeten is one musician widely recognized for her classic style. She also sets a high standard in quality among many pianists in the wide range of genres employing piano music as the chosen manner for pleasing an audience. In a skilled full range delivery on a Steinway Baby Grand, her classic signature sound deserves respect in a natural way, lending itself to beautiful music that many have found, gives new meaning to the term music appreciation.

Just This Side Of Spring showcases her latest composing lead performance as a Steinway Artist and music professional, with several talented artists at her side. Windham Hill Records founder Will Ackerman performs on acoustic guitar on the title song, along with co-producing the album with Ann, who also conducts vocals and synthesizers. Andrew Eng on viola & violin, along with bass performer Michael Miksis, and Trisha Craig on Flute are the accompanying musicians of several songs contained on this album, who do excel in terms of fluidity as a collective unit.

Being the author of numerous solo piano reviews in the New Age genre, I promptly identified an admirable level of richness and depth in tone I rarely hear in many comparative piano solo albums. Stylish tonal qualities held in even the quietest patterns give complex sequences and a prolific feel of realism within every individual phrase. I likewise concluded the classic instrumentals supporting Ann Sweeten on Just This Side Of Spring clearly strengthen this opulent quality, validating my initial first impression.

Ann Sweeten is a Steinway Artist & Composer, and her achievements are numerous, including voting privileges in the National Recording Academy of Arts & Sciences, ASCAP Popular Award Recipient starting in 2002 thru the years 2009.

The ZMR nominations and awards are just as numerous and her talents are not limited to music achievements and concert performances on piano. Ann is also a professional actress, singer, and ballet dancer, realizing many achievements in her diverse life.

Just This Side Of Spring is a thoughtful Piano Instrumental album that holds many elegant touches leaning towards the classical side of life, while shown in a natural realistic way too, becoming a great follow up for her previous Piano Instrumental album Grey Sky and Bittersweet.

I concluded that both Just This Side Of Spring & Grey Sky and Bittersweet make you feel a pleasant sense of comfort and enjoyment in a much desired way, given by a qualified pianist who delivers an admirable performance on a Steinway Baby Grand, in another new release of her music almost everyone can appreciate.

Visit AnnSweeten.com to sample or purchase. Find at popular music outlets like Ann Sweeten’s CD Baby.com page.

Music is an important aspect in many people’s lives, with just one specific genre becoming their favorite form of musical entertainment. That’s fine really, but most realize it does limit the total music experience, and a vast range of enjoyment found in all forms of music.

Isaac Shepard from Southern California is like many of us who share the same philosophy when it comes to the unlimited resources for finding great music in other genres, becoming revitalized in the process, and similar to the way Isaac put it, just might make you appreciate your favorite form of music even more.

Isaac began playing piano by ear at an early age and this early love of music began as a family circle of musical talent while performing with his father during many community venues in California, including benefits for homeless shelters, social gatherings and church events.

I am pretty sure this early introduction and appreciation of all music genres was a rewarding first step in the right direction as he began a well rounded approach into his individual projects as a piano soloist.

The Renewing is Isaac Shepard’s most recent form of expression as a solo pianist, where his individual composing performances offer relaxing ballads, classical progressions and beautiful melodies in each of the 10 songs composed with a pleasing source of renewal in mind.

Exploring the musical space and taking in all that it has to offer is a universal calling and can be life-changing. You might discover a genre that pushes your boundaries and leaves you wanting more, or you might come away being that much more thankful for what you call your own.     Isaac Shepard

Tears Can Fall is a peaceful balled where an extending range of emotion has a presence in both the keyboards and what you will find in your first sample song in new music discovery. Lead off phrasing is like a gentle question and answer session with treble notes asking the need to know questions and lower octaves blending in a responding reply that contrasts the upper octaves curiosity in important matters pertaining to harmonic togetherness.

Doors of Life has quieter moments in the earliest measures, moving into classic timed refrains before climbing to full heights in terms of the growing melody heard during this piece with steadiness like a soulful march. While piano keys move to greater distances in this song, the melody flows and sways by nice runs along the keyboard while sweeping notes trickle right in time with a more moderate background.

All Smiles like the name suggests is motion moving in an upward direction in an easy going natural movement shown by classic form, with strong stanzas recognizing a positive fullness in depth. The rich fullness of a quiet melody blossoms while reaching full cord progressions with classic touches filling in the outlining shades of color, giving a more dignified tone to the overall feeling of happiness in this pretty song of joyful contentment.

The Renewing tells of dancing rhythms resting beside moments of introspection, becoming a nice getaway from the pounding beats and winding guitars competing for your attention. Whatever your favorite form of music is, here is an opportunity to explore Isaac’s latest solo piano release and become pleasantly refreshed in the process.

Visit isaacshepard.com to sample his unpublished music, popular soundtracks, and two prior solo piano albums, Swept Away & Deep Joy. Visit CDBaby.com to sample The Renewing.

Big Stock Photo copyright – Wilmy.

Mars Lasar is one of the first musicians many people recall when thinking of nature inspired music. His music with a dedication to protect the heartland is a constant reminder of this gifted artist and his ability to promptly place you there.

Mars Lasar has just released another nature inspired project entitled Tahoe Spirit. This release really puts you on location, in a sharp salute that is a natural acquisition with his large fan base. This release should be of interest for all who appreciate his artistic creations gently carved from our native habitats of woodlands and ecosystems.

The time enduring Eleventh Hour Series, Olympic National Park, & Yosemite: Valley Of The Giants, are all earlier landmarks of his dedication to conservation music that, sure as our world turns, are steadily becoming more relevant each passing day. Every one is a great album with a wonderful theme.

Tahoe Spirit is his newest declaration into New Age/World/Nature genres to virtually guide you one heartbeat away from the Great North Western Sierra Nevada Wilderness, Lake Tahoe, and deep into Washoe Indian Territory, in a trail blazing expedition illustrating the territorial lands that are a vital part of our American Heritage.

David Rose is a distinguished talent from the band Painted Raven, and principal performer on Traditional Native Flutes, while a divine new age vocalist likewise join Mars Lasar on piano, bass, keyboards, and programming. It is during their unparalleled journey together where everyone can become a part of, and be a witness to the vast open wilderness, monumental mountain horizons, and the pristine waters that reverently hold the secrets of this regional gemstone.

Mars Lasar employs a careful artisans approach while composing all of his inspired by nature music, making a lasting impression on you every time. The effective result of a delicate polish given to Tahoe Spirit results in a fine grain finish, directing you to an exceptional visit to the pristine beauty of our native woodlands all Americans can call home.

Tahoe Spirit makes a bold first impact of 10 song legacies known with a deeply moving and beautifully synthesized Tahoe Legends. Beginning with a grand opening, this Epic song makes one quickly realize the musical terrain is going to be firmly held on a plateau of picturesque beauty. The woodwinds David Rose provides are encircled by percussion effects and heart pounding stanzas that Mars expertly recreates during your guided visits to memorable discoveries in music.

The Great Spirit has more of a calming presence by woodwind interludes and echoing drum rhythms that noticeably accent an inherent note by note recollection about a past civilization of people who are an important part of our heritage and who once called it home.

Washoe Meadows has the attribute as a gentle song with a relaxing melody, articulating a pleasing sense of atmosphere, perfect for those seeking an adventurous ambiance where gentle streams and natural forestry are a realistic part of the visual beauty you will hear in this total music experience.

Lake In the Sky gives a peaceful moment of reflection by woodwinds gentle tones and dreamy melody shown by a soft tranquil flow between stanzas, while bass and drums add a range of depth by the subtle undercurrents.

Alpine Meadows makes a heartfelt impression on me every time I listen to it, in an uplifting song where the bond of this trio shines so very brightly while standing together in musical unity. Mars places an Epic, yet comforting climate controlled feel on keyboards that instantly takes you there. David instills the calming winds with haunting flute passages recognizing the presence of the people living before us there, and the new age vocalist sings a soft radiant melody, glowing like the sun by her wonderful declaration to remind everyone why we become united there.

Tahoe Spirit greatly captures your attention by a bold testimonial about our native lands worth preserving, and is a wonderful presentation from talented artists united in heart, mind, and spirit, who give you the feeling that you also belong and can go there too.

Visit MarsLasar.com to sample and purchase the Tahoe Spirit album. Picture Copyright Big Stock Photo – mantonino.

The 2010 New Years celebrations are just a recent memory for many of us now, but the year 2010 also marks a new time for celebration with many of our friends at Medwyn Goodall’s MG Music label based in the United Kingdom.

Legendary musician Medwyn Goodall himself has achieved a milestone by his 25th year anniversary as an artist, and we will be telling you more about the events MG Music has in store for us later this year in 2010. Right now, there are two great artists I have been in contact with recently, who are considered family members at the MG label and are playing a major role in the 2010 celebrations by their latest release, and wanted to tell you more about them today.

Clifford White is considered an early pioneer in New Age Music beginning with the Ascension album, which became a remarkable hit and rightfully became the strong foundation to Clifford’s music career.  He has produced some great albums since then, and it is wonderful news that Clifford has now created a sequel to be released in late February crafted from this original project, with the albums description looking very promising indeed.

Ascension ll  The Healing Touch is his latest creation that is being described in the context of divine, graceful, and gentle, giving an great indication of what everyone can expect in the weeks ahead. I do enjoy listening to his first Ascension album, and can only anticipate what will follow in this revitalized profile of Ascension ll.

You can read my pages dedicated to Clifford White.

Paul Sills is another MG Music label member I have written about recently and enjoy listening to his deeply spiritual brand of music that in no shape or fashion could ever be called ordinary.  His music style finds a wonderful resting place where deep orchestration resides beside lighter melodies that soon transform into a dramatic conclusion you will have to hear for yourself.

Devas  is Paul’s latest to be issued later in the year, holding the promise of an energetic and new approach to nature that Paul has written from a new angle in his already well crafted brand of celestial music, taken to a whole new level.  For me, Devas is another highly anticipated release, and I really did like the sample track Paul sent recently.

Paul Sills and I had an insightful discussion about his music career and life at MG Music during our recent interview together also, and I have reviewed both of his prior albums, so I invite you to read my pages dedicated to Paul Sills.

The 25 year Anniversary at MG Music has more in store for us. B.T. Fasmer has also posted an article about this talented circle of friends at the MG label.  Songs from both artists are featured on Stars Radio, so you may listen to both artists on a regular basis at Stars. Photos are courtesy MedwynGoodall.net & CliffordWhite.co.uk.

Paul Avgerinos is one of the many artists I have contacted recently to inform of our new affiliate website with NewAgeMusic.nu.  Paul’s new song videos taken from his Love album is very impressive and a great place to start since I will be showing you more of the many artists we feature here at NewAgeMusicWorld.com.  We also wish to thank everyone for their positive words of support.

Paul Avgerinos & Round Sky Music bring you Love Part 1 & 2.  Visit RoundSkyMusic.com here & CDBaby.com here.

Salva Moreno of Psicodreamics is the predominate musician widely recognized in Continental Europe, the U.K. and overseas, where his unique fantasy and mythology inspired music creates a magical divide from many New Age artists.

Valencia Spain is where Salva takes the stage to portray his principal role as Psicodreamics master of ceremonies, and into the hypnotic realm of the dark unknown. He exploits this select style of fantasy music cloaked in an intriguing shroud of mystery every time, as if he were a music magician pulling another album out of a black hat.

AzhDark Passion is a project based on a novel by Tanith Lee titled Night’s Master, and although composed years ago, the project is relevant today as it was yesteryear.

In a surreal form of Ambient, New Age, Neo Classical, and Chill Out, with symphonic interludes, the 12 songs offer one a chance to make their own conclusions about his openly mysterious music, performed to the beat of her chilling adventurous novel.

Title song AzhDark Passion is a perfect example since the first few measures in music immediately place you in a past century, watching a cloaked figure on a black horse drawn carriage that steadily travels past you on a cobblestone street, before disappearing into the night.

Psicodreamics beautiful array of mysterious albums make a great contradiction in sound and effect, becoming like a roller coaster ride of sensations, where you are taken close to the thrilling edge, but without the danger of losing your grip and falling into complete darkness.

The Sweetest Gift is gentle like a soft lullaby making you feel safe and sound, but a hint of mystery lurking in the shadows is waiting behind each note. Song of the Living Night conjures up much of the commingled fight verses flight feelings also, since woodwinds lull you into a relaxed state of mind by the bright melody, while symphonic undercurrents make you suddenly realize that creatures of the night may actually live under your bed.

The Forge places an emphasis on choral vocals harmonizing in unison, while percussion timpani drums add precise measurements of rhythm as if an alchemist were adding ingredients to a copper caldron.

Morning Light features Priscilla Hernandez in contrasting female vocals to become the silver lining in this song, blending with generous percussion and sound effects full of mystery, in a rhythmic pace that balances together quite well, considering colorful vocals are encased by darker images from the distant past.

Electronic in New Age music plays many roles, and the select role of mystery and imagination Salva Moreno performs as a musician, is composed using an effective sleight of hand that magically transports you into a world of fantasy.

The Ambiethernum album is a compilation of Psicodreamics best Ambient and Space music from his many projects to date, and is a great way to discover more about the magic behind Salva Moreno. You can also read my album reviews and my recent interview with Salva Moreno by visiting my pages dedicated to Psicodreamics. Visit Salva at Psicodreamics.com and sample or purchase albums by Psicodreamics at Amazon.com. Picture copyright Big Stock Photo – DanTe.

New Age Music World features music videos from many of the musicians I interview and write album reviews about on my music blog which is a great way for an artist to showcase their musical talents and create a memorable visual impact.

New Age Music World is a top music blog that features our artists in our Music Videos 1 Tab and Music Videos 2 Tab.

The New Age YouTube music videos of every artist we feature are located on Our Main Pages and in addition you can read my musician interviews, album reviews and every music video with outstanding artists from around the world producing music in the categories of New Age, World, Electronic, Instrumental, Neo Classical, Ambient, Solo Piano, Relaxation & Meditative music. 

NewAgeMusicWorld.Com is proud to be your helpful source of information for our visitors searching for top New Age albums, songs, videos and the finest music available today.

Musicians in the New Age music industry have so much to offer from other genres and I find enjoyment in helping my visitors connect and find the musicians of specific interest to them.

I have the honor of meeting top artists from around the globe on a regular basis. Visit our Main Homepage to read my recent interviews with top artists. Read my 2010 album reviews & 2009 album reviews of their music.

Below is the Spiritual Evolution Video by Bryan El.  You can read the interview Bryan and I had together and my album reviews of his music by Clicking Here.  Visit the bryanel.com Homepage and his video page for more about this fine AMAdea label artist from Bulgaria.  For all New Age music videos visit YouTube.com.

NewAgeMusicWorld.Com is a top music blog with John P. Olsen as your editor & host. 

When you visit my Homepage you will find I am a review publicist who writes album reviews and conducts interviews with many new age and world musicians. You may recognize many including Grammy Award Winning or Grammy Nominated musicians to top artists and the rising artists just beginning their music careers.

I interview these talented musicians and write album reviews because of the great music they produce along with their role in Defining the New Age Genre today.  What everyone I write about has in common is the great music they produce and their ever present role in shaping the New Age music genre today.

Some of the genres and sub categories I write about are new age, world, instrumental, electronic, ambient, orchestra, solo piano, and relaxation music. 

The NewAgeMusicWorld.com homepage is where you can read my Interviews with some of the top artist defining the music world today. You can also find some of the best albums on my awards page and visit my Reviews Page. Thank You for visiting today. I hope you bookmark and visit again tomorrow. Your Friend In Music, John P. Olsen.

NewAgeMusicWorld.Com is a popular music blog host by John Olsen. I am dedicated to helping our visitors find simply the best music. I am a review publicist who writes album reviews and conducts interviews with artists you may already recognize, from Grammy Award-Winning or Grammy Nominated musicians to top artists of today. I invite you to discover the NewAgeMusicWorld.Com Homepage.

New Age Music World is a non-profit source of information for our visitors searching for top New Age albums, songs, videos and the finest music available today. Musicians in the New Age music industry have a lot to offer apart from other music genres, so I enjoy helping my visitors connect and find artist of interest to them. For the artist, I provide free support for the many independent and label musicians I present daily to our international visitors.

In my role as a review publicist I have the honor of meeting many top artists on a regular basis. Many artists I interview and write album reviews about are Zone Music Reporter ( ZMR ) Music Award Winning, Award Nominated, Award Qualifiers or musicians placing in the Yearly Top 100 chart or Monthly Top 100 Chart, based on the New Age Radio Chart listings published monthly and yearly. Here is the Billboard top New Age albums chart listing and Wikipedia Grammy Awards for Best or Top New Age album.

What every musician I write about has in common is the outstanding music they produce and their defining role in shaping the New Age genre today. Many of the genres and sub categories include; New Age, Electronic, Instrumental, Neo-Classical, World, Ambient, Solo Piano and music for relaxation. 

You are invited to visit my homepage to read interviews with some of the top artist defining the music world today. Here is where you can read my Album Reviews in 2010 along with my Album Reviews in 2009.

NewAgeMusicWorld.com is an official music blogspot!

John P. Olsen is your host during your visit today, and your return visits tomorrow. Some of you may already know me since I was a contributing partner with friend and colleague B.T. Fasmer, at his industry respected NewAgeMusic.nu.

New Age Music World is a non-profit affiliate with NewAgeMusic.nu so I will be bringing you new content and up to date coverage of the best New Age music the industry has to offer, serving visitors and musicians alike.

You are invited to take a few minutes to make a brief tour to become acquainted with NewAgeMusicWorld.com. My Profile Page provides more details, and I am excited about this new opportunity to deliver a fresh perspective in regards to the musicians who define the New Age music genre.

You can take a look at the Interviews & Album Reviews I have written regarding some of the great producers and top artists.  You can sample the music I write about at Amazon.com, CDBaby.com, Rhapsody.com and other outlets. Many songs in my album reviews receive airtime on 365 Stars Radio and Sky.Fm internet radio stations.

I hope you will quickly recognize this blog-spot as a reliable source for news and information regarding the top artists I cover, so that you bookmark and become a regular visitor to my music blogspot.

I would like to publicly thank B.T. Fasmer for his technical assistance during website construction. For those who know B.T. and his dedication to the fans and artists in the New Age genre, here is yet another reason hold him in high regard.

                    John P. Olsen

Editor/Host for NewAgeMusicWorld.Com.

Read our musician interviews, current album reviews and music videos by clicking on the corresponding photograph.

The conservation minded 11.05 Revival release from Mars Lasar is the most recent project in the Eleventh Hour Series to make a significant statement in both the trademark designer music Mars continues to envision and next in series dedication to protection of our planet that arrives with just in time precision.

The Eleventh Hour Series relies on an electronic instrumental infrastructure to get the message out. It now appears clear Mars Lasar was just ahead of his time with the series. His deep exploratory music touches the senses while beating a constant rhythm in music lover’s hearts, exactly when a new resurgence in conservation is suddenly thrust into the forefront of the next generation’s minds.

11.05 Revival on the Sound Manipulation label approaches every aspect of Eclectic, Electronic, Instrumental & New Age Groove, canvassing the inherent beauty and peaceful serenity of our magnificent planet in an epic and colorful illustration drawn from one man’s timely musical perspective.

Earthbound exhibits a strong opening by first reaching out to grab, and then capture your attention by a distinctive percussion rhythm that steadily glides into full keyboard environment, giving a pulsating melody in motion testimonial. During refrains, choral vocals announce a clear message while swaying melody acts like a pendulum to once again move in counter-motion behind the energizing concept.

Parallel Worlds permits you to breath again while navigating at a gentler pace during orchestration crescendo revolving around lighter percussion, woodwinds and twinkling effects, giving brief moments of interlude during this unilateral event.

Some of the introspective songs heard on 11.05 Revival could be perceived as a warning for our ecological in-actions and resulting consequence to humanity, since several songs have a deep perilous atmosphere that rightfully command your attention.

Globalization conjures up equally deep and lighter emotions by modifying sound images in this majestic song that uniquely articulates the projection of imagery during his compositions. The deeply integrated keyboard and vocals are centered by a twinkling sequence to mirror the bright reflection of a full moon and resulting tidal effect.

Ancient Astronaut & Final Countdown take giant leaps onto the planetary surface of ambiance by having an audible feel of intensity in their own domain. While one song is geared to a constant percussion countdown timed to the precision of a second hand with far reaching melody, another explores rich orchestration by engaging brass, winds and strings that seem to defy gravity by dynamic theatrics alongside intertwined lighter and deeper orchestra concertos.

Next Millennium has a design of the future piano melody with counter beat notes and intriguing voice box dialog that competes for your attention. Moderate patterns return with several songs in a mid tempo pace and feel like heard in Evolution. Graceful Orbit has a cycling pattern by the static effect, strings and vocals. Celestial Challenge has a voice box dialog with flute in an engaging improv sequence and Guide To The Ozone shows a blend of instrumentals drawn into softer songs that float along accordingly.

By The Sea ushers in the relaxing singing of a new age vocalist, where Contemporary Jazz is introduced to softer classic vocals alongside piano and saxophone accompaniment, lending a soulful and poetic touch which nicely compliments 11.05 Revival and newest release in the Eleventh Hour Series.

Mars Lasar has truly made a bold testimonial in this timely masterpiece, renewing the true spirit behind the Eleventh Hour Series while also personifying his dedication to conservation music legacy. The positive aspects of our world worth saving are clearly shown in unison with the extreme challenges ahead, exactly when the music of today’s generation and inherent staff of conservation awareness is carefully relayed into the open arms of the next generation.

Visit MarsLasar.com to sample or purchase 11.05 Revival and other new age albums or visit Mars Lasar’s CDBaby page. Picture Copyright Bigstockphoto.com – karmaamarande.

* The Eleventh Hour Series 11.05 Revival has a 10 % donation to conservation.org with your album purchase.

There are a multitude of genres where an acoustic guitar enables an artist to express themselves personally. When placed in the hands of a skilled musician, this stringed instrument becomes a beautiful companion, telling everything about the artist with each passing measure.

Ciro Hurtado is one skilled solo guitarist or guitarrista from California, whose performances include Traditional Latin, American Folk, World, Fusion, Latin Jazz, and many more popular genres, becoming adapted to many forms of personal expression. His natural talent, along with studies at the Guitar Institute of Technology have placed him in a well recognized stature as a musician, highly regarded for his artistic technical abilities and versatile rhythms for many years now.

Ciro’s musical compositions on guitar are not limited to specific categories since his adaptable styles also range from more traditional Jazz, Flamenco, Classical, Pop, Blues, and Rock, so versatility does play an important role in his music.

Guitarrista is the 5th album to explore his talents as a guitarist, where many rhythms and sub rhythms on this project are abundant, in a solo album that finds many points of interest during this thoughtful encounter with individualistic expression. Latin influences play an important factor during his many changes in style too, as both hands connect with the strings in a well versed manner.

Performing without percussion, brass, or winds, his solo touch of the strings give multiple layers of well versed melodies and nicely done sub rhythms, giving me the impression that any added musical accompaniment would be unwanted sound that just gets in the way of his unique approach to this solo guitar album.

The intricate patterns, along with a relaxed atmosphere, greatly emphasize his individual composing and performance skills, while also telling a beautiful story to his audiences.

Besides his solo projects, and performing with Strunz and Farah, he founded the popular group Huayucaltia, touring in the U.S. and other countries while opening for Sting, Jackson Browne, Carlos Vives, and other highly regarded artist. His numerous movie and documentary musical score credits are recognised in the film industry as well, since producers have also taken note of his versatility as a guitarist.

Ciro Hurtado’s prior albums In My Mind & Tales From Home both have accompaniments that blend just right with acoustic guitar, and expert performances are shown in all of his albums.

This comes from a person who recognizes that the guitar is really just a pretty instrument, and that a beautiful outcome is always dependent on whose hands the guitar is placed.

Visit cirohurtado.com to sample here, and cdbaby.com here.

Picture Copyright Bigstockphoto.com – devulderj.

Composing musician Dr. Michael Brant DeMaria, clinical psychologist, recognized poet, author, public speaker, and now recipient of a prestigious Grammy Nomination, was interviewed by John P. Olsen, New Age Music World host and contributing author with NewAgeMusic.Nu.

Interview with Michael Brant DeMaria;

John Olsen :  Giving the fact the Christmas season has arrived, your musical and professional endeavors are numerous, thank you for taking time out for us Michael.  BT Fasmer and I also congratulate you on your current Grammy Nomination and recent win with the Native American Music Award, (NAMMY) in the Native Heart category in October.  This must be very rewarding, so how does it feel to be recognized by these achievements, and why do you think  Siyotanka  makes such a decisive impression on those who make award decisions?

Michael Brant DeMaria :  Thank you so much John, and please thank BT Fasmer for me.  Your words are greatly appreciated.  It is a great honor to be recognized with a Native American Music Award.

Although I work in many genre’s of music including New Age, World and Ambient music – I have a deep love and respect for Native American culture, music and wisdom and it’s meant a great deal to me – so this honor is particularly meaningful. The music of Siyotanka really appears to have touched many people with its sincerity, simplicity and honesty.

My goal with the music was to serve the story and try to tell the story musically even if you had never seen the play or are even unfamiliar with the Legend of Siyotanka. What’s beautiful about it is it is really an archetypal story for musicians.

We don’t have room to go into the whole story here – but what I can tell you is it’s a story about finding the song that lies inside of our hearts and the importance of sharing that song with the world – because it is that soul song that tells us who we are, where we come from and where it is we are going.  Ultimately, it is also a story about peace – how wood is fashioned for the first time into an instrument of love instead of into a weapon of war.  I think that is truly an important story for our time.

John :   You have also performed with Grammy nominees, past winners, and are now among a select group of musicians.  Who are the artists you have performed with in the past, and what is it like to perform with these other fine musicians?

Michael :  Thank you again John for your kind words.  It is an incredible honor to be recognized in this way.  My first love was music and it has been my therapy and a balm to my heart and soul so often in my life.  I’ve had the honor of performing with many of my musical heros.  Two in particular, David Darling and R. Carlos Nakai are two that inspired me for many years.

It was Nakai’s Earthspirit which was the first Native American Flute recording I ever heard.  It literally brought tears to my eyes.  David’s cello can also just reduce me to a puddle.  To admire someone for so many years and then have the opportunity to play with them is a true joy.   I actually have studied with David over the last four years and am know certified with him as a Music Improvisation Teacher through his Music for People program.  He has a huge and generous heart.  He’s nominated in the New Age category this year.

John :  Perhaps you could tell us how your musical odyssey began.  What were the circumstances of your early beginnings in music, and how did you progress from there?

Michael :  At the age of 6 years old I would go to the family piano and strike one note at a time and close my eyes to enjoy listening to the note arise and then slowly dissipate.  I could do that for long stretches of time.   I had a number of surgeries as a child and I realized at a very young age that this process was very healing and soothing for me.  I realize now as a psychologist it was a form of music therapy I was practicing – like meditation or self-hypnosis – a trance state if you like.  For me, all I know is it felt very sacred to me and could take me to another world.

Then the next turning point musically came when I was 9 years old when I heard my first live jazz at the local high school auditorium.  I was absolutely captivated by the drummer on his pearl white drum set electrifying the audience with his syncopated rhythmic playing.  My heart did a triple back flip with a double twist – I was just blown away !  I went home that night and announced I was going to be a drummer.  It didn’t go over too well – we were a quiet Catholic family – but I sat and practiced my drum pad for months until my parents saw I was serious enough and then one day relented and bought me my own white pearl set of drums that I just adored and played every chance I could get.  I had found rhythm and I was addicted !

Then at the age of 18 I bought my first Moog synthesizer.  That 6 year old that liked to plunk one note at a time was totally blown away with the sounds that came out of this synthesizer – WOW ! It was like a drug for me.  And not only could I generate a sound, but I could modulate it in all kinds of ways.  I became a dedicated synthesist for many years.  I always heard sounds within me that I have sometimes called the music of the spheres or the hum of God – and here was this keyboard that allowed me to explore to my heart’s content some really wild, far out sounds.

Then, at the age of 31 while heading out to enact a very traditional vision quest in Canada I heard a Native American Flute for the first time – and that took me to a whole other world.  There was something about the bittersweet, hauntingly familiar sound of the flute that took me to an even deeper place inside.  I had never played a wind instrument before and to make sound with your breath – well, there is nothing quite like it. What was different about the flute was I was in need of some profound healing – it helped me cry and grieve and slowly, but surely brought me back to life after suffering from what I have come to call ‘compassion fatigue’ after working with severe cases of child abuse and neglect for many years.  As a result, I’ve spent the last 16 years exploring a variety of ethnic and world percussion and aerophones into my music resulting in my last three commercially released albums, The River, Ocean and Siyotanka.

John :  Later in life you began your own private practice as a clinical psychologist and therapist, creating ONTOS, to help individuals and groups advance in life.  What are the principals, mission, and what led you to create ONTOS?

Michael :  ONTOS is the Greek word for Being.  Being is the most inclusive word in every language.  The verb ‘to be’ weaves its way in and out of every sentence and every moment.  It refers to the most mysterious essential core of who we are – our inmost Being.  For me Being refers to the wholeness that we already are when we connect to the truth that is in our hearts – which is our natural interrelatedness with each other, the natural world and the cosmos – ultimately to all things.

We are very lost today as a culture and a species.  We have lost our natural sense of being part and parcel of the earth and cosmos.  We have rather been taught the big lie of western culture that somehow we are different and superior to nature when in fact we are part and parcel of nature – we are a part of the web of life, not the owner or exploiter of it.

We are paying a dear price for that today – and we need this deeper wisdom of the interconnectedness of all beings to get back into a healthier alignment with the natural world and each other.   All human beings share 99.9 percent of the same DNA – only .1 percent accounts for all the differences between all people.

We are all truly brothers and sisters, siblings in the cosmos.  We even share 50 percent of the same DNA with Bananas! We are all connected with all living things.  The mission of Ontos is to know that people heal and get better when they begin to experience their connection to life, nature and each other in a more fundamental and profound way.

John :  Stress for the caregiver is always a result when providing treatment to patients, so how do you yourself regroup, after treating hospice, cancer patients, and abused or neglected children in your care?

Michael :  Music, meditation and time in nature.  I like to say my holy trinity is nature, creativity and spirituality.   They bring me back into alignment.  Another analogy I like to use is if I go to the river and get a bucket of water and bring it to people who are thirsty I have to be honest with myself when the bucket is empty and return to the river.

In this way, I remember that I am simply a fellow journey or who is all too human and I try very hard to remind myself to take care of myself in order to be of good to others.  I’ve burned out once before and am very sensitive about avoiding that again.  For this reason I limit my clinical work to three days a week – and try to keep 4 days a week open for my creative work.  This has been a really nice balance for me.  Creativity tends to put into my heart and soul what therapy takes out – and therapy tends to put in what creativity pulls out.  It’s like crop rotation – replenishing myself by alternating between being an artist and a healer.

John :   In your Healing Sound Series you began with The River,  which led to the Ocean album.  Your next in series will be titled Earth.  What led you to begin the series, and in what ways are the albums alike and what are some of the tonal differences in the series?

Michael :  Great question John.  The Healing Sound Series  arose from my desire to use music in a way that our ancient ancestors understood it’s use most – for healing.

Our culture is the only culture on the planet that has used music primarily as a form of entertainment.  To the ancient and indigenous cultures on our planet music was always used as a form of community building, ritual, meditation, prayer and most importantly, healing.  The medicine man or woman used music, dance and song to do their healing work.  This was the first inspiration for the  Healing Sound Series.

The second is that as a psychologist I  make sound tracks for relaxation tapes and visualization journeys for my clients and have for the last 25 years.  I wanted to challenge myself to use this music and make it available to massage therapists, acupuncturists, yoga teachers and meditation teachers on a larger basis.   It is also the desire of that 6 year old inside of me that still sees the miracle of life being how something arises and then disappears – perhaps it is an acknowledgement of the fleeting nature of life and how we each come into the world as a song and then must also eventually return to that place we came from.   The River actually arose out of my work with hospice patients and my belief that life is like a river – and that when we die – like the river – we just change form as we empty our being into the vastness of Being itself – the Ocean.

The Ocean became a natural follow-up to the The River – to explore this more formless place – the place from which the river comes from and to which it returns.  You see this whole mysterious process of living and dying just fascinates me to no end – and music has been an amazing vehicle for me to explore this fascination in a healing way – and it turns out has been healing to others as well – which gives me great joy.

John :  Your current release Ocean  is dedicated to hurricane survivors like yourself, and reflects on events that have happened in your life.  Do you mind telling about this past event, and what is your musical objective for you and the listener?

Michael :  The Ocean album documents a particularly tragic and painful time in my life after we lost our home during hurricane Ivan.  We had to move into the back of my office – my daughter was a senior in High School at a time.

Our lives were turned inside out and upside down when a 15 foot wall of water enveloped our whole neighborhood.  90 percent of the homes on our street were destroyed.  The place I taught my daughter to ride her bike, do her first cartwheel and build her playhouse – the place we called home would never be the same.

The water had always been a source of relaxation and peace for me – now it looked anything but – an ominous, unpredictable and dangerous force.  It really took me initially to a dark place – but it was out of this darkness that the music started to teach and heal me.  I started having dreams of swimming with dolphins, whales and strange underwater creatures.  The music really reveals that out of this darkness something beautiful comes.

John :  Siyotanka hit #1 and remained in the Top 20 chart for 6 months, you went on to win a Native American Music Award (NAMMY) in the Native Heart category, recently presented in Niagara falls.  This album is based on a story, so could you tell us the storyline, and theatrical aspects of  Siyotanka?

Michael :  Siyotanka  is the Lakota word for ‘flute’ and sometimes is translated as ‘great song’.  The legend of Siyotanka involves how the first Native American Flute came to be. It’s about a boy trying to find his place in the world.

He thinks he is to hunt and elk – but doesn’t have much success and on the way he is distracted by this hauntingly beautiful, ghost like music.  He follows the sound until he comes to a cedar tree that has had a branch hollowed out by termites.

There is a woodpecker who has hollowed out a number of holes in the branch and is jumping from one hole to the other and as he does the wind blows through the branch and creates this mysterious music.   He wants nothing more than to make this wood sing like that.  It takes time and many adventures – a vision quest, a dream of the spirit of the woodpecker and many other lessons, but finally he learns to make the wood sing.  He learns about humility, respect and listening deeply to Nature.

The story reminds us when we are lost and alone, feeling rejected and abandoned, if we look inside our hearts and find the song that is living there we can find our way even through the darkest of times.  How a piece of wood can be fashioned into a musical instrument instead of into a weapon – to bring peace instead of war, love instead of hate. Truly a story for our time.   The play itself was quite a production.  We had a 30 person production team with actors, crew, a beautiful set designed by my co-writer Stephen Lott who also did the ‘shield’ for the cover of the CD.  You can find much more about the legend and some of the story behind the music at www.siyotanka.com

 John :  You also are currently working on another album titled Voices, which explores new territory for you.  What can we expect from the Voices project?

Michael :  This is something I’m very excited about John.  Voices will be just that – nothing but human voices.  I have been working with my voice more and more – and I’ll be using multi-layering of my voice and perhaps some guess vocalists on this album and we hope it will be a wonderful addition to the  Healing Sound Series.

John :  In the past you have said nature inspires you the most.  What aspects of nature, and how does silence, and individual notes from beginning to end, play an integral role in what you want people to hear and experience in your music?

Michael :  My holy trinity is Nature, creativity and spirituality.  For me nature is God’s art.  When we immerse ourselves in nature we are putting ourselves in alignment with the creative infinity of the universe.  Nature has a way of not only healing us, but inspiring us.  To me the music of nature is the most profound.  There is an organic quality and rhythm to the sound of nature.  For me it’s the music of life itself.  I never tire of listening to the many sounds present in the natural world.  I say I get many of my best stuff from the feathered one’s (the birds)!

John :  The instruments you play are keyboards, synthesizer, indigenous flutes, percussion, claves, and other aerophones, but you consider yourself a flutist at heart.  Why is the flute your passion, and what are some of the varying tonal attributes in the indigenous flutes and percussion instruments used in your music?

Michael :  Yes, John, although I grew up playing keyboards and percussion – and fell in love with the synthesizer in my late teens and 20’s – I’ve come to realize I’m a flute player at heart.  There is something about using my breath to create music that connects me with the spirit-that-moves-in-all-things in a profound way.  I disappear into the music playing the flute like nothing else.  I close my eyes and it’s the closest thing I have ever experienced to flying.  I feel my spirit soar when I play – and it is a thrill and joy like no other for me.

John :  You have presently authored  3  personal growth books, and have stated a love for poetry having performed on stage with world renowned poets.  Could you tell us about the books you wrote, and some of your experiences as a recognized author and expressions as a poet?

Michael :  I have written 3 books.  The first Horns and Halos: Towards the Blessing of Darkness is more of an academic work.  This was published in 1992 and explores the terrain of love/hate relationships.  I was working with child abuse victims at the time – and I was trying to understand how loving relationships could turn so violent.  It was a way for me to make peace with much of the tragedy I was witnessed to for so many years in my early clinical work.

My second book, Ever Flowing On: On being and becoming oneself is a book for a general readership and was my first attempt to write less academically and more from the heart.  It includes the story of my first vision quest and my love of music and nature.  It is a personal growth book for the serious seeker.  It has also been called a wisdom book for the soul’s journey.  It is broken into 4 parts, The Source, The Abyss, The Quest and The Dance.  It was inspired by a dream where my grandmother came to me and asked me if I died tomorrow, what of value do I have to leave my daughter.  My goal was to write down what I felt was important in living a life.  It is a book that is near and dear to my heart – a labor of love ultimately for my daughter.

My last book is Moments, which is my first full length collection of poetry.  Next to music, poetry is my favorite form of expression.   It has always been a companion for me during dark times.  It was a great joy for me to play with Robert Bly and David Whyte, both of whom have inspired me creatively in many ways.  I can’t remember who said it, but the quote I love most about poetry is that in every poem the universe gives up a secret.  I really like that idea – and I personally experience it that way.  For me, life itself ultimately is a poem – and to live fully and well is to become an artist of life.

John :  Your achievements and experiences are just too numerous to list in this single interview Michael, so I wanted to give you an opportunity to tell our readers anything about yourself we haven’t covered in our interview.

Michael :  John, you have been so kind and generous with your words.  It’s an honor to be part of newagemusic.nu.  I guess the only other area I’d like to share about is that in addition to  Siyotanka  I have written another play, Café Mezzo that was produced and received wonderful reviews including best play of the year for the theatre it was produced in (The Loblolly Theatre).  I have also written a full length screenplay that I hope to see produced one day.  My greatest love is weaving music, words and images into meaningful and hopefully healing stories for the soul’s journey.  Stories and music have tremendous power to move us and transform us – so it is my hope in my creative work to add a bit of sanity and beauty to a world that is in desperate need of it.  I hope I can also inspire others to share their own creative expressions.  For me, the artist does for a culture, what a therapist does for an individual.  So ultimately all my work arises from the same inspiration and motivation – to heal and become more and more whole – individually and collectively.

John :  We wish the best for you as a Grammy nominee Michael. It’s been an honor to learn more about you while preparing, then conducting our interview together.  On behalf of our readers, thanks again and let’s keep in touch.

Michael :  Thank you so much John.  I have thoroughly enjoyed this interview and the depth and genuineness of your questions.  Yes, by all means let’s stay in touch  – it’s again a joy to be a part of newagemusic.nu!  Wishing you, your family and all your readers a blessed holiday season!

Visit Michael’s ontos.org website.  My album review of Ocean and related articles are on Michael’s page.

There is a footnote to this Interview.  Michael informed me that ZMR has placed his Ocean  album at the Top # 1 Recording for November 2009.  In addition, Improvijazzation has selected  Ocean  as their Best Ambient Album of the Year for 2008.  This is great news, and we are proud to present some of today’s top talents in the music industry to our readers.  Congratulations again Michael!  Photos are courtesy of ontos.org.

Katrina is a name that brings up vivid memories and sense of helplessness for all who witnessed the hurricane’s massive devastation and became the largest natural disaster in American history.

Michael Brant DeMaria, PH.D.  is a clinical psychologist, composing musician, poet, author, and dedicator of his Healing Sound Series to all hurricane survivors past, present, and future.  In his psychotherapy practice, Michael created ONTOS (  Greek for Being  ) to help people live more meaningful and effective lives, and his ambient music is designed as therapy to help assist survivors by easing their return to coastal living again.

While writing this review I learned  Michael was among those who lost their family home during the  2004 – 2005  hurricane seasons, so his therapy support does arrive from a first person perspective.

The River  began the Healing Sound Series, with  Ocean  second in the series based on over  25  years of personal and professional research in the fundamental principals of sonic healing techniques, helping survivors relax and return to a more peaceful existence through ambient sound techniques.

His third release  Siyotanka  won the Native American Music Award in the Native Heart category, being placed on the Grammy ballot for Best Native American Music Album, while retaining the  # 1  position on ZMR charts in February 2009.  His music, art, and poetry acquired  U.S.  recognition while gaining international acceptance in Australia, Europe, and Russia, touching the lives of many persons.

The Ocean album helps reclaim the natural bond we share with our greater oceanic waters, rejuvenating our vital relationship by interweaving calming ambient therapy, in a bright reflection that restores a more positive link with our mysterious, life sustaining hydrosphere.

Ocean  responds by calming ambiance and some unique blending of World & Contemporary instrumentals  of Native American flute, African Djembe, Middle Eastern Doumbek, Indian Sruti box and Aerophones.  More traditional keyboards, piano, and percussion also form the connection into  11  songs reflecting titles in the theme of our primarily blue planet.

Open Water  begins with a compelling quiet stillness, approaching more subtle moments before synthesizer starts the slow emergence into woodwinds equally calming approach, nicely illustrating the vast waters that comprise over seventy percent of the Earth.

Light ambient notes appear in  Moonlit Sea  to instill a moment of solitude before woodwind flute begins a comforting reflection by softer drawn out notes, generating a gentle shimmering effect like small surface ripples moving outward on top of peaceful waters.

Transformation  enters a flute prelude with graceful motions that show like soft sound waves quietly lapping against the shoreline and ambient notes soon appear like airy clouds that drift alongside bass percussion signaling an ancient rhythm. The distant chants put forth a revitalizing atmosphere while deeper tones give an impression of deep universal depths, before bringing the lighter theme back to the surface.

The commingling of deep and shallower notes are also heard in  Remember,  conveying soft chants and woodwinds while interacting with a deeper mesmerizing background, defining the chosen ambient theme for the album as a pleasant and relaxing one.

In Search Of Home  divulges into intrigue I felt was natural, enchanting, and just right for a final reflection about the Oceans since we enjoy, yet depend on them so much. Just like our hydrosphere which pretty much remains a universal unsolved mystery that completely surrounds us.

Visit Dr. Michael Brant DeMaria’s website at ontos.org.  Music can be sampled and purchased at ontosmusic.com here, or his CD Baby.com page here.

Picture copyright Bigstockphoto.com – argus456.

We will present an Interview with Michael Brant DeMaria PH.D. in the near future. John P. Olsen is preparing the in-depth questions to examine his expansive career as clinical psychologist, musician, public speaker, poet, and author.

In the Grammy Nomination Awards ceremony held on Thursday, December 2, 2009, Michael was among those honored by his nomination to the list of candidates for a prestigious Grammy Award, being the top award in the music industry.

Siyotanka is the release that placed his name in contention for the Best Native American Music Album. Upon hearing this outstanding news about Michael just hours ago, B T Fasmer and I wish him the very best, when the final winner is decided and the award is presented to one of the five equally deserving nominees.

Prior to this news release about Michael’s Grammy Nomination, his Siyotanka album, which tells a story in song, decisively won a coveted Native American Music Award, ( NAMA ) in the Native Heart category, winning a prestigious ( NAMMY ) of the many well respected contenders.

In his psychotherapy practice, Michael created ONTOS to help people live more meaningful and effective lives. His music therapy expertise was acquired by personal and professional research in the fundamental principals of ambient sound techniques, acquired throughout his 25 year professional career.

His Healing Sound Series began with The River, and second in series Ocean, are prescribed with a relaxing ambient concept to assist with life issues, or as stress relief to hurricane survivors, for which the Ocean album is dedicated.

Learn more about Dr. Michael Brant DeMaria before the Interview is posted, by visiting ontos.org here and his music store ontosmusic.com here. The current review of his Ocean album titled Oceanic living can be found on our pages dedicated to Michael Brant DeMaria. Congratulations on your Grammy Nomination Michael!

We receive a large number of CDs sent to us directly from artists, promoters, and producers, delivering a wide range of music to choose from, so we may present the best of what we can find for our readers wide variety of musical tastes.

9 Muses is a recent artist to send a modern mix for those who like New Age Alternative, with melodic female vocals and a lively rhythmic beat. While listening to the CD, my foot began to tap, and it occurred to me that a lively Pop influence could be added on the album description too, since mainstream audiences will like the modern day direction this album projects.

Feel to Heal is the title from 9 Muses and first in their Elements Series, that predicts more releases to follow from the artist, with this first 10 lyrical love songs belonging in the theme of 9 Greek mythological muses, whose purpose if to liberate the listeners artistic creations related to song, literature, and the arts.

Cool Water is a decorative ornamental song, with percussion and keyboard backing trendy vocals that are displayed as light and pleasant, along with a faster tempo snare drum and groove based instrumentation, giving a nice arrangement from this first muse.

The Moon Told Me is much like the first song by the alluring vocals, rhythmic pace, and lighter melody, but the Rock style guitar runs make a noticeable distinction between this first group of songs.

The middle tempo is maintained with In My Arms, carrying much of the modern day vocals and keyboard instrumentation patterned with a similar mindset. There are also some chic percussion enhancements like heard in The Man That Never Was, which vocalises lyrical connotations of a lost love and everything that embodies.

Master Mind starts out with a memorable beginning while posturing in slower, more anticipated vocals like heard in Not Love & Just to Dance With You. Bruised Tears is also among this song formation that changes the collective mood while also sustaining the engaging sensual theme. The intriguing lyrics behind compelling female vocals are joined with moderate percussion rhythms and synthesizer backgrounds to exhibit more casual surroundings.

The 9 Muses album title song Feel to Heal rebounds boldly by a brisk tempo and set in stone ( Dun da Dun da Dunt ) energy driven Groove rhythm, having a tantalizing pronunciation in keyboard delivery that generates attention right from the start. Percussion maintains this articulated faster tempo, while the elaborate xylophone runs intermingled with the vocals effectively add an interesting angle, becoming a nice touch to a vogue song having more of a Pop resemblance.

While Feel to Heal is not a classic New Age album there certainly is an audience that will appreciate this Contemporary Vocal blend, and you can be assured can always find music to fit a wide variety of musical tastes.

9 Muses does not have a website so sample Feel to Heal at CDBaby.com.